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The Concert Hall As a Medium of Musical Culture: the Technical Mediation of Listening in the 19Th Century
The Concert Hall as a Medium of Musical Culture: The Technical Mediation of Listening in the 19th Century by Darryl Mark Cressman M.A. (Communication), University of Windsor, 2004 B.A (Hons.), University of Windsor, 2002 Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the School of Communication Faculty of Communication, Art and Technology © Darryl Mark Cressman 2012 SIMON FRASER UNIVERSITY Fall 2012 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for “Fair Dealing.” Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Darryl Mark Cressman Degree: Doctor of Philosophy (Communication) Title of Thesis: The Concert Hall as a Medium of Musical Culture: The Technical Mediation of Listening in the 19th Century Examining Committee: Chair: Martin Laba, Associate Professor Andrew Feenberg Senior Supervisor Professor Gary McCarron Supervisor Associate Professor Shane Gunster Supervisor Associate Professor Barry Truax Internal Examiner Professor School of Communication, Simon Fraser Universty Hans-Joachim Braun External Examiner Professor of Modern Social, Economic and Technical History Helmut-Schmidt University, Hamburg Date Defended: September 19, 2012 ii Partial Copyright License iii Abstract Taking the relationship -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Goodbye TV Ads, Hello Sponsormagic Introducing a More Excellent Way to Connect with Your TV Audience and Build Your Brand the Advertiser’S Dilemma
Goodbye TV Ads, Hello SponsorMagic Introducing a more excellent way to connect with your TV audience and build your brand The Advertiser’s Dilemma People hate advertising: “Your ads interrupt me.” “There are too many ads.” “Advertising is irrelevant to me.” “I don’t trust advertising messages.” People avoid advertising: • DVR ad skipping • Subscription video services: Netflix, HBO • Commercial free satellite radio • Web & mobile ad blockers The Advertiser’s Dilemma Connecting with people who: • Don’t want to see advertising • Find advertising to be irrelevant • Resent the intrusion of ads • Have ways to block or avoid advertising You need a whole new strategy … SponsorMagic! What is SponsorMagic? • Creating magic moments for viewers to experience your brand • A way to build brand awareness and affinity that’s NOT advertising • Customized branded entertainment integrated into the program Presenting … • Fresh, new promotions created for each show Your • Product placement and demos in Brand! the form of songs, sketches, parodies, prize giveaways, and other programming techniques SponsorMagic! Why it’s better • Viewers stay engaged with your message because it’s part of the entertainment • Your brand is associated with the good feelings generated by the program • The audience can’t skip over your Presenting … brand message because it’s grafted into the show Your • Fresh, new message every week Brand! • No advertising production costs SponsorMagic on TV Where can I find a program with SponsorMagic opportunities? Innovative TV Programming An innovative brand sponsorship program needs an innovative TV program Coming Early 2018 … Innovative TV Programming • A variety show to bring all generations together • Hosted by show-biz team Stu Newmeyer and Laurie Stillman • Star-studded family entertainment • Live studio audience • Prime time-family time: Sundays at 7:00 p.m. -
American Barbecue Culture: Evolution, Challenge and Fate of Its Regional Diversity in Both the United States and Germany
1 Schriftliche Hausarbeit zur Zulassung zum 1. Staatsexamen im Fach Englisch American Barbecue Culture: Evolution, Challenge and Fate of its Regional Diversity in both the United States and Germany. Universität Regensburg Philosophische Fakultät IV Institut für Amerikanistik und Anglistik Betreuer: Prof. Dr. Udo Hebel Verfasser: Sebastian Gotzler Fächerverbindung: Lehramt Gymnasium Englisch/Geschichte Matrikelnummer: 1241300 1. April 2012 Adresse: Silberne Fischgasse 14 93047 Regensburg Telefon: 0176/24915463 Email: [email protected] 2 1. Introduction………………………………………………………………………………..3 2. Defining Barbecue………………………………………………………………………....6 2.1 A Short Guide to Cooking Techniques…………………………………………….6 2.2 Etymology………………………………………………………………………….8 2.2.1 The Transformation from Barbacoa to Barbecue ……………………...8 2.2.2 