Essays in Biography
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'The Cause of Bibliomania'
‘The Cause of Bibliomania’ Fine Editions from the Library of Stephen Keynes OBE FLS Type & Forme Twenties No. 2 type & forme twenties no. 2 Introduction This second catalogue in the series ‘Type & Forme Twenties’ is dedicated to fine, bibliophile publications from the library of Stephen Keynes OBE, FLS (1927-2017), the youngest son of the distinguished surgeon, bibliographer, and bibliophile Sir Geoffrey Keynes (1887-1982). Stephen Keynes became a member of the Roxburghe Club in 1978, following his father (elected in 1943), and preceding his brother Quentin Keynes (1987) and nephew Simon Keynes (2004), whose obituary of Stephen is reprinted from The Book Collector in an abridged and revised form at the end of this catalogue. The Roxburghe Club takes its name from John Ker, 3rd ‘one of the greatest book-collectors, not only in English Duke of Roxburghe (1740-1804), whose magnificent library history, but even in the history of the world’ 1 (Spencer was sold by R.H. Evans at an auction of 9,353 lots which would eventually acquire the Boccaccio seven years later, at began on 18 May 1812 and continued for ‘the forty-one the sale of Marlborough’s White Knights library). following days, Sundays Since then, the Club’s excepted’ at the late members have met every owner’s house on St year on or about the 17th James’s Square, London. of June, to toast ‘[t]he The sale realised immortal memory of £23,341, and the John Duke of Roxburghe, highlight was one of of Christopher Valdarfer, Roxburghe’s great printer of the Boccaccio treasures – the Valdarfer of 1471, of Gutenberg, Boccaccio of 1471, which Fust and Schoeffer, the sold on 17 June 1812 for inventors of the art of £2,260 after a dramatic printing, of William bidding war won by George Spencer, Marquess Caxton, Father of the British press, of Dame Juliana Barnes of Blandford (later the 5th Duke of Marlborough), thus and the St Albans Press, of Wynkyn de Worde and Richard establishing a record price for any printed book. -
MODES for Windows Print
Marshall Library of Economics J.N. Keynes Papers Sections 2 - 5 Identity code JNKeynes 2/1 Previous number Keynes 3(37-48) Description level 4 Record creation Date 8.6.1951 (postmark) Place Document form Record type Correspondence Specific type Envelope Language English Acquisition Summary Deposited by Mrs. J.N. [Florence Ada] Keynes Content Summary Envelope addressed to Mrs. F.A. Keynes, J.P., but address crossed out. Annotated in ink, in Mrs. Keynes's hand, "Letters in reference to 'Formal Logic' by J.N.K." Once contained letters now numbered JNKeynes 2/2 - 2/13. Free field Subject keywords JNKeynes - Studies and Exercises in Formal Logic Physical descript Summary Brown manila envelope, 229 mm x 151 mm Condition Somewhat creased; small tear and small red stain on reverse Identity code JNKeynes 2/2 Previous number Keynes 3(38) Description level 4 Record creation Person Role Writer Name Bryant, Sophie Descriptor Doctor of Science, Moral Science branch, London University Person Role Recipient Name Keynes, John Neville Descriptor Lecturer in Moral Science, Cambridge University Date 10.4.1884 Place London, N., 2 Anson Road Document form Record type Correspondence Specific type Letter Language English Acquisition Summary Deposited by Mrs. J.N. [Florence Ada] Keynes Content Summary Thanks Keynes for sending her copy of ['Studies and Exercises in] Formal Logic'. Compliments him on methodology. Subject keywords JNKeynes - Studies and Exercises in Formal Logic Physical descript Summary 1 sheet; 3 pp. text Condition Sound Publication record Type Reference Identity code JNKeynes 2/3 Previous number Keynes 3(37) Description level 4 Record creation Person Role Writer Name d'Alfonso, Nicolo Descriptor Professor of Philosophy Person Role Recipient Name Keynes, John Neville Descriptor Lecturer in Moral Science, Cambridge University Date 5.6.1886 Place Italy, Santa Severina di Calabria Document form Record type Correspondence Specific type Letter Language French Acquisition Summary Deposited by Mrs. -
