Siete Tutti Ubbriachi! Fine Settimana Di Fuoco.. Un Macello Di Concerti Fighi Chiudete Gli Occhi E Sceglietene Uno Col Ditino Nel Leggi Tutto

Total Page:16

File Type:pdf, Size:1020Kb

Siete Tutti Ubbriachi! Fine Settimana Di Fuoco.. Un Macello Di Concerti Fighi Chiudete Gli Occhi E Sceglietene Uno Col Ditino Nel Leggi Tutto merdacazzomerdacazzomerda Scritto da ThePuNkshOw Venerdì 25 Maggio 2007 01:14 siete tutti ubbriachi! fine settimana di fuoco.. un macello di concerti fighi chiudete gli occhi e sceglietene uno col ditino nel Leggi Tutto.. per quanto mi riguarda ho scelto venerdi a faenza per: Tear Me Down (Punk HC filosardo - musica melodica militante da Roma) Contrasto(in forse) (hc vecchia scuola da cesena) Milizia HC (Hillary Duff cover band ma più veloce da Padova) Plakkaggio HC (666 ColleferroTH hardcore Oi! metal connection da Cernunnos Imperium) CSA Capolinea via Volta 9 FAENZA (RAVENNA) e sabato al concertino qua a fianco.. cliccate sopra al fyler per vedere i gruppi! VENERDI`: Live dalle 21.30 puntuali (A mezzanotte finisce!) RABBIASSASSINA Blanka's Revenge Hc (Varese) OSsEsSiOnIfUoRiUsCiTe Haduken Hc (Como) 1 / 13 merdacazzomerdacazzomerda Scritto da ThePuNkshOw Venerdì 25 Maggio 2007 01:14 MISERIA Kick Combo Hc (Varese) INGRESSO LIBERO!!!! Live at "Capanna Blu" Via Plinio Appiano Gentile (COMO) (Uscita Lomazzo A9) x info tel:031934114 CLICCA QUI PER VEDERE IL FLYER! Afraid! (screamo - verona) http://www.superafraid.it Revolution Summer (punk hc - emiliaromagna) http://www.revolutionsummer.org Rue de Van Gogh (indierock - mantova) http://www.myspace.com/ruedevangogh The Rituals (punkrock - verona) http://www.therituals.com The End of Six Thousand Years (metalcore - italia) http://www.myspace.com/theendofsixthousandyears @ dauntaun, leoncavallo via watteau 7 MILANO CLICCA QUI PER VEDERE IL FLYER! prima delle 22.00 3,5 euri dopo le 22.00 5 euri + mostra Alessandro Baronciani http://baronkarza.splinder.com/ Chuck Sperry http://homepage.mac.com/yosquirt/Menu9.html 2 / 13 merdacazzomerdacazzomerda Scritto da ThePuNkshOw Venerdì 25 Maggio 2007 01:14 http://www.firehouseposters.com/ CanediCoda http://www.canedicoda.com/ Tommaso Gorla http://www.tommasogorla.com Clio http://www.poilacartabrucia.com Candymals http://www.candymals.com LucaYeti http://www.produzionisante.it/portfolio.html Doner Jenny ore 22.30 Ingresso 5€ @ UNITED CLUB corso vigevano, 33/u TORINO concerto punk hardcore con: S-CONTRO (Torino Heavy Oi! Core) Presentazione del nuovo cd degli S-contro "Kings of Fools" (Cd digipack) coprodotto da Il Complotto Autoproduzioni (Torino), Anfibio Records (Cremona) e Malafamilia StreetWear (Torino) http://clix.to/s-contro http://www.myspace.com/scontro Gli S-Contro nascono a metà settembre del 2001. In partenza il nome del gruppo era Barrio Obrero (quartiere operaio) poi dopo un mese circa, si decise di cambiarlo con un nome italiano: S-Contro. L’ideologia del gruppo è basata primariamente dall’odio Antifascista che scorre nelle nostre vene ed esplode nella nostra musica. La musica è 100% Oi! mentre i testi hanno un contenuto per la maggior parte contro ogni pregiudizio razziale e antifascimo puro e contro i borghesi e le divise. CS Mattone Rosso di Vercelli, CS Cavalcavia di Novara, CS Askatasuna e El Paso di Torino, CS Bulk di Milano, sono alcuni dei palchi in cui gli S-Contro si sono esibiti.Dopo un minicd dal titolo “L’inizio” (2002, autoprodotto) gli S-contro sono approdati ad un cd sulla lunga distanza “Amerika Assassina” (2004, D.I.Y. Conspirancy) e ora, a distanza di tre anni, presentano il loro nuovo cd in formato digipack dal titolo "Kings of fools". 