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ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious. -
Annual Report
ANNUAL REPORT Contents AIEF Annual Report 2009 1 Messages from our Patrons 2 2 Chairman’s Overview – Ray Martin AM 4 3 Chief Executive’s Report – Andrew Penfold 6 4 AIEF Scholarship Programme 8 5 AIEF 2009 Partner Schools: Kincoppal – Rose Bay School 12 Presbyterian Ladies’ College, Sydney 14 St Catherine’s School, Waverley 16 St Scholastica’s College, Glebe 18 St Vincent’s College, Potts Point 20 Other Partnerships and Scholarships 22 6 Student Overviews – Current and Past Students at 2009 Partner Schools 24 7 Financial Summary 34 APPENDIX A Governance and People 38 B Contact and Donation Details 40 1 Messages from our Patrons Her Excellency Professor Marie Bashir AC CVO Governor of New South Wales Patron-in-Chief It is an honour to be the Patron-in-Chief of the Australian Indigenous Education Foundation and to be able to follow the growth and development of the organisation over the past 12 months in its resolve and drive to create opportunities for a quality education for more Indigenous children across the nation. AIEF is an excellent example of how individuals and corporate organisations can make a difference to the lives of Indigenous children by facilitating access to educational opportunities that would not otherwise be available to them, and to do so in an efficient framework that provides clear, transparent and regular reporting. This initiative also benefits non-Indigenous children in our schools by providing the opportunity for our non-Indigenous students to form bonds of friendship with, and cultural understanding of, their Indigenous classmates. In this way, we are together working towards a brighter future for all Australians and empowering Indigenous children to have real choices in life. -
The Task Cards
HEROES HEROES TASK CARD 1 TASK CARD 2 HERO RECEIVES PURPLE CROSS YOUNG AUSTRALIAN OF THE YEAR The Young Australian of the Year has been awarded since 1979. It Read the story about Sarbi and answer these questions. recognises the outstanding achievement of young Australians aged 16 to 30 and the contributions they have made to our communities. 1. What colour is associated with the Australian Special Forces? YEAR Name of Recipient Field of Achievement 2011 Jessica Watson 2. What breed of dog is Sarbi? 2010 Trooper Mark Donaldson VC 2009 Jonty Bush 3. What is Sarbi trained to do? 2008 Casey Stoner 2007 Tania Major 4. What type of animal has also received 2006 Trisha Broadbridge the Purple Cross for wartime service? 2005 Khoa Do 2004 Hugh Evans 5. In which country was Sarbi working 2003 Lleyton Hewitt when she went missing? 2002 Scott Hocknull 2001 James Fitzpatrick 6. How was Sarbi identified when she was found? 2000 Ian Thorpe OAM 1999 Dr Bryan Gaensler 7. What does MIA stand for? 1998 Tan Le 1997 Nova Peris OAM 8. Which word in the text means ‘to attack by surprise’? 1996 Rebecca Chambers 1995 Poppy King 9. How many days was Sarbi missing for? Find out what each of these people received their Young Australian 10. Why did Sarbi receive the Purple cross? Award for. Use this list of achievements to help you. Concert pianist; Astronomer; Champion Tennis Player; Sailor; Palaeontologist; MotoGP World Champion; Business Woman; World Champion Swimmer; Youth Leader & Tsunami Survivor; Anti-poverty Campaigner; Olympic Gold Medallist Athlete; Victim -
My Fifty Years with Wagner
