DOCSLIB.ORG

American String Teacher February 2016 | Volume 66 | Number 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
American String Teacher February 2016 | Volume 66 | Number 1 AMERICAN STRING TEACHER February 2016 | Volume 66 | Number 1 l Guitar Forum: GarageBand Tutorial for Guitar Instructors l The Modern Harpist: Plays Well with Others l Want to Learn More About Fiddle Styles, Jazz Strings and Rock? plus: 2016 ASTA National Conference Preview Join us for friendship and fun in Tampa, Florida at the 2016 National Conference! www.astaweb.com | 3 4 | American String Teacher | February 2016 AMERICAN STRING TEACHER CONTENTS February 2016 | Volume 66 | Number 1 Features Music Degrees - Everything You Need to Know from 24 Application to Graduation Part 2 (of a 3-part series) – Auditions Navigating the college audition and admissions process is often fraught with anxiety for music students and their parents. by Hillary Herndon Now You See It, Now You Don’t: Participatory 28 Stratification in Public School Orchestras String music education in the United States is traditionally plagued by low student enrollment and high attrition rates. Exacerbating the crisis is a fundamental paradigm, which at best accepts inequality of opportunity, and at worst encourages it. by Angela Ammerman Guitar Forum: GarageBand Tutorial for Guitar Instructors 32 Contemporary guitar instructors can find musical assistance from their computers that will function well whether teaching privately or in a classroom. by Bill Purse The Modern Harpist: Plays Well with Others 36 Today’s harpists must be well-rounded and acquire proficiency in many areas of performing. by Gretchen Van Hoesen Want to Learn More About Fiddle Styles, Jazz Strings and Rock? Eclectic styles music in its many forms is taught at music camps throughout the USA and Canada during 40 the summer. It’s not too early to begin planning to learn a new style of music to teach your students. by Renata Bratt and contributors: Jason Anick, Edgar Gabriel, Sheronna McMahon, and Duane Padilla www.astaweb.com | 5 AMERICAN STRING TEACHER CONTENTS February 2016 | Volume 66 | Number 1 Columns Special Inspirations 44 American String Teacher (AST) Editorial 8 by Monika Schulz, CAE, CEO Committee 50 2016 Summer Workshops/Camps/Conferences Message from the President 12 by Stephen Benham 53 2016 National Conference Studio Teaching Tips 76 A Session with Paul Rolland by Susan S. Starrett Mission Statement To enrich lives through the joy of teaching and playing stringed instruments. K-12 Teaching Tips • Professional development and 76 So You Want to Commission a Work for Your research Orchestra, Now What? • Our future and the next generation • Building community by Cheryl Cooley • Advocacy and outreach • Sustainability American String Teacher (ISSN: 0003-1313) is published quarterly by the American String Teachers Association (ASTA). 4155 Departments Chain Bridge Road, Fairfax, VA 22030. Periodicals postage paid at Fairfax, VA Association News and additional mailing offices.American String Teacher (AST) is available exclusively 18 Award and grant announcements, new publications, to ASTA members; the annual subscription and other association-related information price is included in membership dues ($111). POSTMASTER: Send address changes to: American String Teacher, 4155 Chain Reviews Bridge Rd., Fairfax, VA 22030. 68 Of books, music, and software POLICY: As the primary means of profes- sional communication of ASTA, the Ameri- can String Teacher represents and reflects the mission of the association. It is not the intention of AST to promote or endorse any particular person or commercial prod- uct. The ideas and opinions expressed are those of the writers and not necessarily Every Issue those of ASTA or AST. ASTA reserves the right to refuse advertising for any reason. 62 Membership Application No article or editorial matter in AST may be photocopied or reprinted without Volunteer Leadership Directory written permission from ASTA. Visit www. 64 copyright.com for more information. Advertisers’ Index 79 POSTMASTER: Send address changes to American String Teacher Journal, 4155 Chain Bridge Rd., Fairfax, VA 22030. © 2016 by American String Teachers Association. 