3 / 13 merdacazzomerdacazzomerda Scritto da ThePuNkshOw Venerdì 25 Maggio 2007 01:14 GRAND THEFT AGE (Roma hardcore) http://www.myspace.com/gtadrunkenpunkhc I G.T.A. nascono nel 2004 dopo varie esperienza di gruppi storici come Duap e Bierkampf suonano un hardcore in stile newyorkese con influenze Oi! GAVROCHE [Torino streetpunk!] www.myspace.com/gavrochestreetpunk I Gavroche sono quattro ragazzi di Santena (TO) che nel marzo del 2004 decidono di suonare insieme uniti dalla voglia di divertirsi e di fare casino! Ale, Diego e Luigi dei Revenge e Gio’ della Rankore formano cosi’ i Gavroche, band stradaiola e senza pretese. I quattro kids tirano giu’ un po’ di pezzi che raccontano squarci della loro vita, dei loro pensieri e delle loro speranze e delusioni. Grazie all’unione dell’Areakani Santena crew vengono organizzati alcuni concerti e nell’ottobre 2005, con la collaborazione di Matte (Revenge) registrano il loro primo lavoro autoprodotto. CLICCA QUI PER VEDERE IL FLYER! Snazzy Boys Orario Inizio: 22:00 @ Madly Pub PIACENZA (Castelnovo Val Tidone) www.myspace.com/snazzyboys PMC COLUMNA HARDCORE presenta: Tear Me Down (Punk HC filosardo - musica melodica militante da Roma) Contrasto (hc vecchia scuola da cesena) Milizia HC (Hillary Duff cover band ma più veloce da Padova) Plakkaggio HC (666 ColleferroTH hardcore Oi! metal connection da Cernunnos Imperium) Cena benefit pro-Silvestre e Terra selvaggia Inizio concerti ore 21:30 PUNTUALI !!! 4 / 13 merdacazzomerdacazzomerda Scritto da ThePuNkshOw Venerdì 25 Maggio 2007 01:14 CSA Capolinea via Volta 9 FAENZA (RAVENNA) X info: [email protected] [email protected] CLICCA QUI PER VEDERE IL FLYER! DRILLER KILLER + MALAZIONE + DISFORIA @ Ateneo Occupato via fattiboni, 1 ROMA (dragoncello) da piramide trenino x ostia - fermata acilia bus 02.012.63 - fermata fattiboni SABATO: STRAIGHT OPPOSITION pescara antifascist hc MY OWN VOICE milano old school hc VIBRATA CORE crossover hc GET OUT THE STRANGHT pescara hc metal RISE ABOVE THE OPPRESSION pescara cross over hc ABELE THE UNDERDOG & SRC pescara rap - hc inizio concerto ore 22 ingresso 2€ @ SPAZIO SERRA 5 / 13 merdacazzomerdacazzomerda Scritto da ThePuNkshOw Venerdì 25 Maggio 2007 01:14 via mare adriatico 105 SPOLTORE SS 102 TRA VILLA RASPA E SANTA TERESA PESCARA CLICCA QUI PER VEDERE IL FLYER! A PARTIRE DALLE 16.00 CIRCA AL TUNNEL DI BOLZANO SUONERANNO: REPULSIONE (grind violence da bologna) THYRIA (crust hardcore da trento) MISERIA (crust da milan) RAPINA A MANO ARMATA (hardcore da bologna) BODYGRINDER (grindcore da bz) DISPROGRESS (hc/crust da milano) MITRAGLIA (power grind da rovereto) ATTACCO ALLE MENTI (anarco punx da milano) INDIUS (hadcore da insbruck) B.S.W.D. (grind da bz) NEROPENSARE (hc/crust da bologna) -CENA VEGAN- per chi viene in auto: uscire all'uscita di bolzano sud...trovare la strada per la statale della Val Sarentino(Cartello a 6 / 13 merdacazzomerdacazzomerda Scritto da ThePuNkshOw Venerdì 25 Maggio 2007 01:14 Sfondo Marrone)...seguire la strada finchè non iniziano le gallerie..all'inizio della 16esima galleria prendere la stradina sterrata a destra fino al tunnel e sei arrivato per chi viene in treno una volta arrivati contattate sti numeri qua per farvi veni a pigliare: 348/0339820 349/7685696 per info crust80virgilio.it [email protected] CLICCA QUI PER VEDERE IL FLYER! PLASTINATION + INQUIETUDINE + HAVOC + IMPACT inizio ore 23 ingresso 3€ @ El Paso Occupato via passo buole, 47 TORINO Durante la serata sara' presentato il nuovo numero della fanzine lovehate80 Italian hardcore punk oi! From