Link to Author Version on UHI Research Database

Total Page:16

File Type:pdf, Size:1020Kb

Link to Author Version on UHI Research Database UHI Research Database pdf download summary Evidence and artefact Cheape, Hugh Published in: Ancient Lives. Object, People and Place in Early Scotland. Publication date: 2016 The re-use license for this item is: Unspecified The Document Version you have downloaded here is: Peer reviewed version Link to author version on UHI Research Database Citation for published version (APA): Cheape, H. (2016). Evidence and artefact: utility for protohistory and archaeology in Thomas the Rhymer legends. In F. Hunter, & A. Sheridan (Eds.), Ancient Lives. Object, People and Place in Early Scotland.: Essays for David V Clarke on his 70th Birthday. (pp. 151-163). [8] Sidestone Press, Leiden . https://www.sidestone.com/books/ancient-lives General rights Copyright and moral rights for the publications made accessible in the UHI Research Database are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights: 1) Users may download and print one copy of any publication from the UHI Research Database for the purpose of private study or research. 2) You may not further distribute the material or use it for any profit-making activity or commercial gain 3) You may freely distribute the URL identifying the publication in the UHI Research Database Take down policy If you believe that this document breaches copyright please contact us at [email protected] providing details; we will remove access to the work immediately and investigate your claim. Download date: 27. Sep. 2021 Sheridan (eds) Sheridan and Hunter ANCIENT ANCIENT ANCIENT LIVES Ancient Lives provides new perspectives on object, people and place in early Scotland and beyond. The 19 papers cover topics ranging from the Neolithic to the Medieval period, and from modern museum practice to ancient craft skills. The material culture of ancient lives is centre stage – how it was created and used, how it was rediscovered and thought about, and how it is displayed. Dedicated to Professor David V Clarke, former Keeper of Archaeology in National Museums Scotland, on his 70th birthday, the book comprises three sections which reflect some of his many interests. “Presenting the past” offers perspectives on current museum LIVES practice, especially in relation to archaeological displays. “Ancient lives and multiple lives” looks at antiquarian approaches to the Scottish past and the work of a Scottish antiquary abroad, while “Pieces of the past” offers a series of authoritative case-studies on Scottish artefacts, as well as papers on the iconic site of Skara Brae and on the impact of the Roman world on Scotland. With subjects ranging from Gordon Childe to the Govan Stones ANCIENT LIVES and from gaming pieces to Grooved Ware, this scholarly and OBJECT, PEOPLE AND PLACE IN EARLY SCOTLAND. accessible volume provides a show-case of new information and new perspectives on material culture linked, but not limited to, Scotland. ESSAYS FOR DAVID V CLARKE ON HIS 70TH BIRTHDAY Sidestone edited by ISidestoneSBN 978-90-8890-375-5 Press ISBN: 978-90-8890-375-5 Fraser Hunter and Alison Sheridan 9 789088 903755 This is a digital offprint from: Hunter, F. & A. Sheridan (eds) 2016: Ancient Lives. Ojects, people and place in early Scotland. Essays for David V Clarke on his 70th birthday. Leiden: Sidestone Press. Sidestone Press * A new generation of Publishing This is a free offprint, read the entire book at the Sidestone e-library! You can find the full version of this book at the Sidestone Press website. Almost all of our publications are fully accessible for free. For access to more free books visit: www.sidestone.com/library Download Full PDF Visit Sidestone.com to download most of our e-books. For a minimal fee you will receive a fully functional PDF and by doing so, you help to keep our library running. www.sidestone.com/library ANCIENT LIVES OBJECT, PEOPLE AND PLACE IN EARLY SCOTLAND. ESSAYS FOR DAVID V CLARKE ON HIS 70TH BIRTHDAY edited by Fraser Hunter and Alison Sheridan © 2016 individual authors Published by Sidestone Press, Leiden www.sidestone.com ISBN 978-90-8890-375-5 Lay-out & cover design: Sidestone Press Cover picture: House 1: Skara Brae, by Philip Hughes © and reproduced by courtesy of Philip Hughes Also available as: e-book (PDF): ISBN 978-90-8890-376-2 Contents Contributors 9 Introduction: ‘If I can put it like that…’ 15 Alison Sheridan and Fraser Hunter SECTION 1 – PRESENTING THE PAST 29 Museums and their collections 31 Mark Jones Presenting someone else’s past: the Caithness Broch Centre 59 Andrew Heald Reading Govan Old: interpretative challenges and aspirations 73 Stephen T Driscoll SECTION 2 – ANCIENT LIVES AND MULTIPLE LIVES 93 Robert Innes Shearer: a lost antiquary from Caithness 95 Stratford Halliday ‘Thanks to you the best has been made of a bad job’: Vere Gordon 111 Childe and the Bronze Age cairn at Ri Cruin, Kilmartin, Argyll & Bute Trevor Cowie Mary Boyle (1881-1974): the Abbé Breuil’s faithful