En Glimt Av Clint En Regissörs Utveckling
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List of Animated Films and Matched Comparisons [Posted As Supplied by Author]
Appendix : List of animated films and matched comparisons [posted as supplied by author] Animated Film Rating Release Match 1 Rating Match 2 Rating Date Snow White and the G 1937 Saratoga ‘Passed’ Stella Dallas G Seven Dwarfs Pinocchio G 1940 The Great Dictator G The Grapes of Wrath unrated Bambi G 1942 Mrs. Miniver G Yankee Doodle Dandy G Cinderella G 1950 Sunset Blvd. unrated All About Eve PG Peter Pan G 1953 The Robe unrated From Here to Eternity PG Lady and the Tramp G 1955 Mister Roberts unrated Rebel Without a Cause PG-13 Sleeping Beauty G 1959 Imitation of Life unrated Suddenly Last Summer unrated 101 Dalmatians G 1961 West Side Story unrated King of Kings PG-13 The Jungle Book G 1967 The Graduate G Guess Who’s Coming to Dinner unrated The Little Mermaid G 1989 Driving Miss Daisy PG Parenthood PG-13 Beauty and the Beast G 1991 Fried Green Tomatoes PG-13 Sleeping with the Enemy R Aladdin G 1992 The Bodyguard R A Few Good Men R The Lion King G 1994 Forrest Gump PG-13 Pulp Fiction R Pocahontas G 1995 While You Were PG Bridges of Madison County PG-13 Sleeping The Hunchback of Notre G 1996 Jerry Maguire R A Time to Kill R Dame Hercules G 1997 Titanic PG-13 As Good as it Gets PG-13 Animated Film Rating Release Match 1 Rating Match 2 Rating Date A Bug’s Life G 1998 Patch Adams PG-13 The Truman Show PG Mulan G 1998 You’ve Got Mail PG Shakespeare in Love R The Prince of Egypt PG 1998 Stepmom PG-13 City of Angels PG-13 Tarzan G 1999 The Sixth Sense PG-13 The Green Mile R Dinosaur PG 2000 What Lies Beneath PG-13 Erin Brockovich R Monsters, -
Million Dollar Baby"
2020 International Conference on Economics, Education and Social Research (ICEESR 2020) Appreciate the Shaping of Female Images in Sports Films Based on the "Million Dollar Baby" Du Huanran Macau University of Science and Technology, Faculty of Humanities and Arts Macau 999078 China Keywords: Sports film; "Million Dollar Baby"; Female images; Shaping Abstract: Typical characters are indispensable aesthetic elements in film and television texts. The persistent and tough-girl image makes the movie "Million Dollar Baby" win the 77th Academy Award for Best Picture. The warm story between Maggie and Frankie is different from the general sports film, but interprets a new type of teacher-student relationship. As the director of the film said, "This is not a real boxing story, but a story about love. An old man, devastated by the loss of his father-daughter relationship, finds a young girl who makes him feel like a father again". Maggie's appearance broke the perfect female image in the traditional American film and overturned the weak appearance of women. The confidence and persistence revealed between Maggie's words and deeds won the unanimous praise of the audience, thus making an excellent sports film. 1. Introduction The Oscar-winning movie, "Million Dollar Baby", has been labelled "sports film", "violence", "inspirational", "love" and "chasing dreams". The film expresses multi-level and multi-faceted contents, including sports competition, belief, dignity, dream, family affection, friendship and other diversified contents. The main line of the story tells the story of Maggie, a young female boxer in her early 30s, who overcomes many difficulties and obstacles, realizes her boxing dream with the careful guidance of the coach Frankie and her own talent and continuous efforts, but finally chooses the euthanasia due to the serious injury [1]. -
Something to Make