MY FIFTY YEARS WITH RICHARD WAGNER I don't for a moment profess to be an expert on the subject of the German composer Wilhelm Richard Wagner and have not made detailed comments on performances, leaving opinions to those far more enlightened than I. However having listened to Wagnerian works on radio and record from the late 1960s, and after a chance experience in 1973, I have been fascinated by the world and works of Wagner ever since. I have been fortunate to enjoy three separate cycles of Der Ring des Nibelungen, in Bayreuth 2008, San Francisco in 2011 and Melbourne in 2013 and will see a fourth, being the world's first fully digitally staged Ring cycle in Brisbane in 2020 under the auspices of Opera Australia. I also completed three years of the degree course in Architecture at the University of Quensland from 1962 and have always been interested in the monumental buildings of Europe, old and new, including the opera houses I have visited for performance of Wagner's works. It all started in earnest on September 29, 1973 when I was 28 yrs old, when, with friend and music mentor Harold King of ABC radio fame, together we attended the inaugural orchestral concert given at the Sydney Opera House, in which the legendary Swedish soprano Birgit Nilsson opened the world renowned building singing an all Wagner programme including the Immolation scene from Götterdämmerung, accompanied by the Sydney Symphony Orchestra conducted by a young Charles Mackerras. This event fully opened my eyes to the Ring Cycle - and I have managed to keep the historic souvenir programme. -
Impact Report 2019 Impact Report
2019 Impact Report 2019 Impact Report 1 Sydney Symphony Orchestra 2019 Impact Report “ Simone Young and the Sydney Symphony Orchestra’s outstanding interpretation captured its distinctive structure and imaginative folkloric atmosphere. The sumptuous string sonorities, evocative woodwind calls and polished brass chords highlighted the young Mahler’s distinctive orchestral sound-world.” The Australian, December 2019 Mahler’s Das klagende Lied with (L–R) Brett Weymark, Simone Young, Andrew Collis, Steve Davislim, Eleanor Lyons and Michaela Schuster. (Sydney Opera House, December 2019) Photo: Jay Patel Sydney Symphony Orchestra 2019 Impact Report Table of Contents 2019 at a Glance 06 Critical Acclaim 08 Chair’s Report 10 CEO’s Report 12 2019 Artistic Highlights 14 The Orchestra 18 Farewelling David Robertson 20 Welcome, Simone Young 22 50 Fanfares 24 Sydney Symphony Orchestra Fellowship 28 Building Audiences for Orchestral Music 30 Serving Our State 34 Acknowledging Your Support 38 Business Performance 40 2019 Annual Fund Donors 42 Sponsor Salute 46 Sydney Symphony Under the Stars. (Parramatta Park, January 2019) Photo: Victor Frankowski 4 5 Sydney Symphony Orchestra 2019 Impact Report 2019 at a Glance 146 Schools participated in Sydney Symphony Orchestra education programs 33,000 Students and Teachers 19,700 engaged in Sydney Symphony Students 234 Orchestra education programs attended Sydney Symphony $19.5 performances Orchestra concerts 64% in Australia of revenue Million self-generated in box office revenue 3,100 Hours of livestream concerts -
2018–19 Chronological Listing
UPDATED June 7, 2019 CHRONOLOGICAL LISTING 2018–19 SEASON THE ART OF THE SCORE Alec Baldwin, Artistic Advisor THERE WILL BE BLOOD David Geffen Hall at Lincoln Center Wednesday, September 12, 2018, 7:30 p.m. Thursday, September 13, 2018, 7:30 p.m. Hugh Brunt*, conductor Michelle Kim, violin Jonny GREENWOOD There Will Be Blood (score performed live to complete film) THE ART OF THE SCORE Alec Baldwin, Artistic Advisor 2001: A SPACE ODYSSEY David Geffen Hall at Lincoln Center Friday, September 14, 2018, 8:00 p.m. Saturday, September 15, 2018, 8:00 p.m. André de Ridder, conductor Musica Sacra, chorus Kent Tritle, director VARIOUS 2001: A Space Odyssey (score performed live to complete film) (includes selections from works by Ligeti, R. Strauss, J. Strauss II, and Khachaturian) * New York Philharmonic debut JAAP VAN ZWEDEN CONDUCTS: OPENING GALA CONCERT NEW YORK, MEET JAAP David Geffen Hall at Lincoln Center Thursday, September 20, 2018, 7:00 p.m. Jaap van Zweden, conductor Daniil Trifonov, piano Rebekah Heller*, bassoon Nate Wooley*, trumpet Brandon Lopez*, bass Constellation Chor*, moving voices Marisa Michelson, director César Alvarez*, Lilleth Glimcher*, staging and dramaturgy Brandon Clifford*, Wes McGee*, Johanna Lobdell*, matter design Marika Kent*, lighting design Tolulope Aremu*, costume design Ashley FURE Filament (World Premiere–New York Philharmonic Commission) RAVEL Piano Concerto in G major STRAVINSKY The Rite of Spring * New York Philharmonic debut JAAP VAN ZWEDEN CONDUCTS: NEW WORK BY ASHLEY FURE, DANIIL TRIFONOV IN BEETHOVEN, AND STRAVINSKY’S THE RITE OF SPRING David Geffen Hall at Lincoln Center Friday, September 21, 2018, 8:00 p.m. -
