Orígenes Y Tipología De La Terminología Armamentística En Inglés Medio

Total Page:16

File Type:pdf, Size:1020Kb

Orígenes Y Tipología De La Terminología Armamentística En Inglés Medio Orígenes y tipología de la terminología armamentística en inglés medio Miguel Luis Poveda Balbuena DEPARTAMENTO DE FILOLOGÍA INGLESA FACULTAD DE FILOSOFÍA Y LETRAS Orígenes y tipología de la terminología armamentística en inglés medio Miguel Luis Poveda Balbuena Tesis presentada para aspirar al grado de DOCTOR POR LA UNIVERSIDAD DE ALICANTE MENCIÓN DE DOCTOR INTERNACIONAL PROGRAMA DE DOCTORADO: Filosofía y letras Dirigida por: Dr. José Ramón Belda Medina Agradecimientos La realización de esta tesis doctoral no hubiera posible sin la ayuda y el apoyo de muchas personas que siempre han estado a mi lado cuando las necesitaba. En primer lugar, quisiera expresar mi más sincera gratitud al director de este trabajo, el Dr. José Ramón Belda Medina. Especialmente por su apoyo constante en el desarrollo de la investigación y las correcciones que siempre de un modo acertado insistió en señalar, como mi extraño uso en ocasiones del punto y coma. Además quisiera también darle las gracias por su calidad humana y su paciencia a lo largo de estos años. Merecen también un sincero agradecimiento mi tutor de doctorado, el Prof. Miguel Ángel Campos, por su ayuda en la fase inicial del proyecto, y mis colegas de la Universidad Pedagógica de Cracovia, de los cuales he aprendido tanto acerca del trabajo en la universidad, por haberme brindado la posibilidad de publicar artículos en las revistas universitarias y participar en varias conferencias. Mi gratitud también va hacia mis estudiantes de filologías modernas de Cracovia por haberse portado siempre tan bien conmigo. Compartir el tiempo con ellos hace que ir a trabajar sea mejor cada día. Quisiera también dar las gracias a mis padres, Luis y Trinidad, por el cariño que siempre han mostrado, a mi abuela, especialmente por el pollo al ajillo, y al resto de mi familia. Mi agradecimiento también va a mis amigos por comprender mi ausencia en muchas partidas, y de un modo muy especial, a mi prometida Aleksandra, sobre todo por su comprensión y mi relativa poca disponibilidad en los últimos meses de trabajo en esta tesis doctoral. Por último, deseo mostrar mi agradecimiento también a cualquiera que haya podido olvidar en esta página, así como a aquellos que ya no están entre nosotros pero sin duda nos ven desde algún lugar. Índice de contenidos 1. Introducción 13 2. Marco teórico 21 2.1 PERIODIZACIÓN DEL INGLÉS MEDIO 21 2.2 LENGUAS EN CONTACTO CON EL INGLÉS HASTA FINALES DEL SIGLO XV 23 2.2.1 Lenguas en contacto con el inglés antiguo 23 2.2.2 Lenguas en contacto con el inglés medio 27 2.3 LOS PRÉSTAMOS LÉXICOS EN INGLÉS MEDIO 32 2.3.1 Definición del préstamo 32 2.3.2 Préstamos de origen celta y nórdico 40 2.3.3 Préstamos de origen francés y latino 43 2.3.4 Préstamos de otras lenguas 49 2.4 LA TERMINOLOGÍA ARMAMENTÍSTICA EN INGLÉS MEDIO 50 2.5 RECURSOS LEXICOGRÁFICOS COMO HERRAMIENTAS DE TRABAJO 55 3. Objetivos 59 4. Metodología 61 4.1 CREACIÓN DEL MIDDLE ENGLISH WEAPONRY CORPUS (MEWC) 61 4.1.1 Criterios de inclusión y exclusión 61 4.1.2 Terminología que compone el MEWC 62 4.2 MÉTODO DE ANÁLISIS DE LOS TÉRMINOS DEL MEWC 67 4.2.1 Orígenes. Términos nativos y préstamos 67 4.2.2 Tipología de los términos del MEWC 67 5. Análisis del MEWC 71 5.1 ESTRUCTURA 71 5.2 ANÁLISIS INDIVIDUAL DE LOS TÉRMINOS DEL MEWC 74 6. Resultados 199 6.1 ORÍGENES DE LA TERMINOLOGÍA DEL MEWC 199 6.1.1 Términos nativos y préstamos 199 6.1.2 Terminología del MEWC según su origen 201 6.1.3 Imposición y adopción 204 6.2 CATEGORÍAS DE ARMAMENTO, OBJETOS NUEVOS Y YA EXISTENTES, Y ORÍGENES DE LA