Boston Symphony Orchestra Concert Programs, Season 125, 2005

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, Season 125, 2005 HEnr Tap, tap, tap. The final movement is about to begin. I 7>z £/ze heart of This unique and- this eight-acre gated final phase is priced^ community, at the ^5r^«L from $1,625 million pinnacle of Fisher Hill, to $6.6 million. the original Manor will be trans- For an appointment to view- formed into five estate-sized luxury this grand finale, please call condominiums ranging from 2,052 Hammond GMAC Real Estate to a lavish 6,650 square feet of at 617-731-4644, ext. 410. old world charm with today's ultra-modern comforts. LONGYEAFL a/ Eisner Jfilf BROOKLINE www.longyearestates.com CORT'LAND V - PROPERTIES INC. m SHI 91! ^.rJK n-HlWl-'ATg':! ^•MmOBK 1 ^K£^3 r:^-m V The path to recovery., 5 ^McLean Hospital «ff **Fbe nation's top psychiatric hospital. U.S. News & Wbr/d Report ~ " •*(&3& Si 1 : # » - ' * i; -- fi::BD::BS:Jl -» 'IWI^ ! V V.A: HF;'.- *»^ » -^^s The Pavilion at McLean Hospital ^pf75^ Unparalleled psychiatric evaluation and treatment Unsurpassed discretion and service r Belmont, Massachusetts 6 1 7/855-3535 www.mclean.harvard.edu/pav/ McLean is the largest psychiatric clinical care, teaching and research affiliate 17\RTNERSm of Harvard Medical School, an affiliate of Massachusetts General Hospital HEALTHCARE and a member of Partners HealthCare. REASON #78 bump-bump bump-bump I bump-bump There are lots of reasons to choose Beth Israel Deaconess Medical Center for your major medical care. Like less invasive and more permanent cardiac arrhythmia treatments. And other innovative ways we're tending to matters of the heart in our renowned catheterization lab, cardiac MRI and peripheral vascular diseases units, and unique diabetes partnership with Joslin Clinic. From cardiology and oncology to sports medicine and gastroenterology, you'll always find care you can count on at BIDMC. Find out more at www.bidmc.harvard.edu or call 800-667-5356. Beth Israel Deaconess A teaching hospital of Harvard Medical School Medical Center Boston Red Sc | Official Hospital of the Affiliated with Joslin Clinic | A Research Partner of the Dana-Farber/Harvard Cancer Center James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 125th Season, 2005-2006 Trustees of the Boston Symphony Orchestra, Inc. Edward H. Linde, Chairman John F. Cogan, Jr., Vice- Chairman Robert P. O'Block, Vice-Chairman Diddy Cullinane, Vice-Chairman Roger T. Servison, Vice-Chairman Edmund Kelly, Vice-Chairman Vincent M. O'Reilly, Treasurer Harlan E. Anderson Eric D. Collins Shari Loessberg, Edward I. Rudman George D. Behrakis Cynthia Curme ex-officio Hannah H. Schneider Gabriella Beranek William R. Elfers Robert J. Mayer, M.D. Arthur I. Segel Mark G. Borden Nancy J. Fitzpatrick Nathan R. Miller Thomas G. Sternberg Jan Brett Charles K. Gifford Richard P. Morse Stephen R. Weber Samuel B. Bruskin Thelma E. Goldberg Ann M. Philbin, Stephen R. Weiner Paul Buttenwieser George Krupp ex-officio Robert C. Winters James F. Cleary Life Trustees Vernon R. Alden Julian Cohen Edna S. Kalman Peter C. Read David B. Arnold, Jr. Abram T. Collier George H. Kidder Richard A. Smith J. P. Barger Mrs. Edith L. Dabney Harvey Chet Krentzman f Ray Stata Leo L. Beranek Nelson J. Darling, Jr. R. Willis Leith, Jr. John Hoyt Stookey Deborah Davis Berman Nina L. Doggett Mrs. August R. Meyer John L. Thorndike Jane C. Bradley Mrs. John H. Fitzpatrick Mrs. Robert B. Newman Dr. Nicholas T. Zervas Peter A. Brooke Dean W. Freed William J. Poorvu Helene R. Cahners Avram J. Goldberg Irving W Rabb Other Officers of the Corporation Mark Volpe, Managing Director Thomas D. May, Chief Financial Officer Suzanne Page, Clerk of the Board Board of Overseers of the Boston Symphony Orchestra, Inc. Shari Loessberg, Chair William F Achtmeyer John P. Eustis II Renee Landers John Reed