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International Casting Directors Network Index
International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
Яюm I C R O S O F T W O R
Belarusian Association of Journalists (BAJ) MASS MEDIA IN BELARUS 2004 ANNUAL REPORT Minsk 2005 C O N T E N T S INFRINGEMENTS OF FREEDOM OF MASS INFORMATION IN BELARUS IN 2004. REVIEW /2 STATISTICAL BACKGROUND /3 CHANGES IN THE LEGISLATION /5 INFRINGEMENTS OF RIGHTS OF MASS-MEDIA AND JOURNALISTS, CONFLICTS IN THE SPHERE OF MASS-MEDIA Criminal cases for publications in mass-media /13 Encroachments on journalists and media /16 Termination or suspension of mass-media by authorities /21 Detentions of journalists, summoning journalists to law enforcement bodies. Warnings of the Office of Public Prosecutor /29 Censorship. Interference in professional independence of editions /35 Infringements related to access to information (refusals in granting information, restrictive use of institute of accreditation) /40 The conflicts related to reception and dissemination of foreign information or activity of foreign mass-media /47 Economic policy in the sphere of mass-media /53 Restriction of the right on founding mass-media /57 Interference with production of mass-media /59 Hindrance to distribution of mass-media production /62 SENSATIONAL CASES The most significant litigations with participation of mass-media and journalists /70 Dmitry Zavadsky's case /79 Belarusian periodic printed editions mentioned in the monitoring /81 1 INFRINGEMENTS OF FREEDOM OF MASS INFORMATION IN BELARUS IN 2004. REVIEW The year 2004 for Belarus was the year of parliamentary elections and the referendum. As usual during significant political campaigns, the pressure on mass-media has increased in 2004. The deterioration of the media situation was not a temporary deviation after which everything usually comes back to normal, but represented strengthening of systematic and regular pressure upon mass- media, which continued after the election campaign. -
Protests in Belarus (1994-2011) .Pdf
Number of Participants Number of Day Month Year Location (numeric) Arrests Topic Organizing Group Sources UPI "Belarus against Marks Russification of National Front of Independence 27 7 1994 Minsk 6500 0 Belarus Belarus Day" "the state's decision to discontinue eight [opposition] UPI "Belarussians 4 1 1995 Minsk 300 0 newspapers" protest press ban" " lower taxes, increase wages, create new jobs and enlarge AP "Thousands spending for health Rally In Minsk care, education Against Low Pay, 26 1 1995 Minsk 40000 0 and science." Unions Price Hikes" "introduction of teaching in the BBC World "Police Belarussian confiscate grenade language at higher at Belarussian educational Assembly of language 15 2 1995 unk 100 1 establishments," Belarussian Gentry demonstration" PAP News Wire Financing of "BELARUSSIAN construction of ASSOCIATION OF POLES DEMAND Polish language POLES IN POLISH SCHOOL 1 3 1995 Minsk 10 0 school BELARUS IN GRODNO" BBC World " Police arrest student activists Procession of for burning state 24 5 1995 Minsk 70 30 Uknown Political Convicts flag" ITAR-TASS "Minsk workers march on Police arrest presidential student activists residence in payment of back for burning state protest at wage 17 7 1995 Minsk . 0 wages flag arrears" AFP "Security forces arrest Minsk Minsk Metro metro strike 21 8 1995 Minsk 150 1 Metro strike Workers leaders" Number of Participants Number of Day Month Year Location (numeric) Arrests Topic Organizing Group Sources Interfax "Belarusian Popular Front Reconsideration of protests against oil oil agreement with -
Download Book
