Galbraith on Keynes
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Marshall Library of Economics J.N. Keynes Papers Sections 2 - 5 Identity code JNKeynes 2/1 Previous number Keynes 3(37-48) Description level 4 Record creation Date 8.6.1951 (postmark) Place Document form Record type Correspondence Specific type Envelope Language English Acquisition Summary Deposited by Mrs. J.N. [Florence Ada] Keynes Content Summary Envelope addressed to Mrs. F.A. Keynes, J.P., but address crossed out. Annotated in ink, in Mrs. Keynes's hand, "Letters in reference to 'Formal Logic' by J.N.K." Once contained letters now numbered JNKeynes 2/2 - 2/13. Free field Subject keywords JNKeynes - Studies and Exercises in Formal Logic Physical descript Summary Brown manila envelope, 229 mm x 151 mm Condition Somewhat creased; small tear and small red stain on reverse Identity code JNKeynes 2/2 Previous number Keynes 3(38) Description level 4 Record creation Person Role Writer Name Bryant, Sophie Descriptor Doctor of Science, Moral Science branch, London University Person Role Recipient Name Keynes, John Neville Descriptor Lecturer in Moral Science, Cambridge University Date 10.4.1884 Place London, N., 2 Anson Road Document form Record type Correspondence Specific type Letter Language English Acquisition Summary Deposited by Mrs. J.N. [Florence Ada] Keynes Content Summary Thanks Keynes for sending her copy of ['Studies and Exercises in] Formal Logic'. Compliments him on methodology. Subject keywords JNKeynes - Studies and Exercises in Formal Logic Physical descript Summary 1 sheet; 3 pp. text Condition Sound Publication record Type Reference Identity code JNKeynes 2/3 Previous number Keynes 3(37) Description level 4 Record creation Person Role Writer Name d'Alfonso, Nicolo Descriptor Professor of Philosophy Person Role Recipient Name Keynes, John Neville Descriptor Lecturer in Moral Science, Cambridge University Date 5.6.1886 Place Italy, Santa Severina di Calabria Document form Record type Correspondence Specific type Letter Language French Acquisition Summary Deposited by Mrs. -
The Posthumanistic Theater of the Bloomsbury Group
Maine State Library Digital Maine Academic Research and Dissertations Maine State Library Special Collections 2019 In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group Christina A. Barber IDSVA Follow this and additional works at: https://digitalmaine.com/academic Recommended Citation Barber, Christina A., "In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group" (2019). Academic Research and Dissertations. 29. https://digitalmaine.com/academic/29 This Text is brought to you for free and open access by the Maine State Library Special Collections at Digital Maine. It has been accepted for inclusion in Academic Research and Dissertations by an authorized administrator of Digital Maine. For more information, please contact [email protected]. IN THE MOUTH OF THE WOOLF: THE POSTHUMANISTIC THEATER OF THE BLOOMSBURY GROUP Christina Anne Barber Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy August, 2019 ii Accepted by the faculty at the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. COMMITTEE MEMBERS Committee Chair: Simonetta Moro, PhD Director of School & Vice President for Academic Affairs Institute for Doctoral Studies in the Visual Arts Committee Member: George Smith, PhD Founder & President Institute for Doctoral Studies in the Visual Arts Committee Member: Conny Bogaard, PhD Executive Director Western Kansas Community Foundation iii © 2019 Christina Anne Barber ALL RIGHTS RESERVED iv Mother of Romans, joy of gods and men, Venus, life-giver, who under planet and star visits the ship-clad sea, the grain-clothed land always, for through you all that’s born and breathes is gotten, created, brought forth to see the sun, Lady, the storms and clouds of heaven shun you, You and your advent; Earth, sweet magic-maker, sends up her flowers for you, broad Ocean smiles, and peace glows in the light that fills the sky. -
Galb2001.Pdf