Barbecue – A Noun or a Verb?...............................................................9 3. History of Barbecue………………………………………………………………………11 3.1 Origin and Spreading from Colonial America to the American Revolution……..11 3.2 Introduction of Barbecue into Germany………………………………………….14 4. Regional Styles of Barbecue……………………………………………………………...19 4.1 Virginia – The Cradle of Barbecue……………………………………………….21 4.2 North Carolina – The Great Carolinian Barbecue-Schism……………………….22 4.3 South Carolina – The Mustard Belt………………………………………………25 4.4 Georgia, Alabama, Mississippi and Kentucky……………………………………26 4.5 Tennessee – The Supremacy of Memphis Barbecue……………………………30 4.6 Texas – The ―Holy Trinity‖ of Barbecue………………………………………...32 4.7 Missouri - Kansas City -
HTC011.Pdf (14.69Mb)
Cow-Boy Life in Texas, * • « • \-)rv t • • • 27 Years a Mavrick. A Realistic and True Recital of Wild Life on the Boundless Plains of Texas, being the Actual Ex- perience of Twenty-Seven years in the Exciting Life of a Genuine Cow-Boy Among the Roughs and Toughs of Texas. 0\/ER FIFTY ILLUSTRATIONS, TAKEN PROM LIFE. BY W. S. JAMES. CHICAGO: BONOHUE, HBNNEBERRY & CO., PUBLISHERS. «I«T»RKD ACCORDING TO ACT OF CONGBESS By W. S. JAMES, 1893. A SKETCa OF THE AUTHOR'S LIPB. On the 27th day of August, 1856, in Tarrant County, Texas, I drew my first breath, and from the best informa tion I can gather, my mother—bless her dear soul!—shed many a bitter tear over her first born, because it was said that I was the ugliest little bundle of humanity that could have been found in seventeen States and fourteen Terri tories; and to add to the discomfort of my child mother (for she was only a little past sixteen when I was born) they who know, tell me that I kept up a continual squall for three months of my first experience on a cattle ranch, and from the shape of my head and my incessant bawling it was vaguely hinted by some of the wiseacres that I was a little idiot. So between my homeliness and uncertain mental caliber no wonder that mother, in her new experi ence, should become disheartened; but, thanks to a propi tious climate and the refining influences of a leather strap judiciously applied, I eventually developed into quite a presentable youngster, when asleep. -
Shirley Bassey Something Else Mp3, Flac, Wma
Shirley Bassey Something Else mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Something Else Country: UK MP3 version RAR size: 1117 mb FLAC version RAR size: 1684 mb WMA version RAR size: 1838 mb Rating: 4.9 Votes: 376 Other Formats: MOD AU MP4 WMA ADX MIDI XM Tracklist A1 (Where Do I Begin) Love Story 3:15 A2 Till Love Touches Your Life 3:43 A3 Easy Thing To Do 4:23 A4 Until It's Time For You To Go 4:06 A5 It's Impossible 2:44 A6 What's Done Is Done 3:00 B1 Pieces Of Dreams 2:44 B2 Breakfast In Bed 3:39 B3 Excuse Me 2:27 B4 Bridge Over Troubled Water 5:08 B5 I'm Not There 3:00 B6 I'd Like To Hate Myself In The Morning 2:44 Companies, etc. Recorded At – Advision Studios Credits Arranged By, Conductor, Producer – Johnny Harris Design [Sleeve] – Art Direction Engineer – Ed Offord* Engineer [Assistant] – Alan Hunter Executive-Producer – Noel Rogers Notes Canadian copy. Gatefold cover. Other versions Category Artist Title (Format) Label Category Country Year Shirley Something Else United Artists UAS-6797 UAS-6797 US 1971 Bassey (LP, Album) Records Shirley Something Else United Artists SUAL-934216 SUAL-934216 Australia 1971 Bassey (LP, Album, Gat) Records United Artists UAG 29 149, Shirley Love Story (LP, Records, UAG 29 149, France 1970 UAG 29.149 Bassey Album, Gat) United Artists UAG 29.149 Records Shirley Something Else United Artists UAG 29149 UAG 29149 UK 1971 Bassey (LP, Album, Gat) Records Shirley Something Else United Artists 89.561-I 89.561-I Spain 1975 Bassey (LP, Album, RE) Records Related Music albums to Something Else by Shirley Bassey Shirley Bassey - Diamonds: The Best Of Shirley Bassey Shirley Bassey - The Giants Shirley Bassey - Shirley Bassey Sings The Hit Song From Oliver Plus Other Popular Selections Shirley Bassey - The Golden Hits Of Shirley Bassey Shirley Bassey - The Best Of Shirley Bassey - Yesterdays shirley bassey - spotlight on shirly bassey/international series Shirley Bassey - Mega Portrait Shirley Bassey - For All We Know Shirley Bassey - The Shirley Bassey Collection. -
Giant Metal Insects Are All EP Called Greasin’ Wheezer and a CD out Anthony and Flea—You’Ve Got Com About
