La Batalla Contra Uno Mismo

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La Batalla Contra Uno Mismo “FRANCOTIRADOR”, LO NUEVO DE CLINT EASTWOOD SARGENTO En “El guerrero solitario” (Heartbreak EL 22 DE ENERO LLEGA A LOS CINES ARGENTINOS “FRANCOTIRADOR”, Ridge, 1986) Clint Eastwood, fi el a su DIRIGIDA POR EL VETERANO DIRECTOR Y ACTOR. TRATA EL DRAMA DE costumbre, dirige y se reserva un gran LAS CICATRICES DE LA GUERRA, EN ESTE CASO LA DE IRAK. EASTWOOD papel: el sargento Tom Highway, un ABORDÓ OTRAS VECES EL GÉNERO BÉLICO. veterano de las guerras de Vietnam y Corea que debe instruir a un grupo de reclutas de escasa disciplina para convertirlos en marines. Marsha Mason, Everett McGill, Bo Svenson, Mario Van Peebles, Moses Gunn y Tom Villard completan el elenco. EL LITORAL www.ellitoral.com MARTES, 30 DE DICIEMBRE DE 2014 PRODUCCIÓN EL LITORAL ARGENTINO ® La batalla contra La actriz Sienna Miller, Clint Eastwood y el actor Bradley Cooper asisten al estreno de la película “American Sniper” en Nueva York. A la Argentina, el fi lm llega en enero. FOTO: EFE uno mismo JUAN IGNACIO NOVAK es enviado a Irak con la misión de luego del asesinato de su familia vida: su automóvil Gran Torino se comprende en toda su dimen- [email protected] proteger a sus compañeros y don- por soldados yanquis, un granjero 1972. Pero sobre todo se entrega a sión gracias a la otra. Es el mismo de gracias a su precisión y haza- (que se llama Josey Wales, lo que su odio patológico a los asiáticos horror pero visto a través de los l cine siempre es una ñas se convierte en leyenda. Pero da título al fi lm) se une a los gue- (los “amarillos”, dice con enfado) ojos de dos culturas diferentes. refl exión sobre la condi- también aborda un tema frecuen- rrilleros confederados que con- que han llegado a vivir a su barrio “La conquista...”, que desmitifi - E ción humana. Y la guerra tado: la batalla que los ex comba- tinúan en lucha contra la Unión en los últimos años. A tono con ca aquella famosa foto de los solda- -cualquiera de ellas-, en tanto tientes deben librar después en tras el fi n de la contienda. El pro- sus personajes de otras pelícu- dos izando la bandera de Estados pone en jaque la vida y dignidad sus hogares, llevando consigo la tagonista del film es Eastwood las, como el William Munny de Unidos que fue usada como ele- del hombre y lo enfrenta con el guerra, a la que muchas veces no y forman el reparto Chief Dan “Los imperdonables” o el propio mento de propaganda bélica, está abismo, es un tema recurrente pueden dejar atrás. Es que, como George (que había sido nominado Wales, es un hombre desencan- protagonizada por Ryan Phillippe, en toda fi lmografía que se pre- dice uno de los personajes en “Lo algunos años antes para un Oscar tado, que acarrea los horrores Jesse Bradford, Adam Beach, John cie. Clint Eastwood, quien a que el viento se llevó” (los clási- por “Pequeño gran hombre”), de la guerra como una mochila Benjamin Hickey, John Slattery, sus 84 años sigue demostrando cos siempre merecen ser citados): Sondra Locke y John Vernon. La que no puede soltar. Hasta que Barry Pepper, Jamie Bell, Paul sus cualidades como cineasta, “La mayor parte de la miseria del película es amarga pero se erige las circunstancias -su inesperada Walker y Robert Patrick. “Car- adquiridas de la mano de maes- mundo ha sido causada por las como uno de los grandes western amistad con un joven vecino de tas...”, centrada en las cruentas his- tros como Sergio Leone y Don guerras. Y cuando las guerras aca- de su tiempo y como una madura origen asiático- le permiten exor- torias de los soldados nipones que Siegel, refl exionó varias veces ban nadie sabe lo que las motivó”. meditación de la configuración cizar sus fantasmas y modificar se suicidaron en Iwo Jima ante el sobre distintas guerras en las del heroísmo. su cerrada visión del mundo. asedio de sus contrincantes, tiene que participó Estados Unidos SECESIÓN a Ken Watanabe, Kazunari Nino- y sus cicatrices. Ahora lo hace Aunque en realidad se trata de COREA SEGUNDA GUERRA miya, Tsuyoshi Ihara, Ryo Kase y con la guerra de Irak, a través un western sombrío (no apare- Otra de las guerras en las que Pero no debe haber un confl ic- Shido Nakamura en el reparto. de la película “Francotirador” cen héroes al estilo clásico de los intervino Estados Unidos fue en to bélico al que se hayan dedica- Muchos cineastas mostra- (American Sniper) que llegará filmes de cowboys, de tiro certe- Corea, en el amanecer de los ‘50 do más rollos de celuloide que la ron la guerra, sus tribulaciones y a los cines argentinos el 22 de ro y mano firme, sino más bien y en uno de los tramos más álgi- Segunda Guerra Mundial. Y Clint secuelas. Hitos del cine tuvieron enero y está protagonizada por sobrevivientes), “El fugitivo Josey dos de la tensión entre el país del Estwood no hizo una, sino dos distintos conflictos bélicos como Bradley Cooper, quien inter- Wales”, dirigida y protagonizada norte y la Unión Soviética. En películas sobre esta contienda, en escenarios. Por nombrar sólo un preta al militar estadounidense por Clint Eastwood en 1976, es esa contienda participó el gru- 2006: “La conquista del honor” y par: “Apocalipsis now” y “La lista Chris Kyle, poseedor del récord también una mirada melancólica y ñón Walt Kowalski, personaje “Cartas desde Iwo Jima”. Ambas, de Schindler”. Eastwood, sin llegar de muertes como francotirador lírica de la Guerra Civil que dividió central de “Gran Torino”, pelí- notables, narran la misma batalla, a estas alturas pero con dominio y del ejército norteamericano. a Estados Unidos entre 1861 y 1865, cula dirigida y protagonizada ocurrida precisamente en Iwo convicción, logró dejar su sello en La película -tal como adelanta enfrentando a los estados del Nor- por Eastwood en 2008. Obrero Jima, pero cada una está rodada el género, como lo hizo en otros. la sinopsis difundida en distin- te (la Unión) y los del Sur, quienes retirado del sector automotriz, desde un punto de vista diferente: Habrá que esperar a ver si con tos sitios especializados en cine- habían proclamado su indepen- Walt queda viudo y se concentra los norteamericanos y los japone- “Francotirador” se mantiene a la refl eja sus tribulaciones cuando dencia. El argumento es simple: en su única, aparente, razón de ses. Por tanto, son simbióticas: una altura de las circunstancias. .
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