fellow-worker 127 Alan Saville Evidence and artefact: utility for protohistory and archaeology in 151 Thomas the Rhymer legends Hugh Cheape Expiscation! Disentangling the later biography of the St Andrews 165 Sarcophagus Sally M Foster SECTION 3 – PIECES OF THE PAST 187 Scottish Neolithic pottery in 2016: the big picture and some details 189 of the narrative Alison Sheridan Skara Brae life studies: overlaying the embedded images 213 Alexandra Shepherd The earlier prehistoric collections from the Culbin Sands, northern 233 Scotland: the construction of a narrative Richard Bradley, Aaron Watson and Ronnie Scott The provision of amulets and heirlooms in Early Bronze Age 245 children’s burials in Scotland Dawn McLaren On the edge: Roman law on the frontier 263 David J Breeze The Colour Purple: lithomarge artefacts in northern Britain 273 Martin Goldberg ‘Coal money’ from Portpatrick (south-west Scotland): reconstructing 281 an Early Medieval craft centre from antiquarian finds Fraser Hunter Silver handpins from the West Country to Scotland: perplexing 303 portable antiquities Susan Youngs Gleaming eyes and the elaboration of Anglo-Saxon sculpture 317 Alice Blackwell Combs and comb production in the Western Isles during the Norse 331 period Niall Sharples and Ian Dennis Playing the dark side: a look at some chess and other playing pieces 359 of jet and jet-like materials from Britain Mark A Hall Evidence and artefact: utility for protohistory and archaeology in Thomas the Rhymer legends Hugh Cheape Abstract An historical figure of the 13th century, Thomas the Rhymer, is recorded as poet and prophet but rarely merits mention in Scottish historical studies. This essay argues for the importance of the Rhymer as liminal figure for Scottish history and prehistory, as much for broader insights offered by him than for history of the individual. The Rhymer is commemorated in song and story, and is linked to the supernatural from where his gift of prophecy is said to derive. Markers in the landscape, especially in the Scottish Borders, may be ‘memorates’ serving present needs rather than original evidence, and prophecy may be indicative of cultural and political resource rather than individual cult. The extraordinary longevity of the Rhymer story is demonstrated by evidence in Scottish Gaelic in the 20th century showing how tradition shifted in response to circumstances or realpolitik. The subject has been developed in the research domain of a national museum with ready access to both historical and archaeological material and the benefit of a measure of independence from the constraining boundaries of academic disciplines and institutions. Keywords: Prophecy, liminality, memorates, Thomas the Rhymer Personae I offer this topic to David as an eclectic but informed mix of sources that I believe will appeal. As longstanding colleagues, I always enjoyed our conversations which customarily ranged across disciplines in ways that I believe reflected the intellectual inheritance of the National Museum. Thomas the Rhymer was, in brief and as far as we now know, a 13th- century Border landowner and a poet attributed with the power of prophecy. His reputation long outlasted him, telling us about attitudes to prophecy and its supposed efficacy, a phenomenon that is prominent from this time until the 17th century when the ‘scientific’ exploration of prophecy began (Cohn 1970; Hunter 2001). Consideration of this intriguing aspect of the human make-up has tended to be kept firmly outside mainstream Scottish history, the material rarely cheape 151 to be considered as a source and the written evidence to be confined, even firmly relegated, to literature. Even as ‘literature’, doubts remain over textual integrity and dating of the Rhymer’s surviving compositions, and they seem not to merit attention even in Scottish literature’s recent scholarly treatments. (See McDiarmid 1989, 29.) Thomas the Rhymer might be said to demonstrate ‘liminality’, both so far as an historical persona can be established and also in the consideration and treatment of his literary compositions. In the context of conventional scholarship and sustained separation of disciplines, Thomas the Rhymer seems to be marginal or invisible on the cusp of history and prehistory or times beyond documentation. In the field of folklore or its notional forerunner of ‘popular antiquities’, he was raised to cult status and his utterances reworked and conflated. What we know of Thomas the Rhymer offers particular insights into popular belief in Medieval Scotland and may suggest hypotheses for the understanding of past lives in prehistoric Scotland. There are historical sources to substantiate Thomas the Rhymer as a real person. These records were collected into the introduction and notes to Scott’s Minstrelsy of the Scottish Border to demonstrate that Thomas was a historical character (Scott 1803, 251). Thomas Finlayson Henderson brought such information that was known up to date in a four-volume edition of the Minstrelsy (Henderson 1932, IV, 79-137).