Joel B. Alvord Pamela D. Everhart Robert J. Lepofsky Carol Reich Marjorie Arons-Barron Judith Moss Feingold Christopher J. Lindop Donna M. Riccardi Diane M. Austin Steven S. Fischman John M. Loder Susan Rothenberg Lucille M. Batal John F. Fish Edwin N. London Alan Rottenberg Maureen Scannell Lawrence K. Fish Jay Marks Joseph D. Roxe Bateman Myrna H. Freedman Jeffrey E. Marshall Kenan Sahin George W Berry Carol Fulp Carmine Martignetti Ross E. Sherbrooke James L. Bildner Dr. Arthur Gelb Joseph B. Martin, M.D. Gilda Slifka Bradley Bloom Stephanie Gertz Thomas McCann Christopher Smallhorn Alan Bressler Robert P. Gittens Joseph C. McNay Charles A. Stakely Michelle Courton Paula Groves Albert Merck Jacquelynne M. Stepanian Brown Michael Halperson Dr. Martin C. Mihm, Jr. Patricia L. Tambone Gregory E. Bulger Virginia S. Harris Robert Mnookin Wilmer Thomas William Burgin Carol Henderson Paul M. Montrone Samuel Thorne Rena F. Clark Roger Hunt Robert J. Morrissey Diana Osgood Tottenham Carol Feinberg Cohen William W Hunt Robert T. O'Connell Joseph M. Tucci Mrs. James C. Collias Ernest Jacquet Norio Ohga Paul M. Verrochi Charles L. Cooney Everett L. Jassy Joseph Patton Matthew Walker Ranny Cooper Charles H. Jenkins, Jr. Ann M. Philbin Larry Weber James C. Curvey Paul L. Joskow May H. Pierce Robert S. Weil Tamara P. Davis Stephen R. Karp Claudio Pincus David C. Weinstein Mrs. Miguel de Stephen Kay Joyce L. Plotkin James Westra Braganca Brian Keane Dr. John Thomas Mrs. Joan D. Wheeler Disque Deane Cleve L. Killingsworth Potts, Jr. Richard Wurtman, M.D. Paul F Deninger Douglas A. Kingsley Dr. Tina Young Poussaint Dr. Michael Zinner Alan Dynner Robert Kleinberg James D. Price D. Brooks Zug Ursula Ehret-Dichter Peter E. Lacaillade Patrick J. Purcell 1 Overseers Emeriti Helaine B. Allen Mrs. Thomas Mrs. Gordon F, Kingsley John Ex Rodgers Caroline Dwight Bain Galligan, Jr. David I. Kosowsky Mrs. Jerome Rosenfeld Sandra Bakalar Mrs. James Garivaltis Robert K. Kraft Roger A. Saunders Mrs. Levin H. Jordan Golding Benjamin H. Lacy Lynda Anne Schubert Campbell Mark R. Goldweitz Mrs. William D. Larkin Mrs. Carl Shapiro Earle M. Chiles Mrs. Haskell R. Gordon f Hart D. Leavitt L. Scott Singleton Joan P. Curhan John Hamill Frederick H. Mrs. Micho Spring Phyllis Curtin Deborah M. Hauser Lovejoy, Jr. Mrs. Arthur I. Strang Betsy P. Demirjian Mrs. Richard D. Hill Diane H. Lupean Robert A. Wells JoAnne Walton Dickinson Marilyn Brachman Mrs. Charles P. Lyman Mrs. Thomas H.P Phyllis Dohanian Hoffman Mrs. Harry L. Marks Whitney Goetz B. Eaton Lola Jaffe Barbara Maze Margaret Williams- Harriett Eckstein Michael Joyce John A. Perkins DeCelles George Elvin Martin S. Kaplan Daphne Brooks Prout Mrs. Donald B. Wilson J. Richard Fennell Mrs. S. Charles Kasdon Robert E. Remis Mrs. John J. Wilson Peter H.B. Richard L. Kaye Mrs. Peter van S. Rice Frelinghuysen tDeceased Officers of the Boston Symphony Association of Volunteers Ann M. Philbin, President William S. Ballen, Executive Olga Eldek Turcotte, Executive Vice-President/Tanglewood Vice-President/Administration Sybil Williams, Secretary Linda M. Sperandio, Executive William A. Along, Treasurer Vice-President/Fundraising Judy Barr, Nominating Chair Audley H. Fuller, Membership Lillian Katz, Hall Services Rosemary Noren, Symphony Shop Pattie Geier, Education and Lisa A. Mafrici, Public Relations Staffing Outreach Joseph Russo, Special Projects Table of Contents BSO News 5 On Display in Symphony Hall 7 New to the BSO 9 Announcing the BSO's 2006-2007 Subscription Season 1 A Brief History of the Boston Symphony Orchestra 15 A Brief History of Symphony Hall 21 BSO Music Director James Levine 24 The Boston Symphony Orchestra 26 This Week's Boston Symphony Orchestra Program 29 Notes on the Program 31 Featured Artists 49 Future Programs 68 Symphony Hall Exit Plan 70 Symphony Hall Information 71 This week's Pre-Concert