Genesis and Development of Tantrism
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St. John Vianney Catholic Community 401 Brassel Street Lockport, Illinois 60441 815-723-3291 Po Polsku 815-630-2745
St. John Vianney Catholic Community 401 Brassel Street Lockport, Illinois 60441 815-723-3291 www.sjvianneylockport.org Po Polsku 815-630-2745 Come Worship With Us In The Little Brown Church In The Fields Father Greg Podwysocki, Pastor Masses Confessions Tuesday - Friday 8:00 am Before Mass Saturday 8:00 am (Only on first Saturday) 4:15 pm Baptisms Call for appointment Sunday 7:00 am-Polish-Summer 9:30 am-English 11:30 am-Polish TODAY’S READINGS First Reading — Do not spend your life toil- ing for material gain (Ecclesiastes 1:2; 2:21- 23). Psalm — If today you hear his voice, harden not your hearts (Psalm 90). Second Reading — Christ has raised you to new life, so seek now what is above (Colossians 3:1-5, 9-11). Gospel — Be on guard against all greed, for your life does not consist of earthly posses- sions, but of the riches of the reign of God (Luke 12:13-21). The English translation of the Psalm Responses from Lectionary for Mass © 1969, 1981, 1997, Interna- tional Commission on English in the Liturgy Corporation. All rights reserved. Commission on English in the Liturgy Corporation. All rights reserved. 18th Sunday in Ordinary Time July 31, 2016 Confession Hours: LECTORS FOR NEXT WEEKEND: Saturday: 3:45 until 4:10pm Sat. 4:15 pm….Gwen Sun. 9:30 am….Mark Sunday: 9:10 until 9:25am 11:00 until 11:25am Think you might want to be a lector? Talk to Barb Dapriele 2nd Collection this weekend will be for Nuns Missions. Mass Intentions for the Week Saturday, July 30 at 4:15 p.m. -
Phase Iii Architecture and Sculpture from Taxila 6.1
CHAPTER SIX PHASE III ARCHITECTURE AND SCULPTURE FROM TAXILA 6.1 Introduction to the Phase III Developments in the Sacred Areas and Afonasteries ef Taxila and the Peshawar Basin A dramatic increase in patronage occurred across the Peshawar basin, Taxila, and Swat during phase III; most of the extant remains in these regions were constructed at this time. As devotional icons of Buddhas and bodhisattvas became increasingly popular, parallel trans formations occurred in the sacred areas, which still remained focused around relic stupas. In the Peshawar basin, Taxila, and to a lesser degree Swat, the widespread incorporation of large iconic images clearly reflects changes occurring in Buddhist practice. Although it is difficult to know how the sacred precincts were ritually used, modifications in the spatial organization of both sacred areas and monasteries provide some insight. Not surprisingly, the use and incorporation of devotional images developed regionally. The most dramatic shift toward icons is observed in the Peshawar basin and some of the Taxila sites. In contrast, Swat seemed to follow a different pattern, as fewer image shrines were fabricated and sacred areas were organized along different lines. This might reflect a lack of patronage; perhaps new sites following the Peshawar basin format were not commissioned because of a lack of resources. More likely, the Buddhist tradition in Swat was of a different character; some sites-notably Butkara I-show significant expansion following a uniquely Swati format. At a few sites in Swat, however, image shrines appear in positions analogous to those of the Peshawar basin; Nimogram and Saidu (figs. 109, 104) arc notable examples. -