Recommended publications
  • INTERPRETING POETRY: English and Scottish Folk Ballads (Year 5, Day Department, 2016) Assignments for Self-Study (25 Points)
    The elective discipline «INTERPRETING POETRY: English and Scottish Folk Ballads (Year 5, day department, 2016) Assignments for Self-Study (25 points) Task: Select one British folk ballad from the list below, write your name, perform your individual scientific research paper in writing according to the given scheme and hand your work in to the teacher: Titles of British Folk Ballads Students’ Surnames 1. № 58: “Sir Patrick Spens” 2. № 13: “Edward” 3. № 84: “Bonny Barbara Allen” 4. № 12: “Lord Randal” 5. № 169:“Johnie Armstrong” 6. № 243: “James Harris” / “The Daemon Lover” 7. № 173: “Mary Hamilton” 8. № 94: “Young Waters” 9. № 73:“Lord Thomas and Annet” 10. № 95:“The Maid Freed from Gallows” 11. № 162: “The Hunting of the Cheviot” 12. № 157 “Gude Wallace” 13. № 161: “The Battle of Otterburn” 14. № 54: “The Cherry-Tree Carol” 15. № 55: “The Carnal and the Crane” 16. № 65: “Lady Maisry” 17. № 77: “Sweet William's Ghost” 18. № 185: “Dick o the Cow” 19. № 186: “Kinmont Willie” 20. № 187: “Jock o the Side” 21. №192: “The Lochmaben Harper” 22. № 210: “Bonnie James Campbell” 23. № 37 “Thomas The Rhymer” 24. № 178: “Captain Car, or, Edom o Gordon” 25. № 275: “Get Up and Bar the Door” 26. № 278: “The Farmer's Curst Wife” 27. № 279: “The Jolly Beggar” 28. № 167: “Sir Andrew Barton” 29. № 286: “The Sweet Trinity” / “The Golden Vanity” 30. № 1: “Riddles Wisely Expounded” 31. № 31: “The Marriage of Sir Gawain” 32. № 154: “A True Tale of Robin Hood” N.B. You can find the text of the selected British folk ballad in the five-volume edition “The English and Scottish Popular Ballads: five volumes / [edited by Francis James Child].
    [Show full text]
  • This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G. Phd, Mphil, Dclinpsychol) at the University of Edinburgh
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Desire for Perpetuation: Fairy Writing and Re-creation of National Identity in the Narratives of Walter Scott, John Black, James Hogg and Andrew Lang Yuki Yoshino A Thesis Submitted to The University of Edinburgh for the Degree of Doctor of Philosophy Department of English Literature 2013 Abstract This thesis argues that ‘fairy writing’ in the nineteenth-century Scottish literature serves as a peculiar site which accommodates various, often ambiguous and subversive, responses to the processes of constructing new national identities occurring in, and outwith, post-union Scotland. It contends that a pathetic sense of loss, emptiness and absence, together with strong preoccupations with the land, and a desire to perpetuate the nation which has become state-less, commonly underpin the wide variety of fairy writings by Walter Scott, John Black, James Hogg and Andrew Lang.