84 823 65 Special thanks to the Independent Institute of Socio-Economic and Political Studies for assistance in getting access to archival data. The author also expresses sincere thanks to the International Consortium "EuroBelarus" and the Belarusian Association of Journalists for information support in preparing this book. Photos by ByMedia.Net and from family albums. Aliaksandr Tamkovich Contemporary History in Faces / Aliaksandr Tamkovich. — 2014. — ... pages. The book contains political essays about people who are well known in Belarus and abroad and who had the most direct relevance to the contemporary history of Belarus over the last 15 to 20 years. The author not only recalls some biographical data but also analyses the role of each of them in the development of Belarus. And there is another very important point. The articles collected in this book were written at different times, so today some changes can be introduced to dates, facts and opinions but the author did not do this INTENTIONALLY. People are not less interested in what we thought yesterday than in what we think today. Information and Op-Ed Publication 84 823 © Aliaksandr Tamkovich, 2014 AUTHOR’S PROLOGUE Probably, it is already known to many of those who talked to the author "on tape" but I will reiterate this idea. I have two encyclopedias on my bookshelves. One was published before 1995 when many people were not in the position yet to take their place in the contemporary history of Belarus. The other one was made recently. The fi rst book was very modest and the second book was printed on classy coated paper and richly decorated with photos. -
The Last Station
Mongrel Media Presents The Last Station A Film by Michael Hoffman (112 min, Germany, Russia, UK, 2009) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html THE LAST STATION STARRING HELEN MIRREN CHRISTOPHER PLUMMER PAUL GIAMATTI ANNE-MARIE DUFF KERRY CONDON and JAMES MCAVOY WRITTEN & DIRECTED BY MICHAEL HOFFMAN PRODUCED BY CHRIS CURLING JENS MEURER BONNIE ARNOLD *Official Selection: 2009 Telluride Film Festival SYNOPSIS After almost fifty years of marriage, the Countess Sofya (Helen Mirren), Leo Tolstoy’s (Christopher Plummer) devoted wife, passionate lover, muse and secretary—she’s copied out War and Peace six times…by hand!—suddenly finds her entire world turned upside down. In the name of his newly created religion, the great Russian novelist has renounced his noble title, his property and even his family in favor of poverty, vegetarianism and even celibacy. After she’s born him thirteen children! When Sofya then discovers that Tolstoy’s trusted disciple, Chertkov (Paul Giamatti)—whom she despises—may have secretly convinced her husband to sign a new will, leaving the rights to his iconic novels to the Russian people rather than his very own family, she is consumed by righteous outrage. This is the last straw. Using every bit of cunning, every trick of seduction in her considerable arsenal, she fights fiercely for what she believes is rightfully hers. -
Film, Philosophy Andreligion
FILM, PHILOSOPHY AND RELIGION Edited by William H. U. Anderson Concordia University of Edmonton Alberta, Canada Series in Philosophy of Religion Copyright © 2022 by the authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, Suite 1200, C/Sancti Espiritu 17, Wilmington, Delaware 19801 Malaga, 29006 United States Spain Series in Philosophy of Religion Library of Congress Control Number: 2021942573 ISBN: 978-1-64889-292-9 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover image: "Rendered cinema fimstrip", iStock.com/gl0ck To all the students who have educated me throughout the years and are a constant source of inspiration. It’s like a splinter in your mind. ~ The Matrix Table of contents List of Contributors xi Acknowledgements xv Introduction xvii William H. -
Liff-2020-Catalogue.Pdf
Welcome Introduction from the LIFF 2020 Team While we greatly miss not presenting LIFF 2020 in venues, we’re delighted to share the line-up on our new streaming platform Leeds Film Player. We return with our regular programme sections for new films – Official Selection, Cinema Versa, Fanomenon, and Leeds Short Film Awards – all curated with the same dedication to diverse filmmaking from the UK and around the world. A huge thank you to everyone who made this transformation to streaming possible and to everyone who helped us plan and prepare for LIFF 2020 being in venues. We hope you enjoy the LIFF 2020 programme from home and we can’t wait to