MEDIA RELEASE June 11, 2004 for Immediate Release Editorial Contact: Denise Meyer [email protected] (For Editorial Use Only)
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The Manatee PIANO MUSIC of the Manatee BERNARD
The Manatee PIANO MUSIC OF The Manatee BERNARD HOFFER TROY1765 PIANO MUSIC OF Seven Preludes for Piano (1975) 15 The Manatee [2:36] 16 Stridin’ Thru The Olde Towne 1 Prelude [2:40] 2 Cello [2:47] During Prohibition In Search Of A Drink [2:42] 3 All Over The Piano [1:21] Randall Hodgkinson, piano 4 Ships Passing [4:12] (2014) BERNARD HOFFER 5 Prelude [1:24] Events & Excursions for Two Pianos 6 Calypso [3:52] 17 Big Bang Theory [3:15] 7 Franz Liszt Plays Ragtime [3:28] 18 Running [3:19] Randall Hodgkinson, piano 19 Wexford Noon [2:29] 20 Reverberations [3:12] Nine New Preludes for Piano (2016) 21 On The I-93 [2:23] Randall Hodgkinson & Leslie Amper, pianos 8 Undulating Phantoms [1:08] BERNARD HOFFER 9 A Walk In The Park [2:39] 10 Speed Chess [2:17] 22 Naked (2010) [5:05] Randall Hodgkinson, piano 11 Valse Sentimental [3:30] 12 Rabbits [1:06] Total Time = 60:03 13 Spirals [1:40] 14 Canon Inverso [1:44] PIANO MUSIC OF TROY1765 WWW.ALBANYRECORDS.COM TROY1765 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2019 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. The Manatee PIANO MUSIC OF The Manatee BERNARD HOFFER WWW.ALBANYRECORDS.COM TROY1765 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. -
University Symphony Orchestra "Encounters"
FierbergerCollegeYEARS of Fine Arts University Symphony Orchestra "Encounters" Timothy Russell, conductor Mischa Semanitzky and Gunther Schuller, guest conductors Kimberly Marshall, organ David Ballou, trumpet Seamus Blake, tenor saxophone Allan Chase, alto saxophone With the ASU Concert Jazz Band School of Music Herberger College of Fine Arts Arizona State University Friday, September 17, 2004 7:30 p.m. Gammage Auditorium ARIZONA STATE M UNIVERSITY Program Overture to Nabucco Giuseppe Verdi (1813 — 1901) Timothy Russell, conductor Symphony No. 3 (Symphony — Poem) Aram ifyich Khachaturian (1903 — 1978) Allegro moderato, maestoso Allegro Andante sostenuto Maestoso — Tempo I (played without pause) Kimberly Marshall, organ Mischa Semanitzky, conductor Intermission Remarks by Dean J. Robert Wills Remarks by Gunther Schuller Encounters (2003) Gunther Schuller (b.1925) I. Tempo moderato II. Quasi Presto III. Adagio IV. Misterioso (played without pause) Gunther Schuller, conductor *Out of respect for the performers and those audience members around you, please turn all beepers, cell phones and watches to their silent mode. Thank you. Program Notes Symphony No. 3 – Aram Il'yich Khachaturian In November 1953, Aram Khachaturian acted on the encouraging signs of a cultural thaw following the death of Stalin six months earlier and wrote an article for the magazine Sovetskaya Muzika pleading for greater creative freedom. The way forward, he wrote, would have to be without the bureaucratic interference that had marred the creative efforts of previous years. How often in the past, he continues, 'have we listened to "monumental" works...that amounted to nothing but empty prattle by the composer, bolstered up by a contemporary theme announced in descriptive titles.' He was surely thinking of those countless odes to Stalin, Lenin and the Revolution, many of them subdivided into vividly worded sections; and in that respect Khachaturian had been no less guilty than most of his contemporaries. -