    [Show full text]
  • Introduction
    Introduction anne grImes had a gift for collecting songs—partly because she knew how and where to find them. “Everybody thinks you find folk music in the hills; you don’t . it’s in people’s heads,” she told a reporter for the Columbus Citizen- Journal in 1971 before performing at Governor John Gilligan’s Inau- gural Gala at the Ohio Theater in Columbus, Ohio. Born into a pio- neer Ohio family in which music had been important over the gen- erations, Anne Grimes felt a kin- ship with the traditional singers she discovered. As she told the reporter: “In the folk music field, the technical term is ‘informants’; I prefer to think of the people as contributors.” During the height of her col- lecting and performing career in the 1950s and early 1960s, Anne Grimes sang several times at the The cover of the Columbus Dispatch Sunday Magazine, annual National Folk Festival February 17, 1952: Anne Grimes and recorded on Folkways. She with her five children—Mindy also became an expert in the lore (2), Mary (4), Jennifer (6), Sara and techniques of the plucked (10), and Steve (12)—in front or lap dulcimer (also referred to of the Jonathan Alder cabin as the mountain or Appalachian west of Columbus. Photo by Dan F. Prugh courtesy of the dulcimer), and the Anne Grimes Columbus Dispatch collection of these rare folk in- struments—now housed at the Smithsonian Institution—ranks among the nation’s finest. But much of her time and energy was devoted to collecting hundreds of songs and ballads that she then performed in concert-lectures with the general theme of Ohio history through song.
    [Show full text]
  • The History of Scotland from the Accession of Alexander III. to The
    UNIVERSITY OF CALIFORNIA AT LOS ANGELES THE GIFT OF MAY TREAT MORRISON IN MEMORY OF ALEXANDER F MORRISON THE A 1C MEMORIAL LIBRARY HISTORY OF THE HISTORY OF SCOTLAND, ACCESSION OF ALEXANDEB III. TO THE UNION. BY PATRICK FRASER TYTLER, ** F.RS.E. AND F.A.S. NEW EDITION. IN TEN VOLUMES. VOL. X. EDINBURGH: WILLIAM P. NIMMO. 1866. MUEKAY AND OIBB, PUINTERS. EDI.VBUKOII V.IC INDE X. ABBOT of Unreason, vi. 64 ABELARD, ii. 291 ABERBROTHOC, i. 318, 321 ; ii. 205, 207, 230 Henry, Abbot of, i. 99, Abbots of, ii. 206 Abbey of, ii. 205. See ARBROATH ABERCORN. Edward I. of England proceeds to, i. 147 Castle of, taken by James II. iv. 102, 104. Mentioned, 105 ABERCROMBY, author of the Martial Achievements, noticed, i. 125 n.; iv. 278 David, Dean of Aberdeen, iv. 264 ABERDEEN. Edward I. of England passes through, i. 105. Noticed, 174. Part of Wallace's body sent to, 186. Mentioned, 208; ii. Ill, n. iii. 148 iv. 206, 233 234, 237, 238, 248, 295, 364 ; 64, ; 159, v. vi. vii. 267 ; 9, 25, 30, 174, 219, 241 ; 175, 263, 265, 266 ; 278, viii. 339 ; 12 n.; ix. 14, 25, 26, 39, 75, 146, 152, 153, 154, 167, 233-234 iii. Bishop of, noticed, 76 ; iv. 137, 178, 206, 261, 290 ; v. 115, n. n. vi. 145, 149, 153, 155, 156, 167, 204, 205 242 ; 207 Thomas, bishop of, iv. 130 Provost of, vii. 164 n. Burgesses of, hanged by order of Wallace, i. 127 Breviary of, v. 36 n. Castle of, taken by Bruce, i.
