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.. .. ...... ',.:.:.:-:.:.:.:.:.:-:.:.:.:.:-:.:.:-:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.: .. :.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:':':':':':':':':':':':':':':','.' · .. .. ·':':'---==:1....- .. ii=-~== ·.. :!f?~~i,oll • A~E!~Go II [: :.:-: ll-E I.25 [Jor use OI1/Y on the 9Jmpico ... ~IJ~D~~~P.'-i"c 65443-F 1.50 216223 RECORDING WITHOUT WORDS FOR DANCING I. WHO WANTS LOVE? Franz : :: ND TRULY 2. ~8RE1o'ivJr'tofooJe Rjt,:;my From ·'Merry·Go.Round of 1938" ". Waltz Medley 3. ANGEL Robbin and H _E Flat 1. Close Your Eyes 4. ~HY ~tL.I'er~oUT LOVE? LeU) se 2. Kosher Kitty Kelly From "Life Begins in College" ••• 2. Pal of My Cradle Days Fox Trot Recording • " d by Played by FRANK MILN : :: ARROLL Played by J. MILTON DELCAMP C l~~~I~~~~:io~i~~i.cl~;.~P~oVJ;;;~~tk~~ CORPORATION THE AMPICO CORPORATION ...... IN U ...... E. NEW. YORK. U.S.A. p,' .. ·..====-~E~~GO • 1190~.~y~!f?~~j,oll • A~E~~GO :.:.:'" •" e 0,,1'1 on the 9Jmpico 206441-E 1.25 [JOT use 011/'1 on the 9Jmpic ••• ...... 205473.E 1.25 RECORDING WITH WORDS 6:l593-H ':':': G WlTH WORDS FOR SINGING FOR SINGING ••• AN LOVE CALL YOU FORGOT TO DINNER MUSIC ..... 'Rose Marie" REMEMBER 1. Sweethearts; Series2. Irene;No.23. Alice Blu . ::: Key of F Waltz. Key of F tie~~e5. so~~idT~~e~. ~~~c¥~c~l: ... .•.... Friml Berlin Played by •••••• Y EDGAR FAIRCHILD PI••ed b. .T. MILTON DELCAMP • :':':' ADAM CARROLL Copyright 1924 by •• ••• THE AMPICO CORPORATION THE AMPICONEW YORK.CORPORATV.S.A. ••• .:-:.: • • •• "loa&. ....... • r. • • •• .. ......~ . ...~ . :.:.:. II AM~!~cO II . ::::::...-;:....-:_~ a.rw~O;;3;~:mPi,~.25 ID'Z~tl~~FOR RECORDING WITH WORDS FOR .;.:.; 216253 SINGING AND DANCING ••• I. THINGS ARE LOOKING UP • .• ....:\ YJeigh From "Dam.el in Distru," George G~r.hwin ••••• 2. I'VE GOT MY HEART SET ON yoU "CHARMAINE'." :.:-:. •.•.•..• the Navy From "Ali Baba Goes to Town" Gorclon & Revel ••• • T 3. I CAN'T BE BOTHERED NOW :.:.: X rot From "Damsel in Di.tre••" George GenhuJin Waltz .. F major ••• otterman Fox Trot Recording • •• 0by Played by ROBERT FARQUHAR Rapee·Pollack .•••• ,• •••••• ARDEN C 1937. 1 and 3, Gershwin Pub. Corp.; 2. Robbins Played b,. :-:.:. Mu.ic Corp. HARRY SHIPMAN .'."... MAN MADI IN U.S.A. Assisted :.:.:.I=~~~=~ THE AMPICO C0RJ,;~~A~,~«>,N ••• ::::::=:===iI .,. ~f.!~P ·~~.~J.~\f~~,," II A~f."~P • •• use OI1/Y on the 9Jmpico 203291·E 1.25 [Jor use Oll/Y 011 tlte 9J11,pi ·.. 64373.F 1.50 REC~I~~W~~ '1~Tt~~~PJGFOR RECORDING W'TH WORDS 210363-F . INC WITHOUT WORDS FOR DANCING SAVE THE LAST WALTZ RECORDING WITH WORDS FOR SI :.:-:. al Co~:~y Favorites TWO HEARTS FOR ME WHY DO I LOVE Y ... •" ions Irom 1925 Music Bo~ Revue Waltz "Show Boat" Fox Trot Copyrighted 1931 by Harms. Inc. Waltz ~ Key of C Song .. A Flat •• :.:.:. haceofa Sheltering Tree; 2. The Johnson Hammerstein-Ker .. : e South: 3. Tokio Blues: 4. Tell Her Reisch.. Robinson.. Young.. Stolz ••• '.:.<.< in the Springtime. PI.,.e~ by Played by J. MILTON DEL by J. MILTON DELCAMP Played by HARRY SHIPMAN THE AMPICO CORPORA ••• • ., AMPICO CORPORATION ADAM CARROLL Asst. by C. A. * NEW YORK LON ::: NEW YORK. U.S.A.. 42!, AMER!~~NT!!~.NO~?~PA.~ MADKINU.S.A. • •• .' ::::::::::::::::::::::::::::::::::;:::;:;:;:::::::::;:::::::::::::::::::::::::;:::;:;:::::::;:::;:::;:::::::;:;:;:::::::::::::::::::::::::::::::::::::::::::::::::::::;:;:;::::;::::::::;;::.~:::. THE AMICA NEWS BULLETIN Published by the Automatic Musical Instrument Collectors' Association, a non-profit club devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls. Contributions: All subjects of interest to readers of the bulletin are encouraged and invited by the publisher. All articles must be received by the 15th of the preceding month. Every attempt will be made to publish all articles of general interest to AMICA members at the earliest possible time and at the discretion of the publisher. OFFICERS Advertisements: Personal ads by members are accepted and inserted in the Bulletin Board section at a rate of 5¢ per word, $1.00 minimum, Businesses and persons wishing more space may use the following guidelines: PRESIDENT - Advertising rate is $10 per quarter page or multiple thereof. Frank Loob - Camera-ready copy must reach the publisher by the 15th of the preceding month. VICE-PRESIDENT - All ads will appear on the last pages of the Bulletin, at the George Coade discretion of the publisher. SECRETARY Publication of business advertising in no way implies AMICA's endorsement of any commercial operation. However, AMICA William Reed reserves the right to refuse any ad that is not in keeping with AMICA's general standards or if complaints are received indicating that said business does not serve the best interests of the members BULLETIN of AMICA, according to its goals and by-laws. Hester Zimmennan, Publisher 3550 Ridgebriar Drive Dallas, TX 75234 NEW MEMBERSHIP AND MAILING PROBLEMS Tom Meeder 494 Stanford Place Santa Barbara, CA 93111 TREASURER Bob