Rivista No. 396 Winter 2013/14
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Chapter One: Introduction
CHANGING PERCEPTIONS OF IL DUCE TRACING POLITICAL TRENDS IN THE ITALIAN-AMERICAN MEDIA DURING THE EARLY YEARS OF FASCISM by Ryan J. Antonucci Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the History Program YOUNGSTOWN STATE UNIVERSITY August, 2013 Changing Perceptions of il Duce Tracing Political Trends in the Italian-American Media during the Early Years of Fascism Ryan J. Antonucci I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: Ryan J. Antonucci, Student Date Approvals: Dr. David Simonelli, Thesis Advisor Date Dr. Brian Bonhomme, Committee Member Date Dr. Martha Pallante, Committee Member Date Dr. Carla Simonini, Committee Member Date Dr. Salvatore A. Sanders, Associate Dean of Graduate Studies Date Ryan J. Antonucci © 2013 iii ABSTRACT Scholars of Italian-American history have traditionally asserted that the ethnic community’s media during the 1920s and 1930s was pro-Fascist leaning. This thesis challenges that narrative by proving that moderate, and often ambivalent, opinions existed at one time, and the shift to a philo-Fascist position was an active process. Using a survey of six Italian-language sources from diverse cities during the inauguration of Benito Mussolini’s regime, research shows that interpretations varied significantly. One of the newspapers, Il Cittadino Italo-Americano (Youngstown, Ohio) is then used as a case study to better understand why events in Italy were interpreted in certain ways. -
Dos Films Recientes Descubren a Ettore Scola, Un Veterano
personalidades ( i). Dos films recientes descubren a Ettore Scola, un veterano Ha hecho trece películas como director y algunas más como libretista, es uno de los profesionales italianos con mayor experiencia, pero sólo ahora se sabe que Ettore Scola puede ser un nombre importante. El estreno de Un día muy especial repitió el alerta y éste quizá sea el momento de iniciar la revisión de Scola: para saber que ha hecho mucha película menor, frívola y poco creativa para llegar ahora a una primera culminación Si no fuera porque Nos habíamos amado tanto y Un día muy especial han obligado a la atención pública, ia personalidad de Ettore Scola (47 años, trece films como director, una larga lista de libretos) permanecería desco nocida para casi toda la crítica. En rigor es todavía un desconoci do, en parte porque no existe hasta ahora ningún análisis del conjunto de su obra, en parte porque sus propios films no descubren una actitud nítida y permanente ante el mundo o ante el propio medio expresivo. Aunque su talento más notorio parece ser satírico o farsesco (libretos para Dino Risi y Pietrangeli, sus primeros films como director), los dos títulos más Importan tes de su carrera parecen más serios Un momento histórico muy particular que las múltiples comedias previas. cas y la idea se apoya en un efecto de algunos rasgos comunes en ideas, des Sin embargo detrás de Un día muy es libreto (la permanente, monótona, pre arrollos y diálogos, parte de esas ca pecial, un film sombrío, asoma lo que sencia de la trasmisión radial invadien racterísticas eran también las de otros alguien llamó una comedia trágica, don do el adificio de apartamentos romano films italianos de la época: el amargo de Marcello Mastroianni baila una rum donde quedan solos Sophia Loren y cierre de Adua y sus amigas (ex-prosti- ba melancólica y donde los diálogos Marcello Mastroianni). -
Liberty, Restriction, and the Remaking of Italians and Eastern European Jews