the 80's CLICCA QUI PER VEDERE IL FLYER! Macellatio + The Venturers Orario Inizio: 22:00 Orario Fine: 24:00 Il concerto è al bar LONATINO BRESCIA (Lonato) a partire dalle ore 22.00 in punto (!): “TOTO’S 30TH BIRTHDAY HC FESTIVAL” con: - STRANGE CORNER - DE CREW (Ammonia Records) - NETTEZZA UMANA (Derotten Records) 7 / 13 merdacazzomerdacazzomerda Scritto da ThePuNkshOw Venerdì 25 Maggio 2007 01:14 - LA CRISI (Hurry Up Records) Ingresso: 5 € @ C.S.A. MAGAZZINO 47 Via Industriale BRESCIA www.magazzino47.org Come raggiungere il Csa Magazzino 47 dall'autostrada Uscita Brescia Ovest. Dallo Svincolo di Brescia Ovest proseguire per Via Orzinuovi. Girare a sinistra, proseguire per Ss345/ Tangenziale Ovest per 1.6 Km. Uscire in Via Milano e proseguire per Via Milano per circa 1 Km. Svoltare a destra in Via Industriale, prima del cimitero. Come raggiungere il Csa Magazzino 47 dalla Stazione Ferroviaria: Usciti dalla stazione a sinistra in via Togni per 500m. Proseguire in Via Tempini per altri 500m. Seguire a destra in Via Industriale per altri 500m. Un’unica regola: impossibile mancare! Driller Killer + Il Disagio + Mutilated Soul + Crushed Up @ titty twister via s. anna 50 CAGLIARI (Selargius) info 3289798140 http://www.myspace.com/tittytwistercasteddu Glacial Fear + Face Your Enemy + Scholars Orario Inizio: 21:00 CPO Experia via plebiscito CATANIA 8 / 13 merdacazzomerdacazzomerda Scritto da ThePuNkshOw Venerdì 25 Maggio 2007 01:14 FESTA QUEER #1 sala trucco acrobatica porno karaoke buffet vegan porta da bere! @ la riottosa v. senese, 308 GAlluzzo (FIRENZE) dopo il ponte Bailey a sinistra, scavalca il guardrail e trove le scalette GOT IT ALONE + OUZO + REGAIN THE SHORE + ADAM KILLS EVE Orario Inizio: 22:00 @ Cantiere sociale camillo cienfuegos via chiella, 4 - dietro l'esselunga FIRENZE (Campi Bisenzio) LINEA STRUMMERCAMP 2007 Manchester Rugby Club Manchester (GB) CONCRETE reunion Comrades (grindcore - roma) http://www.myspace.com/comradeshc AntiYou (punk hc - roma) http://wwww.myspace.com/antiyouhc Gonna Fall Hard (thrashcore - venezia) http://www.myspace.com/gonnafallhard 9 / 13 merdacazzomerdacazzomerda Scritto da ThePuNkshOw Venerdì 25 Maggio 2007 01:14 Forest Yell (black core- milano) http://www.myspace.com/forestyell Los Fuocos (rock’n’roll - lodi) http://www.losfuocos.tk/ Dead Elephant (post hc- fossano) http://www.deadelephantband.com/ apertura ore 19.00 inizio concerti ore 22.30 @ dauntaun, leoncavallo via watteau 7 MILANO CLICCA QUI PER VEDERE IL FLYER! prima delle 22.00 3,5 euri dopo le 22.00 5 euri apertivodjset + mostra: Alessandro Baronciani http://baronkarza.splinder.com/ Chuck Sperry http://homepage.mac.com/yosquirt/Menu9.html http://www.firehouseposters.com/
Recommended publications
  • The Concert Hall As a Medium of Musical Culture: the Technical Mediation of Listening in the 19Th Century
    The Concert Hall as a Medium of Musical Culture: The Technical Mediation of Listening in the 19th Century by Darryl Mark Cressman M.A. (Communication), University of Windsor, 2004 B.A (Hons.), University of Windsor, 2002 Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the School of Communication Faculty of Communication, Art and Technology © Darryl Mark Cressman 2012 SIMON FRASER UNIVERSITY Fall 2012 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for “Fair Dealing.” Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Darryl Mark Cressman Degree: Doctor of Philosophy (Communication) Title of Thesis: The Concert Hall as a Medium of Musical Culture: The Technical Mediation of Listening in the 19th Century Examining Committee: Chair: Martin Laba, Associate Professor Andrew Feenberg Senior Supervisor Professor Gary McCarron Supervisor Associate Professor Shane Gunster Supervisor Associate Professor Barry Truax Internal Examiner Professor School of Communication, Simon Fraser Universty Hans-Joachim Braun External Examiner Professor of Modern Social, Economic and Technical History Helmut-Schmidt University, Hamburg Date Defended: September 19, 2012 ii Partial Copyright License iii Abstract Taking the relationship
