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YLO89 Magazine
•YLO 91_Layout 1 2/13/13 3:02 PM Page 1 TRD COVER Youth Leaders Only / Music Resource Book / Volume 91 / Spring 2013 Cover: Red 25 Ways To Create A Crisis Page 6 When Volunteers Date Kids Page 8 The Crisis Head/Heart Disconnect Page 10 INSIDE: ConGRADulations! Class of 2013 Music-Media Grad Gift Page 18 Heart of the Artist: RED Page 15 Jeremy Camp Page 16 The American Bible Challenge: Jeff Foxworthy Interview Page 12 Worship Chord Charts from Gungor, Planetshakers, Elevation Worship, Everfound Page 42 y r t s i & n i c i M s u h t M u o g Y n i n z i i a m i i x d a e M M CRISIS: ® HANDLING THOSE “UH OH!” SITUATIONS •YLO 91_Layout 1 2/13/13 3:02 PM Page 2 >> TRD TABLE OF CONTENTS CONTENTS MAIN/MILD/HOT ARE LISTED ALPHABETICALLY BY ARTIST 6 8 10 11 FEATURE 25 Ways To Create When Volunteers The Crisis I’m In A ARTICLES: Your Own Crisis Date Kids Disconnect Crisis NOW MAIN: 18 20 25 CONGRADULATIONS! PURPOSE FILM Artist: CLASS OF 2013 DVD GUNGOR Album Title: ConGRADulations! Class of 2013 Purpose A Creation Liturgy (Live) Song Title: Unstoppable Beautiful Things Study Theme: Sacrifice Life; Purpose Meaning Renewal MILD: 21 22 23 ELEVATION Artist: CAPITAL KINGS WORSHIP EVERFOUND Album Title: Capital Kings Nothing Is Wasted Everfound Song Title: You’ll Never Be Alone Nothing Is Wasted Never Beyond Repair Study Theme: God’s Presence Difficulty; Hope Within Grace HOT: 24 26 28 Artist: FLYLEAF JEKOB JSON Album Title: New Horizons Faith Hope Love Growing Pains Song Title: New Horizons Love Is All Brand New Study Theme: Hope; In God Love; Unconditional -
Soundbyte September 2014
September 30, 2014 Vol 1 | Issue 6 In This Issue Legendary Artists Show Support for Turtles Victory 1 On the Hill & In the Know 2 In the Valley Below is On The Rise 3 SoundExchange Sponsors Americana Music Festival 2014 5 SoundExchange Rockin @ Lockn’ — 2014 Lockn’ Music Festival Recap 5 SoundExchange Collects Royalties from Around the World 6 Events 7 Legendary Artists Show Support for Turtles Victory In September, the 1960s band The Turtles won a critical legal victory in their lawsuit against Sirius XM. The Turtles sued because Sirius XM has taken the position that it doesn’t need permission — and therefore doesn’t need to pay for use of — pre-1972 recordings protected under state law, even though it does pay for post-1972 recordings that are protected by federal law. This relates to an issue that SoundExchange has long been fighting — the failure of some large digital radio services to pay for the use of such vintage recordings. We think Sirius XM’s position is wrong as a matter of law, and definitely wrong as a matter of justice! The California federal court agreed with our view of the law and sided with The Turtles in their lawsuit. As SoundExchange President and CEO Michael Huppe said in a statement, we believe that “all sound recordings have value, and ALL artists deserve to be paid fairly for the use of their music.” 1 www.soundexchange.com Now, legendary artists like Martha Reeves, T Bone Burnett, Mark Farner (Grand Funk Railroad), and Richie Furay (Buffalo Springfield) are sharing in this sentiment and praising The Turtles for taking up this cause. -
The Airborne Toxic Event
Bandologie Interview Daren Taylor, Noah Harmon, Anna Bulbrook, Steven Chen, Mikel Jollett The Airborne Toxic Event 01. Februar 2011, "White Trash", Berlin, 33 Minuten Audio (Original-Interview in Englisch): www.bandologie.de/the_airborne_toxic_event.html Nils Kolonko: Herzlich willkommen bei Bandologie, The Airborne Toxic Event. Ich möchte mich kurz vorstellen; sehr kurz dieses Mal (Anmerkung: wir hatten die Aufnahme aus technischen Gründen ein zweites Mal gestartet) … und auch eure Band, ebenfalls schnell. Ich bin Nils Kolonko und ich habe ein Buch für Musiker geschrieben, das Tipps und Tricks für das Musikbusiness enthält. (Es geht darum), wie man seine Band im Musikbusiness etabliert. Das ist Noah, Bassist von The Airborne Toxic Event; Mikel Jollett (Sänger) von The Airborne Toxic Event. Du (Mikel) hast die Band im Jahr 2006 gegründet und dann ein Team aus Musikern aufgebaut. Euer Debüt-Album wurde im Jahr 2008 veröffentlicht. Nachdem ihr ungefähr 300 Gigs lang getourt seid, habt ihr eine ausverkaufte Show in der Walt Disney Concert Hall gespielt. Auf dem Weg dorthin habt ihr Lollapalooza (eins der größten Festivals der USA) und eine Menge anderer Gigs gespielt. Und es wurde ein Dokumentarfilm über eure Band, direkt nach eurem Debütalbum, gedreht. Bald kommt 1 www.bandologie.de | © 2011 | Interview: „Wie man seine Band im internationalen Musikbusiness etabliert“ euer zweites Album … oh, ich habe noch was vergessen: Ihr habt ungefähr 300.000 Kopien eures Debütalbums verkauft, was „ziemlich gut“ für ein Debüt ist. Also, fangen wir mit der ersten Frage an: Im Sommer 2006 hast du (Mikel) The Airborne Toxic Event gegründet. Du hast ein großartiges, musikalisches Team, sowie Partnerschaften zu eurem Management und eurem Label, aufgebaut. -