Talks are given by Jan Swafford, Tufts University. Program copyright ©2006 Boston Symphony Orchestra, Inc. Cover design by Sametz Blackstone Associates, Boston Cover photograph by Michael Lutch/Orchestra image (inset) a collage of the BSO in 1882 under Georg Henschel Administration Mark Volpe, Managing Director Eunice and Julian Cohen Managing Directorship, fully funded in perpetuity Tony Beadle, Manager, Boston Pops Thomas D. May, Chief Financial Officer Anthony Fogg, Artistic Administrator Peter Minichiello, Director of Development Marion Gardner-Saxe, Director of Human Resources Kim Noltemy, Director of Sales and Marketing Ellen Highstein, Director of Tanglewood Music Center Caroline Taylor, Senior Advisor to the Position endowed in honor of Edward H. Linde Managing Director by Alan S. Bressler and Edward I. Rudman Ray F. Wellbaum, Orchestra Manager Bernadette M. Horgan, Director of Media Relations ADMINISTRATIVE STAFF/ARTISTIC • Bridget P. Carr, Archivist-Position endowed by Caroline Dwight Bain • Karen Leopardi, Artist Assistant Vincenzo Natale, Chauffeur/Valet • Suzanne Page, Assistant to the Managing Director/Manager of Board Administration • Benjamin Schwartz, Assistant to the Artistic Administrator ADMINISTRATIVE STAFF/ PRODUCTION Christopher W. Ruigomez, Operations Manager Meryl Atlas, Assistant Chorus Manager • Amy Boyd, Orchestra Personnel Administrator • Felicia A. Burrey, Chorus Manager • H.R. Costa, Technical Supervisor • Keith Elder, Production Coordinator • Jake Moerschel, Stage Technician • John Morin, Stage Technician • Mark C. Rawson, Stage Technician • Leslie D. Scott, Assistant to the Orchestra Manager BOSTON POPS Dennis Alves, Director of Artistic Programming Jana Gimenez, Operations Manager • Sheri Goldstein, Personal Assistant to the Conductor • Margo Saulnier, Artistic Coordinator • Jeff Swallom, Administrative Coordinator BUSINESS OFFICE Sarah J. Harrington,
Recommended publications
  • 8.112023-24 Bk Menotti Amelia EU 26-03-2010 9:41 Pagina 16
    8.112023-24 bk Menotti Amelia_EU 26-03-2010 9:41 Pagina 16 Gian Carlo MENOTTI Also available The Consul • Amelia al ballo LO M CAR EN N OT IA T G I 8.669019 19 gs 50 din - 1954 Recor Patricia Neway • Marie Powers • Cornell MacNeil 8.669140-41 Orchestra • Lehman Engel Margherita Carosio • Rolando Panerai • Giacinto Prandelli Chorus and Orchestra of La Scala, Milan • Nino Sanzogno 8.112023-24 16 8.112023-24 bk Menotti Amelia_EU 26-03-2010 9:41 Pagina 2 MENOTTI CENTENARY EDITION Producer’s Note This CD set is the first in a series devoted to the compositions, operatic and otherwise, of Gian Carlo Menotti on Gian Carlo the occasion of his centenary in 2011. The recordings in this series date from the mid-1940s through the late 1950s, and will feature several which have never before appeared on CD, as well as some that have not been available in MENOTTI any form in nearly half a century. The present recording of The Consul, which makes its CD début here, was made a month after the work’s (1911– 2007) Philadelphia première. American Decca was at the time primarily a “pop” label, the home of Bing Crosby and Judy Garland, and did not yet have much experience in the area of Classical music. Indeed, this recording seems to have been done more because of the work’s critical acclaim on the Broadway stage than as an opera, since Decca had The Consul also recorded Arthur Miller’s Death of a Salesman with members of the original cast around the same time.
    [Show full text]
  • TAL Distribution Press Release
