RF Cover-4 Pages
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Media Release
For Immediate Release August 12, 2021 36TH ANNUAL GEORGE STREET FESTIVAL GEORGE STREET FESTIVAL ANNOUNCES NIGHT 6 WITH BLUE RODEO - AUGUST 26 TO SEPTEMBER 1 - St. John’s, NL – The George Street Association announces Blue Rodeo for the sixth of seven nights of music for the 36th Annual George Street Festival, 2021. NIGHT 6: Canadian rock legends, Blue Rodeo will play on Tuesday, August 31st with alternative country band, Elliott BROOD. Tickets will be available for purchase online at georgestreetlive.ca/gsf2021/ on Friday, August 13th at noon. This year’s George Street Festival is presented by Bud Light Seltzer with generous support from Bud Light, Lamb’s Rum, NÜTRL, Red Bull, FACTOR & Government of Canada, Delta Hotels, The Newfoundland Herald, NTV, and OZFM. “We are pleased to welcome Blue Rodeo back for another George Street Festival performance,” says Kevin English, Chair of the Board. “This year’s festival has something for everyone. We are working hard with our sponsors and partners to bring festival-goers a great time.” Follow George Street on Facebook, Instagram, Twitter, or the web to stay up-to-date all summer! -30- About Blue Rodeo: In the thirty years since forming, Blue Rodeo have sold over 4 million albums, won countless Juno awards, been inducted into the Canadian Music Hall of Fame, received a star on Canada’s Walk of Fame, been named to the Order of Canada and have been honoured with the Governor General’s Performing Arts Award. Blue Rodeo is: Jim Cuddy (vocals/guitar), Greg Keelor (vocals/guitar), Bazil Donovan (bass), Glenn Milchem (drums/vocals), Mike Boguski (keyboards), Colin Cripps (guitar/vocals). -
Songwriter Mike O'reilly
Interviews with: Melissa Sherman Lynn Russwurm Mike O’Reilly, Are You A Bluegrass Songwriter? Volume 8 Issue 3 July 2014 www.bluegrasscanada.ca TABLE OF CONTENTS BMAC EXECUTIVE President’s Message 1 President Denis 705-776-7754 Chadbourn Editor’s Message 2 Vice Dave Porter 613-721-0535 Canadian Songwriters/US Bands 3 President Interview with Lynn Russworm 13 Secretary Leann Music on the East Coast by Jerry Murphy 16 Chadbourn Ode To Bill Monroe 17 Treasurer Rolly Aucoin 905-635-1818 Open Mike 18 Interview with Mike O’Reilly 19 Interview with Melissa Sherman 21 Songwriting Rant 24 Music “Biz” by Gary Hubbard 25 DIRECTORS Political Correctness Rant - Bob Cherry 26 R.I.P. John Renne 27 Elaine Bouchard (MOBS) Organizational Member Listing 29 Gord Devries 519-668-0418 Advertising Rates 30 Murray Hale 705-472-2217 Mike Kirley 519-613-4975 Sue Malcom 604-215-276 Wilson Moore 902-667-9629 Jerry Murphy 902-883-7189 Advertising Manager: BMAC has an immediate requirement for a volunteer to help us to contact and present advertising op- portunities to potential clients. The job would entail approximately 5 hours per month and would consist of compiling a list of potential clients from among the bluegrass community, such as event-producers, bluegrass businesses, music stores, radio stations, bluegrass bands, music manufacturers and other interested parties. You would then set up a systematic and organized methodology for making contact and presenting the BMAC program. Please contact Mike Kirley or Gord Devries if you are interested in becoming part of the team. PRESIDENT’S MESSAGE Call us or visit our website Martha white brand is due to the www.bluegrassmusic.ca. -
Pressed with Jeremyʼs Directing Skills, Which He Mentioned to Gordon Pinsent, Who Happens to Be His Father-In-Law
SEX AFTER KIDS Run Time: 105 min Canadian Distributor: IndieCan Entertainment 271 Glenholme Avenue, Suite #3 Toronto ON M6E 3C9 p. (416) 898-3456 f. (416) 658-9913 e. [email protected] Producer Contacts: Jeremy LaLonde e. [email protected] p. 416-844-6496 Jennifer Liao e. [email protected] SEX AFTER KIDS Production Notes About the Story When writer and director Jeremy LaLonde (The Untitled Work of Paul Shepard) decided he wanted to move forward with his sophomore feature film, he took a rather unconventional approach. He cast the film and then wrote the script. He says, “Itʼs far easier to write when youʼve got a voice of a character in your head, and even easier when you know exactly who is going to play that part.” And, he also adapted the old adage – write what you know. The idea for Sex After Kids was born out of his own experience. At the time, he had a newborn and a three-year-old, as he said, “Itʼs safe to say that I knew enough about this subject to realize it was pretty fertile ground and that there were probably a decent amount of people who would appreciate a comedy about the subject.” Ultimately to Jeremy, the film can mean different things for different people. “For me,” he says, “itʼs about how relationships are hard and then when you throw in uncontrollable elements it can make them impossible – but thatʼs when people grow. Itʼs about how relationships change over time and how some people have a hard time dealing with that fact.” Shannon Beckner, who plays Jules, shares the same sentiment as Jeremy, she commented, “This film is about the entirely new lives many of us unwittingly start when we bring another human being into our old ones. -