Clothing Terms from Around the World
Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat. -
IV. the Chaplet, Or De Corona.380
0160-0220 – Tertullianus – De Corona The Chaplet, or De Corona this file has been downloaded from http://www.ccel.org/ccel/schaff/anf03.html ANF03. Latin Christianity: Its Founder, Tertullian Philip Schaff 93 IV. The Chaplet, or De Corona.380 ———————————— Chapter I. VERY lately it happened thus: while the bounty of our most excellent emperors381 was dispensed in the camp, the soldiers, laurel-crowned, were approaching. One of them, more a soldier of God, more stedfast than the rest of his brethren, who had imagined that they could serve two masters, his head alone uncovered, the useless crown in his hand—already even by that peculiarity known to every one as a Christian—was nobly conspicuous. Accordingly, all began to mark him out, jeering him at a distance, gnashing on him near at hand. The murmur is wafted to the tribune, when the person had just left the ranks. The tribune at once puts the question to him, Why are you so different in your attire? He declared that he had no liberty to wear the crown with the rest. Being urgently asked for his reasons, he answered, I am a Christian. O soldier! boasting thyself in God. Then the case was considered and voted on; the matter was remitted to a higher tribunal; the offender was conducted to the prefects. At once he put away the heavy cloak, his disburdening commenced; he loosed from his foot the military shoe, beginning to stand upon holy ground;382 he gave up the sword, which was not necessary either for the protection of our Lord; from his hand likewise dropped the laurel crown; and now, purple-clad with the hope of his own blood, shod with the preparation of the gospel, girt with the sharper word of God, completely equipped in the apostles’ armour, and crowned more worthily with the white crown of martyrdom, he awaits in prison the largess of Christ. -
Bab 2 Landasan Teori
BAB 2 LANDASAN TEORI 2.1. Tinjauan Umum 2.1.1. Letak Geografis Sumatra Barat Secara geografis, Provinsi Sumatera Barat terletak pada garis 00 54’ Lintang Utara sampai dengan 30 30’ Lintang Selatan serta 980 36’ – 1010 53’ Bujur Timur dengan luas wilayah 42.29730 Km2 atau 4.229.730 Ha. Luas perairan laut Provinsi Sumatera Barat kurang lebih 186.500 Km2 dengan jumlah pulau besar dan kecil sekitar 345 pulau. 2.1.2. Kedatangan Majapahit Di Minangkabau Pada tahun 1339 Adityawarman dikirim sebagai uparaja atau raja bawahan Majapahit, sekaligus melakukan beberapa penaklukan yang dimulai dengan menguasai Palembang. Kidung Pamacangah dan Babad Arya Tabanan menyebut nama Arya Damar sebagai bupati Palembang yang berjasa membantu Gajah Mada menaklukkan Bali pada tahun 1343. Menurut Prof. C.C. Berg, tokoh ini dianggapnya identik dengan Adityawarman. Setelah membantu Majapahit dalam melakukan beberapa penaklukan, pada tahun 1347 masehi atau 1267 saka, Adityawarman memproklamirkan dirinya sebagai Maharajadiraja dengan gelar Srimat Sri Udayadityawarman Pratapaparakrama Rajendra Mauli Warmadewa dan menamakan kerajaannya dengan namaMalayapura. Kerajaan ini merupakan kelanjutan dari Kerajaan Melayu sebelumnya, dan memindahkan ibukotanya dari Dharmasraya ke daerah pedalaman (Pagaruyung atau Suruaso). Dengan melihat gelar yang disandang Adityawarman, terlihat dia menggabungan beberapa nama yang pernah dikenal sebelumnya, Mauli merujuk garis keturunannya kepada bangsa Mauli penguasa Dharmasraya, dan gelar Sri Udayadityavarman pernah disandang salah seorang raja Sriwijaya serta menambahkah Rajendra nama penakluk penguasa Sriwijaya, raja Chola dari 3 4 Koromandel. Hal ini tentu sengaja dilakukan untuk mempersatukan seluruh keluarga penguasa di Swarnnabhumi. 