    This American Life Moves to Self-Distribute Program Partners with PRX to Deliver Episodes to Public Radio Stations May 28, 2014 – Chicago. Starting July 1, 2014, Chicago Public Media and Ira Glass will start independently distributing the public radio show This American Life to over 500 public radio stations. Episodes will be delivered to radio stations by PRX, The Public Radio Exchange. Since 1997, the show has been distributed by Public Radio International. “We’re excited and proud to be partners now with PRX,” said Glass. “They’ve been a huge innovative force in public radio, inventing technologies and projects to get people on the air who’d have a much harder time without them. They’re mission- driven, they’re super-capable and apparently they’re pretty good with computers.” “We are huge fans of This American Life and are thrilled to support their move to self-distribution on our platform,” said Jake Shapiro, CEO of PRX. “We’ve had the privilege of working closely with Ira and team to develop This American Life’s successful mobile apps, and are honored to expand our partnership to the flagship broadcast.” This American Life will take over other operations that were previously handled by PRI, including selling underwriting and marketing the show to stations. The marketing and station relations work will return to Marge Ostroushko, who did the job back before This American Life began distribution with PRI. This American Life, produced by Chicago Public Media and hosted by Ira Glass, is heard weekly by 2.2 million people over the radio.
    [Show full text]
  • The-Piano-Teaching-Legacy-Of-Solomon-Mikowsky.Pdf
    ! " #$ % $%& $ '()*) & + & ! ! ' ,'* - .& " ' + ! / 0 # 1 2 3 0 ! 1 2 45 3 678 9 , :$, /; !! < <4 $ ! !! 6=>= < # * - / $ ? ?; ! " # $ !% ! & $ ' ' ($ ' # % %) %* % ' $ ' + " % & ' !# $, ( $ - . ! "- ( % . % % % % $ $ $ - - - - // $$$ 0 1"1"#23." 4& )*5/ +) * !6 !& 7!8%779:9& % ) - 2 ; ! * & < "-$=/-%# & # % %:>9? /- @:>9A4& )*5/ +) "3 " & :>9A 1 The Piano Teaching Legacy of Solomon Mikowsky by Kookhee Hong New York City, NY 2013 2 TABLE OF CONTENTS Preface by Koohe Hong .......................................................3 Endorsements .......................................................................3 Comments ............................................................................5 Part I: Biography ................................................................12 Part II: Pedagogy................................................................71 Part III: Appendices .........................................................148 1. Student Tributes ....................................................149 2. Student Statements ................................................176
    [Show full text]
  • This Version Has the Raw Data in an Appendix)
    Accepted for publication in 2020 by the International Journal of Communication, ijoc.org (this version has the raw data in an appendix) Podcasting as Public Media: The Future of U.S. News, Public Affairs and Educational Podcasts PATRICIA AUFDERHEIDE American University, USA DAVID LIEBERMAN The New School, USA ATIKA ALKHALLOUF American University, USA JIJI MAJIRI UGBOMA The New School, USA This article identifies a U.S.-based podcasting ecology as public media, and then examines the threats to its future. It first identifies characteristics of a set of podcasts in the U.S. that allow them to be usefully described as public podcasting. Second, it looks at current business trends in podcasting as platformization proceeds. Third, it identifies threats to public podcasting’s current business practices. Finally, it analyzes responses within public podcasting to the potential threats. It concludes that currently, the public podcast ecology in the U.S. maintains some immunity from the most immediate threats, but that as well there are underappreciated threats to it both internally and externally. Keywords: podcasting, public media, platformization, business trends, public podcasting ecology As U.S. podcasting becomes an increasingly commercially-viable part of the media landscape, are its public-service functions at risk? This article explores that question, in the process postulating that the concept of public podcasting has utility in describing, not only a range of podcasting practices, but an ecology within the larger podcasting ecology—one that permits analysis of both business methods and social practices, one that deserves attention and even protection. This analysis contributes to the burgeoning literature on podcasting by enabling focused research in this area, permitting analysis of the sector in ways that permit thinking about the relationship of mission and business practice sector-wide.