    [Show full text]
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • Squatted Social Centres in England and Italy in the Last Decades of the Twentieth Century
    Squatted social centres in England and Italy in the last decades of the twentieth century. Giulio D’Errico Thesis submitted for the degree of PhD Department of History and Welsh History Aberystwyth University 2019 Abstract This work examines the parallel developments of squatted social centres in Bristol, London, Milan and Rome in depth, covering the last two decades of the twentieth century. They are considered here as a by-product of the emergence of neo-liberalism. Too often studied in the present tense, social centres are analysed here from a diachronic point of view as context- dependent responses to evolving global stimuli. Their ‗journey through time‘ is inscribed within the different English and Italian traditions of radical politics and oppositional cultures. Social centres are thus a particularly interesting site for the development of interdependency relationships – however conflictual – between these traditions. The innovations brought forward by post-modernism and neo-liberalism are reflected in the centres‘ activities and modalities of ‗social‘ mobilisation. However, centres also voice a radical attitude towards such innovation, embodied in the concepts of autogestione and Do-it-Yourself ethics, but also through the reinstatement of a classist approach within youth politics. Comparing the structured and ambitious Italian centres to the more informal and rarefied English scene allows for commonalities and differences to stand out and enlighten each other. The individuation of common trends and reciprocal exchanges helps to smooth out the initial stark contrast between local scenes. In turn, it also allows for the identification of context- based specificities in the interpretation of local and global phenomena.
    [Show full text]
  • Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology
    Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/28228/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Hybrids and Fragments Music, Genre, Culture and Technology Author Supervisor Justin Mark GAGEN Dr. Christophe RHODES Thesis submitted for the degree of Doctor of Philosophy in Computer Science GOLDSMITHS,UNIVERSITY OF LONDON DEPARTMENT OF COMPUTING November 18, 2019 1 Declaration of Authorship I, Justin Mark Gagen, declare that the work presented in this thesis is entirely my own. Where I have consulted the work of others, this is clearly stated. Signed: Date: November 18, 2019 2 Acknowledgements I would like to thank my supervisors, Dr. Christophe Rhodes and Dr. Dhiraj Murthy. You have both been invaluable! Thanks are due to Prof. Tim Crawford for initiating the Transforming Musicology project, and providing advice at regular intervals. To my Transforming Musicology compatriots, Richard, David, Ben, Gabin, Daniel, Alan, Laurence, Mark, Kevin, Terhi, Carolin, Geraint, Nick, Ken and Frans: my thanks for all of the useful feedback and advice over the course of the project.