Heart of the City: Music of Community Change in Vancouver, British Columbia's Downtown Eastside Klisala R. Harrison a Dissertati
HEART OF THE CITY: MUSIC OF COMMUNITY CHANGE IN VANCOUVER, BRITISH COLUMBIA'S DOWNTOWN EASTSIDE KLISALA R. HARRISON A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAMME IN ETHNOMUSICOLOGY AND MUSICOLOGY YORK UNIVERSITY, TORONTO, ONTARIO MARCH 2008 Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-90124-3 Our file Notre reference ISBN: 978-0-494-90124-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
FILM: FORD V FERRARI • PERSPECTIVE: PIPELINE APPLICATION SUBMITTED • REAL ESTATE • FREE WILL ASTROLOGY
GREATER HAMILTON’S INDEPENDENT VOICE NOVEMBER 21 — 27, 2019 VOL. 25 NO. 44 Viva FILM: FORD v FERRARI • PERSPECTIVE: PIPELINE APPLICATION SUBMITTED • REAL ESTATE • FREE WILL ASTROLOGY 2 NOVEMBER 21 — 27, 2019 VIEW VIEW NOVEMBER 21 — 27, 2019 3 FILM 16 FORD V FERRARI INSIDE THIS ISSUE NOVEMBER 21 — 27, 2019 07 COVER HOLD’EM QUEEN FORUM 05 PERSPECTIVE Trump MOVIES Visits Hospital 16 REVIEW Ford v Ferrari 06 CATCH Pipeline Application 17 Movie Reviews Submitted 18 REAL ESTATE Time To Sell? MUSIC 19 FREE WILL ASTROLOGY 08 Hamilton Music Notes 11 Live Music Listing COVER ETC. 07 FEATURE Stephanie Dao 18 General Classifieds FOOD 19 Adult Classifieds 10 Dining Guide 370 MAIN STREET WEST, HAMILTON, ONTARIO L8P 1K2 HAMILTON 905.527.3343 FAX 905.527.3721 VIEW FOR ADVERTISING INQUIRIES: 905.527.3343 X102 EDITOR IN CHIEF Ron Kilpatrick x109 [email protected] OPERATIONS DIRECTOR CLASSIFIED ADVERTISING ACCOUNTING PUBLISHER Marcus Rosen x101 Liz Kay x100 Roxanne Green x103 Sean Rosen x102 [email protected] 1.866.527.3343 [email protected] [email protected] [email protected] ADVERTISING DEPT DISTRIBUTION CONTRIBUTORS LISTINGS EDITOR RandA distribution Rob Breszny • Gregory SENIOR CORPORATE Alison Kilpatrick x100 Owner:Alissa Ann latour Cruikshank • Sara Cymbalisty • REPRESENTATIVE [email protected] Manager:Luc Hetu Maxie Dara • Albert DeSantis • Ian Wallace x107 905-531-5564 Darrin DeRoches • Daniel [email protected] HAMILTON MUSIC NOTES [email protected] Gariépy • Allison M. Jones • Tamara Kamermans • Michael Ric Taylor Klimowicz • Don McLean ADVERTISING [email protected] PRINTING • Brian Morton • Ric Taylor • REPRESENTATIVE MasterWeb Printing Michael Terry Al Corbeil x105 PRODUCTION [email protected] [email protected] PUBLICATION MAIL AGREEMENT NO. -
Matthew Capel Thesis 18 September 2007
'Damned If They Do And Damned If They Don't': The Inferiority Complex, Nationalism, and Maclean's Music Coverage, 1967-1995 By Gordon Matthew Donald Capel A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Master of Arts in History Waterloo, Ontario, Canada, 2007 © Gordon Matthew Donald Capel 2007 Author's Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as required by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This thesis critically analyses music coverage in Maclean’s between 1967-1995, and reveals that the magazine continually stressed Canadian music as inferior to that produced by foreign artists. Only during times of intense nationalism were Canadian musicians positively received in its pages. More generally, domestic productions were seen as deficient. The historical components of this investigation reveal an essential irony in the perception of Canadian music during the last four decades of the 20th century. Despite nationalist rhetorics and Maclean's self-appointed title of "Canada's National Newsmagazine," its critics consistently emphasised that Canadian music was of poor quality in the 1967-1995 period. iii Acknowledgements I would like to express my gratitude to all those wonderful people who helped me complete this thesis. First, I must applaud my thesis advisor P. Whitney Lackenbauer for his motivation, discerning eye, and willingness to tell me when something wasn't history. For this confused, stubborn, and excitable grad student, your support cannot be overstated. -
Program Notes Canada Rocks
