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Recommended Podcasts Duration Title Description Link Features researchers from https://www.npr.org/podc 2-5 minutes colleges and universities asts/564572329/the- The Academic Minute around the world academic-minute https://www.npr.org/podc asts/381443663/that-s- 5 minutes That's What They Say Explores changing language what-they-say Brings you inside the room https://www.marketplace. with the business and org/shows/corner-office- 5-10 minutes Conversations from the cultural leaders transforming from-marketplace/ Corner Office our economy http://www.bbc.co.uk/lear Topical discussion and new ningenglish/english/featur 6 minutes 6 Minute English vocabulary es/6-minute-english http://www.bbc.co.uk/lear Dramas from BBC Stories using functional ningenglish/english/featur 3-10 minutes Learning Englsih English phrases es/drama Talks about how to have a https://sidehustleschool.co 10 minutes The Side Hustle School side job m/podcasts/ https://www.npr.org/serie 4-10 minutes This I Believe Discussion about core beliefs s/4538138/this-i-believe https://www.ted.com/abo ut/programs- 5-15 minutes initiatives/ted-talks/ted- TED Talks Daily TED talks on the go talks-audio Joshua Fields Millburn & https://www.theminimalis Ryan Nicodemus discuss ts.com/podcast/ 3-50 minutes living a meaningful life with The Minimalists less https://storycorps.org/pod 10-25 minutes StoryCorp Stories of the human heart cast/ Learning English Focuses on grammar and https://learningenglish.voa 30 minutes Broadcast other parts of English news.com/a/5106545.html Trying to understand what https://the-big- the disaster means for Los one.scpr.org/ 16-40 minutes The Big One: Your Angeles, the U.S. and the Survival Guide world. Learn Advanced https://www.allearsenglis 8-20 minutes Conversational English or h.com/episodes/ All Ears English Prepare for your IELTS Exam Featuring our most beloved https://themoth.org/radio- 15-60 minutes tales and the stories behind hour The Moth Radio Hour the stories https://www.stuffyoushoul 15-60+ minutes Stuff You Should Know Discusses a variety of topics dknow.com/podcasts This New York Times https://www.nytimes.com 20 minutes podcast takes an indepth /column/the-daily The Daily look at a single story. Sound reasoning on current https://www.economist.co affairs, business and finance, m/podcasts/ 20-30 minutes science and technology, and The Economist global issues Context for economic news https://www.marketplace. 20-30 minutes Marketplace Radio of the day org/shows/marketplace/ Happier with Gretchen Manageable advice about https://gretchenrubin.com 2-40 minutes Rubin happiness /podcasts/ https://www.marketplace. Conversations about the org/shows/make-me- 20-40 minutes Make Me Smart global economy and issues smart-with-kai-and-molly/ The latest scientific research https://www.happinesslab. 40 minutes The Happiness Lab on happiness fm/ Organizational psychologist https://www.ted.com/pod Adam Grant takes you inside casts/worklife the minds of some of the Work Life with Adam 30-50 minutes world’s most unusual Grant professionals Awaken, discover and http://www.supersoul.tv/ connect to the deeper 10-60 minutes meaning of the world around Super Soul Conversations you Themed stories about https://www.thisamericanl 50-60+ minutes This American Life American life ife.org/ Tells stories that follow https://www.npr.org/podc familiar conversations into asts/510324/rough- 30-50 minutes Rough Translation unfamiliar territory translation Made for listeners curious https://www.sciencefriday. 40-50 minutes Science Fridays about science com/listen/ 40-60 minutes Against the Rules with Taking a critical look at https://atrpodcast.com/ Michael Lewis what’s happened to fairness 50-60+ minutes Covers hip-hop and pop http://thisistheread.com The Read culture's most trying stars .