Boston Symphony Orchestra Concert Programs, Summer, 1963-1964
-•-'" 8ft :: -'•• t' - ms>* '-. "*' - h.- ••• ; ''' ' : '..- - *'.-.•..'•••• lS*-sJ BERKSHIRE MUSIC CENTER see ERICH LEINSDORF, Director Contemporary JMusic Presented under the Auspices of the Fromm zMusic Foundation at TANGLEWOOD 1963 SEMINAR in Contemporary Music Seven sessions will be given on successive Friday afternoons (at 3:15) in the Chamber Music Hall. Four of these will precede the four Fromm Fellows' Concerts, and will consist of a re- hearsal and lecture by the Host of the following Monday Fromm Concert. July 12 AARON COPLAND July 19 GUNTHER SCHULLER July 26 I Twentieth Century Piano Music PAUL JACOBS August 2 YANNIS XENAKIS j August 9 Twentieth Century Choral Music ALFRED NASH PATTERSON & LORNA COOKE de VARON August 16 I LUKAS FOSS August 23 Round Table Discussion of Contemporary Music Yannis Xenakis, Gunther Schuller and lukas foss Composers 9 Forums There will be four Composers' Forums in the Chamber Music Hall: Wednesday, July 24 at 4:00 ] Thursday, August 1 at 8:00 Wednesday, August 7 at 4:00 Thursday, August 15 at 8:00 FROMM FELLOWS' CONCERTS Theatre-Concert Hall Four Monday Evenings at 8:00 'Programs JULY 15 AUGUST 5 AARON COPLAND, Host YANNIS XENAKIS, Host Varese Octandre (1924) Boulez ...Improvisations sur Mallarme, Copland Sextet (1937) No. 2 Chavez Soli (1933) Philippot ...Variations Schoenberg String Quartet No. 2, Op. 10 Mdcbe .. ..Canzone II (1908) Brown, E ...Pentathis Stravinsky Ragtime for Eleven Instruments Marie, E... Polygraphie-Polyphonique (1918) J. Ballif,C ...Double Trio, 35, Nos. 2 and 3 Milhaud... L'Enlevement d'Europe — Op. Xenakis Achorripsis Opera minute (1927) JULY 22 AUGUST 19 GUNTHER SCHULLER, Host LUKAS FOSS, Host Ives Chromatimelodtune Paz .Dedalus, 1950 Schoenberg Herzgewacb.se Goehr... -
MUNI 20101013 Piano 02 – Scott Joplin, King of Ragtime – Piano Rolls
MUNI 20101013 Piano 02 – Scott Joplin, King of Ragtime – piano rolls An der schönen, blauen Donau – Walzer, op. 314 (Johann Strauss, Jr., 1825-1899) Wiener Philharmoniker, Carlos Kleiber. Musikverein Wien, 1. 1. 1989 1 intro A 1:38 2 A 32 D 0:40 3 B 16 A 0:15 4 B 16 0:15 5 C 16 D 0:15 6 C 16 0:15 7 D 16 Bb 0:17 8 C 16 D 0:15 9 E 16 G 0:15 10 E 16 0:15 11 F 16 0:14 12 F 16 0:13 13 modul. 4 ►F 0:05 14 G 16 0:20 15 G 16 0:18 16 H 16 0:14 17 H 16 0:15 18 10+1 ►A 0:10 19 I 16 0:17 20 I 16 0:16 21 J 16 0:13 22 J 16 0:13 23 16+2 ►D 0:16 24 C 16 0:15 25 16 ►F 0:15 26 G 14 0:17 27 11 ►D 0:10 28 A 0:39 29 A1 16 0:16 30 A2 0:12 31 stretta 0:10 The Entertainer (Scott Joplin) (copyright John Stark & Son, Sedalia, 29. 12. 1902) piano roll Classics of Ragtime 0108 32 intro 4 C 0:06 33 A 16 0:23 34 A 16 0:23 35 B 16 0:23 36 B 16 0:23 37 A 16 0:23 38 C 16 F 0:22 39 C 16 0:22 40 modul. 4 ►C 0:05 41 D 16 0:22 42 D 16 0:23 43 The Crush Collision March (Scott Joplin, 1867/68-1917) 4:09 (J. -
Rehearing Beethoven Festival Program, Complete, November-December 2020