TERMINOLOGÍA DEL MEWC 205 6.2.1 Categorías de armamento del MEWC 205 6.2.2 Categorías de armamento y orígenes 207 6.2.3 Objetos nuevos y objetos ya existentes 215 6.2.4 Objetos nuevos y objetos ya existentes en relación con su origen 217 6.3 TIPOS DE PRÉSTAMOS 221 6.3.1 Tipos de préstamos del total 221 6.3.2 Tipos de préstamos y orígenes 223 7. Conclusiones 229 8. Resumen y conclusiones en inglés 239 8.1 ABSTRACT IN ENGLISH 239 8.2 CONCLUSIONS IN ENGLISH 240 9. Límites de la investigación 245 10. Futuras líneas de estudio 247 11. Bibliografía 249 Índice de tablas Tabla 1. Términos nativos y préstamos del MEWC 201 Tabla 2. Orígenes de la terminología del MEWC 203 Tabla 3. Imposición y adopción de los préstamos del MEWC 204 Tabla 4. Armamento ofensivo de combate cercano y orígenes de la terminología del MEWC 208 Tabla 5. Armamento ofensivo de asta y orígenes de la terminología del MEWC 209 Tabla 6. Armamento ofensivo de tiro y orígenes de la terminología del MEWC 210 Tabla 7. Armamento defensivo corporal y orígenes de la terminología del MEWC 212 Tabla 8. Armamento defensivo: escudos y orígenes de la terminología del MEWC 213 Tabla 9. Armamento defensivo de la montura y orígenes de la terminología del MEWC 214 Tabla 10. Armamento general ofensivo y/o defensivo y orígenes de la terminología del MEWC 215 Tabla 11. Objetos nuevos y orígenes de la terminología del MEWC 218 Tabla 12. Objetos ya existentes y orígenes de la terminología del MEWC 220 Tabla 13. Tipos de préstamos del total del MEWC 222 Tabla 14. Tipos de préstamos de origen francés del MEWC 224 Tabla 15. Tipos de préstamos de origen nórdico del MEWC 225 Tabla 16. Tipos de préstamos de origen latino del MEWC 226 Tabla 17. Tipos de préstamos de origen celta del MEWC 227 Tabla 18. Tipos de préstamos de origen neerlandés o bajo alemán del MEWC 228 Lista de abreviaturas A Anglo adj. Adjetivo Cat. Catalán Cp. Comparar CASD Concise Anglo-Saxon Dictionary CF Francés central CL Lenguas celtas DAF Dictionnaire de l’ancien français DEHF Dictionnaire étymologique et historique du français DELL Dictionnaire étymologique de la langue latine DMF Dictionnaire du moyen français F Francés Gael. Gaélico L Latín LGR Le Grand Robert de la langue française Ir Irlandés MDu Neerlandés medio MED Middle English Dictionary ML Latín medieval MLG Bajo alemán medio NF Francés normando OE Inglés antiguo OED Oxford English Dictionary OF Francés antiguo OI Islandés antiguo OIr Irlandés antiguo OLD Oxford Latin Dictionary ON Nórdico antiguo OSc Escocés antiguo OW Galés antiguo Port. Portugués prob. Probable REW Romanisches etymologisches Wörterbuch WOLD World Loanword Database WS Sajón occidental v. Verbo 1. Introducción En sus mil quinientos años de historia, desde la lengua continental que llegó a la Britania romana con las invasiones germánicas hasta la lengua global que conocemos hoy, el inglés es posiblemente la lengua germánica que más ha cambiado y evolucionado en poco tiempo, hasta tal punto que un hablante nativo, no instruido en la historia de la lengua inglesa, aborda un texto de hace más de mil años como si de una lengua extranjera se tratara. Como apunta Trask (2007), “it is spectacularly different from the English we use now (…) and we can’t read it without special study” (p. 2). Si no se está familiarizado con el inglés de ese período se podría dudar acerca de que el texto esté escrito en inglés y no en noruego, islandés u otra lengua. Por el contrario, los textos editados en otras lenguas, como el francés, el alto alemán o el castellano anteriores al siglo XIV poseen un mayor grado de inteligibilidad para un hablante nativo de hoy y resultan más fácilmente identificables con un estado anterior de la propia lengua1. Resulta interesante