"Liberty, Restriction, and the Remaking of Italians and Eastern European Jews, (1882-1965)" By Maddalena Marinari University of Kansas, 2009 B.A. Istituto Universitario Orientale Submitted to the Department of History and the Faculty of The Graduate School of the University Of Kansas in partial fulfillment of The requirements for the degree of Doctor of Philosophy __________________________________________ Dr. Jeffrey Moran, Chair __________________________________________ Dr. Donna Gabaccia __________________________________________ Dr. Sheyda Jahanbani __________________________________________ Dr. Roberta Pergher __________________________________________ Dr. Ruben Flores Date Defended: 14 December 2009 The Dissertation Committee for Maddalena Marinari certifies that this is the approved version of the following dissertation: "Liberty, Restriction, and the Remaking of Italians and Eastern European Jews, (1882-1965)" Committee: __________________________________________ Dr. Jeffrey Moran, Chair __________________________________________ Dr. Donna Gabaccia __________________________________________ Dr. Sheyda Jahanbani __________________________________________ Dr. Roberta Pergher __________________________________________ Dr. Ruben Flores Date Approved: 14 December 2009 2 Table of Contents Introduction ……………………………………………………………………………………….3 Chapter 1: From Unwanted to Restricted (1890-1921) ………………………………………...17 Chapter 2: "The doors of America are worse than shut when they are half-way open:" The Fight against the Johnson-Reed Immigration -
Bernard Ménez En Leur Proposant Une Carte Blanche Philippe Pour Nous Présenter Leurs Films Préférés
2 016 Cahors 5e édition cinedelices.fr l’éclat durire Festival international du film hédoniste 5|6|7|8|9|10 Octobre 1 Bernard Menez Acteur les invités Jean-Pierre Mocky ACTEUR, Scénariste, réalisateur, producteur Jean Douchet historien du cinéma Pascal l’éclat du r ire Thomas scénariste, Ou RIRE DU SPECTACLE DU MONDE réalisateur` Pour sa 5ème édition, le Festival Cinédélices invite le public à venir rire Nadeige emmanuel Loiseau Laborie du spectacle du monde. Six jours de plaisir pour une programmation réalisatrice réalisateur construite sur la thématique « L’Éclat du Rire » avec une sélection de comédies d’hier et d’aujourd’hui, françaises et étrangères. Au total, vingt-quatre films sont convoqués pour signifier que l’humour « ça fait du bien » et que le rire est un bien précieux. Depuis son origine, le cinéma a su nous restituer tous les états du rire, moqueur, sarcastique, libérateur, bienfaisant ou déstabilisant, et contribuer à en révéler l’universalité. Le cinéma témoigne que, partout dans le monde on rit, mais pas toujours pour les mêmes raisons et que, selon les histoires et la personnalité des réalisateurs, le rire prend Sophie Dulac Sophie des formes, des couleurs et des expressions différentes. productrice Reine distributrice réalisatrice Développé à partir de deux axes, « Universalité du rire » et « Rires d’aujourd’hui », le festival est allé chercher des pépites du cinéma international, emblématiques ou inédites. Conjointement, neuf avant-premières illustrent l’humour de nos contemporains. De plus, le festival a donné la parole à trois de ses invités, Jean-Pierre Mocky, Pascal Thomas et Bernard Ménez en leur proposant une carte blanche Philippe pour nous présenter leurs films préférés. -
Between the Local and the National: the Free Territory of Trieste, "Italianita," and the Politics of Identity from the Second World War to the Osimo Treaty
Graduate Theses, Dissertations, and Problem Reports 2014 Between the Local and the National: The Free Territory of Trieste, "Italianita," and the Politics of Identity from the Second World War to the Osimo Treaty Fabio Capano Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Capano, Fabio, "Between the Local and the National: The Free Territory of Trieste, "Italianita," and the Politics of Identity from the Second World War to the Osimo Treaty" (2014). Graduate Theses, Dissertations, and Problem Reports. 5312. https://researchrepository.wvu.edu/etd/5312 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Between the Local and the National: the Free Territory of Trieste, "Italianità," and the Politics of Identity from the Second World War to the Osimo Treaty Fabio Capano Dissertation submitted to the Eberly College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Modern Europe Joshua Arthurs, Ph.D., Co-Chair Robert Blobaum, Ph.D., Co-Chair Katherine Aaslestad, Ph.D. -