The Airborne Toxic Event the Airborne
THE AIRBORNE TOXIC EVENT The Fillmore Residency September 2014 In September 2014, fans of The The trifecta kicked off the Airborne Toxic Event flocked band’s most ambitious North to San Francisco for what American tour to date - one promised to be the TATE event that would be marked not just of a lifetime: a three night by old favorites, B-sides and residency at the legendary rarities, but also the premiere Fillmore, where the band of new material from TATE’s would play each of their three upcoming fourth album. studio albums in their entirety on successive nights. We offer this to the TATE fan community as a keepsake of our communal experience in San Francisco - both for those who were lucky enough to attend in person, and those who shared in the fun from afar. Inside you’ll find not just a record of the shows, but also Mikel Jollett’s own insights into the songs , 2014. that brought us together, shared in the weeks leading up to the residency. Credit Creative Copper Images Copper Creative Credit Cover and inside images by and inside images by Cover , 2009. Dave MacIntyre Dave Image by Image by Images by Dave MacIntyre, 2009. Happiness is Overrated – “The acoustic video for this song was shot in my old apartment. We found some red fabric and pinned it to the walls, then played while the one-man camera crew rotated flashlights around to look like spotlights.” Does This Mean You’re Moving On? – “I played a very early demo of this song for the guy who founded The National’s first record label. -
Postwar Media Manifestations and Don Delillo Joshua Adam Boldt Eastern Kentucky University
Eastern Kentucky University Encompass Online Theses and Dissertations Student Scholarship 2011 Postwar Media Manifestations and Don DeLillo Joshua Adam Boldt Eastern Kentucky University Follow this and additional works at: https://encompass.eku.edu/etd Part of the American Literature Commons, and the Mass Communication Commons Recommended Citation Boldt, Joshua Adam, "Postwar Media Manifestations and Don DeLillo" (2011). Online Theses and Dissertations. 09. https://encompass.eku.edu/etd/09 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at Encompass. It has been accepted for inclusion in Online Theses and Dissertations by an authorized administrator of Encompass. For more information, please contact [email protected]. Postwar Media Manifestations and Don DeLillo By Joshua Boldt Master of Arts Eastern Kentucky University Richmond, Kentucky 2011 Submitted to the Faculty of the Graduate School of Eastern Kentucky University in partial fulfillment of the requirements for the degree of Master of Arts May, 2011 Copyright © Joshua Boldt 2011 All rights reserved ii Table of Contents Introduction: The Hyperreal, Hypercommodified American Identity 1 Chapter One: Postwar Advertising, Mass Consumption, and the 14 Construction of the Consumer Identity Chapter Two: News Media and American Complicity 34 Chapter Three: The Art of the Copy: Mechanical Reproductions and 50 Media Simulations Works Cited 68 iii Introduction: The Hyperreal, Hypercommodified American Identity This study examines the relationship between American media, advertising, and the construction of a postwar American identity. American media manifests itself in several different forms, all of which impact the consciousness of the American people, and the postwar rise to power of the advertising industry helped to mold identity in ways that are often not even recognized. -
The Waste Land of Law School Fiction
BOOK REVIEW The Waste Land Of Law School Fiction Arthur D. Austin* Sad things can happen when an author chooses the wrong subject: first the author suffers, then the reader, and finally the publisher, all to- gether in a tiny whirlpool of pain.' Law schools generate controversy and initiate change. They attract the "best and the brightest" students. 2 They have not, however, received the ultimate measure of recognition-the examination of institutional character through literary fiction. Novels about law school society can be counted on one hand-with a finger and thumb left over.3 They are John Osborn's The Paper Chase,4 Katherine Roome's The Letter of the Law, 5 and Michael Levin's The Socratic Method. 6 None succeed as fic- tion.7 This review focuses on the way each writer uses style, plot, and * Edgar A. Hahn Professor of Jurisprudence, Case Western Reserve University School of Law. 1. Sheed, The Exile, N.Y. REV. oF BooKs, Oct. 27, 1988, at 35, col. 1. 2. Even this causes controversy. Harvard University President Bok claims that the "brain drain" into law schools is "a massive diversion of exceptional talent into pursuits that often add little to the growth of the economy, the pursuit of culture, the enhancement of the human spirit." Lieber- man & Goldstein, Why Have Lawyers Proliferated?, N.Y. Times, Aug. 6, 1986, at A27, col. 1. 3. Novels with legal themes are prevalent. Wigmore's analysis of "legal literature" remains the best introduction to the subject. See Wigmore, A List Of One Hundred Legal Novels, 17 ILL. -