el modo en que Knowles (2005) abre su obra A Cultural History of the English Language diciendo que “a language related to Modern English has been spoken in Britain since the early fifth century” (p. 1). Este autor se refiere a una etapa anterior de la lengua inglesa como si de otra lengua emparentada con el inglés de hoy se tratara. Algo que también menciona Lipka (2002), preguntándose si realmente se puede afirmar que el inglés anterior a la época normanda de 1066 es la misma lengua que el inglés de hoy (p. 21). En la propia periodización de la historia de la lengua inglesa por etapas se tiene en cuenta los cambios sociales históricos en cuanto a la influencia que pueden tener sobre la lengua. De acuerdo con Knowles (2005), el inglés ha ido experimentando cambios continuos a pequeña escala, interrumpidos por eventos 1 A grandes rasgos basta comparar textos escritos en estas lenguas previos al siglo XIII como el Cantar de Roldán, la Canción de los Nibelungos o el Cantar de Mío Cid con sus respectivas versiones en lengua de hoy y un texto en inglés de ese período y su versión correspondiente en inglés de hoy. 13 Introducción mayores que conducen a cambios más rápidos y radicales. Los cambios lingüísticos más importantes y decisivos en la historia de la lengua inglesa tuvieron lugar durante la Edad Media. Baugh y Cable (2009) opinan que al inicio de este período encontramos una lengua que hoy en día debe aprenderse como lengua extranjera y aparecerá al final convertida en el inglés moderno. Según Paloma Tejada (1999), estamos en uno de los momentos más fructíferos en los estudios sobre los cambios lingüísticos debido al aporte desde la vertiente social de la lengua (p.15). Ya en 1953, Weinreich afirmaba que, desde el punto de vista de algunos antropólogos, los contactos lingüísticos son simplemente otro aspecto más de los contactos culturales y las posibles interferencias un aspecto más del proceso de aculturación. Entre todos los cambios debidos al contacto con otras lenguas, el vocabulario es la parte más susceptible de cambio y donde antes se percibe.
Recommended publications
  • MEDIEVAL ARMOR Over Time
    The development of MEDIEVAL ARMOR over time WORCESTER ART MUSEUM ARMS & ARMOR PRESENTATION SLIDE 2 The Arms & Armor Collection Mr. Higgins, 1914.146 In 2014, the Worcester Art Museum acquired the John Woodman Higgins Collection of Arms and Armor, the second largest collection of its kind in the United States. John Woodman Higgins was a Worcester-born industrialist who owned Worcester Pressed Steel. He purchased objects for the collection between the 1920s and 1950s. WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 3 Introduction to Armor 1994.300 This German engraving on paper from the 1500s shows the classic image of a knight fully dressed in a suit of armor. Literature from the Middle Ages (or “Medieval,” i.e., the 5th through 15th centuries) was full of stories featuring knights—like those of King Arthur and his Knights of the Round Table, or the popular tale of Saint George who slayed a dragon to rescue a princess. WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 4 Introduction to Armor However, knights of the early Middle Ages did not wear full suits of armor. Those suits, along with romantic ideas and images of knights, developed over time. The image on the left, painted in the mid 1300s, shows Saint George the dragon slayer wearing only some pieces of armor. The carving on the right, created around 1485, shows Saint George wearing a full suit of armor. 1927.19.4 2014.1 WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 5 Mail Armor 2014.842.2 The first type of armor worn to protect soldiers was mail armor, commonly known as chainmail.