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A Bloomsbury Chronology 1866 Roger Fry born 1877 Desmond Maccarthy born 1879 E.M. Forster born Vanessa Stephen born 1880 Lytton Strachey born Thoby Stephen born Saxon Sydney-Turner born Leonard Woolf born 1881 Clive Bell born 1882 Virginia Stephen born Mary Warre-Cornish born 1883 J.M. Keynes born Adrian Stephen born 1885 Duncan Grant born Roger Fry enters King's College, Cambridge 1888 Roger Fry obtains a First Class honours in natural sciences and decides to study painting xx A Bloomsbury Chronology 1892 Roger Fry studies painting in Paris David Garnett born 1893 Dora Carrington born 1894 Roger Fry gives university extension lectures at Cambridge mainly on Italian art Desmond Maccarthy enters Trinity College, Cambridge 1895 Death of Mrs Leslie Stephen Virginia Stephen's first breakdown 1896 Roger Fry and Helen Coombe married 1897 E.M. Forster enters King's College, Cambridge Desmond MacCarthy leaves Trinity College Virginia Stephen attends Greek and history classes at King's College, London 1899 Roger Fry: Giovanni Bellini Clive Bell, Thoby Stephen, Lytton Strachey, Saxon Sydney-Turner, Leonard Woolf all enter Trinity College, Cambridge The Midnight Society - a 'reading society' - founded at Trinity by Bell, Sydney-Turner, Stephen, and Woolf 1900 Roger Fry gives university extension lectures on art at Cambridge 1go1 Roger Fry becomes art critic for the Athenaeum Vanessa Stephen enters the Royal Academy Schools E.M. Forster leaves Cambridge, travels in Italy and Greece, begins A Room with a View 1902 Duncan Grant attends the Westminster Art School Leonard Woolf, Saxon Sydney-Turner, and Lytton Strachey elected to 'The A Bloomsbury Chronology XXI Apostles' (older members include Roger Fry, Desmond MacCarthy, E.M. -
Geoffrey Keynes Exhibit
TH.E LIFE OF William Harvey BY GEOFFREY KEYNES, Kt. A BIBLIOGRAPHY OF Dr. Robert Hookf BY GEOFFREY KEYNES, Kt. M.A., M.D., D.Litt., LL.D. OXFORD cA't the Clarendon 'Press 1960 \ Bl()LOGlCAL CONS1DERA11ON OF J1 REAT1VIENT OF BREAST CANCER By GEORGE CRlLE. Jr., .\I.D., F.A.C..S. 1 frarl , Depar/111, nt of Cu1cml S111gcry Clt·11e/1111tl C:li111 c c1,-, ,,·ft1111t, Ohio TO SIR (,FOFFRF\' KF.\'i\FS, \\ lio-,t· wisdom and r, ll csight made lii111 the li1s1 to 1esist t lie 11 t·11d to\\'anl-. C\ t·r 111orc 1.11li1al t1t'at111c11t of lnt'a'>l l ;till t'l'. Cll.\Rl l.~ C 1110 .\1 .\ ."1 I' l ' BL IS II ER '/ni11g/idtl 11/i,wi, • l .S.. ~. Tl-IE GATES O F M E MORY ( 'nhar //11 (,'a/e, 1!/ .\/1·11101)': look 11/)()ll 11/l' .\°o/ ll.1 a1wlher, bu/ !hr. rwl Se!{. I a111 thy. Spec/re \ \'illi:1111 Bbkt·: '/ he F11111 ,:::11111 :\igl11 1l1t· SnT111h. li11l's :{ ~7 B I q/11 SIR GEOFFREY KEYNES 25 March 1887 - 5 July 1982 Keynes spent most of his long life between Cambridge and London, and is remembered as a great surgeon and a great bibliographer and bibliophile, like Harvey Cushing before him. In medicine he did pioneering work in blood transfusion as an officer in the Royal Army Medical Corps, 1914-1918. During the 1920s, as assistant to Sir Berkeley Moynihan and as Assistant Surgeon at St Bart's, he abandoned the orthodox radical operation for breast cancer in favor of conservative surgery and radium treatment. -
Blake, Bacon, Dante, and Sir Geoffrey Keynes Robert F
Criticism Volume 1 | Issue 3 Article 7 1959 Blake, Bacon, Dante, and Sir Geoffrey Keynes Robert F. Gleckner Wayne State University Follow this and additional works at: http://digitalcommons.wayne.edu/criticism Recommended Citation Gleckner, Robert F. (1959) "Blake, Bacon, Dante, and Sir Geoffrey Keynes," Criticism: Vol. 1: Iss. 3, Article 7. Available at: http://digitalcommons.wayne.edu/criticism/vol1/iss3/7 Book Reviews ROBERT F. GLECKNER' Blake, Bacon, Dante, and Sir Geoffrey Keynes Tbe Complete Writings of William Blake, ed. Geoffrey Keynes. London: None such; New York: Random House, 1957. Pp. xv + 936. $12.50. One of the outstanding features of the recent Blake Bicentenary was the publication by the Nonesuch Press of Sir Geoffrey Keynes' completely revised edition of The Complete Writings of William Blake. Designed by Francis Meynell, beautifully produced by William Clowes and Sons on specially made paper, the book itself is an impressive achievement; at the same time it makes available to a wide public for the first time a complete variorum text with notes. To praise the work as indispensable to readers and students of Blake, then, would be to labor the obvious. Of greater interest to us here are the differences between this edition and Sir Geoffrey's earlier three-volume edition (Nonesuch Press, 1925). These differences may be discussed under three major headings: (1) addi tions to the Blake canon made since 1925, including further deciphering of Blake's manuscript deletions; (2) revisions of Keynes' earlier readings and datings; (3) omissions of material, especially illustrations, included in the three-volume edition, which helped to make that monumental work, in Keynes' own words, "a tribute to Blake's genius which has not been superseded." il Such a comparison, I hasten to admit, is unfair. -