Rethinking Minimalism: at the Intersection of Music Theory and Art Criticism
Rethinking Minimalism: At the Intersection of Music Theory and Art Criticism Peter Shelley A dissertation submitted in partial fulfillment of requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee Jonathan Bernard, Chair Áine Heneghan Judy Tsou Program Authorized to Offer Degree: Music Theory ©Copyright 2013 Peter Shelley University of Washington Abstract Rethinking Minimalism: At the Intersection of Music Theory and Art Criticism Peter James Shelley Chair of the Supervisory Committee: Dr. Jonathan Bernard Music Theory By now most scholars are fairly sure of what minimalism is. Even if they may be reluctant to offer a precise theory, and even if they may distrust canon formation, members of the informed public have a clear idea of who the central canonical minimalist composers were or are. Sitting front and center are always four white male Americans: La Monte Young, Terry Riley, Steve Reich, and Philip Glass. This dissertation negotiates with this received wisdom, challenging the stylistic coherence among these composers implied by the term minimalism and scrutinizing the presumed neutrality of their music. This dissertation is based in the acceptance of the aesthetic similarities between minimalist sculpture and music. Michael Fried’s essay “Art and Objecthood,” which occupies a central role in the history of minimalist sculptural criticism, serves as the point of departure for three excursions into minimalist music. The first excursion deals with the question of time in minimalism, arguing that, contrary to received wisdom, minimalist music is not always well understood as static or, in Jonathan Kramer’s terminology, vertical. The second excursion addresses anthropomorphism in minimalist music, borrowing from Fried’s concept of (bodily) presence. -
Briarcliff Manor Public Library LUNCHTIME BOOK DISCUSSION GROUP
Briarcliff Manor Public Library LUNCHTIME BOOK DISCUSSION GROUP Books That Will Keep You Reading: Brown Bag Lunch Book Group Fall 2020 . Make your lunch and join us at our popular afternoon book discussion group. Discussions are planned to be virtual via Zoom, but subject to change. You may join the group at any time. Pick up books for the sessions at the library one month in advance. You may also download the books from one of the library’s free eBook services. Discussions are led by library staff Shelley Glick or Lorraine Isaac. Tuesdays at 12:30 - 2:00 pm: September 22, October 20 and November 17 Ask Again, Yes by Mary Beth Keane Tuesday, September 22; 12:30-2:00 pm. A family saga about two Irish American families in a New York suburb, the love between two of their children, and the tragedies that threaten to tear them apart and destroy their futures You Should Have Known by Jean Hanff Korelitz Tuesday, October 20; 12:30-2:00 pm. A successful New York City therapist with the perfect family she always wanted has her life turned upside down after her husband goes missing and a chain of horrible revelations send her reeling. Soon to be an HBO miniseries “The Undoing” starring Nicole Kidman and Hugh Grant. Author Talk with Jean Hanff Korelitz on Thursday, October 29 at 7:00 PM. An American Marriage by Tayari Jones Tuesday, November 17; 12:30-2:00 pm. When her new husband is arrested and imprisoned for a crime she knows he did not commit, a rising artist takes comfort in a longtime friendship, only to encounter unexpected challenges in resuming her life when her husband's sentence is suddenly overturned (All summaries excerpted from WLS catalog/Novelist) Registration is Required: Contact Shelley Glick at [email protected] or (914) 941-7072 to register or for any further information. -
AMERICAN LITERARY MINIMALISM by ROBERT CHARLES