    [Show full text]
  • Stab Resistant Body Armour
    IAN HORSFALL STAB RESISTANT BODY ARMOUR COLLEGE OF DEFENCE TECHNOLOGY SUBMITTED FOR THE AWARD OF PhD CRANFIELD UNIVERSITY ENGINEERING SYSTEMS DEPARTMENT SUBMITTED FOR THE AWARD OF PhD 1999-2000 IAN HORSFALL STAB RESISTANT BODY ARMOUR SUPERVISOR DR M. R. EDWARDS MARCH 2000 ©Cranfield University, 2000. All rights reserved. No part of this publication may be reproduced without the written permission of the copyright holder. ABSTRACT There is now a widely accepted need for stab resistant body armour for the police in the UK. However, very little research has been done on knife resistant systems and the penetration mechanics of sharp projectiles are poorly understood. This thesis explores the general background to knife attack and defence with a particular emphasis on the penetration mechanics of edged weapons. The energy and velocity that can be achieved in stabbing actions has been determined for a number of sample populations. The energy dissipated against the target was shown to be primarily the combined kinetic energy of the knife and the arm of the attacker. The compliance between the hand and the knife was shown to significantly affect the pattern of energy delivery. Flexibility and the resulting compliance of the armour was shown to have a significant effect upon the absorption of this kinetic energy. The ability of a knife to penetrate a variety of targets was studied using an instrumented drop tower. It was found that the penetration process consisted of three stages, indentation, perforation and further penetration as the knife slides through the target. Analysis of the indentation process shows that for slimmer indenters, as represented by knives, frictional forces dominate, and indentation depth becomes dependent upon the coefficient of friction between indenter and sample.
    [Show full text]
  • Basic Armouring for the New Fighter Doug Strong
    Basic Armouring for the New Fighter Doug Strong As new fighters, many people are faced with the question of how to acquire a set of armour. For a substantial number of people the solution is --"I'll make it myself." Unfortunately most people don't know where to start. In this article I would like to discuss three basic things: how to set up an armouring workshop, some philosophies that are helpful for new and old armourers alike, and some basic techniques for armouring. Setting Up Your Workshop Many people shy away from making armour themselves because they think it will be more expensive to buy all of the tools necessary to make a suit than it would be to buy the suit. But this is simply not true. While the tools can be expensive they don't have to be. I built my first suit of armour in the basement of my college dorm, with a ball peen hammer which I bought at a garage sale for $1.00, a file ($.50 at the same garage sale,) a drill I borrowed from my grandfather, a sabre saw I bought for $20.00 at my local hardware store, and a piece of railroad track that I bought from a scrap yard for $5.00. I spent $28.00 on tools and borrowed a drill. I spent another $15.00 on metal and $5.00 on leather for straps. All told I spent $38.00 on my first set of armour. All of the tools are still in working order a decade later and are being used today.
    [Show full text]
  • Constructing a Heavy-List Gambeson Tips and Techniques
    Constructing a Heavy-List Gambeson Tips and Techniques Lady Magdalena von Regensburg mka Marla Berry [email protected] July 16, 2005 An Historic Overview “Mail is tough but flexible; it resists a cutting sword-stroke but needs a padded or quilted undergarment as a shock absorber against a heavy blow.”1 Quilted garments were part of soldiers’ kits in varying forms and with varying names throughout most of the SCA timeline. As early as the late Roman/early Byzantine period there is documentation for quilted or padded coats called Zabai or Kabadia.2 Illuminations from Maciejowski Bible (circa 1250) show aketons or gambesons. “These terms seem to have been interchangeable but the weight of evidence From “Jonathan and his Armor- suggests that ‘aketon’ refers to garments worn under the mail while bearer Attack the Philistines,” gambesons were worn over or instead of it...The gambeson is often from the Maciejowski Bible, referred to in contemporary accounts as being worn by the common circa 1250. soldiery and, indeed, is part of the equipment required by the Assize of Arms of 1185 of Edward I of England.”3 Extant examples from the fourteenth century include the pourpoint of Charles de Blois (d. 1364) and the late fourteenth century jupon of Charles VI. Fifteenth century documents mention arming doublets and padded jacks. These garments were worn under maille, over maille, under plate, over plate, or on their own. Some were designed to encase maille or plate. “Infantry, as laid down in the Assize of Arms of 1182, often wore one of two types of gambeson.