2015 CPPAQ Annual Leneen Forde Public Address Chair: Honourable Dame Quentin Bryce AD CVO Keynote Speaker: Tania Major
2015 CPPAQ Annual Leneen Forde Public Address Chair: Honourable Dame Quentin Bryce AD CVO Keynote Speaker: Tania Major Venue: Banco Court, Supreme Court of Queensland, 415 George Street, Brisbane Date: Tuesday 08 September 2015 Time: Registration: 5.30pm | Address: 6-7pm | Reception: 7–8pm Cost: Free for Members or $30 for non members RSVP: Friday 4 September The Child Protection Practitioners Association of Queensland (CPPAQ) aims to improve interdisciplinary professional collaboration in the child protection system in Queensland. This event is named in honour of Ms Leneen Forde AO who led the 1999 Inquiry into Abuse of Children in Queensland Institutions. The fifth public address will be chaired by the Honourable Dame Quentin Bryce AD CVO, former Governor-General of Australia and Chair of the Queensland Domestic and Family Violence Taskforce. The keynote address will be delivered by Tania Major, a Kokoberra woman from Kowanyama in Far North Queensland and Young Australian of the Year 2007. Tania is the Founder and Chair of the Major Impact Foundation, aiming to help remote Indigenous Australians to gain the skills and knowledge through a quality education so they can break free of welfare dependency. Tania will speak about the challenges for families and children in remote communities; the desirability of community-led solutions; and the role of government in addressing poverty and disadvantage. More information and online registration: Annual Leneen Forde Public Address: 8 September 2015 This event is FREE FOR MEMBERS so for information about how to join go to JOIN US or if you are already a member please remember to renew your membership now. -
Annual Report Sydney Opera House Financial Year 2019-20
Annual Report Sydney Opera House Financial Year 2019-20 2019-20 03 The Sydney Opera House stands on Tubowgule, Gadigal country. We acknowledge the Gadigal, the traditional custodians of this place, also known as Bennelong Point. First Nations readers are advised that this document may contain the names and images of Aboriginal and Torres Strait Islander people who are now deceased. Sydney Opera House. Photo by Hamilton Lund. Front Cover: A single ghost light in the Joan Sutherland Theatre during closure (see page 52). Photo by Daniel Boud. Contents 05 About Us Financials & Reporting Who We Are 08 Our History 12 Financial Overview 100 Vision, Mission and Values 14 Financial Statements 104 Year at a Glance 16 Appendix 160 Message from the Chairman 18 Message from the CEO 20 2019-2020: Context 22 Awards 27 Acknowledgements & Contacts The Year’s Our Partners 190 Activity Our Donors 191 Contact Information 204 Trade Marks 206 Experiences 30 Index 208 Performing Arts 33 Precinct Experiences 55 The Building 60 Renewal 61 Operations & Maintenance 63 Security 64 Heritage 65 People 66 Team and Capability 67 Supporters 73 Inspiring Positive Change 76 Reconciliation Action Plan 78 Sustainability 80 Access 81 Business Excellence 82 Organisation Chart 86 Executive Team 87 Corporate Governance 90 Joan Sutherland Theatre foyers during closure. Photo by Daniel Boud. About Us 07 Sydney Opera House. Photo by by Daria Shevtsova. by by Photo Opera House. Sydney About Us 09 Who We Are The Sydney Opera House occupies The coronavirus pandemic has highlighted the value of the Opera House’s online presence and programming a unique place in the cultural to our artists and communities, and increased the “It stands by landscape. -
2007/2008 Swimming Queensland Annual Report