Biography and Autobiography at the Hogarth Press
Biography and Autobiography at the Hogarth Press by Claire Battershill A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of English University of Toronto © Copyright by Claire Battershill 2012 Biography and Autobiography at the Hogarth Press Claire Battershill Doctor of Philosophy Department of English University of Toronto 2012 Abstract The subject of this thesis is the biographies and autobiographies published by Leonard and Virginia Woolf’s Hogarth Press between 1917 and 1946. I combine several areas of scholarly inquiry – biography and autobiography studies, modernist studies, book history, and the history of reading – in order to examine the intersections between literary and textual constructions of genre and the role of categorization in the book trade. My central argument is that diversity, as both the policy and the product of the Hogarth Press, allowed a multitude of voices, methodologies, perspectives, and subjects to co-exist at one publishing house and produced a body of works that goes far beyond the small circle of Bloomsbury with which it is usually associated. The variety of the Hogarth Press’s publications meant that its approach to genre was one of hybridity, oscillation, and ambivalence, but one that nevertheless found ways to position complicated works in the category-oriented world of the book trade. Drawing from unpublished archival materials in order to uncover relationships between authors, readers, publishers, booksellers, literary agents, book clubs, and critics, I argue that the Hogarth Press’s practices in publishing biographies and autobiographies informed the Woolfs’ writings about the importance and role of the genres in the context of literary modernism. -
BRINGING BOOKS to the PUBLIC: BRITISH INTELLECTUAL WEEKLY PERIODICALS, 1918-1939 by M. Elizabeth Dickens a Thesis Submitted In
BRINGING BOOKS TO THE PUBLIC: BRITISH INTELLECTUAL WEEKLY PERIODICALS, 1918-1939 by M. Elizabeth Dickens A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto © Copyright by M. Elizabeth Dickens 2010 Abstract BRINGING BOOKS TO THE PUBLIC: BRITISH INTELLECTUAL WEEKLY PERIODICALS, 1918-1939 M. Elizabeth Dickens Doctor of Philosophy Department of English and Collaborative Program in Book History and Print Culture University of Toronto 2010 My dissertation investigates the role of intellectual weekly periodicals such as the Nation and Athenaeum and the New Statesman as mediators between the book trade and the audience for so-called serious books. The weeklies offer a productive lens through which to examine the labels commonly applied to early twentieth-century intellectual culture. The rise of a mass reading public and the proliferation of print in this period necessitated cultural labels with a sorting function: books, periodicals, and people were designated as "highbrow," "middlebrow," "modernist," "Georgian," "Bloomsbury." Through an analysis of the intellectual weeklies, a periodical genre explicitly devoted to the appraisal of intellectual culture, I argue for a critical revaluation of cultural labels as they were used in the early twentieth century and as they have been adopted in later scholarship. Using quantitative methodologies influenced by book history, Chapter One argues that the weeklies' literary content was characterized by the periodicals' reciprocal relationship with the book trade: publishers were the weeklies' most significant advertisers, and the weeklies, in turn, communicated information about new books to their book-interested readers. Through an analysis of two series of articles published in the Nation and Athenaeum in the mid-1920s, Chapter Two considers the weeklies' negotiation of their dual roles as forums for public debate about intellectual culture and ii advertising partners with the book trade. -
