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Essays in Biography
[1933] ESSAYS IN BIOGRAPHY BY JOHN MAYNARD KEYNES NEW EDITION WITH THREE ADDITIONAL ESSAYS EDITED BY GEOFFREY KEYNES The Norton Library W W NORTON & COMPANY INC NEW YORK PREFACE WITH two or three obvious exceptions, these essays are based on direct acquaintance. Most of them were com- posed under the immediate impression of the characters described. They are offered to the reader (except in the case of the 1 as this essay on Robert Malthus ) being of nature not written coolly, long afterwards. In the per- spective of history. The essays on Mr. Lloyd George and on Robert Malthus have not been published previ- ously. References to the sources of the other essays are given in an appendix. In the second section some scattered commentary will be found on the history and progress of economic doctrine; though my main purpose has been bio- graphical. Incidentally, I have sought with some touches ofdetail to bring out the solidarity and historical continuity of the High Intelligentsia of England, who have built up the foundations of our thought in the two and a half centuries, since Locke, in his Essay Concerning Human Understanding, wrote the first modern English book. I relate below (p. 70) the amazing progeny of Sir George Villiers. But the lineage of the High In- telligentsia is hardly less interbred and spiritually inter- mixed. Let the Villiers Connection fascinate the monarch or the mob and rule, or seem to rule, passing events. There is also a pride of sentiment to claim spiritual kinship with the Locke Connection and that 1 [The essays on Jevons and Newton are also exceptions in the present edition,] vl ESSAYS IN BIOGRAPHY long English line, intellectually and humanly linked with one another,, to which the names in my second section belong. -
'The Cause of Bibliomania'
‘The Cause of Bibliomania’ Fine Editions from the Library of Stephen Keynes OBE FLS Type & Forme Twenties No. 2 type & forme twenties no. 2 Introduction This second catalogue in the series ‘Type & Forme Twenties’ is dedicated to fine, bibliophile publications from the library of Stephen Keynes OBE, FLS (1927-2017), the youngest son of the distinguished surgeon, bibliographer, and bibliophile Sir Geoffrey Keynes (1887-1982). Stephen Keynes became a member of the Roxburghe Club in 1978, following his father (elected in 1943), and preceding his brother Quentin Keynes (1987) and nephew Simon Keynes (2004), whose obituary of Stephen is reprinted from The Book Collector in an abridged and revised form at the end of this catalogue. The Roxburghe Club takes its name from John Ker, 3rd ‘one of the greatest book-collectors, not only in English Duke of Roxburghe (1740-1804), whose magnificent library history, but even in the history of the world’ 1 (Spencer was sold by R.H. Evans at an auction of 9,353 lots which would eventually acquire the Boccaccio seven years later, at began on 18 May 1812 and continued for ‘the forty-one the sale of Marlborough’s White Knights library). following days, Sundays Since then, the Club’s excepted’ at the late members have met every owner’s house on St year on or about the 17th James’s Square, London. of June, to toast ‘[t]he The sale realised immortal memory of £23,341, and the John Duke of Roxburghe, highlight was one of of Christopher Valdarfer, Roxburghe’s great printer of the Boccaccio treasures – the Valdarfer of 1471, of Gutenberg, Boccaccio of 1471, which Fust and Schoeffer, the sold on 17 June 1812 for inventors of the art of £2,260 after a dramatic printing, of William bidding war won by George Spencer, Marquess Caxton, Father of the British press, of Dame Juliana Barnes of Blandford (later the 5th Duke of Marlborough), thus and the St Albans Press, of Wynkyn de Worde and Richard establishing a record price for any printed book. -
MODES for Windows Print