    [Show full text]
  • Medieval & Renaissance Manuscripts
    BERNARD QUARITCH LTD 40 SOUTH AUDLEY STREET, LONDON W1K 2PR Tel.: +44 (0)20 7297 4888 Fax: +44 (0)20 7297 4866 e-mail: [email protected]; [email protected] website: www.quaritch.com Bankers: Barclays Bank PLC, 1 Churchill Place, London E14 5HP Sort code: 20-65-90 Swift code: BUKBGB22 Sterling account IBAN: GB71 BUKB 2065 9010 5117 22 Euro account IBAN: GB03 BUKB 2065 9045 4470 11 US Dollar account IBAN: GB19 BUKB 2065 9063 9924 44 VAT number: GB 840 1358 54 Recent Catalogues: 1438 The Bradford H. Gray Collection on the History of Social Thought 1437 Continental Books & Manuscripts Recent lists: 2018/13 Education 2018/12 Bindings & Illustrated Books 2018/11 Victorian Work & Leisure Cover illustration taken from item 49, Glossed Psalter Title page illustration taken from item 2, Cicero © Bernard Quaritch Ltd 2019 MEDIEVAL & RENAISSANCE MANUSCRIPTS BERNARD QUARITCH LTD Catalogue 1439 MMXIX Codices: items 1–6 Manuscript fragments, leaves and cuttings: items 7–58 Charters and letters: items 59–70 The manuscripts are arranged in an alphabetical sequence. All are on vellum unless otherwise noted. They are described physically with reference to script, ruling, ink, decoration, condition and general appearance. Measurements of fragments, height preceding width, are given in millimetres both for an entire leaf and for the written space (enclosed in round brackets); in the case of some fragments the use of square brackets indicates that a leaf has been cut down. We have attempted to illustrate a variety of items and shall be pleased to supply a reproduction of anything not illustrated.
    [Show full text]
  • The Terminology of Armor in Old French
    1 A 1 e n-MlS|^^^PP?; The Terminology Of Amor In Old French. THE TERMINOLOGY OF ARMOR IN OLD FRENCH BY OTHO WILLIAM ALLEN A. B. University of Illinois, 1915 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN ROMANCE LANGUAGES IN THE GRADUATE SCHOOL OF THE UNIVERSITY OF ILLINOIS 1916 UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL CO oo ]J1^J % I 9 I ^ I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPER- VISION BY WtMc^j I^M^. „ ENTITLED ^h... *If?&3!£^^^ ^1 ^^Sh^o-^/ o>h, "^Y^t^C^/ BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF. hu^Ur /] CUjfo In Charge of Thesis 1 Head of Department Recommendation concurred in :* Committee on Final Examination* Required for doctor's degree but not for master's. .343139 LHUC CONTENTS Bibliography i Introduction 1 Glossary 8 Corrigenda — 79 Digitized by the Internet Archive in 2014 http://archive.org/details/terminologyofarmOOalle i BIBLIOGRAPHY I. Descriptive Works on Armor: Boeheim, Wendelin. Handbuch der Waffenkunde. Leipzig, 1890, Quicherat, J, Histoire du costume en France, Paris, 1875* Schultz, Alwin. Das hofische Leben zur Zeit der Minnesinger. Two volumes. Leipzig, 1889. Demmin, August. Die Kriegswaffen in ihren geschicht lichen Ent wicklungen von den altesten Zeiten bis auf die Gegenwart. Vierte Auflage. Leipzig, 1893. Ffoulkes, Charles. Armour and Weapons. Oxford, 1909. Gautier, Leon. La Chevalerie. Viollet-le-Duc • Dictionnaire raisonne' du mobilier frangais. Six volumes. Paris, 1874. Volumes V and VI. Ashdown, Charles Henry. Arms and Armour. New York. Ffoulkes, Charles. The Armourer and his Craft.