American Born Iris Origo Saw Italythrough a Stage Of
LA FOCE distance from the borgo: 35km American born Iris Origo saw Italy through a stage of incredible change, from Savoy monarchy through Mussolini and the Second World War, from the centuries-old peasant farming system to Italy’s much-belated industrialization. She left a collection of literature, a personal account of German occupation and thrilling escape during wartime, a legacy of conscientious farming in a land hard to conquer, and a beautiful, mani- cured estate in the picturesque Val d’Orcia. Her house, La Foce, sits on one of the most comely and typically Tuscan roads in the area, its winding grade marked by even cypresses. A visit to La Foce is an opportunity not only to experience the famous estate and gardens, but to learn about Iris Origo who was an enormously intriguing individual, as well as her circle of expatriates which included Bernard Berenson and Edith Wharton among others, and about the evolution of Tuscany as we know it today. New York-born Origo’s early years, following the loss of her father, were spent traversing the world with her mother before establishing a base at the Villa Medici in Fiesole, outside of Florence. There she grew up among her mother’s circle of wealthy English expatriates. In the 1920s she married Italian Antonio Origo and escaped to a very different world of their choosing, a dilapidated farm on a vast landholding south of Siena. They transformed the dry valley into a working estate with rebuilt farmhouses and a school. They also rebuilt the villa at La Foce and its gardens. -
Pagine Utili 2015 2016
a cura di COME, DOVE E PERCHÉ AFFIDARSI ALLE COOPERATIVE DEL FRIULI VENEZIA GIULIA 2015-2016 2 Il salto di qualità con Legacoop! CONVENZIONE LEGACOOP - UNIPOLSAI VOGLIAMO ESSERE OGNI GIORNO ACCANTO A TE PER OFFRIRTI: Soluzioni innovative Tariffe scontate Garanzie esclusive Servizi aggiuntivi gratuiti Scopri i vantaggi esclusivi previsti dalla Convenzione per i Soci e i loro familiari presso le Sedi LEGACOOP e le Agenzie UnipolSai Assicurazioni. Messaggio pubblicitario. Prima della sottoscrizione leggere il Fascicolo Informativo da richiedere in agenzia e agli intermediari autorizzati e consultabile sul sito internet www.unipolsai.it 3 COME, DOVE E PERCHÉ AFFIDARSI ALLE COOPERATIVE DEL FRIULI VENEZIA GIULIA INDICE PER categoria 2 INDUSTRIA AGROALIMENTARE abbigliamento3 - p. 47 arredamento - p. 47 carpenteria - p. 47-48 costruzioni - p. 49-53 imballaggi - p. 53 impianti - p. 53-54 macello - p. 54 allevamento -1 p. 31 manifatturiero - p. 54 commercializzazione, conferimento progettazione - p. 55 e servizi all’agricoltura - p. 31-34 servizi all’industria - p. 55 lattiero caseario - p. 34-35 produzione agricola - p. 35 selvicoltura, forestazione e ambiente - p. 36-38 viticoltura - p. 38-39 PESCA acquacoltura - p.2 43-44 pesca - p. 44 servizi al settore ittico - p. 44-45 INDICE PER categoria 3 I Z I V SER assistenza5 - p. 63 comunicazione ed editoria - p. 63-65 contrattazioni commerciali - p. 66 cultura - p. 66-72 cure dentali - p. 72 facility - p. 74 gestione appalti - p. 75 gestione risorse umane - p. 75 informatica - p. 75 istruzione e formazione - p. 76 locazione - p. 78 logistica, facchinaggio e trasporto - p. 78-80 prodotti equo solidali - p. 81 ristorazione e accoglienza - p. -
Dalle 9 Alle 13) +39 331 433 49 57 +39 333 255 17 58