AMERICAN LITERARY MINIMALISM by ROBERT CHARLES CLARK (Under the Direction of James Nagel) ABSTRACT American Literary Minimalism stands as an important yet misunderstood stylistic movement. It is an extension of aesthetics established by a diverse group of authors active in the late-nineteenth and early twentieth centuries that includes Amy Lowell, William Carlos Williams, and Ezra Pound. Works within the tradition reflect several qualities: the prose is “spare” and “clean”; important plot details are often omitted or left out; practitioners tend to excise material during the editing process; and stories tend to be about “common people” as opposed to the powerful and aristocratic. While these descriptors and the many others that have been posited over the years are in some ways helpful, the mode remains poorly defined. The core idea that differentiates American Minimalism from other movements is that prose and poetry should be extremely efficient, allusive, and implicative. The language in this type of fiction tends to be simple and direct. Narrators do not often use ornate adjectives and rarely offer effusive descriptions of scenery or extensive detail about characters’ backgrounds. Because authors tend to use few words, each is invested with a heightened sense of interpretive significance. Allusion and implication by omission are often employed as a means to compensate for limited exposition, to add depth to stories that on the surface may seem superficial or incomplete. Despite being scattered among eleven decades, American Minimalists share a common aesthetic. They were not so much enamored with the idea that “less is more” but that it is possible to write compact prose that still achieves depth of setting, characterization, and plot without including long passages of exposition. -
Ambient Music the Complete Guide
Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality. -
The Airborne Toxic Event the Airborne
THE AIRBORNE TOXIC EVENT The Fillmore Residency September 2014 In September 2014, fans of The The trifecta kicked off the Airborne Toxic Event flocked band’s most ambitious North to San Francisco for what American tour to date - one promised to be the TATE event that would be marked not just of a lifetime: a three night by old favorites, B-sides and residency at the legendary rarities, but also the premiere Fillmore, where the band of new material from TATE’s would play each of their three upcoming fourth album. studio albums in their entirety on successive nights. We offer this to the TATE fan community as a keepsake of our communal experience in San Francisco - both for those who were lucky enough to attend in person, and those who shared in the fun from afar. Inside you’ll find not just a record of the shows, but also Mikel Jollett’s own insights into the songs , 2014. that brought us together, shared in the weeks leading up to the residency. Credit Creative Copper Images Copper Creative Credit Cover and inside images by and inside images by Cover , 2009. Dave MacIntyre Dave Image by Image by Images by Dave MacIntyre, 2009. Happiness is Overrated – “The acoustic video for this song was shot in my old apartment. We found some red fabric and pinned it to the walls, then played while the one-man camera crew rotated flashlights around to look like spotlights.” Does This Mean You’re Moving On? – “I played a very early demo of this song for the guy who founded The National’s first record label. -
THE COWL SRW/ Page 2
TheVol. LXXIX No. 5 @thecowl • thecowl.com ProvidenceCowl College October 2, 2014 Ringing in a New Tradition by Elizabeth Nako ’15 Asst. News Editor CAMPUS The Providence College Class of 2015 was the last class to partake in the traditional DWC program. However, the PC Class of 2015 has kicked off a new annual tradition: Senior Ring Weekend. SRW took place Sept. 26-28. It was a memorable weekend that the members of the Class of 2015 will always treasure when reflecting back on their time at PC. The tradition started back in 1917 when PC was still an all-male school. Men were encouraged to invite girls from other schools as dates. During the fall semester of 2012, the Class of 2015 took a vote on whether they should keep the Junior Ring Weekend tradition, or move the event to senior year because of the high number of students who choose to study abroad during their junior year. The results indicated that members of the Class of 2015 wanted to move ring weekend from the fall of junior year to the fall of senior year— hence a new tradition was born. The Class of 2015 Ring Weekend, for the very first time, was called “Senior Ring Weekend” or SRW. Alex Rawson ’15, chair of the SRW Core, said SRW Weekend was “a great way to kick off senior year.” The SRW Core sold 915 tickets. Rawson said, “The whole mission [of SRW] was to bring the class together.” She feels that this mission was accomplished, as evident from the entire class being on the dance floor both nights laughing and enjoying each other’s company.