The Whole Tooth The Whole Tooth SomethingSomething To ToMake MakeYou Smile You Happy Birthday Scott Eastwood You Could Be A Teeth For Life Winner With Are You Nervous Or Where In The World? Have Dental Anxiety? Page 1 Www.GlendairDental.Co.Uk 017733 17584 [email protected] MARCH 2019 ISSUE The Whole Tooth HAPPY BIRTHDAY! Scott Eastwood was born in Carmel, Monterey County, California, to Jacelyn Ann Reeves, a flight attendant, and actor-director Clint Eastwood. He grew up in California and Hawaii. Scott has a younger sister, Kathryn Eastwood, and several half-siblings. In 2006, Scott made his film debut in Flags of our Fathers, directed by his father. He has since co-starred in the sports drama Invictus, Texas Chainsaw 3D, and war action film Fury. Scott plays the lead, Luke Collins, in the romantic drama The Longest Ride, opposite Britt Robertson, and co- starred in the 2016 drama Snowden. In 2017, he featured in the action film The Fate of the Furious, and in Overdrive. Last year he starred in the science fiction follow-up Pacific Rim Uprising. Where In The World? Guess Where in the World this famous landmark is and win an oral hygiene pack! The first person to bring in this newsletter with the correct answer will be the Winner! Page 2 Www.GlendairDental.Co.Uk 017733 17584 [email protected] The Whole Tooth People of Derby. Can I ask you this: Are you self conscious about your smile? Are you embarrassed by your crooked teeth? If you hide your smile because of twisted and over lapping teeth, I have a secret that will change -
Customizable • Ease of Access Cost Effective • Large Film Library
CUSTOMIZABLE • EASE OF ACCESS COST EFFECTIVE • LARGE FILM LIBRARY www.criterionondemand.com Criterion-on-Demand is the ONLY customizable on-line Feature Film Solution focused specifically on the Post Secondary Market. LARGE FILM LIBRARY Numerous Titles are Available Multiple Genres for Educational from Studios including: and Research purposes: • 20th Century Fox • Foreign Language • Warner Brothers • Literary Adaptations • Paramount Pictures • Justice • Alliance Films • Classics • Dreamworks • Environmental Titles • Mongrel Media • Social Issues • Lionsgate Films • Animation Studies • Maple Pictures • Academy Award Winners, • Paramount Vantage etc. • Fox Searchlight and many more... KEY FEATURES • 1,000’s of Titles in Multiple Languages • Unlimited 24-7 Access with No Hidden Fees • MARC Records Compatible • Available to Store and Access Third Party Content • Single Sign-on • Same Language Sub-Titles • Supports Distance Learning • Features Both “Current” and “Hard-to-Find” Titles • “Easy-to-Use” Search Engine • Download or Streaming Capabilities CUSTOMIZATION • Criterion Pictures has the rights to over 15000 titles • Criterion-on-Demand Updates Titles Quarterly • Criterion-on-Demand is customizable. If a title is missing, Criterion will add it to the platform providing the rights are available. Requested titles will be added within 2-6 weeks of the request. For more information contact Suzanne Hitchon at 1-800-565-1996 or via email at [email protected] LARGE FILM LIBRARY A Small Sample of titles Available: Avatar 127 Hours 2009 • 150 min • Color • 20th Century Fox 2010 • 93 min • Color • 20th Century Fox Director: James Cameron Director: Danny Boyle Cast: Sam Worthington, Sigourney Weaver, Cast: James Franco, Amber Tamblyn, Kate Mara, Michelle Rodriguez, Zoe Saldana, Giovanni Ribisi, Clemence Poesy, Kate Burton, Lizzy Caplan CCH Pounder, Laz Alonso, Joel Moore, 127 HOURS is the new film from Danny Boyle, Wes Studi, Stephen Lang the Academy Award winning director of last Avatar is the story of an ex-Marine who finds year’s Best Picture, SLUMDOG MILLIONAIRE. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture Permalink https://escholarship.org/uc/item/65f2825x Author Young, Mark Thomas Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Mark Thomas Young June 2015 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Steven Gould Axelrod Dr. Tom Lutz Copyright by Mark Thomas Young 2015 The Dissertation of Mark Thomas Young is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS As there are many midwives to an “individual” success, I’d like to thank the various mentors, colleagues, organizations, friends, and family members who have supported me through the stages of conception, drafting, revision, and completion of this project. Perhaps the most important influences on my early thinking about this topic came from Paweł Frelik and Larry McCaffery, with whom I shared a rousing desert hike in the foothills of Borrego Springs. After an evening of food, drink, and lively exchange, I had the long-overdue epiphany to channel my training in musical performance more directly into my academic pursuits. The early support, friendship, and collegiality of these two had a tremendously positive effect on the arc of my scholarship; knowing they believed in the project helped me pencil its first sketchy contours—and ultimately see it through to the end. -
Clint Eastwood's Unforgiven, the "Alternative" Western, and the American Romance Tradition
Journal X Volume 7 Number 1 Autumn 2002 Article 5 2020 Clint Eastwood's Unforgiven, the "Alternative" Western, and the American Romance Tradition Steven Frye California State University, Bakersfield Follow this and additional works at: https://egrove.olemiss.edu/jx Part of the American Film Studies Commons Recommended Citation Frye, Steven (2020) "Clint Eastwood's Unforgiven, the "Alternative" Western, and the American Romance Tradition," Journal X: Vol. 7 : No. 1 , Article 5. Available at: https://egrove.olemiss.edu/jx/vol7/iss1/5 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Journal X by an authorized editor of eGrove. For more information, please contact [email protected]. Frye: Clint Eastwood's Unforgiven, the "Alternative" Western, and the A Clint Eastwood's Unforgiven, the "Alternative" Western, and the American Romance Tradition Steven Frye Steven Frye is Asso Much criticism of Clint Eastwood's Unforgiven ciate Professor of focuses on the way the film dismantles or decon English at structs traditional western myths. Maurice California State Yacowar argues that Unforgiven is a myth "disre- University, Bakers membered and rebuilt, to express a contempo field, and author of Historiography rary understanding of what the west and the and Narrative Western now mean" (247). Len Engel explores Design in the the film's mythopoetic nature, stating that direc American tor Eastwood and scriptwriter David Webb Peo Romance: A Study ples "undermine traditional myths" in a tale of Four Authors that evokes Calvinist undertones of predestina (2001). tion (261). Leighton Grist suggests that the film "problematizes the familiar ideological assump tions of the genre" (294). -
The Inventory of the Michael Avallone Collection #305
The Inventory of the Michael Avallone Collection #305 Howard Gotlieb Archival Research Center ' Avallone, Michael I . Printed M:l.terial Box 1 a . The Sear (reprint from Mike Shayne MY5tery Magazine 1964) b . Trouble at Travers Pharmacy (reprint from Mike Shayne Mystery Magazine ) 1964 c. The Devil M3.y Care (from the Oneota Revi ew 1966) d . Send~ M:i.n From Intrex (from Saint .Magazine Jan 1967) e . Seven Miles From Intrex (from Saint M:i.gazine M:l.y 1967) f. Power The Ball Plateward ( from Super Sports 1957) g . The Thing in Evening Dress (from Mike Shayne Mystery M:l.g . M:l.y 1965) h . Case of the Amorous Nudes (from Stag Migazine Dec . 1963) II. Misc. items a . News clipping; profile of Avallmne with his holo. comnrent b . photograph of Avallone c . list of officers of Mystery Writers of America (Avallone is on Board of Dirertors) d . typed carbon profile of Avallone 2 p . signed by Avallone e . clipping from LA Times 1/8/67 (letter to editor from Avallone) f . assorted promotional sheets g. typed lists of books and assorted information (ie publishing, date, type) with Avallone's holo. comments 10 p . h. Cardboard with 1964 and 1965 writing activity. III. 'lbe Thrush and the Eagles Affair a . TIS from Avallone to whom it ma.y concern 3/ 11/ 67 l p . b . typescript 64 p. Box 3 N. Violence and Velvet original typescript carbon 207 p. autographed inscription to Estelle Fox V/ short stories and novelettes a. Corpses Are For Killing typescript carbon 11 p. -