Lim Antiqua s.a.s - Studio bibliografico Via delle Ville I, 1008 I-55100 LUCCA Telefono e Fax +39 0583 34 2218 (dalle 9 alle 13) +39 331 433 49 57 +39 333 255 17 58 web: www.limantiqua.it email: [email protected] P. IVA 01286300460 Dati per bonifico: C/C postale n. 11367554 IBAN: IT 67 Q 07601 13700 000011367554 BIC: BPPIITRRXXX Orario di apertura Lunedì – Venerdì ore 9.00/14.00 Gli ordini possono essere effettuati per telefono, email o via fax. Il pagamento può avvenire tramite contrassegno, bollettino postale, bonifico sul conto postale o PayPal. Le spese di spedizione sono a carico del destinatario. I prezzi indicati sono comprensivi di IVA. Gli ordini saranno ritenuti validi e quindi evasi anche in caso di disponibilità parziale dei pezzi richiesti. ATTRICI E ATTORI DEL CINEMA ITALIANO p. 4 TELEVISIONE E MUSICA LEGGERA p. 74 ATTRICI E ATTORI DEL CINEMA ITALIANO 1. Paola Bàrbara (Roma 1912 - Anguillara Sabazia 1989) Firma autografa su fotografia d’autore(23x16,2 cm) dello studio fotografico Montabone di Firenze, datata 1938, raffigurante l’attrice italiana, talvolta accreditata con lo pseudonimo “Pauline Baards”. Segni di pennarello sul retro della foto, peraltro ottimo esemplare. € 120 !4 2. Nino Besozzi (Milano 1901 - ivi 1971) Firma autografa e dedica manoscritta su fotografia d’autore (cm 22,5x16,8) dello studio fotografico Ermini di Milano, datata 1955., raffigurante il ritratto dell’attore cinematografico e teatrale milanese.€ 80 3. Nino Besozzi (Milano 1901 - ivi 1971) Firma autografa e dedica manoscritta su fotografia (cm 14,5x10,5) dello studio fotografico Ermini di Milano, datata 1960, raffigurante l’attore cinematografico e teatrale milanese. -
Iris Origo: Marchesa of Val Dorcia Free
FREE IRIS ORIGO: MARCHESA OF VAL DORCIA PDF Caroline Moorehead | 474 pages | 19 Jun 2014 | ALLISON & BUSBY | 9780749016562 | English | London, United Kingdom Iris Origo | Book Depository She lived in Italy, and devoted much of her life to the improvement of the Tuscan estate at La Foce, near Montepulciano, which she purchased with her husband in the s. Her parents travelled widely after their marriage, particularly in Italy, when her father contracted tuberculosis. Following her father's death inIris and her mother settled in Italy, buying the Villa Medici in Fiesoleone of Florence's most spectacular villas. This meant that she grew up in one of the great centres of the Italian renaissance, a palatial dwelling built by Michelozzo for Cosimo de Medici, the founding father ofthe most celebrated family in Florentine history. There they formed a close friendship with Bernard Berensonwho lived not far away at Villa I Tatti. Iris was briefly enrolled at school in London, but was largely educated at home, by Professor Solone Monti as well as a series of French and German governesses. The marriage was to last until Following their divorce she married, as her third husband, the essayist Percy Lubbock. She died in Her second marriage reportedly failed because she was emotionally needy and had married a man who suffered from neurasthenia. The marriage was not happy. No one could outdo Sybil where neuroses were concerned, and she spent more and more time in bed on one pretext or another. Personal life Iris Cutting travelled to England and the United States in order to be launched in the society of both countries. -
The Descendants of William Whitelock 1
The Descendants of William Whitelock 1 William Whitelock was born on 15 Dec 1705 and died in 1774 in Sheepscar, Leeds, Yorkshire. Basic notes: He worked as a Merchant of Sheepscar, Leeds in Sheepscar, Leeds, Yorkshire. He lived at Sheepscar, Leeds, Yorkshire. William married Martha Jackson on 13 Jul 1732 in FMH Warmsworth. Martha was born on 10 Nov 1709 in Armley, Leeds, Yorkshire. They had four children: Martha, Deborah, Sarah and Isaac. Martha Whitelock. Deborah Whitelock was born on 7 Nov 1749 and died on 3 May 1827. Deborah married John Elam, son of John Elam and Mary Frankland, on 18 Jun 1778 in FMH Gildersome. John was born on 30 Dec 1748 in Leeds, Yorkshire and died on 17 Jan 1790. They had one son: John William. Basic notes: He worked as an Of Leeds. John William Elam was born on 9 Dec 1779 in Leeds, Yorkshire. Sarah Whitelock was born in 1754 and died in 1830. Sarah married James Arthington,1 son of Robert Arthington and Phebe Morley,. James was born on 9 Feb 1752 in Armley, Leeds, Yorkshire and died on 24 Apr 1833 in Hunslet Lane, Leeds, Yorkshire. Basic notes: He worked as a Linen Draper in Leeds, Yorkshire. Isaac Whitelock2 was born in 1742 and died in 1789 in Sheepscar, Leeds, Yorkshire. General Notes: Bishop Thornton? Basic notes: He worked as a Merchant of Sheepscar, Leeds. Isaac married Hannah Arthington,2 daughter of Robert Arthington and Phebe Morley, about 1786. Hannah was born in 1756 in West Halton, Craven, Yorkshire and died in 1840 in York, Yorkshire. -