Marshall Library of Economics J.N. Keynes Papers Sections 2 - 5 Identity code JNKeynes 2/1 Previous number Keynes 3(37-48) Description level 4 Record creation Date 8.6.1951 (postmark) Place Document form Record type Correspondence Specific type Envelope Language English Acquisition Summary Deposited by Mrs. J.N. [Florence Ada] Keynes Content Summary Envelope addressed to Mrs. F.A. Keynes, J.P., but address crossed out. Annotated in ink, in Mrs. Keynes's hand, "Letters in reference to 'Formal Logic' by J.N.K." Once contained letters now numbered JNKeynes 2/2 - 2/13. Free field Subject keywords JNKeynes - Studies and Exercises in Formal Logic Physical descript Summary Brown manila envelope, 229 mm x 151 mm Condition Somewhat creased; small tear and small red stain on reverse Identity code JNKeynes 2/2 Previous number Keynes 3(38) Description level 4 Record creation Person Role Writer Name Bryant, Sophie Descriptor Doctor of Science, Moral Science branch, London University Person Role Recipient Name Keynes, John Neville Descriptor Lecturer in Moral Science, Cambridge University Date 10.4.1884 Place London, N., 2 Anson Road Document form Record type Correspondence Specific type Letter Language English Acquisition Summary Deposited by Mrs. J.N. [Florence Ada] Keynes Content Summary Thanks Keynes for sending her copy of ['Studies and Exercises in] Formal Logic'. Compliments him on methodology. Subject keywords JNKeynes - Studies and Exercises in Formal Logic Physical descript Summary 1 sheet; 3 pp. text Condition Sound Publication record Type Reference Identity code JNKeynes 2/3 Previous number Keynes 3(37) Description level 4 Record creation Person Role Writer Name d'Alfonso, Nicolo Descriptor Professor of Philosophy Person Role Recipient Name Keynes, John Neville Descriptor Lecturer in Moral Science, Cambridge University Date 5.6.1886 Place Italy, Santa Severina di Calabria Document form Record type Correspondence Specific type Letter Language French Acquisition Summary Deposited by Mrs. -
Diplomacy & Statecraft JM Keynes and the Personal Politics of Reparations
This article was downloaded by: [Professor Stephen Schuker] On: 23 November 2014, At: 19:47 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Diplomacy & Statecraft Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/fdps20 J.M. Keynes and the Personal Politics of Reparations: Part 1 Stephen A. Schuker Published online: 30 Aug 2014. To cite this article: Stephen A. Schuker (2014) J.M. Keynes and the Personal Politics of Reparations: Part 1, Diplomacy & Statecraft, 25:3, 453-471, DOI: 10.1080/09592296.2014.936197 To link to this article: http://dx.doi.org/10.1080/09592296.2014.936197 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
Gilbert's St George Brings
To print, your print settings should be ‘fit to page size’ or ‘fit to printable area’ or similar. Problems? See our guide: https://atg.news/2zaGmwp 7 1 -2 0 2 1 9 1 ISSUE 2474 | antiquestradegazette.com | 9 January 2021 | UK £4.99 | USA $7.95 | Europe €5.50 S E E R 50years D koopman rare art V A I R N T antiquesantiques tradetrade G T H E KOOPMAN (see Client Templates for issue versions) Paul de Lamerie, 1737 THTHEE ARARTT MM ARKE ARKETT WWEEKLYEEKLY [email protected] +44 (0)20 7242 7624 www.koopman.art Sotheby’s outpaces Gilbert’s Christie’s across St George ‘transformative’ year by Laura Chesters brings Sotheby’s edged ahead of Christie’s in terms of annual turnover in 2020, with private and online sales helping both firmsoffset declines in totals £1m from live auctions. Sotheby’s reported turnover for the year at $5bn (£3.6bn), a 4% rise on 2019 – when total sales were $4.8bn (£3.5bn). In contrast, Christie’s reported a fall Art historian Richard of 25% in its total sales on the previous year, to £3.4bn Dorment, curator of ($4.4bn) in 2020. Charles F Stewart, Sotheby’s CEO, said: “In a matter the exhibition Alfred Gilbert: of months, our worldwide team united to implement a Sculptor and Goldsmith at sweeping set of transformative changes to our business, the Royal Academy of Arts in many of which will continue long after the pandemic is 1986, described this parcel behind us. Following these innovations, we ended the gilt bronze as “that rare Continued on page 4 thing, a fully documented Gilbert cast from the 1890s”. -
The Posthumanistic Theater of the Bloomsbury Group