Stink Face SUMMER SPECTACULAR ISSUE!!! Issue #3 Summer 1993 $1 ($1.50 postpaid) In this issue... Babes in Toy land The Fluid GG Allin Live/Dead Lollapalooza ’93 MDC ...and advice on how to make your own ’zine!!! TakeGIANT one METAL INSECTSothers—Paul side of the Carbonara Red Hot Chili Step Into My Parlor(guitar), Peppers’ funk tactics, throw in a little paintsbit others in the audience—and inMichael Jones (bass), Boris (the road of the Crash Worship primal instinct andthe meantime, spews out intriguingdude con and P-Funk singer), and John H bring in a little bit of Mr. Bungle’s entrails, cepts and catharsis to draw any crowd (drums)—just sorta listened in and and chances are you’ll have at least an in. As for discography, the band has anlaughed at the appropriate times. Look idea of what Giant Metal Insects are all EP called Greasin’ Wheezer and a CD out Anthony and Flea—you’ve got com about. Based in New York, they’ve been through Entropy Records (106 Guilford pany! around about five years now, and useDr., aTrumbull, CT, 06611) called better form of expression than the PepAsanisimasa, which has a front cover of SF: What’s an“Asanisimasa”? pers putting socks on their Joneses a beautifully or painted female torso (read VR: “Asanisimasa” is the magic word, GG Allin’s habit of using his own “fluids”on for more detail). This interview was sort of like “Abracadabra.” My Italian for lubricant on the stage. You see, donefront in their van outside of Finney’s grandmother, on if she didn’t like you she’d man Vito Ray paints himself up, then5/8/93, and I primarily quoted Ray, as thego like this(pointing two fingers to the Continued on Page 6 Note From The Editor: Three’s a Charm Well, here it is, the third edition of Stink Face. -
October 1994
Features AARON COMESS Album number two sees Spin Doctors drummer Aaron Comess laying down that slippery funky thing yet again. Not that Aaron has cut down on his extracurricular jazz work. Does this guy ever stop? • Teri Saccone 20 BOB MOSES The eccentric but unarguably gifted drummer who powered the first jazz-rock band is still breaking barriers. With a brand- new album and ever-probing style, Bob Moses explains why his "Simul-Circular Loopology" might be too dangerous in live doses. • Ken Micallef 26 HIGHLIGHTS OF MD's FESTIVAL WEEKEND '94 Where should we start? Simon Phillips? Perhaps "J.R." Robinson? Say, Rod Morgenstein? How about Marvin "Smitty" Smith...or David Garibaldi...maybe Chad Smith, Clayton Cameron, or Matt Sorum.... Two days, one stage, a couple thousand drummers, mega-prizes: No matter how you slice it, it's the mother of all drum shows, and we've got the photos to prove it! 30 Volume 18, Number 9 Cover Photo By Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 52 DRUM SOLOIST 8 UPDATE Max Roach: Bill Bruford, "Blues For Big Sid" David Garibaldi, TRANSCRIBED BY Dave Mancini, CRAIG SCOTT and Ray Farrugia of Junkhouse, plus News 76 HEALTH & SCIENCE 119 INDUSTRY Focal Dystonia: HAPPENINGS A Personal Experience BY CHARLIE PERRY WITH JACK MAKER DEPARTMENTS 42 PRODUCT CLOSE-UP 80 JAZZ 4 EDITOR'S Tama Iron Cobra DRUMMERS' OVERVIEW Bass Drum Pedals WORKSHOP BY ADAM BUDOFSKY Expanding The 6 READERS' 43 Tama Tension Watch Learning Process PLATFORM Drum Tuner BY JOHN RILEY BY ADAM BUDOFSKY 12 ASK A PRO 84 Rock 'N' 44 Vic Firth Ed Shaughnessy, American Concept Sticks JAZZ CLINIC Stephen Perkins, and BY WILLIAM F. -
THE MAIN MAN "Paper Walls "
I JUNE 25, 1993 ISSUE #331 708 Stokes Road Medford, NJ 08055 phone: (609) 654-7272 fax: (609) 654-6852 TOP PRIORITY U2 NUMB HARD ACTS TO FOLLOW catant.FRnv CHANGE ALTERNATIVE PICK $iLvErl) E j THE BATS SILVERBEET INSIDE: HARD RITTER la JACOBS' NEW EDGE OUTLET: WMAD, MADIS011 • MEDIABASE RESEARCH AND PREMIER RADIO NETWORKS ANNOUNCE NEW MARKET MONITOR JOINT VENTURE • TRIPLE A PIONEER TOM TAIBER LEA VES WWCD,-COLUMBUS MD JANE WANG NAMED fNTERIM PD • MICHAEL ROSENBLATT RETURNS TO MCA AS Sr. VP/A&R II HERB ALPERT AND JERRY MOSS RELINQUISH .q&M POSTS • FORMER WEGX MORNING MAN JOHN LANDER WAKES UP SAN DIEGO • SPIRO INTERVIEWS BOB WA UGH ON THE EVE OF THE WHFStivcrl • PLUS, ALL KINDS OF ARBI7RENDS AND McGATHY PHOTO-OPS THE MAIN MAN "Paper Walls " (tile »ext track --rom Grammy-Awctr wmnin e, g ngerlsongwrtter marc co hn Ile new albtnn T H E R A I N Y S E A S O N JoH:li‘.z.egur kieN Pere ' wesli anagement THE ATLANTIC GR OUP n, 1 93 Atlantic Record.ng Corporat.on A I rne VVarner ,..ornpany TOP PRIORITY 2, "Numb", Island/KG Yep! New U2! It 's industrial, it's full ol booming bass, birds chirp, organs play (well, just a few notes) and UEdge sings! Though he doesn't show off his incredible range (he sings in monotone), Edge takes us through from beginning to end of the U2 new single and the effect is numbing (surprise!). This is the epitome of cool for U2 with a different texture and a different direction from past NUMB releases. -