Biography: History of La Foce
Biography: Alessio Bax (Artistic Director) “Alessio Bax is clearly among the most remarkable young pianists now before the public.” — Gramophone Alessio Bax, a pianist of authority, elegance and intensity (as described respectively by the Daily Telegraph, the New Yorker and Gramophone), is praised for his lyrical performances and compelling, insightful interpretations. As First Prize winner at the Leeds International Piano Competition, and the recipient of an Avery Fisher Career Grant and Lincoln Center’s Martin E. Segal Award, he has appeared as soloist with more than 100 orchestras, including the London and Royal Philharmonic orchestras, Houston and Cincinnati Symphonies, Japan’s NHK Symphony, Dallas Symphony with Jaap van Zweden, St. Petersburg Philharmonic with Yuri Temirkanov, and the City of Birmingham Symphony Orchestra with Sir Simon Rattle. In 2017 Bax was appointed Artistic Director of Italy’s Incontri in Terra di Siena Festival for a three-year term. He has a burgeoning discography that includes works by Bach, Beethoven, Brahms, Mozart, Rachmaninov and Stravinsky as well as a Russian album and a lullaby collection (Lullabies For Mila is dedicated to his daughter, Mila) – all of which have been singled out for distinction by the most discerning critics. His recording of a Bach cantata excerpt was recently included on the soundtrack of Luca Guadagnino’s hit movie Call Me By Your Name. Antonio Lysy (Co-Founder) Antonio Lysy is an internationally renowned cellist, appearing as a soloist in major concert halls around the world. He has performed with orchestras including the Philharmonia, the Royal Philharmonic Orchestra, Camerata Salzburg, the Tonhalle-Orchester Zürich, the Orchestra di Padova e il Veneto, the Israel Sinfonietta, the Montreal Symphony Orchestra and the Toronto Symphony Orchestra. -
The Waterfront of Trieste
City of Trieste - ITALY “Not only cruising” 2011 July URBACTII Plan Action Local - of Trieste City Trieste: aerial view of the city IndEX Introduction ............................................................................................................................................................................................................. 2 1.1 Synopsis........................................................................................................................................................................................................................................ 3 1.2 The URBACT II Programme ......................................................................................................................................................................................................... 4 The city of Trieste .................................................................................................................................................................................................... 6 Trieste as port city in a nutshell .......................................................................................................................................................................................................... 7 Local economy .................................................................................................................................................................................................................................... 8 Infrastructural system