SWIMMING QUEENSLAND (FOUNDED 1898) (Affiliated to Swimming Australia Limited) STATE OFFICE SPORTS ROAD, THE SLEEMAN CENTRE Cnr OLD CLEVELAND & TILLEY RDs, CHANDLER, BRISBANE PATRON: Her Excellency Ms Quentin Bryce AC, Governor of Queensland BOARD OF MANAGEMENT: PRESIDENT: Mrs. M. Pugh OAM DIRECTORS: Mr. J. Keppie, Mr. P. Plumridge (Treasurer), Mr. B Stehr, Mrs. S. Hardie, Dr. S. Hooton and Dr. J. Canavan CHIEF EXECUTIVE OFFICER: Mr. K. Hasemann LIFE-MEMBERS: Mr. J. F. Morgan, Mr. A. A. Steinbeck OBE, Mrs. T. Osborn, Mr. G. J. Lalor AM, Dr. D. Theile AO, Mr. W. J. Willis OAM, Dr. T. C. Barrett OAM, Mr. G. R. White OAM, Miss. P. C. Wright OAM, Mrs. D. Bendeich, Mr. A. Gynther, Mr. B. Short, Mr. J. Carew, Mr. E. Randle, Mr. J. Keppie, Mr. G. Burke, Mrs. M. Pugh OAM, Mrs. L. Tanner, Mr. W.F. Sweetenham OAM, Mrs. H. Ferguson, Mrs. J. Kellett, Mr. J.T. Major, Mr. G. Bigg, Mr. P. Crane, Mr. B. Welch OAM, Mr. D. Millard, Mr. F. Kellett, Mr. R. Kretchmann, Mr. D. Cotterell, Mr. K. Wood, Mrs. J. McGinley, Mr. L. Lawrence, Mr. D. Urquhart HALL OF FAME: Mr. G. Lalor AM, Mrs. N. Welch (nee Lyons), Mr. S. Holland OAM, Mr. J. King AM, Dr. D. Theile AO, Mr. L. Lawrence, Ms. T. Wickham OBE, Mrs. L. Short OAM, Mr. K. Perkins OAM, Mr. D. Armstrong OAM, Ms. S. O’Neill OAM, Mr. J. Carew, Mr. J. Sieben OAM, Mr. W.J. Willis OAM, Mr. A. Cusack, Ms. S. Riley OAM, Mr. B. Burkett OAM AUDITOR: Phil Davis & Company HON. -
Conductor's Orders [Conductor Simone Young]
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Gislason, Kari (2019) Conductor’s orders. [Composition] This file was downloaded from: https://eprints.qut.edu.au/132121/ c The Saturday Paper This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https:// www.thesaturdaypaper.com.au/ culture/ music/ 2019/ 08/ 03/ conductor-simone-young/ 15647544008549 Conductor's Orders [Conductor Simone Young] by Kári Gíslason “Do you mind if I finish this row?” Simone Young has her feet up on her dressing room couch, knitting laid across her lap. “It’s for my mother,” she says of the work in progress – a jumper with a lovely, slightly old‐fashioned cable pattern on the front. -
Australian Sports Commission Annual Report 2010-2011
Annual Report 2010–2011 Australian Sports Commission Annual Report 2010–2011 © Australian Sports Commission 2011 ISSN 0186-3448 This work is copyright. Apart from any use as permitted under the Copyright Act 1968, no part may be reproduced by any process without prior written permission from the Australian Sports Commission. Requests and enquiries concerning reproduction should be addressed to [email protected]. Unless otherwise stated, all images are the property of the Australian Sports Commission. Printed by Union Offset Printers For general enquiries: Tel: (02) 6214 1111 Fax: (02) 6214 1836 Email: [email protected] Website: ausport.gov.au Senator the Hon Mark Arbib Minister for Sport, Minister for Indigenous Employment, and Economic Development, and Minister for Social Housing and Homelessness Parliament House CANBERRA ACT 2600 Dear Minister I am pleased to submit the twenty-seventh Annual Report for the Australian Sports Commission, covering the period 2010–11. The report has been prepared to meet the requirements of the Commonwealth Authorities and Companies Act 1997 as called for under Section 48 of the Australian Sports Commission Act 1989. The Australian Sports Commission is established in accordance with the Australian Sports Commission Act 1989. The objects, functions and powers of the Australian Sports Commission are prescribed in Sections 6, 7 and 8, respectively, of the Act. The Commissioners of the Board are responsible, under Section 9 of the Commonwealth Authorities and Companies Act 1997, for the preparation and content of the Report of Operations in accordance with the Finance Minister’s Orders 2010-11. The Board resolved to adopt the Report of Operations as a true and concise portrayal of the year’s activities. -
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