A Dollop of Clint Eastwood: Subjective Scores for 10 Random Movies
A Dollop of Clint Eastwood: Subjective Scores for 10 Random Movies By Gary Heartsill May 1, 2021 1 The Mule (2018) Clint Eastwood acted, directed, and produced. (1:56:23) With Bradley Cooper, Laurence Fishburne, Michael Pena, Dianne Wiest, Andy Garcia. https://www.youtube.com/watch?v=yc5AWImplfE Score 9.2 Don't let the old man in, I wanna leave this alone1 Can't leave it up to him, he's knocking on my door And I knew all of my life, that someday it would end Get up and go outside, don't let the old man in Saw in the credits the name Jan Hartsell, who was the ‘Beauty School Admin’ and Iris was played by Alison Eastwood – for what that is worth. The Dykes on Bikes comment was great. This movie is done well, meaning it is enjoyable to watch especially with the apprehension of what is going to happen next. Course, the whole theme is in Toby’s song and I have heard Clint remark to someone when he was asked what the movie was about he said “Don’t let the old man in.” He finally figured out he would have to pay the price for doing all his driving. Am kinda glad we didn’t see too much of the bad guys doing what they do to folks who don’t deliver. And deliver he did. Everyone will have gone down the road with him singing his songs and celebrating when he opened the glove to get his keys and manilla envelope. For some it will be easy to see what this ole Mule really was doing. -
The New Hollywood Films
The New Hollywood Films The following is a chronological list of those films that are generally considered to be "New Hollywood" productions. Shadows (1959) d John Cassavetes First independent American Film. Who's Afraid of Virginia Woolf? (1966) d. Mike Nichols Bonnie and Clyde (1967) d. Arthur Penn The Graduate (1967) d. Mike Nichols In Cold Blood (1967) d. Richard Brooks The Dirty Dozen (1967) d. Robert Aldrich Dont Look Back (1967) d. D.A. Pennebaker Point Blank (1967) d. John Boorman Coogan's Bluff (1968) – d. Don Siegel Greetings (1968) d. Brian De Palma 2001: A Space Odyssey (1968) d. Stanley Kubrick Planet of the Apes (1968) d. Franklin J. Schaffner Petulia (1968) d. Richard Lester Rosemary's Baby (1968) – d. Roman Polanski The Producers (1968) d. Mel Brooks Bullitt (1968) d. Peter Yates Night of the Living Dead (1968) – d. George Romero Head (1968) d. Bob Rafelson Alice's Restaurant (1969) d. Arthur Penn Easy Rider (1969) d. Dennis Hopper Medium Cool (1969) d. Haskell Wexler Midnight Cowboy (1969) d. John Schlesinger The Rain People (1969) – d. Francis Ford Coppola Take the Money and Run (1969) d. Woody Allen The Wild Bunch (1969) d. Sam Peckinpah Bob & Carol & Ted & Alice (1969) d. Paul Mazursky Butch Cassidy & the Sundance Kid (1969) d. George Roy Hill They Shoot Horses, Don't They? (1969) – d. Sydney Pollack Alex in Wonderland (1970) d. Paul Mazursky Catch-22 (1970) d. Mike Nichols MASH (1970) d. Robert Altman Love Story (1970) d. Arthur Hiller Airport (1970) d. George Seaton The Strawberry Statement (1970) d. -
Modernizing the Greek Tragedy: Clint Eastwood’S Impact on the Western
Modernizing the Greek Tragedy: Clint Eastwood’s Impact on the Western Jacob A. Williams A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Interdisciplinary Studies University of Washington 2012 Committee: Claudia Gorbman E. Joseph Sharkey Program Authorized to Offer Degree: Interdisciplinary Arts and Sciences Table of Contents Dedication ii Acknowledgements iii Introduction 1 Section I The Anti-Hero: Newborn or Reborn Hero? 4 Section II A Greek Tradition: Violence as Catharsis 11 Section III The Theseus Theory 21 Section IV A Modern Greek Tale: The Outlaw Josey Wales 31 Section V The Euripides Effect: Bringing the Audience on Stage 40 Section VI The Importance of the Western Myth 47 Section VII Conclusion: The Immortality of the