6 | American String Teacher | May 2015 www.astaweb.com | 7 ASTA Board of Directors by Monika Schulz, CAE, CEO President • Stephen Benham Inspirations Duquesne University Mary Pappert School of Music 600 Forbes Ave., Pittsburgh, PA 15282 [email protected] A Time for Reinvention President-Elect • Brenda Brenner 3713 Devonshire Ct. Bloomington, IN 47408 [email protected] I had the great privilege recently to celebrate some holiday cheer with a Past President • Bob Phillips group of ASTA members. The conversations focused on getting to know 17175 Burkshire Dr. each other, and sharing personal experiences with ASTA. What I Grand Haven, MI 49417 consistently heard was, ASTA is an incredible community with [email protected] individual diverse stories, needs and experiences, encompassed in the Secretary • Kristen Pellegrino love of string music. 4231 Woodbridge Way San Antonio, TX 78257-5010 As I thought about these conversations, I was reminded about what [email protected] bound this community together 70 years ago at its inception. ASTA’s Member-at-Large • Lynne Denig story began in February of 1946 at the national meeting of the Music 4900 Bexley Lane, Fairfax, VA 22032 Teachers National Association, where a group of music teachers laid the groundwork for a [email protected] new national string organization. The general goals of this founding group were: Member-at-Large • Joseph Conyers 1420 Locust St., #26G, Philadelphia, PA 19102 • Improvement of string pedagogy; [email protected] • To make known the meaning, function, and value of individual and group experience Member-at-Large • David Wallace with the music of stringed instruments; 79B Grew Ave., Roslindale, MA 02131 • Development of professional relationships with other groups; [email protected] • Assistance toward manufacture and repair of stringed instruments; Member-at-Large • Margaret Berg • Opportunities for children in our schools to hear good string playing; 9777 Jellison St. Broomfield, CO 80021-4269 • Cooperation with college and university string departments in the development of [email protected] their teacher-training curricula; and String Industry Council President • Chris Rohrecker • Modernization of string materials. 8 Vernon Valley Road, E. Northport, NY 11731 [email protected] Fast forward 70 years, the ASTA community today is a professional membership organization of close to 9,500 members representing string educators and performers from Publications Chair • Judy Palac Michigan State University, 203 Music Practice Building K-12, private studio, performers, and students to the collegiate level. As the community 345 W. Circle Drive, East Lansing, MI 48824 grew and needs changed, the 2014 ASTA Board of Directors recognized and implemented a [email protected] way forward through adoption of a strategic framework with a mission of enriching people’s Chief Executive Officer •Monika Schulz lives through the joy of teaching and playing string instruments. It is centered on five ASTA National Office 4155 Chain Bridge Rd., Fairfax, VA 22030 overarching goals: [email protected] • Professional development and research American String Teacher • Our future and the next generation Critical Articles Editor • Mary Wagner Reviews Editor • Marg Schmidt • Building community Design and Layout • Sky Henderson • Advocacy and outreach • Sustainability • Correspondence Subscriptions, change of address (send mailing label), individual issues, billing, membership, and Today, ASTA finds itself in a time of reinvention.Where is ASTA’s future? ASTA has other business matters should be directed to the ASTA National Office, 4155 Chain Bridge Rd., Fairfax, VA core services; it has a member base; it has a strategic plan; but the community and profession 22030; tel. 703-279-2113; FAX 703-279-2114; Email: are changing and for ASTA to remain relevant, the question becomes—What does our [email protected]. • Advertising Deadlines are: August issue—June 5; community today need and value? Therefore, ASTA is evolving. It is time to focus and invest November issue—September 5; February in technology, to distinguish what members want and value, to identify and provide relevant issue—December 5; May issue—March 5. Inquiries should be directed to Steve Wafalosky, LaRich & and helpful content, to cultivate the member experience where ASTA is the resource you can Associates, 512 East Washington Street, Chagrin Falls, OH 44022, T: 440-247-1060, F: 440-247-1068 depend on and to build engagement of ASTA members and the community. Email: [email protected]. We are looking forward to another great national conference—a time to