Maine State Library Digital Maine Academic Research and Dissertations Maine State Library Special Collections 2019 In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group Christina A. Barber IDSVA Follow this and additional works at: https://digitalmaine.com/academic Recommended Citation Barber, Christina A., "In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group" (2019). Academic Research and Dissertations. 29. https://digitalmaine.com/academic/29 This Text is brought to you for free and open access by the Maine State Library Special Collections at Digital Maine. It has been accepted for inclusion in Academic Research and Dissertations by an authorized administrator of Digital Maine. For more information, please contact [email protected]. IN THE MOUTH OF THE WOOLF: THE POSTHUMANISTIC THEATER OF THE BLOOMSBURY GROUP Christina Anne Barber Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy August, 2019 ii Accepted by the faculty at the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. COMMITTEE MEMBERS Committee Chair: Simonetta Moro, PhD Director of School & Vice President for Academic Affairs Institute for Doctoral Studies in the Visual Arts Committee Member: George Smith, PhD Founder & President Institute for Doctoral Studies in the Visual Arts Committee Member: Conny Bogaard, PhD Executive Director Western Kansas Community Foundation iii © 2019 Christina Anne Barber ALL RIGHTS RESERVED iv Mother of Romans, joy of gods and men, Venus, life-giver, who under planet and star visits the ship-clad sea, the grain-clothed land always, for through you all that’s born and breathes is gotten, created, brought forth to see the sun, Lady, the storms and clouds of heaven shun you, You and your advent; Earth, sweet magic-maker, sends up her flowers for you, broad Ocean smiles, and peace glows in the light that fills the sky. -
Economics 390S.03 Keynes in Context Syllabus: Spring 2013 Professor E. Roy Weintraub Office: Social Sciences 07D; Phone (And
Economics 390S.03 Keynes in Context Syllabus: Spring 2013 Professor E. Roy Weintraub Office: Social Sciences 07D; Phone (and voice mail): 660-1838; E-mail: [email protected] This seminar will examine the life and work of one of the most important figures of the twentieth century, John Maynard Keynes. The context of the development of Keynes's thought in late Victorian Cambridge, and the influence of Moore and the Apostles, and Alfred Marshall, sets the stage for an examination of Keynes's emerging role as government advisor, journalist, teacher, and economist. The seminar will study, in addition to his economic writings, his connections to the Bloomsbury Group and his non-economic writings, both political and biographical. The emergent focus will be Keynes's influential General Theory of Employment, Interest, and Money, its intellectual background, and its consequences. Each student should purchase the single volume paperback abridgement (of his three volume biography of Keynes) by Lord Robert Skidelsky titled John Maynard Keynes 1883-1946: Economist, Statesman, Philosopher. There are additional readings from Keynes’s book Essays in Persuasion (paperback), which is also available at the Duke bookstore. Students should also purchase Skidelsky’s 2009 paperback (or Kindle) book Keynes: The Return of the Master or Skidelsky’s and Skidelsky’s 2012 paperback (or Kindle) book How Much Is Enough? Other readings will be linked at the Course Materials section on the course’s Sakai site. The class will meet twice a week. Each class will be organized as a discussion about the weekly readings. Generally the first class in the week will discuss the Skidelsky reading, while the second class will discuss the other reading for that week. -
Diaghilev and London