and Barbara Whitely AUCTION Gar Britten BOARD REPRESENTATIVES Mel Luchetti, Northern California William Mintz, Southern California Jerry Talkington, Texas Please direct 0/1 general correspondence to: AMICA INTERNATIONAL HEADQUARTERS P. O. Box 1169 EI Cerrito, CA 94530 Telephone: 415-237-3813 Page Three A SURVEY OF AMPICO POP ROLLS By Vernon Brown The Ampico pop collector has a DANCING or RECORDING probable that the remainder are, for varied array of music to choose from ­ WITHOUT WORDS FOR DANCING? the most part, pop issues the titles of ragtime from the teens, jazz from the Is the selection labeled FOX TROT, which are as yet unknown. A list of 20s, the sophisticated Milne ON E-STEP, WALTZ, etc.? Is the these numbers appears in graph form arrangements from the 30s. The three selection labeled RECORDING WITH at the end of this survey. "Every decades of Ampico provide eloquent WORDS or RECORDING WITH Ampico owner should check his witness to the development of popular WORDS FOR SINGING or SONG or library for these numbers so that the music in the first part of this century. BALLAD but numbered with other master Ampico catalog now under Much of this music is found in the rolls which Ampico considered to be preparation can be as complete as 20xxxx - 21 xxxx numerical series, but of transient rather than lasting possible. there is another less well-known series interest? of pop rolls with numbers ranging The 2080 pop rolls covered in from 241 xxx to 222xxx, and there are Even with these guidelines, t his survey are played by 110 many pop rolls numbered in other classification is not always easy. The "artists", but many of the names are series. The earliest pop rolls are borderline between pop and non-pop pseudonyms, and in some cases names instrumental (non-word) rolls, and not is sometimes a thin one. Is GENERAL were changed or new names assumed. all 20xxxx rolls are pop rolls. It was PERSHING MARCH labeled A list of all known Ampico pop artists' not until 1922, just two months ONE-STEP a pop roll? Is Rubinstein's names appears at the end of this before the introduction of the black MELODY IN F still a light classic survey. When the known pseudonyms box, that the 20xxxx -21 xxxx series when arranged and played by Arden & and dual names are taken into became exclusively a pop series. As Carroll as a fox trot? Stephen Foster's account, ninety-two artists remain. Ampico pop rolls are by no means and Ernest R. Ball's sentimental The accompanying chart shows who confined to the so-called Pop Series, I ballads were (and are) popular, but are was who. The ten leading artists, propose here to survey all Ampico pop they pop? Should selections from according to number of rolls played, rolls and in so doing to provide, in operettas be grouped with opera are Adam Carroll, Victor Arden, outline form, a means of dating all (classical) or musical comedy (pop)? Is Herbert. Clair, Frank Milne, Vincent such rol-Is, if not exactly, at least a "folk opera" pop or light classic? Lopez, J. Milton Delcamp, Edgar approximately. And what about DINNER MUSIC and Fairchild, Ferdie Grofe, Muriel other rolls that include both pop and Pollock, and Ralph Rainger. Top artist But what is a pop roll? It is in non-pop in medleys? There are a good Adam Carroll played over 500 pop most cases a hit tune at the time of many borderline cases, and for this rolls in solo or four-hand recording. It is in most cases a song. reason, among others, the figures arrangements. Twenty-eight artists And it is in most cases intended for below should not be taken as absolute. played only one roll. dancing. Most pop rolls satisfy all One man's pop may be another man's three of these conditions, some satisfy light classic. Ampico rolls can be divided only one or two, and some may satisfy numerically and historically into five none even though they can hardly be There are also some Ampico roll broad areas: classified as anything but pop. In this numbers for which titles are missing. It survey I have, as nearly as possible, seems certain that some of these followed Ampico practice. Is the roll numbers were never issued, but it is included in Ampico lists of Popular Music or Music for Dancing? Is it excluded from those Ampico catalogs 1912-1915 THE STODDARD-AMPICO ERA which exclude pop? Is the composer 1916-1918 THE EARLY 5xxxx INSTRUMENTAL ERA identifiable as a pop composer? Is the 1918-1921 THE 5xxxx INSTRUMENTAL & 2xxxx pianist identifiable as a pop pianist? Is WORD ROLL ERA the selection labeled RECORDING 1921-1922 THE DATED NUMBER ERA WITH WORDS FOR SINGING OR 1922-1941 THE BLACK BOX-ERA Page Four AN AMPICO WHO WAS WHO PSEUDONYM ACTUALLY Felix Gerdts* Marguerite Volavy* George Kerr Andrei Kmita Howard Brockway* Victor Lane 1922-28 J.
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  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress

    Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress

    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.