build • Editorial AST welcomes letters and articles from its community, learn and refuel your passion. For those of you joining ASTA in Tampa for the readers. Query letters are preferred over unsolicited manuscripts. For a copy of the AST Author Guidelines, 2016 National Conference, we want to know what you value and what you are looking for. visit www.astaweb.com. Inquiries and articles should be We will have plenty of opportunities for you to provide feedback to us. For those of you submitted to [email protected]. • Reviews Review materials should be sent to Marg who can’t join us in Tampa, let us hear your voice. Schmidt, School of Music, ASU, 40 Gammage Parkway, Thank ouy for your dedication to our ASTA community and for your passion and joy PO Box 870405, Tempe, AZ 85287-0405. Requests to become a reviewer should be addressed to Marg in teaching
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science* Ryan Light University of Oregon Colin Od
    Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science* Ryan Light University of Oregon Colin Odden Ohio State University Ohio Colleges of Medicine This is a pre-copyedited, author-produced version of an article accepted for publication in Social Forces following peer review. The version of record is available online at: https://doi.org/10.1093/sf/sox055. *Please direct all correspondence to Ryan Light, [email protected]. The authors thank James Moody, Jill Ann Harrison, Matthew Norton, Brandon Stewart, Achim Edelmann, Clare Rosenfeld Evans, Jordan Besek, and Brian Ott for their helpful comments on earlier drafts of this paper. Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science Abstract The proliferation of cultural objects, such as music, books, film and websites, has created a new problem: How do consumers determine the value of cultural objects in an age of information glut? Crowd-sourcing – paralleling word-of-mouth recommendations – has taken center stage, yet expert opinion has also assumed renewed importance. Prior work on the valuation of artworks and other cultural artifacts identifies ways critics establish and maintain classificatory boundaries, such as genre. We extend this research by offering a theoretical approach emphasizing the dynamics of critics’ valuation and classification. Empirically, this analysis turns to Pitchfork.com, an influential music review website, to examine the relationship between classification and valuation. Using topic models of fourteen years of Pitchfork.com album reviews (n=14,495), we model the dynamics of valuation through genre and additional factors predictive of positive reviews and cultural consecration. We use gold record awards to study the relationship between valuation processes and commercial outcomes.
    [Show full text]
  • Alan Gilbert and the New York Philharmonic
    FOR IMMEDIATE RELEASE UPDATED January 13, 2015 January 7, 2015 Contact: Katherine E. Johnson (212) 875-5718; [email protected] ALAN GILBERT AND THE NEW YORK PHILHARMONIC Alan Gilbert To Conduct SILK ROAD ENSEMBLE with YO-YO MA Alongside the New York Philharmonic in Concerts Celebrating the Silk Road Ensemble’s 15TH ANNIVERSARY Program To Include The Silk Road Suite and Works by DMITRI YANOV-YANOVSKY, R. STRAUSS, AND OSVALDO GOLIJOV February 19–21, 2015 FREE INSIGHTS AT THE ATRIUM EVENT “Traversing Time and Trade: Fifteen Years of the Silkroad” February 18, 2015 The Silk Road Ensemble with Yo-Yo Ma will perform alongside the New York Philharmonic, led by Alan Gilbert, for a celebration of the innovative world-music ensemble’s 15th anniversary, Thursday, February 19, 2015, at 7:30 p.m.; Friday, February 20 at 8:00 p.m.; and Saturday, February 21 at 8:00 p.m. Titled Sacred and Transcendent, the program will feature the Philharmonic and the Silk Road Ensemble performing both separately and together. The concert will feature Fanfare for Gaita, Suona, and Brass; The Silk Road Suite, a compilation of works commissioned and premiered by the Ensemble; Dmitri Yanov-Yanovsky’s Sacred Signs Suite; R. Strauss’s Death and Transfiguration; and Osvaldo Golijov’s Rose of the Winds. The program marks the Silk Road Ensemble’s Philharmonic debut. “The Silk Road Ensemble demonstrates different approaches of exploring world traditions in a way that — through collaboration, flexible thinking, and disciplined imagination — allows each to flourish and evolve within its own frame,” Yo-Yo Ma said.