2.1.3. Kerajaan Pagaruyung Masa Kebudayaan Islam Sultan Alif Khalifatullah naik tahta sekitar tahun 1560. Beliau merupakan raja (sultan) pertama di Kerajaan Pagaruyung yang memeluk agama Islam. -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000 -
APPENDIX ALCOTT, Louisa May
APPENDIX ALCOTT, Louisa May. American. Born in Germantown, Pennsylvania, 29 November 1832; daughter of the philosopher Amos Bronson Alcott. Educated at home, with instruction from Thoreau, Emerson, and Theodore Parker. Teacher; army nurse during the Civil War; seamstress; domestic servant. Edited the children's magazine Merry's Museum in the 1860's. Died 6 March 1888. PUBLICATIONS FOR CHILDREN Fiction Flower Fables. Boston, Briggs, 1855. The Rose Family: A Fairy Tale. Boston, Redpath, 1864. Morning-Glories and Other Stories, illustrated by Elizabeth Greene. New York, Carleton, 1867. Three Proverb Stories. Boston. Loring, 1868. Kitty's Class Day. Boston, Loring, 1868. Aunt Kipp. Boston, Loring, 1868. Psyche's Art. Boston, Loring, 1868. Little Women; or, Meg, Jo, Beth, and Amy, illustrated by Mary Alcott. Boston. Roberts. 2 vols., 1868-69; as Little Women and Good Wives, London, Sampson Low, 2 vols .. 1871. An Old-Fashioned Girl. Boston, Roberts, and London, Sampson Low, 1870. Will's Wonder Book. Boston, Fuller, 1870. Little Men: Life at Pluff?field with Jo 's Boys. Boston, Roberts, and London. Sampson Low, 1871. Aunt Jo's Scrap-Bag: My Boys, Shawl-Straps, Cupid and Chow-Chow, My Girls, Jimmy's Cruise in the Pinafore, An Old-Fashioned Thanksgiving. Boston. Roberts. and London, Sampson Low, 6 vols., 1872-82. Eight Cousins; or, The Aunt-Hill. Boston, Roberts, and London, Sampson Low. 1875. Rose in Bloom: A Sequel to "Eight Cousins." Boston, Roberts, 1876. Under the Lilacs. London, Sampson Low, 1877; Boston, Roberts, 1878. Meadow Blossoms. New York, Crowell, 1879. Water Cresses. New York, Crowell, 1879. Jack and Jill: A Village Story. -
Region Kabupaten Kecamatan Kelurahan Alamat Agen Agen Id Nama Agen Pic Agen Jaringan Kantor
REGION KABUPATEN KECAMATAN KELURAHAN ALAMAT AGEN AGEN ID NAMA AGEN PIC AGEN JARINGAN_KANTOR NORTHERN SUMATERA ACEEH UTARA DEWANTARA ULEE PULO GAMPONG ULEE PULO 213IB0107P000076 INDI CELL INDIRA MAYA RISWADANA PENSION LHOKSEUMAWE NORTHERN SUMATERA ACEEH UTARA SEUNUDDON ALUE CAPLI DUSUN MATANG ARON 213IB0115P000048 DUA PUTRA MANDIRI RATNA JELITA PENSION LHOKSEUMAWE NORTHERN SUMATERA ACEH BESAR BAITUSSALAM BAET DUSUN KRUENG CUT 213IA0115P000031 KIOS NASI IBU BETA SURYANI PENSION BANDA ACEH NORTHERN SUMATERA ACEH BESAR BAITUSSALAM BAET JL LAKSAMANA MALAHAYATI 213IA0115P000039 KIOS WARKOP PAYONG 1903 HERI DARMANSYAH PENSION BANDA ACEH NORTHERN SUMATERA ACEH BESAR BAITUSSALAM BAET JL LAKSAMANA MALAHAYATI 213IA0115P005130 MOCHY CELL ERNI PENSION BANDA ACEH NORTHERN SUMATERA ACEH BESAR BAITUSSALAM BAET JL LAKSAMANA MALAHAYATI 213IA0115P010046 KIOS ARRAHMAN ARAHMAN KAUNUS PENSION BANDA ACEH NORTHERN SUMATERA ACEH BESAR BAITUSSALAM BAET JL LAKSAMANA MALAHAYATI 213IA0115P000026 KIOS ZAIMAN ZAIMAN NURDIN S.PT PENSION BANDA ACEH NORTHERN SUMATERA ACEH BESAR BAITUSSALAM CADEK JL LAKSAMANA MALAHAYATI 213IA0115P010008 ARITA NEW STEEL MASRI PENSION BANDA ACEH NORTHERN SUMATERA ACEH BESAR BAITUSSALAM CADEK JL LAKSAMANA MALAHAYATI 213IA0115P005091 USAHA HIJRAH SYAIF ANNUR PENSION BANDA ACEH NORTHERN SUMATERA ACEH BESAR BAITUSSALAM CADEK JL MALAHAYATI 213IA0115P005080 USAHA BARU T ISKANDAR PENSION BANDA ACEH NORTHERN SUMATERA ACEH BESAR BAITUSSALAM CADEK JL. LAKSAMANA MALAHAYATI 213IA0115P000004 PUTRA MAMA ANWARDI PENSION BANDA ACEH NORTHERN SUMATERA ACEH -