welcome you back to venues for LIFF 2021! Presented by Leading Funders Contents Official Selection 6 Cinema Versa 26 Fanomenon 42 Leeds Short Film Awards 64 Leeds Young Film Festival 138 Indexes 152 Sun Children 2– LIFF 2020 Opening film 3 Team LIFF 2020 LYFF 2020 Team Team Director Director Chris Fell Debbie Maturi Programme Manager Producer Alex King Martin Grund Production Manager Youth Engagement Coordinator Jamie Cross Gage Oxley Film Development Coordinator Youth Programme Coordinator Nick Jones Eleanor Hodson Senior Programmer LYFF Programmers Molly Cowderoy Martin Grund, Eleanor Hodson, Sam Judd Programme Coordinator Alice Duggan Production Coordinator Anna Stopford Programme & Production Assistant Ilkyaz Yagmur Ozkoroglu Virtual Volunteers Lee Bentham, Hannah Booth, Tabitha Burnett, Paul Douglass, Owen Herman, Alice Lassey, Ryan Ninesling, Eleanor Storey, Andrew Young Volunteer Officer Sarah -
BELARUS Restrictions on the Political and Civil Rights of Citizens Following the 2010 Presidential Election
BELARUS Restrictions on the Political and Civil Rights of Citizens Following the 2010 Presidential Election of person. Article 4: No one shall be held in slavery Article 1: All human beings are born free and equal or servitude; slavery and the slave trade shall be prohibited in all their forms. Article 5: No one shall be subjected to in dignity and rights. They are endowed with reason and conscience and should act towards one another in a torture or to cruel, inhuman or degrading treatment or punishment. Article 6: Everyone has the right to recognition spirit of brotherhood. Article 2: Everyone is entitled to all the rights and freedoms set forth in this Declaration, everywhere as a person before the law. Article 7: All are equal before the law and are entitled without any discrimi- without distinction of any kind, such as race, colour, sex, language, religion, political or other opinion, nation to equal protection of the law. All are entitled to equal protection against any discrimination in violation of this national or social origin, property, birth or other status. Furthermore, no distinction shall be made on the Declaration and against any incitement to such discrimination. Article 8: Everyone has the right to an effective rem- basis of the political, jurisdictional or international status of the country or territory to which a person edy by the competent national tribunals for acts violating the fundamental rights granted him by the constitution or belongs, whether it be independent, trust, non-self-governing or under any other limitation of sovereignty. by law. Article 9: No one shall be subjected to arbitrary arrest, Article 3: Everyone has the right to life, liberty and security June 2011 564a Uladz Hrydzin © This report has been produced with the support of the Swedish International Development Cooperation Agency (SIDA). -
Straddling Russia and Europe
Straddling Russia and Europe A Compendium of Recent Jamestown Analysis on Belarus January 2013 Straddling Russia and Europe A Compendium of Recent Jamestown Analysis on Belarus Washington, D.C. January 2013 THE JAMESTOWN FOUNDATION Published in the United States by The Jamestown Foundation 1111 16th St. N.W. Suite 320 Washington, D.C. 20036 http://www.jamestown.org Copyright © The Jamestown Foundation, January 2013 All rights reserved. No part of this report may be reproduced in any manner whatsoever without written consent. For copyright permissions information, contact The Jamestown Foundation. The views expressed in this report are those of the contributing authors and not necessarily those of The Jamestown Foundation. For more information on this report or The Jamestown Foundation, email [email protected]. JAMESTOWN’S MISSION The Jamestown Foundation’s mission is to inform and educate policymakers and the broader policy community about events and trends in those societies, which are strategically or tactically important to the United States and which frequently restrict access to such information. Utilizing indigenous and primary sources, Jamestown’s