    [Show full text]
  • Beethoven and Banjos - an Annual Musical Celebration for the UP
    Beethoven and Banjos - An Annual Musical Celebration for the UP Beethoven and Banjos 2018 festival is bringing Nordic folk music and some very unique instruments to the Finnish American Heritage Center in Hancock, Michigan. Along with the musicians from Decoda (Carnegie Hall’s resident chamber group) we are presenting Norwegian Hardanger fiddler Guro Kvifte Nesheim and Swedish Nyckelharpist Anna Gustavsson. Guro Kvifte Nesheim grew up in Oslo, Norway, and started playing the Hardanger fiddle when she was seven years old. She has learned to play the traditional music of Norway from many great Hardanger fiddle players and has received prizes for her playing in national competitions for folk music. In 2013 she began her folk music education in Sweden at the Academy of Music and Drama in Gothenburg. Guro is composing a lot of music, and has a great interest and love for the old music traditions of Norway and Sweden. In 2011 she went to the world music camp Ethno and was bit by the “Ethno-bug”. Since then she has attended many Ethno Camps as a participant and leader, and setup Ethno Norway with a team of fellow musicians. In spring 2015 she worked at the Opera House of Gothenburg with the dance piece “Shadowland”. The Hardanger fiddle is a traditional instrument from Norway. It is called the Hardanger Fiddle because the oldest known Hardanger Fiddle, made in 1651, was found in the area Hardanger. The instrument has beautiful decorations, traditional rose painting, mother-of-pearl inlays and often a lion’s head. The main characteristic of the Hardanger Fiddle is the sympathetic strings that makes the sound very special – it’s like an old version of a speaker that amplifies the sound.
    [Show full text]
  • Istanbul Technical University Institute of Social Sciences
    ISTANBUL TECHNICAL UNIVERSITY INSTITUTE OF SOCIAL SCIENCES ROBERT SCHUMANN’S MINIATURE PIANO PIECES WHICH ARE RELATED TO LITERARY IDEAS Ph.D. Thesis by Hyun Sook J. TEKĠN Department of : MIAM Programme : MIAM MAY 2010 ISTANBUL TECHNICAL UNIVERSITY INSTITUTE OF SOCIAL SCIENCES ROBERT SCHUMANN´S MINIATURE PIANO PIECES WHICH ARE RELATED TO LITERARY IDEAS ROBERT SCHUMANN´S MINIATURE PIANO PIECES WHICH ARE RELATED TO LITERARY IDEAS PhD Thesis by Hyun Sook J. TEKĠN (409042011) Date of Submission : 26 April 2010 Date of Defence Examination : 26 May 2010 Supervisor : Prof. Dr. Cihat AġKIN (ITU) Members of Examination Committee : Prof. Judith ULUĞ (MSU) Prof. Dr. ġehvar BEġĠROĞLU (ITU) Prof. Cana Gürmen (IU) Asst. Prof. Hakan ġensoy (ĠTÜ) MAY 2010 ĠSTANBUL TEKNĠK ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ ROBERT SCHUMANN´IN EDEBĠ FĠKĠRLERLE ĠLGĠLĠ MĠNYATÜR PĠYANO PARÇALARI DOKTORA TEZĠ Hyun Sook J. TEKĠN (409042011) Tezin Enstitüye Verildiği Tarih : 26 Nisan 2010 Tezin Savunulduğu Tarih : 26 Mayıs 2010 Tez DanıĢmanı : Prof. Dr. Cihat AġKIN (ĠTÜ) Diğer Jüri Üyeleri : Prof. Judith ULUĞ (MSÜ) Prof. Dr. ġehvar BEġĠROĞLU (ĠTÜ) Prof. Cana Gürmen (ĠÜ) Yrd. Doç. Hakan ġensoy (ĠTÜ) MAYIS 2010 FOREWORD This doctorate thesis, entitled ―Schumann‘s Miniature Piano Pieces which are related to Literary Ideas‖ was prepared at the I.T.Ü. Social Sciences Institute, Dr. Erol Üçer Center for Advanced Studies in Music (MIAM). Only a few pieces of Schumann are known with their literary connections. In my research I wanted to focus on this relationship between music and literature, especially in his keyboard music. During the analysis, it is found that some specific musical characters rely on the figures of Florestan and Eusebius.