PROGRAM NOTES CANADA ROCKS Jeans ‘n Classics Wednesday, October 15 @ 8PM Thursday, October 16 @ 8PM Centre In The Square, Kitchener Subject to additional terms and conditions found at saveonenergy.ca. *Incentives are available for installation of eligible equipment completed between Jan. 1, 2014 and Dec. 31, 2014, and must be submitted no later than Feb. 1, 2015. Equipment must be purchased from and installed by a participating contractor. †Replacement furnaces must be high-efciency models with an electronically commutated motor (ECM). ††Annual electricity cost savings are estimated based on past program experience. Funded by the Ontario Power Authority and offered by Kitchener- Wilmot Hydro Inc. A mark of the Province of Ontario protected under Canadian trade-mark law. Used under sublicence. Official Mark of the Ontario Power Authority. Used under licence. REPERTOIRE Haven’t Met You Yet ............................................ Michael Bublé First We Take Manhattan ..................................Leonard Cohen Let Go The Line ...................................................... Max Webster These Eyes ..........................................................The Guess Who Swingin’ Shepherd Blues ...................................... Moe Koffman Pretty Lady ................................................................... Lighthouse After The Gold Rush .................................................. Neil Young Moonlight Desires............................................................. Gowan INTERMISSION Constant Craving -
'This Is an Injustice'
September 14, 2017 / Vol. 53 No. 22 westernnews.ca PM 41195534 Western’s newspaper of record since 1972 ‘This is an SHELTER FROM injustice’ Huron moves to help U.S. THE STORMS immigrants impacted by DACA BY ADELA TALBOT s the United States wrestles with the fate of thousands of its undocumented residents, one Western affiliated college immediately stepped into the fray and offered a helping handA – and a hefty scholarship – to students seeking a way out. Last week, U.S. President Donald Trump formally ended the Deferred Action for Childhood Arrivals program – informally known as DACA – and threw into uncertainty the nearly 800,000 young undocumented immigrants brought to the United States as children the program protected from deportation. The move forces the U.S. Congress to act to preserve the program’s protections before recipients begin losing their status on March 5, 2018. Anticipating the announcement, “We’re trying Huron University College officials moved quickly to establish a $60,000 to inspire kids scholarship for students who could be negatively affected, should as much as DACA be successfully repealed. “We had a similar concern when possible to the travel ban (temporarily block- ing people from six predominantly get involved Muslim countries from entering the United States) was first announced in politics and which, at that time, could have affected our own students and fac- social change.” ulty,” said Barry Craig, Huron Prin- cipal. “In this case, it is unlikely to - Barry Craig affect any of our own, but we still Huron Principal had, essentially, the same humani- tarian concern. -
Blue Rodeo Ebook, Epub
BLUE RODEO PDF, EPUB, EBOOK Jo-Ann Mapson | 336 pages | 01 May 1995 | HarperCollins Publishers Inc | 9780060926359 | English | New York, NY, United States Blue Rodeo PDF Book Lakefront cottages are the dream, but Blue Rodeo fills in for those who do without. Your Globe Build your personal news feed Hide info. Adding to that name is a unique sound. Feb 14, Sandra rated it liked it. Cuff the Duke singer Wayne Petti joined the band onstage, adding his sweet-toned vocals to the harmonious mix. A tale of love between a city girl and a country boy. Cuddy, Keelor, Donovan and Cripps have all released solo albums, and Glenn Milchem performs his own solo music under the pseudonym "the swallows". I love being in that space of writing songs so I just keep writing them. On songs like the excellent Waiting For the World, Sheba, Arizona, In My Bones, the fragile soulfulness of the best country- folk shines through as acoustic guitars, pedal steels and violins pluck at your heartstrings. The band is playing to its strengths, and playing as well as it ever has. Investigations History Featurettes. Crazy Credits. Craft is the operative word, and despite the occasionally sprawling nature of The Things We Left Behind, a double-disc set marking their 13th release not counting solo outings and a greatest hits collection , the package as a whole is surprisingly intimate. It was not until years later, after university, when most of our friends were getting jobs that we decided to start a band. Read our privacy policy to learn more. -
GLOBAL MUSIC by William Shea MAY/JUNE 1999AGENDA11