Diaghilev and London, A Talk by Graham Bennett, Crouch End and District U3A member We are not exactly the best of friends with Russia these days - But just over a century ago, Russia exported something that actually transformed the cultural life of London. This talk is about a quite extraordinary Russian Impresario and two equally extraordinary women who were part of his project The project was a Russian Dance Company that created a revolution in the world of dance, and London was to play a big part in its success. This company is the Ballet Russes. The impresario is Serge Diaghilev, born in 1872 in Perm in deepest Russia, who would create the Ballet Russes. Lydia Lopokova from St Petersburg, born in 1892, one of Diaghilev's star ballerinas. And last but not least, our very own Hilda Munnings from Wanstead in East London, born in 1896. Also to become a vitally important member of the company The story starts in St Petersburg in 1901, the heart of the Russian Empire, at the famous Mariinsky Theatre. Their choreographer Marius Petipa and composer Tchaikovsky had already created masterpieces such as The Sleeping Beauty, The Nutcracker and Swan Lake. These are such familiar names to us today but they were virtually unknown outside Russia at that time. Over in England we were still having a jolly knees up and sing-along at the Music Hall and even in France, ballet had degenerated to a pale shadow of its former glory. In 1901, Lydia Lopokova, just 9 years old, auditioned for a place at the prestigious Imperial Theatre School in St Petersburg. -
Download Chapter (PDF)
A Bloomsbury Chronology 1866 Roger Fry born 1877 Desmond Maccarthy born 1879 E.M. Forster born Vanessa Stephen born 1880 Lytton Strachey born Thoby Stephen born Saxon Sydney-Turner born Leonard Woolf born 1881 Clive Bell born 1882 Virginia Stephen born Mary Warre-Cornish born 1883 J.M. Keynes born Adrian Stephen born 1885 Duncan Grant born Roger Fry enters King's College, Cambridge 1888 Roger Fry obtains a First Class honours in natural sciences and decides to study painting xx A Bloomsbury Chronology 1892 Roger Fry studies painting in Paris David Garnett born 1893 Dora Carrington born 1894 Roger Fry gives university extension lectures at Cambridge mainly on Italian art Desmond Maccarthy enters Trinity College, Cambridge 1895 Death of Mrs Leslie Stephen Virginia Stephen's first breakdown 1896 Roger Fry and Helen Coombe married 1897 E.M. Forster enters King's College, Cambridge Desmond MacCarthy leaves Trinity College Virginia Stephen attends Greek and history classes at King's College, London 1899 Roger Fry: Giovanni Bellini Clive Bell, Thoby Stephen, Lytton Strachey, Saxon Sydney-Turner, Leonard Woolf all enter Trinity College, Cambridge The Midnight Society - a 'reading society' - founded at Trinity by Bell, Sydney-Turner, Stephen, and Woolf 1900 Roger Fry gives university extension lectures on art at Cambridge 1go1 Roger Fry becomes art critic for the Athenaeum Vanessa Stephen enters the Royal Academy Schools E.M. Forster leaves Cambridge, travels in Italy and Greece, begins A Room with a View 1902 Duncan Grant attends the Westminster Art School Leonard Woolf, Saxon Sydney-Turner, and Lytton Strachey elected to 'The A Bloomsbury Chronology XXI Apostles' (older members include Roger Fry, Desmond MacCarthy, E.M. -
1 John Neville Keynes Heinrich Bortis
1 John Neville Keynes Heinrich Bortis John Neville Keynes (1852–1949) has, in association with Alfred Marshall and his son John Maynard, decisively shaped the development of economic theory from the late nineteenth century to the early twenty-first century. He started lecturing on formal logic at Pembroke College (Cambridge) in the 1870s (Deane 2001, ch. 3),1 became a university lecturer in his preferred subject, political economy, within the framework of the moral sciences (ch. 5). The return of Alfred Marshall as professor of political economy severely limited his possibilities in this field and confined his teaching of political economy to an elementary course for Indian Civil Service candidates (Deane 1987). Given this, he increasingly turned to academic administration where he was associated with the reform of the moral sciences tripos 1885–97 and the creation of an economics tripos 1897–1908 (Deane 2001, ch. 8) to finally occupy the top bureaucratic post, University Registrar, from 1910 to 1925 (ch. 7). Let us now consider Neville Keynes’s activities and assess, in a final section, the results of his direct and indirect influence on the development of economic theory. LECTURING AND WRITING ON FORMAL LOGIC Neville Keynes was not a charismatic lecturer. However, students ‘found his methodi- cal, clearheaded approach to formal logic particularly helpful when preparing for examinations. They were often explicitly grateful for the time and effort he put into giving advice and detailed explanations’ (Deane 2001, p. 115). In mid-1883 he felt sufficiently in control of his material on formal logic to write a students’ manual which was published as Studies and Exercises on Formal Logic early in 1884. -