    [Show full text]
  • Stock up on Homespun Dvds for the Holidays!
    PRESENTS Happy Traum of Homespun shares the joy of music in the holiday season. ACCORDION BEGINNING BLUEGRASS BANJO LEARN TO PLAY taught by Pete Wernick STOCK UP ON CAJUN ACCORDION Pete (Dr. Banjo) Wernick will have taught by Dirk Powell HOMESPUN you picking right from the start of DVD 1: Powell teaches how to hold this DVD. By the time you finish, the instrument, use the bellows, DVDS FOR you’ll be accompanying songs, find the notes, and play “double” playing solos, and will have THE HOLIDAYS! (octaves). Includes detailed instruc- learned basic chords, slides, tion for playing some popular Cajun hammer-ons and pull-offs, right- dance tunes. 75 MIN • INCLUDES Now that DVD players are mainstream hand “rolls” in the three-finger bluegrass style and lots more. LYRICS • NOVICE LEVEL More than a dozen easy bluegrass songs are taught. in homes across the country, DVDs DVD 2: Covers topics such as ornamentation, syncopation, 100 MIN • INCLUDES TAB • NOVICE LEVEL phrasing, anticipating the bellows changes, creating rhythmic effects 00641606 DVD .....................................................$29.95 from Homespun will make great gifts and other techniques. 60 MIN • EARLY INTERMEDIATE LEVEL 00641849 2-DVD Set ............................................$49.95 for instrumentalists everywhere this HOW TO PLAY THE 00641844 DVD One Only .....................................$29.95 5-STRING BANJO holiday season! 00641845 DVD Two Only .....................................$29.95 taught by Pete Seeger with special guest appearance by Doc Watson TEX-MEX ACCORDION Covering all styles of music from America’s most beloved banjo taught by Flaco Jiménez picker teaches his playing bluegrass, jazz and country to folk, blues and Tim Alexander, techniques and more than a dozen with Max Baca, bajo sexto and rock, Homespun’s love of music and songs.
    [Show full text]
  • 1 a Conversation with Abigail Washburn by Frank
    A Conversation with Abigail Washburn by Frank Goodman (9/2005, Puremusic.com) It’s curious in the arts, especially music, that success or notoriety can sometimes come more easily to those who started late, or never even planned to be an artist in the first place. But perhaps, by the time that music seriously enters their life, people they’ve met or other things that they’ve done or been interact with that late-breaking musical urge and catalytically convert it into something that works, takes shape or even wings. And so many who may have played the same instrument or sung or composed the same style of music all their lives may never have been rewarded, or at least noticed, for a life’s work. Timing, including the totality of what one brings to the table at that particular time, seems to be what matters. Or destiny, perhaps, if one believes in such a thing. By the time that musical destiny came knocking at Abigail Washburn’s door, her young life was already paved with diverse experiences. She’d gone abroad to China in her freshman year at college, and it changed her fundamentally. She became so interested in that culture and that tradition that it blossomed into a similar interest in her own culture when she returned, and she went deeply into the music of Doc Watson and other mountain music figures, into old time and clawhammer banjo music in particular. She’d sung extensively in choral groups already, so that came naturally. She was working as a lobbyist and living in Vermont, and had close friends who were a string band.