GLOBAL MUSIC by William Shea MAY/JUNE 1999AGENDA11 Jim Cuddy “All In Time” Jeff Beck Who Else Warners Music Canada 53:19 Epic 53:59 “And the 1999 Juno Award (the Cana- I haven’t listened to Jeff Beck in quite a dian Grammy Awards) winner for Best Male while. After his remarkable 1970’s work with Vocalist is Jim Cuddy for his solo work, ‘All Beatles producer George Martin (particularly In Time’.” “Blow By Blow”), it seems Beck’s music Cuddy and Greg Keelor are Canada’s didn’t gibe with the sounds and actions that most popular (and arguably best) songwriting were taking place in the commercial musical team. Usually fronting the great group, Blue world. His music didn’t rock as much as it Rodeo, this solo release has given Cuddy the oozed. Sure his guitar work was always way chance to record some songs which are harder above average, but his material lacked pro- edged and more fiddle-based than the material pulsion. Or maybe Beck’s material was pro- on Blue Rodeo’s last recording “Tremolo”. pelled by his own sense of musicality, which The result of this musical combination is a was inconsistent with music of the time. This strong countrified album that rocks. seems to make sense. In the seventies Beck’s Blue Rodeo fans won’t be disappointed music fit perfectly on the dance floor even by this work. Of course, Cuddy’s vocals are though it did not force the disco issue. Now first-rate: powerful, melodic with great Beck’s latest, “Who Else”, seems to have twang; the songs are comfortable, catchy, caught the groove again. -
Inaugural out Loud Gala Final Beam in Place Susan Van Wielingen: Why
2014 Report to the Community Inaugural Out Loud Gala Final beam in place Susan Van Wielingen: Why I support NMC Education wins award from AB Museums Association Visit the new nmc.ca amplify 2014 National Music Centre Canadian Music Icons The following artists have agreed to champion the National Music Centre by lending their name, endorsement, brand and talent to our cause: Paul Anka Randy Bachman Jim Cuddy Tommy Banks Paul Brandt Michael Cohl Anne Murray Photo: Stephanie Leblond Jim Cuddy David Foster Oliver Jones Larry LeBlanc Anne Murray Buffy Sainte-Marie Buffy Sainte-Marie Paul Brandt amplify 2014 From the President The past year was also The past year was marked successful in terms of volunteer, by many important donor and sponsor engagement. milestones for growth The result was increases in and celebration at NMC. new dollars pledged to both Construction has moved operations and the capital forward well. We suc- campaign through a myriad of cessfully increased our activities including the inaugural operating budget and Out Loud Gala. operational planning in preparation for the Construction, at the 50% mark new facility. We hosted at year-end, is on track for our inaugural fundrais- completion in spring 2016. ing gala and several other Prominently visible in Calgary’s public celebrations and all East Village, it is generating were highly successful. excitement as its architectural Dear friends, forms begin to take shape. We are grateful to receive enormous support from The past year was one of There’s so much to explore in donors, sponsors, artists inspiring milestones for NMC. -
FACTOR Annual Report 2012-13
We acknowledge the financial support of the Government of Canada through the Department of Canadian Heritage Canada Music Fund and of Canada’s Private Radio Broadcasters. TABLE OF CONTENTS FOR THE FISCAL PERIOD COVERING APRIL 1, 2012 - MARCH 31, 2013 2 MESSAGE FROM THE CHAIR 3 MESSAGE FROM THE PRESIDENT 4 ABOUT THE FOUNDATION Our Mandate and History Our Funding Partners The Nature of Our Funding Overview of 2012-2013 13 OUR PROGRAMS Looking Ahead: Our Programs for 2013 and Beyond Our 2012-2013 Programs New Talent Development Sound Recordings Emerging Talent Sound Recordings Marketing & Promotion Tour & Showcase Support Industry Support Sponsorship Collective Initiatives 22 FUNDING PROCESS Assessment of Applications Juries Our Jurors 26 #FACTORfunded RECOGNITION Canadian Awards Canadian Certifications 33 OUR BOARD OF DIRECTORS 35 OUR TEAM 36 OUR REGIONAL REPRESENTATIVES 37 REQUESTS AND COMMITMENTS BY PROGRAM 38 APPLICATIONS SUBMITTED AND APPROVED BY PROVINCE 40 CONTRIBUTING RADIO BROADCASTERS 41 FINANCIAL RESULTS Requests and Commitments Outstanding Commitments 43 FINANCIAL STATEMENTS We acknowledge the financial support of the Government of Canada through the Department of Canadian Heritage Canada Music Fund and of Canada’s Private Radio Broadcasters. MESSAGE FROM THE CHAIR This year has been filled with significant change and considerable accomplishments, culminating with the launch of our new program and application system FACTOR 2.0 in April 2013. The goal of FACTOR 2.0 was simple: design a system and programs that award funding based on merit, are transparent and easy to use, and reflect the current business models of the Canadian independent music industry. This type of change was long overdue, as FACTOR’s previous funding model was based heavily on out-of-date business practices, which focused primarily on the physical sale of recorded music.