A DICTIONARY of SYMBOLS, Second Edition
A DICTIONARY OF SYMBOLS A DICTIONARY OF SYMBOLS Second Edition by J. E. CIRLOT Translated from the Spanish by JACK SAGE Foreword by Herbert Read LONDON Translated from the Spanish DICCIONARIO DE SIMBOLOS TRADICIONALES This edition published in the Taylor & Francis e-Library, 2001. English translation © Routledge & Kegan Paul Ltd 1962 Second edition 1971 All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data available. ISBN 0–415–03649–6 (Print Edition) ISBN 0-203-13375-7 Master e-book ISBN ISBN 0-203-18928-0 (Glassbook Format) CONTENTS FOREWORD page ix INTRODUCTION xi DICTIONARY 1 BIBLIOGRAPHY OF PRINCIPAL SOURCES 387 ADDITIONAL BIBLIOGRAPHY 389 INDEX 401 PLATES Between pages 104 and 105 I. Roman sculpture incorporating symbolic motifs II. Modesto Cuixart. Painting, 1958 III. Portal of the church of San Pablo del Campo, Barcelona IV. Silver chalice, from Ardagh, Co. Longford V. Tenth-century monument at Clonmacnois VI. Chinese version of the cosmic dragon VII. A renaissance relief, from the Doge’s Palace at Venice VIII. Capitals, monastery of Santo Domingo de Silos IX. Early Christian Symbol—thirteenth-century gravestone X. Gothic fountain—Casa del Arcediano, Barcelona XI. Giorgione, The Storm XII. Roman statue of the Twins XIII. Gothic Miniature of The Apparition of the Holy Grail XIV. Bosch, Garden of Delights XV. Portal of the Romanesque cathedral at Clonfert, Co. -
BAB I PENDAHULUAN 1.1. Latar Belakang Penelitian Kabupaten
BAB I PENDAHULUAN 1.1. Latar Belakang Penelitian Kabupaten Dharmasraya dengan ibukota Pulau Punjung adalah salah satu Kabupaten di Sumatera Barat yang berada di persimpangan jalur lintas Sumatera yang menghubungkan antara Padang, Pekanbaru hingga Jambi. Terletak di ujung tenggara Sumatera Barat antara 00 47’ 7” LS – 10 41’56” LS & 1010 9’ 21” BT- 1010 54’ 27” BT. Kondisi dan topografi Kabupaten Dharmasraya mayoritas merupakan lahan datar dengan ketinggian dari 82 meter sampai 1.525 meter dari permukaan laut. Sebelah utara Kabupaten Dharmasraya berbatasan dengan Kabupaten Sijunjung dan Provinsi Riau, sebelah selatan dan di sebelah timur berbatasan dengan Provinsi Jambi sedangkan di sebelah Barat dengan Kabupaten Solok dan Kabupaten Solok Selatan. Dharmasraya merupakan salah satu Kabupaten yang terdapat di Provinsi Sumatera Barat, yang juga merupakan Kabupaten paling muda di Provinsi Sumatera Barat. Kabupaten ini dibentuk berdasarkan Undang-Undang No.38 Tahun 2003. Secara geografi Kabupaten Dharmasraya berada di ujung tenggara Provinsi Sumatera Barat dengan topografi daerah bervariasi antara berbukit, bergelombang dan datar dengan variasi ketinggian dari 100 m – 1.500 m di atas permukaan laut. Kabupaten Dharmasraya berkembang sebagai salah satu penghasil kelapa sawit dan karet, dan dua tanaman inilah yang menyumbang pendapatan daerah paling besar bagi Dharmasraya, sehingga ia merasa mampu 1 untuk menjadi Kabupaten sendiri memisahkan diri dari Kabupaten Sawahlunto Sijunjung Nama Dharmasraya sendiri tentu tidak begitu asing di telinga kita dikarenakan Dharmasraya merupakan Ibukota Kerajaan Melayu di Swharnabhumi atau yang biasa kita ketahui sebagai Sumatra. Lalu jika kita mengkaji lebih dalam maka akan kita temui hubungan antara Kerajaan Dharmasraya dan juga Kabupaten Dharmasraya yang tidak lain merupakan wilayah Kerajaan Dharmasraya itu sendiri. -