    [Show full text]
  • Universitá Degli Studi Di Milano Facoltà Di Scienze Matematiche, Fisiche E Naturali Dipartimento Di Tecnologie Dell'informazione
    UNIVERSITÁ DEGLI STUDI DI MILANO FACOLTÀ DI SCIENZE MATEMATICHE, FISICHE E NATURALI DIPARTIMENTO DI TECNOLOGIE DELL'INFORMAZIONE SCUOLA DI DOTTORATO IN INFORMATICA Settore disciplinare INF/01 TESI DI DOTTORATO DI RICERCA CICLO XXIII SERENDIPITOUS MENTORSHIP IN MUSIC RECOMMENDER SYSTEMS Eugenio Tacchini Relatore: Prof. Ernesto Damiani Direttore della Scuola di Dottorato: Prof. Ernesto Damiani Anno Accademico 2010/2011 II Acknowledgements I would like to thank all the people who helped me during my Ph.D. First of all I would like to thank Prof. Ernesto Damiani, my advisor, not only for his support and the knowledge he imparted to me but also for his capacity of understanding my needs and for having let me follow my passions; thanks also to all the other people of the SESAR Lab, in particular to Paolo Ceravolo and Gabriele Gianini. Thanks to Prof. Domenico Ferrari, who gave me the possibility to work in an inspiring context after my graduation, helping me to understand the direction I had to take. Thanks to Prof. Ken Goldberg for having hosted me in his laboratory, the Berkeley Laboratory for Automation Science and Engineering at the University of California, Berkeley, a place where I learnt a lot; thanks also to all the people of the research group and in particular to Dmitry Berenson and Timmy Siauw for the very fruitful discussions about clustering, path searching and other aspects of my work. Thanks to all the people who accepted to review my work: Prof. Richard Chbeir, Prof. Ken Goldberg, Prof. Przemysław Kazienko, Prof. Ronald Maier and Prof. Robert Tolksdorf. Thanks to 7digital, our media partner for the experimental test, and in particular to Filip Denker.
    [Show full text]
  • Razorcake Issue #85 As A
    RIP THIS PAGE OUT Through out 2014 we surveyed new subscribers asking how they heard about Razorcake and why they decided to order a subscription. The answers were varied, reflecting the If you wish to donate through the mail, uniqueness of the DIY punk experience. But there a couple please rip this page out and send it to: answers that were repeated. Razorcake/Gorsky Press, Inc. A somewhat common response to the first question was PO Box 42129 that they had been introduced to Razorcake through a friend. Los Angeles, CA 90042 So to all you friends out there: thank you! Keep up the good work. A word of mouth campaign is our dream. Your personal NAME: endorsement makes us proud. The leading response to the second question was that they ordered the subscription because they wanted to support the ADDRESS: magazine. Again: thank you! It is very much appreciated. Subscriptions and advertising is what keeps us afloat. We can’t physically fit anymore advertising into the magazine, but the world is full of people who have yet to subscribe. EMAIL: If you’re considering ordering a subscription but want to avoid the hassle, we’ve set up a self-renewing plan through Paypal. You sign up once and it automatically withdraws the DONATION money once a year. You never have to do anything ever again. AMOUNT: It can be found here– Razorcake/Gorsky Press, Inc., a California non-profit corporation, is http://www.razorcake.org/announcements/sign-up-for-a- registered as a charitable organization with the State of California’s Secretary of State, and has been granted official tax exempt status self-renewing-razorcake-subscription (section 501(c)(3) of the Internal Revenue Code) from the United States IRS.
    [Show full text]
  • Nico Vascellari: Performance, Suono, Natura
    Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Economia e Gestione delle Arti e delle attività culturali Tesi di Laurea Nico Vascellari: performance, suono, natura Relatore Ch. Prof. Nico Stringa Laureando Elisa Beraldo Matricola 844928 Anno Accademico 2013 / 2014 INDICE p. 7 INTRODUZIONE p. 11 BIOGRAFIA p. 13 CAPITOLO 1. IL BACKGROUND CULTURALE p. 13 1.1 Il punk p. 17 1.2 Il punk è arte? p. 19 1.3 Nico Vascellari versus arte contemporanea p. 20 1.4 Corpo e performance: le evoluzioni dagli Anni '60- '70 ad oggi p. 23 1.5 Materia, monumentalità e scultura p. 24 1.6 Sciamanesimo e misticismo p. 26 1.7 La spinta motivazionale: il disagio p. 29 CAPITOLO 2. IL SUONO p. 33 2.1 I With Love p. 36 2.2 Dalla musica alla performance: A Great Circle p. 43 2.3 Performance sonora e autobiografia: Nico and The Vascellaris p. 46 2.4 Oltre il suono: Revenge p. 50 2.5 Hymn p. 53 2.6 La dimensione tribale: Ninos du Brasil p. 59 CAPITOLO 3. IL TERRITORIO E LA NATURA p. 59 3.1 Vittorio Veneto p. 64 3.2 Richiami al mondo arcaico: Cuckoo p. 69 3.3 Performance e scultura: I Hear A Shadow p. 72 3.4 Bus de la Lum p. 77 CAPITOLO 4. SUONO E TERRITORIO: I PROGETTI PER VITTORIO VENETO p. 79 4.1 Lago Morto p. 85 4.2 L'artist run space: Codalunga p. 90 4.3 Three Days of Struggle p. 91 4.4 Omaggio a Codalunga p.