    [Show full text]
  • A BOOK of OLD BALLADS Selected and with an Introduction
    A BOOK OF OLD BALLADS Selected and with an Introduction by BEVERLEY NICHOLS ACKNOWLEDGMENTS The thanks and acknowledgments of the publishers are due to the following: to Messrs. B. Feldman & Co., 125 Shaftesbury Avenue, W.C. 2, for "It's a Long Way to Tipperary"; to Mr. Rudyard Kipling and Messrs. Methuen & Co. for "Mandalay" from _Barrack Room Ballads_; and to the Executors of the late Oscar Wilde for "The Ballad of Reading Gaol." "The Earl of Mar's Daughter", "The Wife of Usher's Well", "The Three Ravens", "Thomas the Rhymer", "Clerk Colvill", "Young Beichen", "May Collin", and "Hynd Horn" have been reprinted from _English and Scottish Ballads_, edited by Mr. G. L. Kittredge and the late Mr. F. J. Child, and published by the Houghton Mifflin Company. The remainder of the ballads in this book, with the exception of "John Brown's Body", are from _Percy's Reliques_, Volumes I and II. CONTENTS FOREWORD MANDALAY THE FROLICKSOME DUKE THE KNIGHT AND SHEPHERD'S DAUGHTER KING ESTMERE KING JOHN AND THE ABBOT OF CANTERBURY BARBARA ALLEN'S CRUELTY FAIR ROSAMOND ROBIN HOOD AND GUY OF GISBORNE THE BOY AND THE MANTLE THE HEIR OF LINNE KING COPHETUA AND THE BEGGAR MAID SIR ANDREW BARTON MAY COLLIN THE BLIND BEGGAR'S DAUGHTER OF BEDNALL GREEN THOMAS THE RHYMER YOUNG BEICHAN BRAVE LORD WILLOUGHBEY THE SPANISH LADY'S LOVE THE FRIAR OF ORDERS GRAY CLERK COLVILL SIR ALDINGAR EDOM O' GORDON CHEVY CHACE SIR LANCELOT DU LAKE GIL MORRICE THE CHILD OF ELLE CHILD WATERS KING EDWARD IV AND THE TANNER OF TAMWORTH SIR PATRICK SPENS THE EARL OF MAR'S DAUGHTER EDWARD,
    [Show full text]
  • The Ballad/Alan Bold Methuen & Co
    In the same series Tragedy Clifford Leech Romanticism Lilian R Furst Aestheticism R. V. Johnson The Conceit K. K Ruthven The Ballad/Alan Bold The Absurd Arnold P. Hinchliffe Fancy and Imagination R. L. Brett Satire Arthur Pollard Metre, Rhyme and Free Verse G. S. Fraser Realism Damian Grant The Romance Gillian Beer Drama and the Dramatic S W. Dawson Plot Elizabeth Dipple Irony D. C Muecke Allegory John MacQueen Pastoral P. V. Marinelli Symbolism Charles Chadwick The Epic Paul Merchant Naturalism Lilian R. Furst and Peter N. Skrine Rhetoric Peter Dixon Primitivism Michael Bell Comedy Moelwyn Merchant Burlesque John D- Jump Dada and Surrealism C. W. E. Bigsby The Grotesque Philip Thomson Metaphor Terence Hawkes The Sonnet John Fuller Classicism Dominique Secretan Melodrama James Smith Expressionism R. S. Furness The Ode John D. Jump Myth R K. Ruthven Modernism Peter Faulkner The Picaresque Harry Sieber Biography Alan Shelston Dramatic Monologue Alan Sinfield Modern Verse Drama Arnold P- Hinchliffe The Short Story Ian Reid The Stanza Ernst Haublein Farce Jessica Milner Davis Comedy of Manners David L. Hirst Methuen & Co Ltd 19-+9 xaverslty. Librasü Style of the ballads 21 is the result not of a literary progression of innovators and their acolytes but of the evolution of a form that could be men- 2 tally absorbed by practitioners of an oral idiom made for the memory. To survive, the ballad had to have a repertoire of mnemonic devices. Ballad singers knew not one but a whole Style of the ballads host of ballads (Mrs Brown of Falkland knew thirty-three separate ballads).
    [Show full text]
  • MJ06-National Copy.Indd
    Vita-final 4/7/06 4:44 PM Page 52 VITA Francis James Child Brief life of a Victorian enthusiast: 1825-1896 by john burgess rancis james child, a.b. 1846, was a model of nineteenth- and their American and Canadian variants. That demanded pa- century academic achievement. Named Harvard’s Boylston tience in tracking manuscripts across continents, judgment in in- professor of rhetoric and oratory at 26, he was one of his terpreting and clarifying textual discrepancies, and persistence in Fcentury’s leading Chaucer scholars and received honorary degrees dealing with collectors ranging from the high-born Lord Rose- from his alma mater, Columbia, and Göttingen. His close friends bery to the eccentric Devon clergyman Sabine Baring-Gould. included Oliver Wendell Holmes, Henry and William James, and In all, Child collected 305 ballads, ultimately published in five Charles Eliot Norton. Yet today he is better remembered than volumes (1882-98), including “Lord Randall,” “Sir Patrick Spens,” many distinguished colleagues because, at the height of his career, and a good three dozen variations on the adventures of Robin he decided to apply a gift for scholarship honed on the study of Hood. Some, like “Barbara Allen,” had been in print for generations traditional literature to the oral traditions of the folk ballad. and were sung from London to Appalachia. Others, like “Thomas That a sailmaker’s son achieved eminence of any sort was large- the Rhymer” or “Tam Lin,” evoke a world of magic that survived ly because the Boston of his youth was progressive enough to o≠er outside the written record for centuries.