Selintas Prasasti Dari Melayu Kuno
Selintas Prasasti dari Melayu Kuno Departemen Kebudayaan dan Pariwisata Direktorat Jenderal Sejarah dan Purbakala Direktorat Peninggalan Purbakala BALAI PELESTARIAN PENINGGALAN PURBAKALA BATUSANGKAR Wilayah Kerja Provinsi Sumatera Barat, Riau, dan Kepulauan Riau Selintas P r a s a s t i dari Melayu Kuno Penanggung jawab : Drs. Marsis Sutopo, M.Si. Penulis : Drs. Budi Istiawan Desain Sampul & Tata Letak : Sri Sugiharta, S.S. Penerbit : Balai Pelestarian Peninggalan Purbakala Batusangkar [Wilayah Kerja Provinsi Sumatera Barat dan Riau] Cetakan : I Tahun : 2006 Copyright © Balai Pelestarian Peninggalan Purbakala Batusangkar ii Batusangkar |kata pengantar | alai Pelestarian Peninggalan Purbakala Batusangkar merupakan Unit Pelaksana Teknis (UPT) Departemen Kebudayaan dan Pariwisata yang Bmempunyai wilayah kerja di Provinsi Sumatera Barat, Riau, dan Kepulauan Riau. Secara struktural, Balai Pelestarian Peninggalan Purbakala Batusangkar berada di bawah Direktorat Peninggalan Purbakala, Direktorat Jenderal Sejarah dan Purbakala, Departemen Kebudayaan dan Pariwisata. Sebagai instansi pemerintah yang membidangi kebudayaan, khususnya yang berkenaan dengan pelestarian peninggalan purbakala, Balai Pelestarian Peninggalan Purbakala Batusangkar mempunyai program untuk mempublikasikan hasil inventarisasi peninggalan-peninggalan purbakala, baik yang sudah ditetapkan maupun yang belum ditetapkan sebagai benda cagar budaya. Langkah ini sebagai salah satu upaya dalam rangka pelestarian peninggalan-peninggalan purbakala tersebut. Publikasi sebagai salah satu -
The Geography of Gandhāran Art
The Geography of Gandhāran Art Proceedings of the Second International Workshop of the Gandhāra Connections Project, University of Oxford, 22nd-23rd March, 2018 Edited by Wannaporn Rienjang Peter Stewart Archaeopress Archaeology Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978-1-78969-186-3 ISBN 978-1-78969-187-0 (e-Pdf) DOI: 10.32028/9781789691863 © Archaeopress and the individual authors 2019 All rights reserved. No part of this book may be reproduced or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. This book is available direct from Archaeopress or from our website www.archaeopress.com Contents Acknowledgements ������������������������������������������������������������������������������������������������������������������������iii Editors’ note �����������������������������������������������������������������������������������������������������������������������������������iii Contributors ����������������������������������������������������������������������������������������������������������������������������������� iv Preface ������������������������������������������������������������������������������������������������������������������������������������������� ix Wannaporn Rienjang and Peter Stewart Part 1 Artistic Geographies Gandhāran art(s): methodologies and preliminary results of a stylistic analysis ������������������������� 3 Jessie Pons