    [Show full text]
  • A Study of the British Library Manuscripts of the Roman De Troie by Benoit De Sainte-Maure: Redaction, Decoration, and Reception
    A Study of the British Library Manuscripts of the Roman de Troie by Benoit de Sainte-Maure: Redaction, Decoration, and Reception Sian Prosser Doctor of Philosophy University of Sheffield Department of French January 2010 IMAGING SERVICES NORTH Boston Spa/ Wetherby West Yorkshire/ LS23 7BQ www.bl.uk THIS THESIS CONTAINS A CD IMAGING SERVICES NORTH Boston Spa, Wetherby West Yorkshire, LS23 7BQ www.bl.uk PAGE NUMBERING AS ORIGINAL Summary Recent studies of the Roman de Troie have highlighted the need for more research on the extant manuscripts, because of the unreliable nature of the critical edition and the importance of the text to scholars of twelfth -century literature. This study seeks to contribute to knowledge of one of the most popular versions of the Troy legend in medieval France by describing and analysing two little-known manuscripts of the text. London, British Library, Additional 30863 (L2) presents an abridged version of the poem that provides insights into the reception of the poem in the early thirteenth century. London, British Library, Harley 4482 (L 1) contains a series of decorated initials which exhibit a higher than suspected level of engagement with the text on the part of the manuscript's makers. Part I of the thesis concentrates on L2, beginning in chapter 1 with a codicological and palaeographical description, and a discussion of its likely provenance. Chapter 2 develops the codicological analysis, looking at specific evidence of scribal editing and comparing the manuscript with its closest relative to see which abridgments are unique to L2. It concludes with case studies that illustrate the scribe's abridgement techniques via the presentation of the principal female characters.
    [Show full text]
  • Armour As a Symbolic Form
    Originalveröffentlichung in: Waffen-und Kostümkunde 26 (1984), Nr. 2, S. 77-96 Armour As a Symbolic Form By Zdzislaw Zygulski Jr. „It is perfectly possible to argue that some distinctive objects are made by the mind, and that these objects, while appearing to exist objectively, have only a fictional reality." E. W. Said, Orientalism, New York 1979 Somewhere in the remote past of mankind armour was born, its basic purpose being to protect the soft and vulnerable human body in combat. It is somewhat surprising that in the course of Darwinian evolution man lost his natural protective attributes, above all hair, and slowly became what is called, with some malice, ,,the naked ape". Very soon man the hunter adopted animal skins as his first dress and also as armour. The tradition of an armour of leather is very ancient and still lingers in the word ,,cuirass". Various natural substances such as hard wood, plant fibres, bones, hoofs, or even tusks were used to make the body protection more resistant, but as soon as metallurgy had been mastered metal became the supreme material for all kinds of weaponry, both offensive and defensive. Since a blow to the head was often lethal, special attention was paid to the pro­ tection of that principal part of the body: early bronze helmets of conical shape are represented in the Sume­ rian art as early as the third millennium B. C.l. The shield, a prehistoric invention, although detached from the body and movable, may also be considered as a kind of armour. In the course of centuries a great number of types of armour and innumerable actual specimens were crea­ ted.