CONCERTS FROM THE LIBRARY OF CONGRESS 2020-2021 Friends of Music The Da Capo Fund in the Library of Congress The Anne Adlum Hull and William Remsen Strickland Fund in the Library of Congress (RE)HEARING BEETHOVEN FESTIVAL November 20 - December 17, 2020 The Library of Congress Virtual Events We are grateful to the thoughtful FRIENDS OF MUSIC donors who have made the (Re)Hearing Beethoven festival possible. Our warm thanks go to Allan Reiter and to two anonymous benefactors for their generous gifts supporting this project. The DA CAPO FUND, established by an anonymous donor in 1978, supports concerts, lectures, publications, seminars and other activities which enrich scholarly research in music using items from the collections of the Music Division. The Anne Adlum Hull and William Remsen Strickland Fund in the Library of Congress was created in 1992 by William Remsen Strickland, noted American conductor, for the promotion and advancement of American music through lectures, publications, commissions, concerts of chamber music, radio broadcasts, and recordings, Mr. Strickland taught at the Juilliard School of Music and served as music director of the Oratorio Society of New York, which he conducted at the inaugural concert to raise funds for saving Carnegie Hall. A friend of Mr. Strickland and a piano teacher, Ms. Hull studied at the Peabody Conservatory and was best known for her duets with Mary Howe. Interviews, Curator Talks, Lectures and More Resources Dig deeper into Beethoven's music by exploring our series of interviews, lectures, curator talks, finding guides and extra resources by visiting https://loc.gov/concerts/beethoven.html How to Watch Concerts from the Library of Congress Virtual Events 1) See each individual event page at loc.gov/concerts 2) Watch on the Library's YouTube channel: youtube.com/loc Some videos will only be accessible for a limited period of time. -
Aspects of Jazz and Classical Music in David N. Baker's Ethnic Variations
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2002 Aspects of jazz and classical music in David N. Baker's Ethnic Variations on a Theme of Paganini Heather Koren Pinson Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Music Commons Recommended Citation Pinson, Heather Koren, "Aspects of jazz and classical music in David N. Baker's Ethnic Variations on a Theme of Paganini" (2002). LSU Master's Theses. 2589. https://digitalcommons.lsu.edu/gradschool_theses/2589 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. ASPECTS OF JAZZ AND CLASSICAL MUSIC IN DAVID N. BAKER’S ETHNIC VARIATIONS ON A THEME OF PAGANINI A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Music in The School of Music by Heather Koren Pinson B.A., Samford University, 1998 August 2002 Table of Contents ABSTRACT . .. iii INTRODUCTION . 1 CHAPTER 1. THE CONFLUENCE OF JAZZ AND CLASSICAL MUSIC 2 CHAPTER 2. ASPECTS OF MODELING . 15 CHAPTER 3. JAZZ INFLUENCES . 25 BIBLIOGRAPHY . 48 APPENDIX 1. CHORD SYMBOLS USED IN JAZZ ANALYSIS . 53 APPENDIX 2 . PERMISSION TO USE COPYRIGHTED MATERIAL . 54 VITA . 55 ii Abstract David Baker’s Ethnic Variations on a Theme of Paganini (1976) for violin and piano bring together stylistic elements of jazz and classical music, a synthesis for which Gunther Schuller in 1957 coined the term “third stream.” In regard to classical aspects, Baker’s work is modeled on Nicolò Paganini’s Twenty-fourth Caprice for Solo Violin, itself a theme and variations. -
Gunther Schuller Memorial Concert SUNDAY NOVEMBER 22, 2015 3:00 Gunther Schuller Memorial Concert in COLLABORATION with the NEW ENGLAND CONSERVATORY