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The Waste Land of Law School Fiction
BOOK REVIEW The Waste Land Of Law School Fiction Arthur D. Austin* Sad things can happen when an author chooses the wrong subject: first the author suffers, then the reader, and finally the publisher, all to- gether in a tiny whirlpool of pain.' Law schools generate controversy and initiate change. They attract the "best and the brightest" students. 2 They have not, however, received the ultimate measure of recognition-the examination of institutional character through literary fiction. Novels about law school society can be counted on one hand-with a finger and thumb left over.3 They are John Osborn's The Paper Chase,4 Katherine Roome's The Letter of the Law, 5 and Michael Levin's The Socratic Method. 6 None succeed as fic- tion.7 This review focuses on the way each writer uses style, plot, and * Edgar A. Hahn Professor of Jurisprudence, Case Western Reserve University School of Law. 1. Sheed, The Exile, N.Y. REV. oF BooKs, Oct. 27, 1988, at 35, col. 1. 2. Even this causes controversy. Harvard University President Bok claims that the "brain drain" into law schools is "a massive diversion of exceptional talent into pursuits that often add little to the growth of the economy, the pursuit of culture, the enhancement of the human spirit." Lieber- man & Goldstein, Why Have Lawyers Proliferated?, N.Y. Times, Aug. 6, 1986, at A27, col. 1. 3. Novels with legal themes are prevalent. Wigmore's analysis of "legal literature" remains the best introduction to the subject. See Wigmore, A List Of One Hundred Legal Novels, 17 ILL.
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Rethinking Minimalism: at the Intersection of Music Theory and Art Criticism
Rethinking Minimalism: At the Intersection of Music Theory and Art Criticism Peter Shelley A dissertation submitted in partial fulfillment of requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee Jonathan Bernard, Chair Áine Heneghan Judy Tsou Program Authorized to Offer Degree: Music Theory ©Copyright 2013 Peter Shelley University of Washington Abstract Rethinking Minimalism: At the Intersection of Music Theory and Art Criticism Peter James Shelley Chair of the Supervisory Committee: Dr. Jonathan Bernard Music Theory By now most scholars are fairly sure of what minimalism is. Even if they may be reluctant to offer a precise theory, and even if they may distrust canon formation, members of the informed public have a clear idea of who the central canonical minimalist composers were or are. Sitting front and center are always four white male Americans: La Monte Young, Terry Riley, Steve Reich, and Philip Glass. This dissertation negotiates with this received wisdom, challenging the stylistic coherence among these composers implied by the term minimalism and scrutinizing the presumed neutrality of their music. This dissertation is based in the acceptance of the aesthetic similarities between minimalist sculpture and music. Michael Fried’s essay “Art and Objecthood,” which occupies a central role in the history of minimalist sculptural criticism, serves as the point of departure for three excursions into minimalist music. The first excursion deals with the question of time in minimalism, arguing that, contrary to received wisdom, minimalist music is not always well understood as static or, in Jonathan Kramer’s terminology, vertical. The second excursion addresses anthropomorphism in minimalist music, borrowing from Fried’s concept of (bodily) presence.
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AMERICAN LITERARY MINIMALISM by ROBERT CHARLES
AMERICAN LITERARY MINIMALISM by ROBERT CHARLES CLARK (Under the Direction of James Nagel) ABSTRACT American Literary Minimalism stands as an important yet misunderstood stylistic movement. It is an extension of aesthetics established by a diverse group of authors active in the late-nineteenth and early twentieth centuries that includes Amy Lowell, William Carlos Williams, and Ezra Pound. Works within the tradition reflect several qualities: the prose is “spare” and “clean”; important plot details are often omitted or left out; practitioners tend to excise material during the editing process; and stories tend to be about “common people” as opposed to the powerful and aristocratic. While these descriptors and the many others that have been posited over the years are in some ways helpful, the mode remains poorly defined. The core idea that differentiates American Minimalism from other movements is that prose and poetry should be extremely efficient, allusive, and implicative. The language in this type of fiction tends to be simple and direct. Narrators do not often use ornate adjectives and rarely offer effusive descriptions of scenery or extensive detail about characters’ backgrounds. Because authors tend to use few words, each is invested with a heightened sense of interpretive significance. Allusion and implication by omission are often employed as a means to compensate for limited exposition, to add depth to stories that on the surface may seem superficial or incomplete. Despite being scattered among eleven decades, American Minimalists share a common aesthetic. They were not so much enamored with the idea that “less is more” but that it is possible to write compact prose that still achieves depth of setting, characterization, and plot without including long passages of exposition.