    [Show full text]
  • 1 Sotholms Och Svartlösa Härader
    1 SOTHOLMS OCH SVARTLÖSA HÄRADER INNEHÅLL 2 SVARTLÖSA HÄRAD 26 ÖSMODRÄKTEN 3 PÅ BANAN 28 POLONESSEBOKEN 4 SPELMÄN 30 VEM ÄR SOM EJ... )0 DANSEN PÅ SÖDERTÖRN 32 SKIVSPALTEN 18 JAG MINNS 34 HARPOLEK 20 SÄGNER OCH MINNEN 36 SORUNDAVISAN 22 HANDLAREVISAN Omdagsbild: Byspelmannen, målad av den tyske 23 DRÄKTEN PÅ SÖDERTÖRN konstmren Hans Thoma, 1839- 1924. 24 SORUNDADRÄKTEN " '. .h %5z"f*:%:?Z? ' ""'= " " """' "É=..,, ~ "') L' . """ " ', ~j1K q' . , ,, ',. U · " "r"^ pgc. " ,\,\ b - h1· a»,' X' " am v""' ! °""'"'""" r, "=: " " - ' "::0 T' "": ±%v"4 '&" m ""' "' SY . ·:%, ·- -' ' " '" ·x"f;" '"3' " "L. .7yj|::c"^X+"m "" " ·P :k -'e ., ==9"2" ;6 ¢. ' "" , "t?:,:k ' ' "' 'l" ,'" " " W r' " QL"+:S\ja, " :" l V ,/i ,b ,, "¶%1 p -J' l" · t, · l. tk. "", ' n rtarNm. .,~ b- " 0 bm mb n g . · · K ' 0m· vf . V h~~m~' .·· 2?'' b « "brgib, 4 . .~,._+.:' " "" "".. cl Rm"m "' :__ T " " r ' . 0ybW +· M0~ f , 0m. : Q SÖRMLAN%LÅTEN dktribue ra8 till medlemmarna l Södermanland8 SpelmanMörbund och Sörmländska Ungdommngen. Utomstående kan prenumerera på Spelman8förbundet8 cirkulär (Inkl. SÖRMLANDS- LÄTEN) för ett år genom att 8åtta in kr IS: -- på postgiro 12 24 74 - O, adrem Södermanland8 Spelmam- förbund. Skriv "Cfrkulårprenumeration" på Ullongen! Upplaga: I. 750 ex Utkommer 2 gånger per år 2 GIOVANNA BASSI - PREMIÄRDANSÖS OCH SVARTLÖSA HÄRAD SÖRMLÄNDSK GODSÄGARINNA Marianne Strandberg Giovanna var dotter till den italienska hovstdhnästa- ren Stefano Bassi och hans franska hustru Angelique. Svartlösa hdrod har fött sitt namn efter tingsstCMet Hon föddes troligen 13 juni 1762 i Paris. Hon kom till SvartakSt (SvartalC$CSt) eller SvanlCSten (löt, Im troli- Sverige 1783 tilkammans med sin bror och omtalldes gen äng) där ting med Övm Tör (norra Södertöm) Nils som ballerina vid teatern samma år.
    [Show full text]
  • Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600
    Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 By Leon Chisholm A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kate van Orden, Co-Chair Professor James Q. Davies, Co-Chair Professor Mary Ann Smart Professor Massimo Mazzotti Summer 2015 Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 Copyright 2015 by Leon Chisholm Abstract Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 by Leon Chisholm Doctor of Philosophy in Music University of California, Berkeley Professor Kate van Orden, Co-Chair Professor James Q. Davies, Co-Chair Keyboard instruments are ubiquitous in the history of European music. Despite the centrality of keyboards to everyday music making, their influence over the ways in which musicians have conceptualized music and, consequently, the music that they have created has received little attention. This dissertation explores how keyboard playing fits into revolutionary developments in music around 1600 – a period which roughly coincided with the emergence of the keyboard as the multipurpose instrument that has served musicians ever since. During the sixteenth century, keyboard playing became an increasingly common mode of experiencing polyphonic music, challenging the longstanding status of ensemble singing as the paradigmatic vehicle for the art of counterpoint – and ultimately replacing it in the eighteenth century. The competing paradigms differed radically: whereas ensemble singing comprised a group of musicians using their bodies as instruments, keyboard playing involved a lone musician operating a machine with her hands.