History of Bloodletting
J R Coll Physicians Edinb 2014; 44:72–7 Paper http://dx.doi.org/10.4997/JRCPE.2014.117 © 2014 Royal College of Physicians of Edinburgh The demise of bloodletting DP Thomas Retired Haematologist, London, UK ABSTRACT Bloodletting was a practice favoured by doctors and barber-surgeons Correspondence to DP Thomas for many centuries, and is now, perhaps surprisingly, still employed for a few The Old Barn North Green specific indications. The effectiveness of bloodletting for treating diseases such as Kirtlington Oxford pneumonia was convincingly challenged in the mid-nineteenth century, but OX5 3JZ, UK medical conservatism ensured the practice continued well into the twentieth century. As late as 1942, a famous medical textbook considered bloodletting e-mail [email protected] appropriate treatment for pneumonia. KEYWORDS Bloodletting, lancets, pneumonia, leeches, transfusion DECLARATIONS OF INTERESTS No conflicts of interest declared. THE HISTORY OF BLOODLETTING Bloodletting, the taking of blood from a patient with therapeutic intent, was a practice carried out over millennia.1 Ancient Greek vases depict a physician performing bloodletting, and Hippocrates and Galen both recommended the practice. The rationale for bloodletting, in so far as it had any, was based on the ancient belief of the existence of four humours, namely blood, phlegm, black bile and yellow bile, and that an imbalance of any of these could lead to illness. Various instruments were used to remove blood from the superficial veins, from simple syringes or lancets, to spring-loaded lancets, fleams (Figure 1) and multi-bladed scarificators. The amount of blood removed depended on the condition of the FIGURE 2 A seventeenth century Flemish painting by Jan patient, as well as the practice of the doctor, and varied Horemans showing a barber-surgeon with his young assistant from relatively small amounts to litres of blood over bleeding a woman, while the attending physician examines her several days. -
1507: the Well-Dressed Civil Servant. Eddie Marsh, Rupert
C THE WELL- DRESSED CIVIL SERVANT CATALOGUE 1507: MAGGS BROS LTD. Eddie Marsh with Winston Churchill, in 1907. the well-dressed civil servant Rupert Brooke Eddie Marsh Christopher Hassall & their friends Catalogue 1507 MAGGS BROS LTD 48 Bedford Square, London WC1B 3DR www.maggs.com +44 (0) 20 3906 7069 An introduction to Edward Marsh This catalogue is from the library of John Schroder. His first purchase of a book by Rupert Brooke was made in Cambridge in 1939, and provided the impetus for the cre- ation of a collection initially focused on Brooke himself, but which soon expanded to include Brooke’s friend and biographer Eddie Marsh, and Marsh’s friend and biogra- pher Christopher Hassall: consequently to a certain extent the collection and catalogue revolves around the figure of Marsh himself, reinforced when Schroder was able to buy all of Brooke’s correspondence to Marsh, now at King’s College Cambridge. Schroder celebrated the collection in the handsome catalogue printed for him by the Rampant Lions Press in 1970. Marsh, the Well-Dressed Civil Servant, was a dapper, puck- ish and popular figure in the drawing rooms of Edwardian and Georgian England. He was very clever and highly edu- cated, well-connected, courteous, amiable and witty, and was a safe single man at a house or dinner party, especially one in need of a tame intellectual. For his part, he loved the mores of the unconventional upper-classes of England, the Barings, Lyttons, Custs, Grenfells and Manners, although he himself was not of the aristocracy, but of “the official class”. -
ARCHIVES and SPECIAL COLLECTIONS QUEEN ELIZABETH II LIBRARY MEMORIAL UNIVERSITY, ST