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Ambient Music the Complete Guide
Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality.
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The Oppressive Gospel of 'Minimalism'
8/19/2016 The Oppressive Gospel of ‘Minimalism’ The New York Times http://nyti.ms/2aqp0Oe Magazine The Oppressive Gospel of ‘Minimalism’ First Words By KYLE CHAYKA JULY 26, 2016 It has become an ostentatious ritual of consumerist selfsacrifice; people who have it all now seem to prefer having nothing at all. And, as with watching birds or going Paleo, talking about the material purge is just as important as actually doing it. So there are blog posts — in which you can see minimalism’s cando optimism curdle into something tyrannical. A recent account, called “How Minimalism Brought Me Freedom and Joy,” is emblematic of the budding genre, from its author (a wealthy serial entrepreneur, James Altucher) to its thesis (own fewer things, mostly gadgets) to its onesentence paragraphs. Altucher explains that he gave up his permanent home, life goals and negative emotions. He threw away his college diploma, which had been gathering dust in storage. (“I don’t hold onto all the things society tells me to hold onto.”) He now carries nothing but a bag of clothes and a backpack containing a computer, an iPad and a smartphone. “I have zero other possessions,” he writes, and thanks to this, he has found peace as a wandering technoascetic — Silicon Valley’s version of Zen monkhood. Despite its connotations of absence, “minimalism” has been popping up everywhere lately, like a bright algae bloom in the murk of postrecession America. From tiny houses to microapartments to monochromatic clothing to interior decorating trends — picture white walls interrupted only by succulents — less now goes further than ever.
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150 a Tremendous Success").2
150 FIG.4.1 Installation view, Don Judd, Whitney Museum of American Art, New York, 27 FebruarY-24 March 1968 Curator, William C. Agee THE OPENING OF OONALD JUDD'S solo exhibition at catalogue raisonn. designation Untitled rOSS 79] [fig. 4.3]), the Whitney Museum of American Art in 1968 sealed his "As an object, the box was very much there ... Its. whole reputation as a central figure in contemporary art. William purpose seemed to be the declaration of some blunt quid C. Agee, the curator, had packed Judd's sheet-metal sculp dityand nothing more."'ln the years since, Judd's works tures fairly tightly into what at least one critic described as have likewise appeared "blunt, unambiguous," "completely a warehouselike installation,and the tidy right angles and present," "just existing," and "simply 'there.' "5 Each sculp repetitive modularity of the works made a neat match to ture has asserted itself as· "simply another thing in the world the stone tiles and concrete ceUing coffers of the museum's of things."'ln the 1967 essay "Art andObjecthood," which two-year-old Marcel Breuer building (fig. 4.1).' Sitting remains the single most influential account of Minimalism, brightly in the middle of the space, Untitled (OSS 128) (fig. Michael Fried characterized Judd's work (together with that 4.2) exemplified the overall appearance of the exhibition: of Robert Morris and others) as a "literalist art" that insisted a shiny rectangle of amber Plexiglas with a thin and hollow on its own occupation of ordinary space and time? By the stainless.-steel core.