Western 49 Bibliography 53 Sources Cited 62 i Dedication To my wife and children, whom I cherish every day: To Brandy, for always being the one person I can always count on, and for supporting me through this entire process. You are my love and my life. I couldn’t have done any of this without you. To Andrew, for always being so responsible, being an awesome big brother to your siblings, and always helping me whenever I need you. You are a good son, and I am proud of the man you are becoming. To Tristan, for always being my best friend, and my son. You never cease to amaze and inspire me. Your creativity exceeds my own. To Gracie, for being my happy “Pretty Princess.” Thank you for allowing me to see the world through the eyes of a nature-loving little girl. -
YAF Stops Action Laurence Lattman
Inj unc tion Lifted; The World YAF Stops Action , Norm U. S. Forces Discover Large Arms Cache By LINDA OtSHESKY the restraining order were Martin Zehur Schwartz. Tom Richdale. Russ Farb. Laurey SAIGON — A big enemy arms cache was found yes- Collegian Staff Writer terday by U.S. forces 52 miles north of Saigon, spokesmen Petkov. Stephen Eis and Jeff Berger. said , in another setback for • the Communist command, The court injunction obtained by members Laura Wcrtheimer. Jack Swisher. K. which has lost 38,000 weapons since its offensive was of Young Americans For Freedom against Charles Betzko and YAF obtained the order launched Feb. 23. seven named students and SO John and Jane from Judge R. Paul Campbell. In addition to the men killed and weapons captured, Does was lifted yesterday at 5 p.m. The demonstration that caused the in- the enemy has lost 2,500 rockets and 110,000 mortar rounds A sit-in demonstration led by members of junction to be served began at 12:30 p.m. w ith to allied forces in the Vs-month-old offensive, the U.S. Students for a Democratic Society against the singing of protest and anti-war songs. Command said. military recruiters sparked YAF to seek the Demonstrators were permitted to sit in Unconfirmed field reports said the cache discovered restraining order. YAF claimed t h e front of the recruiting table. A path leading to yesterday included 91 machine guns .and a number of demonstrators were blocking the aisles in the the table wa.s kept open by the demonstrators mortars, ' Hetzel Union Building. -
Film Front Weimar’ 30-10-2002 14:10 Pagina 1
* pb ‘Film Front Weimar’ 30-10-2002 14:10 Pagina 1 The Weimar Republic is widely regarded as a pre- cursor to the Nazi era and as a period in which jazz, achitecture and expressionist films all contributed to FILM FRONT WEIMAR BERNADETTE KESTER a cultural flourishing. The so-called Golden Twenties FFILMILM FILM however was also a decade in which Germany had to deal with the aftermath of the First World War. Film CULTURE CULTURE Front Weimar shows how Germany tried to reconcile IN TRANSITION IN TRANSITION the horrendous experiences of the war through the war films made between 1919 and 1933. These films shed light on the way Ger- many chose to remember its recent past. A body of twenty-five films is analysed. For insight into the understanding and reception of these films at the time, hundreds of film reviews, censorship re- ports and some popular history books are discussed. This is the first rigorous study of these hitherto unacknowledged war films. The chapters are ordered themati- cally: war documentaries, films on the causes of the war, the front life, the war at sea and the home front. Bernadette Kester is a researcher at the Institute of Military History (RNLA) in the Netherlands and teaches at the International School for Humanities and Social Sciences at the University of Am- sterdam. She received her PhD in History FilmFilm FrontFront of Society at the Erasmus University of Rotterdam. She has regular publications on subjects concerning historical representation. WeimarWeimar Representations of the First World War ISBN 90-5356-597-3