Brian Malouf – Producer/Mixer/Engineer
Brian Malouf – Producer/Mixer/Engineer Brian pursued a career in music with unwavering passion from a young age. A first chair symphonic percussionist by the end of his university days, and later drumming for noted L.A. based rock and roll band Giant City. In 1983, his career as a world-class studio talent was jump-started when Michael Jackson tapped Brian to begin work with him on the album BAD, an experience that proved nothing short of life- changing, working closely with the most famous musician on earth and also witnessing the interactions between Michael and his producer, the legendary Quincy Jones. By 1989, Brian had risen to the top of his field as a mix engineer and producer. Working independently for every major label and amassing an impressive string of hit albums, singles and soundtracks for artists such as Madonna, Roxy Music, Prince, Seal, Pearl Jam, Tokio Hotel, Wolfmother and All Time Low. To date, Brian's album credits total a combined 53 Gold, Platinum and multi-platinum albums representing millions of dollars in sales. Partial Discography Mixed Dave Matthews Band “Best Of What’s Around” Live Mixes RCA Dave Matthews/Tim Reynolds “Live from Radio City” Album RCA Haley Reinhart “Soul On Fire” Track Interscope The Muppets “Original Soundtrack” Album Disney O.A.R. “All Sides” Album Atlantic “Stories Of A Stranger” Album Atlantic All American Rejects “The Poison” Album Buena Vista “Jack’s Lament” Album Disney Natasha Bedingfield “Peace Of Me” Single BMG Poema Forthcoming Album Tooth & Nail All Time Low “Too Much” Album Hopeless Records “Painting Flowers” Buena Vista Plug In Stereo “Oh Darling” (from The Patience EP) Single Atlantic Shinedown “Diamond Eyes” Single Buena Vista Wolfmother “Fell Down A Hole” Soundtrack Track Buena Vista Cont/…2 Tel : +1 917 573 1278 www.btdrum.com [email protected] Brian Malouf – Producer/Mixer/Engineer Mixed (cont) David Gray “Babylon” Single RCA “Please Forgive Me” Single RCA Hum “Downward Is Heavenward” Album RCA Prince “Batman” Album Warner Bros. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
The Westfield Leader
THE WESTFIELD LEADER THE LEADING AND MOST WIDELY CltCULATED WUKLY NEWSPAPER IN UNION COUNTY No.,33 WESTFIELD, NEW JEKSEY, THURSDAY, APRIL 28, 1949 m May Buy Borough Begins Mayor, Council Mayor Proclmm$ Mutic Week Churches, Schools' Ambulance Survey to Find To Be Honored Mayor Charles P. Bailey, in a '-.•? proclamation calling for commun- §ting School Needs ity-wide observance of National At May 6 Dinner Music Week May 1-7, declared to- day that "Westfield is proud to see Mark Music Week uncil Seto Hearing Board of Education Business Association, the growth of Music Week through- out the nation because it was es- Bill Restricting To Study Data GOP Committee tablished by a Westfield resident, Special Events Scheduled Throughout en Exeavationi Co-Sponsor Affair C. M. Tremaine." Town to Observe Special Occasion In Future Planning "Music Week this year marks new S. * •• Cadillac ambu- MOUNTAINSIDE—The census I Mayor Charles P. Bailey and its 2*,th anniversary. Schools, The celebration of Music Week will begin Sunday with m«y be expected in Westfield of the borough, sponsored by the members of the Town Council will churches ami community organiza- programs in Westfield churches. At the morning warship tarWat bout two monthf, if an ordi- Board of Education, started last be guests of honor at a testimonial the First Methodist Church, the Sanctuary choir, under •UrertifJI 4* t providing for t*s purchase week following a Anal briefing of dinner sponsored jointly by the. the most successful observation yet Richard K. Alford, minister of music, will sing Frani BcfcHbart'aiaV ftoved on final reading at the the committee Thursday night in Town Republican Committee and held here All should receive the them, "The Omnipotence," with the soprano solo part takaa kf 9 meeting of th« Town Coun- the school.