Gunther Schuller Memorial Concert SUNDAY NOVEMBER 22, 2015 3:00 Gunther Schuller Memorial Concert IN COLLABORATION WITH THE NEW ENGLAND CONSERVATORY SUNDAY NOVEMBER 22, 2015 3:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY GAMES (2013) JOURNEY INTO JAZZ (1962) Text by Nat Hentoff THE GUARDIAN Featuring the voice of Gunther Schuller Richard Kelley, trumpet Nicole Kämpgen, alto saxophone MURDO MACLEOD, MURDO MACLEOD, Don Braden, tenor saxophone Ed Schuller, bass George Schuller, drums GUNTHER SCHULLER INTERMISSION NOVEMBER 22, 1925 – JUNE 21, 2015 THE FISHERMAN AND HIS WIFE (1970) Libretto by John Updike, after the Brothers Grimm Sondra Kelly Ilsebill, the Wife Steven Goldstein the Fisherman David Kravitz the Magic Fish Katrina Galka the Cat Ethan DePuy the Gardener GIL ROSE, Conductor Penney Pinette, Costume Designer Special thanks to the Sarah Caldwell Collection, Howard Gotlieb Archival Research Center at Boston University. Support for this memorial concert is provided in part by the Amphion Foundation, the Wise Family Charitable Foundation, and the Koussevitzky Music Foundation. THE FISHERMAN AND HIS WIFE Setting: A seaside, legendary times Scene i A humble hut, with net curtains and a plain stool; dawn Scene ii Seaside; water sparkling blue, sky dawn-pink yielding to fair blue Scene iii The hut; lunchtime Scene iv Seaside; sea green and yellow, light faintly ominous Scene v A cottage, with a pleasant garden and velvet chair Scene vi Seaside; water purple and murky blue, hint of a storm Scene vii A castle, with a great rural vista, tapestries, and an ivory canopied bed CLIVE GRAINGER CLIVE Scene viii Seaside; water dark gray, definite howling of sullen wind Scene ix Flourishes and fanfares of brass THIS AFTERNOON’S PERFORMERS Scene x Seaside; much wind, high sea and tossing, sky red along edges, red light suffuses FLUTE TRUMPET HARP Kay Rooney Matthews Sarah Brady Terry Everson Amanda Romano Edward Wu Scene xi OBOE TROMBONE ELECTRIC GUITAR Nicole Parks Jennifer Slowik Hans Bohn Jerome Mouffe VIOLA Scene xii Seaside; storm, lightning, sea quite black. -
String Music by Women Composers Anna Cromwell, Violin Lisa Nelson, Violin and Viola Mira Frisch, Cello
The Department of Music presents The Faculty & Friends Concert Series String Music by Women Composers Anna Cromwell, violin Lisa Nelson, violin and viola Mira Frisch, cello Relays: a duet for two violins Rain Worthington A Dance of Two: duet for two violins Elegy: for violin and cello Adrienne Albert String Trio Julie Mandel I. Contentment II. Longing III. Joyous Dancing on Glass Victoria Bond This concert is sponsored in part by a 2017 Seed Grant from the New York Women Composers. Rowe Recital Hall Monday, September 18, 2017 | 7:30 pm arts.uncc.edu Program Note Dancing on Glass is based on the Chinese folk song Liu Yang River. This song has a fascinating history. It originates from the Hunan Province and was a favorite of street musicians who often sang it accompanied by a drum. However, it became the melody of a famous patriotic song celebrat- ing the most well-known citizen who came from the Hunan province, Mao Ze-Dong. The song makes reference to the nine turns that the Liu Yang River makes before it flows into the lake which is its final destination. Because this work was commissioned by The Jade String Trio, I decided to use both the melodic contour of the folk song and the number 3 as the basic materials. There are 9 sections, consisting of 3 solos, 3 duets and 3 trios. The title derives from the dance of light on the surface of the glass- like river. The sections which flow into each other without a break reflect the changing character of the river as follows: 1. -