material is delivered without political bias, filter or agenda. It is often the only source of information that should be, but is not always, available through official or intelligence channels, especially with regard to Eurasia and terrorism. Origins Launched in 1984 after Jamestown’s late president and founder William Geimer’s work with Arkady Shevchenko, the highest-ranking Soviet official ever to defect when he left his position as undersecretary general of the United Nations, the Jamestown Foundation rapidly became the leading source of information about the inner workings of closed totalitarian societies. -
Donovan's Reef (1963) John Ford La Tabernera, El Capón Y La Trompeta
Tabarka - Tabarka (1996) Domingo Rodes La taberna del irlandés - Donovan's Reef (1963) John Ford La tabernera, el capón y la trompeta - Frau Wirtin bläst auch gern Trompete (1978) Franz Antel Tacones lejanos - Tacones lejanos (1991) Pedro Almodóvar Tahiti's Girl - Tahiti's Girl (1990) Mariano Ozores El tahur - El tahur (1975) Rogelio A. González Tai-Pan - Tai-Pan (1986) Daryl Duke Tal para cual - Two of a Kind (1983) John Herzfeld Tamaño natural - Grandeur nature (1973) Luis García Berlanga También los ángeles comen judías - Anche gli angeli mangiano fagioli (1973) Enzo Barboni El tambor de hojalata - Die Blechtrommel (1979) Volker Schlöndorff Tambores de venganza - Il giorno del giudizio (1971) Mario Gariazzo, Robert Paget Tánger - Tánger (2004) Juan Madrid Tango - Tango (1998) Carlos Saura El tango de los colchones - Matratzen-Tango (1973) Eberhard Schröder Tango y Cash - Tango & Cash (1989) Andrei Konchalovsky El tanque - Tank (1984) Marvin J. Chomsky La tapadera - The Firm (1993) Sydney Pollack Tapas - Tapas (2005) José Corbacho, Juan Cruz Taps, más allá del honor - Taps (1981) Harold Becker Tarántula - Kingdom of the Spiders (1977) John 'Bud' Cardos La tarántula del vientre negro - La Tarantola dal ventro nero (1971) Paolo Cavara Target: Agente doble en Berlín - Target (1985) Arthur Penn Tarots - Tarots (detrás de las cartas el diablo) (1973) José María Forqué Tarzán, el hombre mono - Tarzan, the Ape Man (1981) John Derek Tarzán en la gruta del oro - Zan re della giungla (1969) Manuel Caño Tarzán, la vergüenza de la jungla - Tarzoon, -
Russian Film Festival in Scotland Th Th 4 November to 29 November 2012
Russian Film Festival in Scotland th th 4 November to 29 November 2012 0 The Princess Dashkova Russian Centre is pleased to announce the 2012 Russian Film Festival in Scotland, organised in collaboration with Academia Rossica and Edinburgh Filmhouse. The Festival will present the UK premieres of the most outstanding, cutting edge and award winning Russian films of the past year. The films will be screened at the Edinburgh Filmhouse and the Princess Dashkova Russian Centre, the University of Edinburgh. The films will be accompanied by discussions and Q&A sessions. The film Living (Zhit’) will be presented by its world- renowned film director Vasilii Sigarev and the leading actor Yana Troyanova. The documentary of the recent Russian protest movement, Winter Go Away! (Zima, Ukhodi!) will be accompanied by a talk by the acclaimed film critic and journalist Dr Andrei Plakhov. Another highlight of the Russian Film Festival will be the season of films by the legendary Andrei Konchalovsky, presented by the director himself. A collaboration between the Princess Dashkova Russian Centre, University of Edinburgh, Academia Rossica, and the Edinburgh Filmhouse. Funded by the Arts and Humanities Research Council; Centre for Russian, Central and East European Studies (CRCEES), University of Glasgow. CRCEES is funded by the Arts & Humanities Research Council and the British Academy. We also thank the Scotland-Russia Forum for assistance in information dissemination. All films are shown in Russian with English subtitles. 1 Films from the London 6th Russian Film Festival 4th November – 6 pm ‘Unknown Putin’ (Neizvestnyi Putin), followed by a discussion moderated by Dr Luke March (University of Edinburgh, Politics) and led by Edinburgh University students.