    [Show full text]
  • Classical Music on Dual Format Stations
    _____________________________________________________________ Walrus Research Core Values of Classical Music Dual Format Stations Abridged Report Focus Groups Summer 2004 Reality has a way of eventually getting your attention Core Values Dual Formats “It lowers my blood pressure. My work is pretty stressful, and when it gets really stressful I just turn to classical. It calms me down. It soothes the savage beast.” -- WITF Listener “The music allows me to think through things and it doesn’t blare at me. It’s soothing.” -- WABE Listener “I really like the classical music, I just find it very calming. It lets you think better. Listening to it I think it’s beautiful music and it tends to make one more reflective. Soothing and relaxation.” -- WERN Listener Walrus Research 2 Core Values Dual Formats Contents Introduction Page 4 Summary Findings Page 6 Research Design Page 7 Respondents Page 10 Agenda Page 13 Image – Dual Format Stations Page 15 Personal Importance Page 23 Benefits of Listening Page 26 Use and Gratifications Page 33 Telephone Screener Page 34 Walrus Research 3 Core Values Dual Formats Introduction This is the fourth report from our continuing research into the Core Values of public radio programming. Our first report was the Core Values of Local Information Programs, based on focus groups with NPR news listeners in four markets. For our second report, on the Core Values of Classical Music, we conducted focus groups with classical music listeners in six markets. For our third report, on the Core Values of Jazz Formats, we conducted focus groups with jazz listeners in four markets.
    [Show full text]
  • Truthiness: This American Life and the Monologist Epilogue Ira Glass
    CSJ- 12- 0046.2 • • Truthiness: This American Life and the Monologist Epilogue Ira Glass, host of This American Life (TAL), realized as soon as he spoke to Rob Schmitz of Marketplace that TAL would have to run an on-air correction of its January 6, 2012 show featuring Mike Daisey and his visit to Foxconn, an Apple supplier in Shenzhen, China. Glass was relieved to have some breathing space because Marketplace had contacted TAL rather than broadcasting the story on its news show first. “I’m not sure if other organizations would have done that,” says Glass.1 “They were reaching out to say, like, how should we handle this? Do you want to do something on your air?” Over multiple email and telephone exchanges beginning Monday, March 5, Schmitz and the TAL team of Glass, Senior Producer Julie Snyder and Producer Brian Reed decided to collaborate. , The group concluded that a simple on-air announcement at the start of a segment on another subject would be insufficient. The plan was that Schmitz would file a story for Marketplace that would include an interview with Daisey’s translator, Cathy Lee, and excerpts from the original broadcast of “Mr. Daisey and the Apple Factory,” along with his own reporting. The Marketplace report would be broadcast (and posted to its website) on Friday, March 16. The same day, TAL would air a “retraction” show addressing Daisey’s fabrications. The show would include a longer version of Schmitz’s story, and—if he agreed to it—an interview with Daisey. Daisey agreed, and on Friday, March 9, Glass and Schmitz jointly interviewed Daisey for three hours.