    [Show full text]
  • Lykke Li Featured in Third Episode of Wetransfer's 'Work in Progress' Series
    ⏲ 17 October 2018, 16:00 (CEST) Lykke Li Featured in Third Episode of WeTransfer's 'Work In Progress' Series Lykke Li opens up for the first time about the death of her mother, the birth of her child and the end of her relationship in the third episode of WeTransfer’s documentary series. October 17, 2018 - The latest episode of WeTransfer’s new series about the creative process, Work In Progress, launches today. It focuses on iconic Swedish indie-pop artist Lykke Li and can be watched on WeTransfer’s editorial platform WePresent here. In the short film (just over 6 minutes), set to Lykke Li’s latest album so sad so sexy, the acclaimed singer-songwriter gives an intimate account of her own real-life struggles in recent years. Lykke Li talks about the loss of a parent, becoming a mother and having her heart broken - and how she emerged stronger and more empowered, both mentally and creatively. Produced by Pi Studios and directed by Kaj Jefferies and Alice Lewis on 16mm film, the episode is dreamlike and melancholic at times but always underlined with a unique, raw feminine beauty. The short film acts as a candid interview and offers viewers an intimate insight into Lykke Li’s life, with personal video camera recordings of her as a child and growing up. In the footage, Lykke Li express her views on love and pain and the therapeutic nature of the creative process. This is the third episode of Work In Progress - a documentary series which celebrates the spirit of creative collaboration which defines WeTransfer's products.
    [Show full text]
  • Whiskey River (Take My Mind)  I 
    whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
    [Show full text]
  • 2016 Program Booklet
    Rebecca Penneys Piano Festival Fourth Year July 12 – 30, 2016 University of South Florida, School of Music 4202 East Fowler Avenue, Tampa, FL The family of Steinway pianos at USF was made possible by the kind assistance of the Music Gallery in Clearwater, Florida Rebecca Penneys Ray Gottlieb, O.D., Ph.D President & Artistic Director Vice President Rebecca Penneys Friends of Piano wishes to give special thanks to: The University of South Florida for such warm hospitality, USF administration and staff for wonderful support and assistance, Glenn Suyker, Notable Works Inc., for piano tuning and maintenance, Christy Sallee and Emily Macias, for photos and video of each special moment, and All the devoted piano lovers, volunteers, and donors who make RPPF possible. The Rebecca Penneys Piano Festival is tuition-free for all students. It is supported entirely by charitable tax-deductible gifts made to Rebecca Penneys Friends of Piano Incorporated, a non-profit 501(c)(3). Your gifts build our future. Donate on-line: http://rebeccapenneyspianofestival.org/ Mail a check: Rebecca Penneys Friends of Piano P.O. Box 66054 St Pete Beach, Florida 33736 Become an RPPF volunteer, partner, or sponsor Email: [email protected] 2 FACULTY PHOTOS Seán Duggan Tannis Gibson Christopher Eunmi Ko Harding Yong Hi Moon Roberta Rust Thomas Omri Shimron Schumacher D mitri Shteinberg Richard Shuster Mayron Tsong Blanca Uribe Benjamin Warsaw Tabitha Columbare Yueun Kim Kevin Wu Head Coordinator Assistant Assistant 3 STUDENT PHOTOS (CONTINUED ON P. 51) Rolando Mijung Hannah Matthew Alejandro An Bossner Calderon Haewon David Natalie David Cho Cordóba-Hernández Doughty Furney David Oksana Noah Hsiu-Jung Gatchel Germain Hardaway Hou Jingning Minhee Jinsung Jason Renny Huang Kang Kim Kim Ko 4 CALENDAR OF EVENTS University of South Florida – School of Music Concerts and Masterclasses are FREE and open to the public Donations accepted at the door Festival Soirée Concerts – Barness Recital Hall, see p.
    [Show full text]