    [Show full text]
  • Ms. Fr. 22495, Fol. 105 PL
    Originalveröffentlichung in: Eisenbeiß, Anja ; Saurma-Jeltsch, Lieselotte E. (Hrsgg.): Images of otherness in medieval and early modern times : exclusion, inclusion and assimilation, Berlin; München: Deutscher Kunstverlag 2012, S. 37-56 , Plates 1.1-1.10 PL. 1. 1 Victory over Roger of Antioch. William of Tyre, Histoire d'Outremer, Paris, Fauvel master, 1337. Paris, Bibliotheque nationale de France: ms. fr. 22495, fol. 105 PL. 1.2 Kublai Khan and his wives at table. Marco Polo, Livres du grant Caan, Paris, Jeanne de Montbaston, 1333-35. London, The British Library: Ms. Royal 19 D 1, fol. 86 COLOUR PLATES 17 PL. 1.3 Kublai Khan punishes the traitor Najan. Marco Polo, Livres du grant Caan, Paris, Jeanne de Montbaston, 1333-35. London, The British Library: Ms. Royal 19 D 1, fol. 85 PL. 1.4 Kublai Khan punishes Liitam's co-conspirators. Marco Polo, Livres du grant Caan, Paris, Jeanne de Mont­ baston, 1333-35. London, The British Library: Ms. Royal 19 D 1, fol. 107 18 COLOUR PLATES PL.1.5 Customs in distant lndia. Marco Polo, Livres du grant Caan, Paris, Jeanne de Montbaston, 1333-35. London, The Brit­ ish Library: Ms. Royal 19 D 1, fol. 118 PL. 1.6 The Mongols provide their idol Natigay with nourishment. Marco Polo, Livres du grant Caan, Paris, Jeanne de Montbaston, 1333-35. London, The Brit­ ish Library: Ms. Royal 19 D 1, fol. 78v COLOUR PLATES 19 PL. 1.7 Cannibalism in Ciandu. Marco Polo, Livres du grant Caan, Paris, Jeanne de Montbaston, 1333-35. London, The British Library: Ms.
    [Show full text]
  • The Classic Suit of Armor
    Project Number: JLS 0048 The Classic Suit of Armor An Interactive Qualifying Project Report Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science by _________________ Justin Mattern _________________ Gregory Labonte _________________ Christopher Parker _________________ William Aust _________________ Katrina Van de Berg Date: March 3, 2005 Approved By: ______________________ Jeffery L. Forgeng, Advisor 1 Table of Contents ABSTRACT .................................................................................................................................................. 5 INTRODUCTION ........................................................................................................................................ 6 RESEARCH ON ARMOR: ......................................................................................................................... 9 ARMOR MANUFACTURING ......................................................................................................................... 9 Armor and the Context of Production ................................................................................................... 9 Metallurgy ........................................................................................................................................... 12 Shaping Techniques ............................................................................................................................ 15 Armor Decoration
    [Show full text]
  • The Complete Costume Dictionary
    The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward.
    [Show full text]
  • Armor in Games and in General
    Armor in games and in general Anna Jenelius Who am I? ● Anna Jenelius. ● Studied at Stockholm University, DSV. ● 4 years in the games industry. ● 3+ at Paradox Interactive/Development Studio. ● Now: Independent Game Developer. How am I qualified? ● I make my own armor. ● Gamer since I was 2 y/o. ● Huge history buff. Why armor? ● Going into a battle. ● Does not wish to get hurt or killed. ● Look good, show wealth (parades etc). Purpose ● Protection: ○ Blunt damage ○ Slashing damage ○ Piercing damage ● The more fighting you expect to see, the heavier your armor should be. Material ● Metal ● Leather ● Cloth (fabric) Leather vs. cloth ● Leather armor has never really been a thing. ● Studded leather armor has definitely not been a thing. ● Instead: The gambeson. ● Padded armor (~20 layers of linen). ● On its own, under mail, under plate. And by the way... ● It is called mail or maille. ● “Chainmail” is not a thing. Metal: Price ● Metal armor is expensive. ● Like, super expensive. ● A roman legionary armor could be worth a small village (¾ of a million dollars). This means that... ● A commoner would not have heavy armor. ● A suit of armor could be used to pay ransom. ● Nobles could more or less expect to be captured, not killed. Metal: Weight ● Steel: 8 g/cm3. ● 3 mm thick sheet of steel: 26 kg per m2. ● Heavy armor = slower soldier. ● Spikes serve no purpose. However! ● Not super-hard to move in. ● Can get up from back. ● Did not need cranes. Deflection vs. Direction ● You want to deflect blows. ● Spikes can actively direct them towards your body.
    [Show full text]