    [Show full text]
  • Podcasting As Public Media: the Future of U.S
    International Journal of Communication 14(2020), 1683–1704 1932–8036/20200005 Podcasting as Public Media: The Future of U.S. News, Public Affairs, and Educational Podcasts PATRICIA AUFDERHEIDE American University, USA DAVID LIEBERMAN The New School, USA ATIKA ALKHALLOUF American University, USA JIJI MAJIRI UGBOMA The New School, USA This article identifies a U.S.-based podcasting ecology as public media and then examines the threats to its future. It first identifies characteristics of a set of podcasts in the United States that allow them to be usefully described as public podcasting. Second, it looks at current business trends in podcasting as platformization proceeds. Third, it identifies threats to public podcasting’s current business practices. Finally, it analyzes responses within public podcasting to the potential threats. The article concludes that currently, the public podcast ecology in the United States maintains some immunity from the most immediate threats, but there are also underappreciated threats to it, both internally and externally. Keywords: podcasting, public media, platformization, business trends, public podcasting ecology As U.S. podcasting becomes a commercially viable part of the media landscape, are its public service functions at risk? This article explores that question, in the process postulating that the concept of public podcasting has utility in describing not only a range of podcasting practices, but also an ecology within the larger podcasting ecology—one that permits analysis of both business methods and social practices, and one that deserves attention and even protection. This analysis contributes to the burgeoning literature on Patricia Aufderheide: [email protected] David Lieberman: [email protected] Atika Alkhallouf: [email protected] Jiji Majiri Ugboma: [email protected] Date submitted: 2019‒09‒27 Copyright © 2020 (Patricia Aufderheide, David Lieberman, Atika Alkhallouf, and Jiji Majiri Ugboma).
    [Show full text]
  • FOR IMMEDIATE RELEASE UPDATED October 22, 2014 October 14, 2014 Contact: Katherine E
    FOR IMMEDIATE RELEASE UPDATED October 22, 2014 October 14, 2014 Contact: Katherine E. Johnson (212) 875-5718; [email protected] JAAP VAN ZWEDEN TO RETURN TO THE PHILHARMONIC TO CONDUCT TWO PROGRAMS ACTING CONCERTMASTER SHERYL STAPLES and PRINCIPAL VIOLA CYNTHIA PHELPS To Perform MOZART’s Sinfonia concertante for Violin and Viola Program Also To Include SHOSTAKOVICH’s Symphony No. 8 November 20–22, 2014 HILARY HAHN To Perform KORNGOLD’s Violin Concerto Program Also To Include J. WAGENAAR’s Cyrano de Bergerac Overture and BEETHOVEN’s Symphony No. 7 Saturday Matinee Concert To Feature Dvořák’s Wind Serenade Performed by Philharmonic Musicians November 26 and 28–29, 2014 Jaap van Zweden — music director of the Dallas Symphony Orchestra and Hong Kong Philharmonic as well as former concertmaster of Amsterdam’s Royal Concertgebouw Orchestra — will return to the New York Philharmonic for the first time since his debut in April 2012 to conduct two weeks of concerts. In the first program, Mr. van Zweden will conduct Mozart’s Sinfonia concertante for Violin and Viola, featuring Acting Concertmaster Sheryl Staples and Principal Viola Cynthia Phelps, and Shostakovich’s Symphony No. 8, Thursday, November 20, 2014, at 7:30 p.m.; Friday, November 21 at 2:00 p.m.; and Saturday, November 22 at 8:00 p.m. The following week, Mr. van Zweden will lead the Orchestra in Korngold’s Violin Concerto, with Hilary Hahn as soloist; Beethoven’s Symphony No. 7; and J. Wagenaar’s Cyrano de Bergerac Overture, marking the Philharmonic’s first time performing the work, Wednesday, November 26, 2014, at 7:30 p.m.; Friday, November 28 at 8:00 p.m.; and Saturday, November 29 at 8:00 p.m.