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Minimalism on Health and Relational
THE IMPACT OF MINIMALISM ON HEALTH AND RELATIONAL SATISFACTION: UNDERSTANDING MINIMALISM THROUGH A MEDICAL FAMILY THERAPY LENS A Dissertation Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirement for the Degree Doctor of Philosophy Michelle Cappetto August 2020 THE IMPACT OF MINIMALISM ON HEALTH AND RELATIONAL SATISFACTION: UNDERSTANDING MINIMALISM THROUGH A MEDICAL FAMILY THERAPY LENS Michelle Cappetto Dissertation Approved: Accepted: _____________________ _________________________________ Advisor School of Counseling Director Dr. Rikki Patton Dr. Varunee Faii Sangganjanavanich ______________________ ___________________________________ Committee Member Acting Dean, College of Health Professions Dr. Heather Katafiasz Dr. Timothy McCarragher _______________________ ___________________________________ Committee Member Acting Dean of the Graduate School Dr. David Tefteller Dr. Marnie Saunders ________________________ __________________________________ Committee Member Date Dr. Delila Owens ________________________ Committee Member Dr. Ingrid Weigold ii ACKNOWLEDGEMENTS I would like to express my gratitude and appreciation to the MFT faculty for admitting me as a student in 2017 and taking a chance on my research which was uncharted territory for this field. Also, to my committee for looking at this project with a sense of curiosity and interest. I’d also like to thank those who have supported me along the way during this academic journey. To my friend and cohort member Eman. You have showed me such kindness, support, and friendship over the past three years. It has been an honor to learn and grow beside such an amazing person. To my parents Linda and Mario for helping care for my dog during the long days where I was unable to be with him. Your help with Petey during my graduate education, both times, made my success possible.
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Defining Maximalism: Understanding Minimalism Patrick Templeton University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Architecture Undergraduate Honors Theses Architecture 5-2013 Defining Maximalism: Understanding Minimalism Patrick Templeton University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/archuht Part of the Architectural History and Criticism Commons, and the Esthetics Commons Recommended Citation Templeton, Patrick, "Defining Maximalism: Understanding Minimalism" (2013). Architecture Undergraduate Honors Theses. 3. http://scholarworks.uark.edu/archuht/3 This Thesis is brought to you for free and open access by the Architecture at ScholarWorks@UARK. It has been accepted for inclusion in Architecture Undergraduate Honors Theses by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. D efining Maximalism: Understanding Minimalism | Abstract Over the past decade the term maximalism has emerged in architectural publications with vague and assumed significance that has never been fully explored. As both a reflection, developing a critical understanding of the concerns and implications of minimalism, and a projection toward the possibility of maximalism in architecture, this research fills this gap in critical discourse. By addressing minimalism and maximalism as adjacent ideas, this research arrives at an understanding beyond what has proliferated as the unfortunate and superficial application of the terms, used not only by architects and scholars, but by bloggers and journalists contributing to the aesthetic discourse over the past decade. With a lack of theoretical rigor, minimalist architecture has come to connote little more than the prominence of smooth white surfaces turned to lustrous enamel in glossy photos. The investigation into the history of minimalism, in both art and architecture, reveals that an acute spatial consciousness and an aspiration toward the essential were central themes.
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Minimalism: a Documentary About the Important Things
MINIMALISM A DOCUMENTARY ABOUT THE IMPORTANT THINGS WHAT IS MINIMALISM At first glance, people might think the point of minimalism is only to get rid of material possessions. Eliminating. Jettisoning. Extracting. Detaching. Decluttering. Paring down. Letting go. But that’s a mistake. True, removing the excess is an important part of the recipe. But it’s just one ingredient. If we’re concerned solely with the stuff, then we’re missing the larger point. Minimalists don’t focus on having less; rather, they focus on making room for more: more time, more passion, more experiences, more growth, more contribution, more contentment. More LOGLINE freedom. Clearing the clutter from life’s How might your life be better with path makes that room. less? Minimalism: A Documentary About the Important Things, a feature-length Ultimately, minimalism is the thing that documentary from the popular simple- gets us past the things so we can make living duo The Minimalists, examines the room for life’s important things—which many flavors of minimalism by taking the actually aren’t things at all. audience inside the lives of minimalists from various walks of life. ABOUT THE MINIMALISTS Joshua Fields Millburn & Ryan Nicodemus, known to their 4 million readers as “The Minimalists,” are bestselling authors and international speakers who write and speak about living a meaningful life with less stuff. Their books include Essential: Essays by The Minimalists, Minimalism: Live a Meaningful Life, As a Decade Fades: A Novel, and Everything That Remains: A Memoir. They have been featured in TIME magazine, New York Times, Wall Street Journal, USA Today, Forbes, ELLE, Details, The Atlantic, Boston Globe, San Francisco Chronicle, Chicago Tribune, Seattle Times, Toronto Star, Globe & Mail, National Post, Vancouver Sun, Village Voice, LA Weekly, and on the TODAY show, CBS This Morning, ABC, NPR, CBC, BBC, and many other outlets.