    [Show full text]
  • Introduction: to Be a Shapeshifter 1
    NOTES Introduction: To Be a Shapeshifter 1 . Sir Thomas Malory, Malory: Works , ed. Eugene Vinaver (Oxford: Oxford University Press, 1978 ), 716. 2 . Carolyne Larrington, for example, points out that “Enchantresses . sometimes . support the aims of Arthurian chivalry, at other times they can be hostile and petty-minded.” See King Arthur’s Enchantresses: Morgan and Her Sisters in Arthurian Tradition (New York: I. B. Taurus, 2007), 2. While Larrington’s book provides a review of many of Morgan’s literary appearances, my study focuses on close reading, attention to translation issues, and discussion of social concerns. In her review of Larrington’s King Arthur’s Enchantresses: Morgan and Her Sisters in Arthurian Tradition , Elizabeth Archibald laments that “it would have been interesting to hear more about the ways in which Arthurian enchantresses do or do not resemble their Classical precursors, or indeed Celtic ones, in their use of magic and in their challenges to male heroic norms.” See Elizabeth Archibald, “Magic School,” Times Literary Supplement (February 2, 2007), 9. My study answers this cri- tique by reexamining pivotal scenes in critical texts and by dismantling the archetypal approach that Larrington follows. 3 . Norris J. Lacy, ed., The Fortunes of King Arthur (New York: D. S. Brewer, 2005 ), 94–95. 4 . Helaine Newstead, Bran the Blessed in Arthurian Romance (New York: AMS Press, 1966 ), 149. 5 . Elisa Marie Narin, “‘Þat on . Þat oÞer’: Rhetorical Descriptio and Morgan La Fay in Sir Gawain and the Green Knight ,” Pacific Coast Philology 23 (1988): 60–66. Morgan only partly fits the description of a supernatural ‘enemy’ provided by Hilda Ellis Davidson and Anna Chaudri; see n.
    [Show full text]
  • The English and Scottish Popular Ballads, Vol 1 the English and Scottish Popular Ballads, Vol 1
    (Online library) The English and Scottish Popular Ballads, Vol 1 The English and Scottish Popular Ballads, Vol 1 n8wDVwc0h The English and Scottish Popular Ballads, Vol 1 SsvC23BOY JB-94841 oNOJiw1Kx US/Data/Literature-Fiction RikWgV4bZ 4/5 From 380 Reviews TucVlMW5A Francis James Child LtjZMbxxY DOC | *audiobook | ebooks | Download PDF | ePub TucVlMW5A j51rurhwh oS25p5n4i VMw5zHxzB CxflSTCQY EU4pO0673 5n4SWKc2S BLQtDiSDj 9 of 9 people found the following review helpful. Excellent "corrected" KWJG5tsuI editionBy J. R. BrownChild's "English and Scottish Popular Ballads" is THE M3bkUU5Yw sourcebook for anyone interested in the traditional ballads of the British Isles, iGmA1vIMo and also invaluable to all aficionados of European folklore and folksong in gfPsfjA3w general. For those not up on their terminology, a ballad is a folksong with a kF5zpAkfS plot, and Child's collection covers everything from foul murders to star-crossed vIZARObwI lovers to Robin Hood, in five volumes.I am extremely happy that someone has ObBtBRj1v finally issued an edition incorporating the various addenda and corrections that uL7kEYlKV Child made before his death. There is nothing here that Child did not write, so ZtO3hRPBj if you are looking for additional scholarship or commentary you will be sK2ucgFK4 disappointed; but the Loomis House edition vastly improves over the Dover tM2LJk6P5 facsimiles in completeness and convenience. Additional variants, comments and bgoCI04Of even some tunes (the one big omission in the original) are placed conveniently 8Jms2TZ2e near
    [Show full text]
  • Edinburgh Research Explorer
    Edinburgh Research Explorer From fairy queens to ogresses Citation for published version: Dunnigan, S 2016, 'From fairy queens to ogresses: Female enchanters in early Scottish literature', The Bottle Imp, vol. 20. <http://www.arts.gla.ac.uk/ScotLit/ASLS/SWE/TBI/TBIIssue20/Dunnigan.html> Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: The Bottle Imp General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 27. Sep. 2021 ISSN 1754-1514 poetry, and explored most fully in Lizanne Henderson and Edward Cowan’s definitive study of Scottish fairy lore.3 In one, known as the ballad of ‘Kind Kittok’, a widower The narrates the story of his former ‘guddame’ whose afterlife is spent in ‘ane ailhouse near hevin’, brewing and baking.4 This is a post- Bottle humous profession enabled by her sojourn near ‘ane elrich well’.5 There she meets ‘ane ask rydand on ane snail / Scho cryd ourtane Imp fallow hail hail / And raid ane inch behind the tail / Quhill it wes neir Ene’.6 This bizarre image, as if a cross between paintings by Issue 20, December 2016 Hieronymus Bosch and the Scottish Victorian From Fairy Queens to Ogresses: Female fairy artist, Joseph Noel Paton, is wholly Enchanters in Early Scottish Literature characteristic of Bannatyne’s ‘eldritch’ vein – Sarah Dunnigan carnivalesque and comic.