    [Show full text]
  • WNIB Program Schedule December 1970
    .1 1 AUDITORIUM RE COUNCIL PRESENTS DIETRICH FISCHER- DIESKAU Friday, January 15, 1971 8:30 p.m. $9.00, $7.50, $6.50, $5.00, $-4.00, $3.00 CITY CENTER JOFFREY BALLET Tuesday, January 26, 1971 8= 30 p.m. 4th Annual Auditorium Theatre Benefit $50.00, $25.00, $15.00, $10.00, $8.00, $6.00, $-4.00, $3.00 also January 2 7 thru February 7, 1971 $10.00, $8.00, $7.00, $6.00, $4.50, $3.50, $2.50 Tickets at B X FFI E & TICKETR N OUTLETS AUDITORIUM THEATER 70 £.CONGRESS CHICAGO Tanglewood, 1946) PROGRAM SCHEDULE 9 PM BRAHMS Variations & Fugue on a Theme of Handel, Op. 24 - Gary Graffman, p (Col MS 7276) I STRAUSS Ein Heldcnlcben, Op. 40 - 97.1 fm December, 1970 London Sym/Sir John Barbirolli (Ang S 36764) 10: 15 HINDEMITH Viola Concerto ("Der Schwancndreher")-Raphael Hillyer, va; Japan Phil/Akeo Watanabe (None H 71239) BARBER Medea's Meditation& Dance of Vengeanee, Op. 23a - BostonSym/Charles WNIB Program Schedule is published by Radio station WNIB, 25 East Chestnut, Munch (RCA 2190) Chicago, Illinois 60611. Phone: 337-5252. SUbscription rates: one year $5. 00; two years $9. 00; three years $12. 00. WEDNESDAY 2 10 AM RAVEL "Daphnis & Chloe" Ballet - New Philh & Ambrosi.an Singers/Rafael Frueh­ COVER: "Kiosque l'Evide" by Jean Dubuffet. A monument (41-3/8" x 39-1/8" beck de Burgos (Ang S 36471) x 31-1/2") from the "Edifices and Monuments by Jean Dubuffet" exhibition at the Art Institute of Chicago through January 1971.
    [Show full text]
  • A Pictoral History of the Boston Music Hall and the Great Organ
    A PICTORIAL HISTORY OF THE BOSTON MUSIC HALL AND THE GREAT ORGAN by Ed Sampson, President, Methuen Memorial Music Hall, Inc. 2018 Few instruments in the history of pipe organs in America have had as long, or as distinguished, a career as the Boston Music Hall Organ. The first concert organ in the country, it remains today one of the outstanding organs in America. The need for a large and centrally-located concert hall for Boston was discussed at the annual meeting of the Harvard Musical Association, founded in 1837 (Henry White Pickering (1811-1898), President) on January 31, 1851. A "Music Hall Committee", comprised of members Robert East Apthorp (1812-1882), George Derby (1819-1874), John Sullivan Dwight (1813-1893), Charles Callahan Perkins (1822-1886), and Dr. Jabez Baxter Upham (1820- 1902), was appointed to address the matter. The Boston Music Hall was built in 1852 by the Boston Music-Hall Association, founded in 1851 (Jabez Baxter Upham, President) and by the Harvard Musical Association, that contributed $100,000 towards its construction. It stood in the center of a block that sloped downward from Tremont Street to Washington Street; and was between Winter Street on the south and Bromfield Street on the north. Almost entirely surrounded by other buildings, only glimpses of the hall's massive granite block foundation and plain brick walls could be seen. There were two entrances to the Music Hall: the Bumstead Place entrance, (named after Thomas Bumstead (1740-1828) a Boston coachmaker), off Tremont Street (later Hamilton Place) opposite the Park Street Church; 1 and the Central Place or Winter Place (later Music Hall Place) entrance off Winter Street.