    [Show full text]
  • 54281199.Pdf
    2 FORTRESS EUROPE The Big Shiny Prison Vol. II c/o Ryan Bartek 3 **ATTN: ALL RECIPIENTS OF THIS PROMOTIONAL PDF** The First Edition of “FORTRESS EUROPE (The Big Shiny Prison Vol II)” will be released on 3/15/2016, available worldwide through Amazon.com . Its USA predecessor “THE BIG SHINY PRISON (Volume One)” was released on 2/15/2016, available worldwide through Amazon.com . Both are available through the LSI/Ingram Spark distribution network to booksellers and stores at 55% wholesale in both USA & Europe. This book will remain a Free PDF download at the author’s official website (www.BigShinyPrison.com ), and also remain Free on Kindle. Any reviews or news coverage is highly appreciated. Ryan Bartek is available for interview upon request: [email protected] Copyright © 2012 Ryan Bartek “Fortress Europe (The Big Shiny Prison Vol. II)” First Edition 2016 // All Rights Reserved. ISBN-13: 978-0692628430 ISBN-10: 0692628436 No part of this book may be physically reproduced, transmitted or digitally stored without the express, written permission of the author: “Fortress Europe (The Big Shiny Prison Vol. II)” and Anomie Press are independent of any product, vendor, company, music group or person mentioned in this book. No product, company, or person mentioned or quoted in this book have in any way financially sponsored this manuscript. No product, vendor, company, music group or person mentioned in this book directly endorses any of Mr. Bartek’s personal opinions, social or political views. **Please ask your local book store to carry books by Anomie Press. Anomie Press is a D.I.Y.
    [Show full text]
  • ELVIS COSTELLO's REV. HORTON HEAT He's Just a Regular Guy
    BADLY DRAWN BOY LUNA NEW MUSIC REPORT ESSENTIAL Issue 759 • April 22, 2002 www.cmj.com WILCO PROMISE RING ELVIS SAGE COSTELLO’sSAGE RADIORADIO ADVICEADVICE REV.REV. HORTONHORTON HEAT HEAT He’sHe’s JustJust AA RegularRegular GuyGuy CopeCope Asks,Asks, “Does“Does GoldGold == Success?”Success?” CHARTS: ...TRAIL OF DEAD LOCKED IN AT #1, PEDRO THE LION MOST ADDED Grand Prize Winner 2nd Prize Winner 3rd Prize Winner Scott and Lacey Axelrod of WSIA, Scott Beusch of Jaime Rinaldi of Staten Island, NY KAFA, US Airforce WBRS, Waltham, MA Academy, CO Competition Maybe Baybie... the results of our competition are in... As you can see the competition was high. Our grand prize winner wins a TRIP to the Coachella Music and Arts Festival held in Indio, CA and will see Elbow perform in the middle of the desert! NEWBORN The New Single V Taken from the new Elbow album ASLEEP IN THE BACK. The other Winners... 4/22/2002 Issue 759 • Vol 71 • No. 4 FEATURES 8 THIS YEAR’S ICON You could call it a “return to form” or a “rebirth of the cruel,” but then you’d be missing the point that Elvis Costello’s brilliant new album, When I Was Cruel, is actually more about the future of Costello than his past. Will college radio step up and back the future hall-of-famer on his latest adventure? Elvis sure as hell is backing them. “Isn’t that presumably where all the smart people are?” he says about college radio. “Why anybody would not want to maintain a relationship with it is beyond me.” DEPARTMENTS 4 Essential 22 CMJ Radio 200 Badly Drawn Boy, Luna, Promise Ring, Wilco.