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A Governmentality Analysis of Authenticity Within Minimalism Discourse
Less is More Work: A Governmentality Analysis of Authenticity Within Minimalism Discourse by Erin L. Murphy, MA A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Sociology Carleton University Ottawa, Ontario © 2018, Erin L. Murphy Abstract At its core, this is a project about the contemporary crisis of authenticity. Using minimalism discourse as a site to explore this crisis, my research into the minimalist lifestyle and its critique of consumerism is guided by two questions. First, how is the concept of authenticity mobilized within minimalism discourse? And second, how does the notion of authenticity contribute to governing the minimalist lifestyle and shaping the minimalist subject? To explore these questions a selection of self-help texts, or pedagogical lifestyle resources, are used. The discursive sites explored herein include guru books, Reddit forums, a documentary, Instagram posts, TED talks, and media coverage on the minimalist lifestyle. These diverse data sites are analyzed using mixed- methods including discourse analysis, frame analysis, and elements of grounded theory, and are shaped by a governmentality approach to theory and methodology. The notion of authenticity is used to help naturalize governmentality and consumer culture. Minimalism, while offering a critique of consumerism, mobilizes authenticity in much the same way. The use of the rhetoric of authenticity within minimalism discourse takes the form of critique in three primary ways: (1) minimalists often express nostalgia for a pre-consumerism past, (2) minimalists tend to prioritize experiences over objects and (3), minimalists tend to distinguish between needs and consumer culture-created artificial wants in such a way that wants are deemed superfluous to living a fulfilling and meaningful life.
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A HISTORY of EXPERIMENTAL FILM and VIDEO from the Canonical Avant-Garde to Contemporary British Practice
A HISTORY OF EXPERIMENTAL FILM AND VIDEO From the Canonical Avant-Garde to Contemporary British Practice A. L. Rees Publishing First published in 1999 by the British Film Institute 21 Stephen Street, London W1P 2LN The British Film Institute is the UK national agency with responsibility for encouraging the arts of film and television and conserving them in the national interest. Copyright © A. L. Rees 1999 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library ISBN 0-85170-684-3 (hardback) 0-85170-681-9 (paperback) Cover designed by Toby Cornish Typeset by Fakenham Photosetting Limited, Fakenham, Norfolk Printed in Great Britain by St Edmundsbury Press, Bury St Edmunds Contents Acknowledgments v List of Illustrations v Preface vi Introduction 1 Siting the avant-garde 1 Vision machine 4 Time base i 6 Point of view 7 Modernisms 8 Part One: The canonical avant-garde 15 Origins of the moving image (1780-1880) 15 Photography 17 Art and the avant-garde: summary 1909-20 19 The cubists 21 Primitives and pioneers (1880-1915) 25 Futurists 26 Abstract film 28 The comic burlesque 29 The Art Cinema and its circuit 30 Cine-poems and lyric abstraction 33 Origins of abstract film 35 The absolute film 37 Cubism and poular film 40 Dada and surrealist film 41 The French avant-garde 1924-32 45 Voice and vision in the pre-war avant-garde 47 Transition: into the 1930s and documentary 50 Reviewing the first avant-garde 53 Origins of the post-war avant-garde 56 Underground 62 Two avant-gardes (mark
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