    [Show full text]
  • High-Fidelity-1955-J
    www.americanradiohistory.com the flPJ that's 7 -WAYS BETTER than ever! IMPROVED BALANCE between high and low Audio Devices now offers you a new and frequencies without sacrificing low- frequency output. vastly superior professional sound recording tape, at NO INCREASE IN PRICE NEW MOISTURE- REPELLENT BINDER with lower coefficient of friction. Absolutely eliminates tape squeal under hot, humid conditions. Runs Here's a radically improved sound recording tape, per- well even on machines badly out of tension ad- fected after long research in Audio Devices laboratories - justment. a tape that sets completely new standards of performance. NEW ANTI -TACK AGENT virtually eliminates Any one of the seven new and improved features listed po<sihility of sticking on hot erase and record here would be important news to the tape recordist. Col heads. Especially important to owners of older lectively, they spell a degree of perfection heretofore un- type machines. attainable in any magnetic recording tape! NEW DRIER -TYPE FORMULA greatly reduces Such a premium quality product could easily justify a l danger of oxide rub -off, even on dirty heads. premium price. But it has been made standard for all i Keeps clean heads clean. Audiotape, on plastic base or Mylar* polyester film -and j is available at previous standard prices. * IMPROVED HOT SLITTING of standard plastic hase. Edges of tape cleaner and smoother than Try the new Audiotape -test it- compare it with any other ever, danger of tear or breakage greatly reduced. product on the market. It will speak for itself! NEW LOW BACKGROUND NOISE through DuPont Trade Mara better dispersion of finer oxide particles.
    [Show full text]
  • Still on the Road: 1974 Tour of America with the Band
    STILL ON THE ROAD 1974 TOUR OF AMERICA WITH THE BAND JANUARY 3 Chicago, Illinois Chicago Stadium 4 Chicago, Illinois Chicago Stadium 6 Philadelphia, Pennsylvania The Spectrum – Afternoon 6 Philadelphia, Pennsylvania The Spectrum – Evening 7 Philadelphia, Pennsylvania The Spectrum 9 Toronto, Ontario, Canada Maple Leaf Gardens 10 Toronto, Ontario, Canada Maple Leaf Gardens 11 Montreal, Quebec, Canada Forum de Montreal 12 Montreal, Quebec, Canada Forum de Montreal 14 Boston, Massachusetts Boston Gardens – Afternoon 14 Boston, Massachusetts Boston Gardens – Evening 15 Largo, Maryland Capital Centre 16 Largo, Maryland Capital Centre 17 Charlotte, North Carolina Coliseum 19 Hollywood, Florida Hollywood Sportatorium – Afternoon 19 Hollywood, Florida Hollywood Sportatorium – Evening 21 Atlanta, Georgia The Omni 22 Atlanta, Georgia The Omni 23 Memphis, Tennessee Mid-South Coliseum 25 Fort Worth, Texas Tarrant County Convention Center Arena 26 Houston, Texas Hofheinz Pavilion – Afternoon 26 Houston, Texas Hofheinz Pavilion – Evening 28 Nassau, New York Nassau County Coliseum 29 Nassau, New York Nassau County Coliseum 30 New York City, New York Madison Square Garden 31 New York City, New York Madison Square Garden – Afternoon 31 New York City, New York Madison Square Garden – Evening FEBRUARY 2 Ann Arbor, Michigan Crisler Arena, University Of Michigan 3 Bloomington, Indiana Assembly Hall, Indiana University 4 St. Louis, Missouri Missouri Arena – Afternoon 4 St. Louis, Missouri Missouri Arena – Evening 6 Denver, Colorado Coliseum – Afternoon 6 Denver,
    [Show full text]