FOR IMMEDIATE RELEASE UPDATED October 22, 2014 October 14, 2014 Contact: Katherine E
FOR IMMEDIATE RELEASE UPDATED October 22, 2014 October 14, 2014 Contact: Katherine E. Johnson (212) 875-5718; [email protected] JAAP VAN ZWEDEN TO RETURN TO THE PHILHARMONIC TO CONDUCT TWO PROGRAMS ACTING CONCERTMASTER SHERYL STAPLES and PRINCIPAL VIOLA CYNTHIA PHELPS To Perform MOZART’s Sinfonia concertante for Violin and Viola Program Also To Include SHOSTAKOVICH’s Symphony No. 8 November 20–22, 2014 HILARY HAHN To Perform KORNGOLD’s Violin Concerto Program Also To Include J. WAGENAAR’s Cyrano de Bergerac Overture and BEETHOVEN’s Symphony No. 7 Saturday Matinee Concert To Feature Dvořák’s Wind Serenade Performed by Philharmonic Musicians November 26 and 28–29, 2014 Jaap van Zweden — music director of the Dallas Symphony Orchestra and Hong Kong Philharmonic as well as former concertmaster of Amsterdam’s Royal Concertgebouw Orchestra — will return to the New York Philharmonic for the first time since his debut in April 2012 to conduct two weeks of concerts. In the first program, Mr. van Zweden will conduct Mozart’s Sinfonia concertante for Violin and Viola, featuring Acting Concertmaster Sheryl Staples and Principal Viola Cynthia Phelps, and Shostakovich’s Symphony No. 8, Thursday, November 20, 2014, at 7:30 p.m.; Friday, November 21 at 2:00 p.m.; and Saturday, November 22 at 8:00 p.m. The following week, Mr. van Zweden will lead the Orchestra in Korngold’s Violin Concerto, with Hilary Hahn as soloist; Beethoven’s Symphony No. 7; and J. Wagenaar’s Cyrano de Bergerac Overture, marking the Philharmonic’s first time performing the work, Wednesday, November 26, 2014, at 7:30 p.m.; Friday, November 28 at 8:00 p.m.; and Saturday, November 29 at 8:00 p.m. -
GUNTHER SCHULLER NEA Jazz Master (2008)
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. GUNTHER SCHULLER NEA Jazz Master (2008) Interviewee: Gunther Schuller (November 22, 1925 - ) Interviewer: Steve Schwartz with recording engineer Ken Kimery Date: June 29-30, 2008 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 87 pp. Schwartz: This is Steve Schwartz from WGBH radio in Boston. We’re at the home of Gunther Schuller on Dudley Road in Newton Centre, Massachusetts, to do an oral history for the Smithsonian Oral History Jazz Program, if that’s the right title. Close enough? Hello Gunther. Schuller: Hello. Good to see you. Schwartz: Thank you for opening your doors to us. We should start at the beginning, or as far back to the beginning as we can go. I’d love to have you talk about your childhood, your growing up in New York, and whatever memories you have – your parents, who they are, who they were – things like that to get us started. Schuller: I was born in New York. Many people think I was born in Germany, with my German name and I speak fluent German, but I was born in New York City. My parents came over from Germany in 1923. They were not married. They didn’t know each other. They just happened to leave more or less the same time, when the inflation in Germany was so crazy that a loaf of bread cost not 40, 400, 4,000, but 4-million marks. -
SIXTH STREET at CONSTITUTION AVENUE NW WASHINGTON DC 20565 • Republic 7-4215 Extension Twenty-First American Music Festival Wi
SIXTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 • REpublic 7-4215 extension FOR IMMEDIATE RELEASE TWENTY-FIRST AMERICAN MUSIC FESTIVAL AT THE NATIONAL GALLERY OF ART WASHINGTON, D. C. April 23, 196U: John Walker, Director of the National Gallery of Art, announced today that the Gallery's Twenty-first American Music Festival will be presented on successive Sunday evenings from May 3rd through June ?th. Six concerts will be played, including orchestral, piano, and chamber music. The series is under the general direction of Richard Bales who will conduct the National Gallery Orchestra in two of the programs. These concerts will be given in the East Garden Court, beginning at 8 P. M. There is no admission charge, and tickets and reservations are not required. The Festival will be broadcast in its entirety by Station WGMS, Washington1 s Good Music Station. Programs and participating artists follow. MORE - 2 » NATIONAL GALLERY OF ART TWENTY-FIRST AMERICAN MUSIC FESTIVAL ____Concert, Sunday, May 3 S I96h s 8 p. m. ALABAMA QUARTET Wallingford Riegger Quartet No. 2 S Opus 1+3 (191+8) Ross Lee Finney « Eighth String Quartet (1961) Vincent Persichetti * Third String Quartet in One Movement, Opus 81 (1959) Alvin Etler * String Quartet (1963) 956th Concert,^ Sunday., May 10, 1961+.. 8 p. m, DAVID BURGE, PIANIST Irvin Brusletten * Nine Haiku (i960) David Surge Second Piano Sonata (1953) Aaron Copland Piano Variations (1930) Salvatore Martirano * Cocktail Music (1962) George Rochberg Twelve Bagatelles (1952) Dennis Riley * Piano Piece No. Is Six Canonic Variations (1963) Vincent Persichetti Ninth Piano Sonata (1952) 957th Concert;, Sunday, May 1? s 1961+j, 8 p. -
Boston Symphony Orchestra Concert Programs, Season 123, 2003
20032004 SEASON ' 1 . BOSTON SYM PHONY ORCHESTRA *, m** JAMES LEVINE MUSIC DIRECTOR DESIGNATE BERNARD HAITINK PRINCIPAL GUEST C UCTOR SEIJI OZAWA MUSIC DIRECTOR LAUREATE Invite the entire string section for cocktails. With floor plansfrom 2,300 to over Phase One of this 5,000 square feet, you can entertain magnificent property is in grand style at Longyear. 100% sold and occupied. Enjoy 24-hour concierge service, Phase Two is now under con- single-floor condominium living struction and being offered by at its absolute finest, all Sotheby's International Realty & harmoniously located on Hammond Residential Real Estate an extraordinary eight- GMAC. Priced from $1,500,000. acre gated community atop prestigious Call Hammond at (617) 731-4644, Fisher Hill ext. 410. LONGYEAR a/ Lf/sAer Jrill BROOKLINE Landry&Arcari ORIENTAL RUGS & CARPETING Your Source for Knowledge, Inspiration & Value Since 1938 Salem 333 Stuart St. www.landryandarcari.com Route 1A 617-399-6500 Open 7 Days 800-649-5909 3*S mBSHHh^ James Levine, Music Director Designate ^>,^ Bernard Haitink, Principal Guest Conductor Seiji Ozawa, Music Director Laureate 123rd Season, 2003-2004 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman John F. Cogan, Jr., Vice-Chairman Robert P. O'Block, Vice-Chairman Nina L. Doggett, Vice-Chairman Roger T. Servison, Vice-Chairman Ed Linde, Vice-Chairman Vincent M. O'Reilly, Treasurer Harlan E. Anderson Diddy Cullinane, Edna S. Kalman Edward I. Rudman George D. Behrakis ex-officio George Krupp Hannah H. Schneider Gabriella Beranek William R. Elfers R. Willis Leith, Jr. Thomas G. Sternberg Jan Brett Nancy J. Fitzpatrick Nathan R.