Lynn Garafola Most Fruitful Experiments in His Company's History
• ON 11 JANUARY 1916 DIAGHILEV and his Ballets Russessteamed into New York harbor for the first of two lengthy tours of the United States. Both began in New York, THE then crisscrossed the country, giving Americans in no fewer than fifty-one cities a taste of Diaghilev's fabled entertainment. The company that made these 1916-1917 tours was BALLETS RUSSES different from the one Europeans knew. There were few stars and many new faces and a repertory that gave only a hint of Diaghilev's growing experimentalism. The Ballets Russes IN AMERICA never triumphed in the United States, as it had in Europe, nor did it immediately influence the course of American ballet. But the tours set in motion changes within the Ballets Russes itself that had lasting consequences. Thanks to American dollars, Diaghilev rebuilt the company temporaril y disbanded by World War I while conducting some of the Lynn Garafola most fruitful experiments in his company's history. Those sa me dollars paid for the only ballet to have its premiere in the New World-Vaslav Nijinsky's Till Eulenspiegel. In size, personnel, and social relations, the Ballets Russes of the American tours marked the bi rth of Diaghilev's postwar company. Diaghilev had long toyed with the idea of an American tour. But only in 1914, when debt threatened the very life of his enterprise, did he take steps to convert the idea into a reality. "Have had several interviews ... Diaghileff about Ballet for New York," Addie Kahn wired her husband, Otto, chairman of the Metropolitan Opera's board of directors, from London on 18 July 1914: [Is] most insistent troupe shou ld go America this winter for urgent reasons too complicated to cable upon which largely depend continuance of organization. -
Alphabet B Ooks Book Beautiful Cambridge Dodgson
a l phabet b ooks the b ook beautiful ambridge c odgson d from the library of christopher hogwood BERNARD QUARITCH LTD 40 SOUTH AUDLEY STREET, LONDON W1K 2PR +44 (0)20 7297 4888 [email protected] www.quaritch.com For enquiries about this catalogue, please contact: Anke Timmermann ([email protected]) or Mark James ([email protected]) Bankers: Barclays Bank PLC, 1 Churchill Place, London E14 5HP Sort code: 20-65-82 Swift code: BARCGB22 Sterling account IBAN: GB98 BARC 206582 10511722 Euro account IBAN: GB30 BARC 206582 45447011 US Dollar account IBAN: GB46 BARC 206582 63992444 Mastercard, Visa and American Express accepted. VAT number: GB 840 1358 54 Cheques should be made payable to: Bernard Quaritch Limited. List 2016/17 © Bernard Quaritch Ltd 2016 christopher hogwood cbe (1941- 0114 Throughout his 50-year career, conductor, musicologist and keyboard player Christopher Hogwood applied his synthesis of scholarship and performance with enormous artistic and popular success. Spearheading the movement that became known as ‘historically-informed performance’, he promoted it to the mainstream through his work on 17th- and 18th-century repertoire with the Academy of Ancient Music, and went on to apply its principles to music of all periods with the world’s leading symphony orchestras and opera houses. His editions of music were published by the major international houses, and in his writings, lectures and broadcasts he was admired equally for his intellectual rigour and his accessible presentation. Born in Notingham, Christopher was educated at Notingham High School, The Skinners' School, Royal Tunbridge Wells, and Pembroke College, University of Cambridge, where he read Classics and Music.