    [Show full text]
  • John "Stabb" Schroeder - Government Issue
    John "Stabb" Schroeder - Government Issue May 27, 2005 Photo Credit: www.telepolis.com I have to explain about how this all came about. I had covered The Exploited show when they came to Dallas. I had gone with a friend who is a really big punk fan. I enjoyed the show immensely as it was the first punk show yours truly ever went to and I've managed to go to a few more in the interim such as GBH and The Vibrators. A little later on we're discussing punk music and this one girl was trying to get in good with my friend. What's the best way to get in a guy‘s pants? Make like you're so into whatever he's into. So she goes on about how much she loves punk music and I ask her what punk bands she is into and she goes on about The Ramones and The Misfits. Now by the time I know about these groups they are mainstream. By the time I hear about them they are mainstream and I wanted to hear about some bands I had not heard about. My friend tells me that if I want to know about punk I have to dig deep. A few months later I had the opportunity to review a DVD of Government Issue. My friend tells me I need to watch this DVD so I did and then he tells me I need to find John Stabb and talk to him. So I get my happy ass on the Internet and lo and behold I find John.
    [Show full text]
  • A Silent Film “Never Underestimate the Power of the British Accent; It's Catnip to Americans.” Stateside Glory and Pub Love with Oxford’S Stadium-Pop Heroes
    [email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 243 October Oxford’s Music Magazine 2015 A Silent Film “Never underestimate the power of the British accent; it's catnip to Americans.” Stateside glory and pub love with Oxford’s stadium-pop heroes Also inside this issue: Introducing KONE BLACK CANDY’s reunion reviewed plus All your Oxford music news, reviews and previews, and six pages of local gigs. NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk family activities while proceeds from food, t-shirts and merchandise will go to Donnington Youth Group. BALLOON ASCENT launch their OXJAM is back this month with the Oxford leg of the national music new single `Don’t Look Down’ with festival returning to its east Oxford roots on Saturday 17th October. a headline gig at the O2 Academy The annual event, which raises money for Oxfam’s anti-poverty this month. The rising local indie/ campaigns, takes place at seven venues on or near Cowley Road, and dub/folk/electro-pop band play their features 40 acts across the day, starting at 3pm at Joe Perks on St. ARTHUR TURNER’S biggest headline show to date on Clement’s and finishing with an aftershow party at Big Society in the early LOVECHILD? Reunite for their rd Friday 23 October, where they’ll hours of Sunday. first public gig in 16 years next be joined by Little Brother Eli and Among the acts confirmed are Family Machine (pictured), Balloon month as part of this year’s Oxford Esther Joy Lane.
    [Show full text]
  • Lux4afterwilkin TESI CONSEGNATA
    OPPOSING THE ‘SYSTEM’: IDEOLOGY AND ACTION IN THE ITALIAN FOOTBALL TERRACES A Dissertation submitted for the Degree of Doctor of Philosophy by Alberto Testa School of Sport and Education Brunel University September 2009 1 DEDICATION For my spiritual father Padre Pio da Pietrelcina who is always there for me when I need. In LUX 2 ACKNOWLEDGEMENTS This project would not have happened without the collaboration of the Boys and Irriducibili . In particular, I would like to thank Gianpaolo, Yuri, Katia, Paolo, Fabrizio T., Fabrizio P. and most importantly Paolo Zappavigna. A big Grazie to the Italian Ministry of the Interior and to Dr. Franco Arturi, Dr. Gabriele Marcotti and Dr. Giuseppe Tassi. Gratitude is also due to the webmasters of the ASRomaultras and UltrasLazio. I am indebted to Dr. Gary Armstrong, my supervisor for some six years, for his help and support during this project and to Prof. Richard Giulianotti for his encouragements. I would also like to recognise in print the precious advices of Prof. Rocco De Biasi and Prof. Nigel Fielding. Finally yet importantly, I thank Prof. Ian Campbell in his capacity as Subject Leader (Sports Sciences) of the School of Sport and Education for his constant trust in both my ‘sociological’ and teaching abilities. Above all else, I thank my wife Helena. Her support and love helped me through the difficult moments of this venture. 3 ABSTRACT Over the past two decades, the relationship between political extremism and football fans has been the subject of academic, political and policing debates throughout Europe. At football stadiums, in Italy in particular, it is common to witness manifestations of racist intolerance and ideological statements referring to regional, national and international issues.
    [Show full text]