    [Show full text]
  • The Lindsays of America a Genealogical Narrative and Family
    AB^.-n. IQlo National Library of Scotland III! II llllll llll I! I! II II *B000448700* : . : Digitized by the Internet Archive in 2011 with funding from National Library of Scotland http://www.archive.org/details/lindsaysofameric1889lind : THE Xinosa^s of Hmerica. GENEALOGICAL NARRATIVE, FAMILY RECORD BEGINNING WITH THE FAMILY OF THE EARLIEST SETTLER IN THE MOTHER STATE, VIRGINIA, AND INCLUDING IN AN APPEN- DIX ALL THE LINDSAYS OF AMERICA. BY MARGARET ISABELLA LINDSAY. " Every family is a History in itself and even a poem to those who know how to read its pages." —A. Lamartine. ALBANY, N . Y . JOEL MUNSELL'S SONS, PUBLISHERS. 1889. Copyrighted by JOEL MUNSELL'S SONS, Albany, N. Y. ****** v> B °- <\7 \ 'Q79 TD MY FATHER; THE LATE Major George F. Lindsay, of the U. S, Marine Corps, US R SLIGHT TOKEN f my profound respect and admiration for one "who was in every way a true and noble gentleman, son, husband, father and officer! "Who al- though I was denied the great boon and comfort of knowing him, losing him in my infancy as I did, yet -whose character shines so beautifully forth, from all learned of him from my Mother and relatives, that the mind has often imagined it knew him ; also for his deep interest in, and correcting early por- tions of the family genealogy, and TD THE MEMORY DF MY DEAR MDTHER, Margaret Fraser Lindsay, Whose sympathy has encouraged me so frequently in this -work, THIS BQDK IS HFFECTIDKrHTELY EEHICRTEI] BY THEIR DiUJEHTER, PREFACE. My Dear Kinsmen and Clansmen : The following historical narrative and record of our
    [Show full text]
  • "Popular Poetry Is That Which Has Had Its Origin the People, Which Has Been Animated Joys, Watered by Its Tears, And
    SCOTTISH BALLADS. "Popular poetry is that which has had its origin among and has emanated from the people, which has been animated by its joys, watered by Its tears, and which then returning again as it were to soil whence it was drawn has largely influenced its character" - so says an able writer, and it would appear that poetry or a metrical form of composition has always been adopted in rude ages, as the best mode for transmitting story or legend from one generation to another. Ballads may be described as short narrative poems, each celebrating some real or fancied event, and suitable for singing or chanting to some simple natural melody. They often are but ought not to be. confounded with songs, which properly speaking are the more polished and artistic form of sentiment, expression,or even of description. An incident communicated in prose may be traditionally preserved and transmitted with tolerable correctness as regards the facts, but not so as regards the language, each successive narrator telling the story in his own way and using his own words - but a metrical tale is framed for the express purpose that the words themselves may be transmitted, not only the story but/ 2. but the words of the story are to be handed down; ballads may therefore be reasonably regarded as the very earliest form of literary composition. In this metrical form our ballads have come down to us from generation to generation and in them we read the history of the people. Their authors were most probably part minstrels part gaberlunzies, who wandered about the kingdom haunting fairs, markets and all assemblies of the people, catching up the events of the time as they transpired, and describing them in verse; they were favoured men and were gladly welcomed wherever they went, always fortunate to procure a meal and a couch of straw, paying their lawing with a song, then forward on the morrow.
    [Show full text]