ARCHIVES and SPECIAL COLLECTIONS QUEEN ELIZABETH II LIBRARY MEMORIAL UNIVERSITY, ST. JOHN'S, NL Richard Keynes collection MF-394 Website: Archives and Special Collections Author: Amanda Jamieson Date: 2001 Scope and Content: This fonds consists of pages from a diary kept by Richard Keynes. In it he documents his attempted visit to Funk Island, Newfoundland, in 1939 in order to make a census of the small gannet colony there. While on Funk Island, Keynes and his friend, Oliver Davies, hoped to find Great Auk bones which they planned to sell in order to further finance their North American expedition to survey its entire gannet population. Custodial History: The contents of this fonds were acquired from Richard Keynes on June 12, 1991. Restrictions: There are no restrictions on access, however, copyright rules and regulations apply. All patrons should be aware that copyright regulations state that any copy of archival material is to be used solely for the purpose of research or private study. Any use of the copy for any other purpose may require the authorization of the copyright owner. It is the patron's responsibility to obtain such authorization. Biography or History: Richard Darwin Keynes was born in London, England on August 14, 1919, the eldest son of Sir Geoffrey Keynes and Margaret Elizabeth Darwin, grand-daughter of Charles Darwin. Keynes received his early schooling at Oundle School. His university education at Trinity College, Cambridge University, was interrupted by World War II. During the war, Keynes served as temporary experimental officer, with the HM Anti-Submarine Establishment and Admiralty Signals Establishment. -
Biography and Autobiography at the Hogarth Press
Biography and Autobiography at the Hogarth Press by Claire Battershill A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of English University of Toronto © Copyright by Claire Battershill 2012 Biography and Autobiography at the Hogarth Press Claire Battershill Doctor of Philosophy Department of English University of Toronto 2012 Abstract The subject of this thesis is the biographies and autobiographies published by Leonard and Virginia Woolf’s Hogarth Press between 1917 and 1946. I combine several areas of scholarly inquiry – biography and autobiography studies, modernist studies, book history, and the history of reading – in order to examine the intersections between literary and textual constructions of genre and the role of categorization in the book trade. My central argument is that diversity, as both the policy and the product of the Hogarth Press, allowed a multitude of voices, methodologies, perspectives, and subjects to co-exist at one publishing house and produced a body of works that goes far beyond the small circle of Bloomsbury with which it is usually associated. The variety of the Hogarth Press’s publications meant that its approach to genre was one of hybridity, oscillation, and ambivalence, but one that nevertheless found ways to position complicated works in the category-oriented world of the book trade. Drawing from unpublished archival materials in order to uncover relationships between authors, readers, publishers, booksellers, literary agents, book clubs, and critics, I argue that the Hogarth Press’s practices in publishing biographies and autobiographies informed the Woolfs’ writings about the importance and role of the genres in the context of literary modernism. -
Sir Geoffrey Keynes Tributes on His Goth Birthday
Annals of the Royal College of Surgeons of England (1977) vol 59 Sir Geoffrey Keynes Tributes on his goth birthday SIR GEOFFREY KEYNES AT NINETY If anyone had said to me that Sir Geoffrey ence was held in London in I960 he was the was go years old I should have laughed out- natural choice for the first Dunhill Orator right. Only last month in the College I saw and he very kindly asked me and my wife his sparse figure with that soldierly gait walk- to spend the weekend with him so that we ing briskly out of the Council Room, where could help, perhaps, with the preparation of he had been attending a meeting of the his speech. It was a great privilege staying Hunterian Trustees. We had a talk about the in his home, which had books in every room, pictures for which he has cared so lovingly especially the bedrooms where there were large for so long and it would have been impossible white bookcases with marvellous contents. He to realize that he was just about to attain had a unique collection of Blake's works and three score and thirty years. a story to tell about each of them. There were When I thought about it I realized it was drawers full of pictures of all kinds, especially in I 934 that I had first seen Sir Geoffrey etchings. His home was a veritable Aladdin's at St Bartholomew's. I had slipped out of Cave. At intervals one of his sons would the dissecting room and gone up to the gallery arrive and he would discuss such subjects as of the operating theatre and he was removing exploration in Africa and then merchant a thyroid gland.