the essential Galbraith k John Kenneth Galbraith selected and edited by Andrea D. Williams A Mariner Original houghton mifflin company boston • new york 2001 books by john kenneth galbraith [a partial listing] American Capitalism: The Concept of Countervailing Power The Great Crash, 1929 The Affluent Society The Scotch The New Industrial State The Triumph Ambassador’s Journal Economics, Peace and Laughter Economics and the Public Purpose Money: Whence It Came, Where It Went The Age of Uncertainty Annals of an Abiding Liberal A Life in Our Times The Anatomy of Power A View from the Stands Economics in Perspective: A Critical History A Tenured Professor The Culture of Contentment A Journey Through Economic Time: A Firsthand View A Short History of Financial Euphoria The Good Society: The Humane Agenda Name-Dropping: From F.D.R. On The Essential Galbraith contents Preface vii Introduction ix Countervailing Power 1 from American Capitalism The Concept of the Conventional Wisdom 18 from The Affluent Society The Myth of Consumer Sovereignty 31 from The Affluent Society The Case for Social Balance 40 from The Affluent Society The Imperatives of Technology 55 from The New Industrial State The Technostructure 66 from The New Industrial State The General Theory of Motivation 79 from The New Industrial State Economics and the Quality of Life 90 from Economics, Peace and Laughter vi C0ntents The Proper Purpose of Economic Development 109 from Economics, Peace and Laughter The Valid Image of the Modern Economy 118 from Annals of an Abiding Liberal Power -
Diaghilev and London
Diaghilev and London, A Talk by Graham Bennett, Crouch End and District U3A member We are not exactly the best of friends with Russia these days - But just over a century ago, Russia exported something that actually transformed the cultural life of London. This talk is about a quite extraordinary Russian Impresario and two equally extraordinary women who were part of his project The project was a Russian Dance Company that created a revolution in the world of dance, and London was to play a big part in its success. This company is the Ballet Russes. The impresario is Serge Diaghilev, born in 1872 in Perm in deepest Russia, who would create the Ballet Russes. Lydia Lopokova from St Petersburg, born in 1892, one of Diaghilev's star ballerinas. And last but not least, our very own Hilda Munnings from Wanstead in East London, born in 1896. Also to become a vitally important member of the company The story starts in St Petersburg in 1901, the heart of the Russian Empire, at the famous Mariinsky Theatre. Their choreographer Marius Petipa and composer Tchaikovsky had already created masterpieces such as The Sleeping Beauty, The Nutcracker and Swan Lake. These are such familiar names to us today but they were virtually unknown outside Russia at that time. Over in England we were still having a jolly knees up and sing-along at the Music Hall and even in France, ballet had degenerated to a pale shadow of its former glory. In 1901, Lydia Lopokova, just 9 years old, auditioned for a place at the prestigious Imperial Theatre School in St Petersburg. -
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A Bloomsbury Chronology 1866 Roger Fry born 1877 Desmond Maccarthy born 1879 E.M. Forster born Vanessa Stephen born 1880 Lytton Strachey born Thoby Stephen born Saxon Sydney-Turner born Leonard Woolf born 1881 Clive Bell born 1882 Virginia Stephen born Mary Warre-Cornish born 1883 J.M. Keynes born Adrian Stephen born 1885 Duncan Grant born Roger Fry enters King's College, Cambridge 1888 Roger Fry obtains a First Class honours in natural sciences and decides to study painting xx A Bloomsbury Chronology 1892 Roger Fry studies painting in Paris David Garnett born 1893 Dora Carrington born 1894 Roger Fry gives university extension lectures at Cambridge mainly on Italian art Desmond Maccarthy enters Trinity College, Cambridge 1895 Death of Mrs Leslie Stephen Virginia Stephen's first breakdown 1896 Roger Fry and Helen Coombe married 1897 E.M. Forster enters King's College, Cambridge Desmond MacCarthy leaves Trinity College Virginia Stephen attends Greek and history classes at King's College, London 1899 Roger Fry: Giovanni Bellini Clive Bell, Thoby Stephen, Lytton Strachey, Saxon Sydney-Turner, Leonard Woolf all enter Trinity College, Cambridge The Midnight Society - a 'reading society' - founded at Trinity by Bell, Sydney-Turner, Stephen, and Woolf 1900 Roger Fry gives university extension lectures on art at Cambridge 1go1 Roger Fry becomes art critic for the Athenaeum Vanessa Stephen enters the Royal Academy Schools E.M. Forster leaves Cambridge, travels in Italy and Greece, begins A Room with a View 1902 Duncan Grant attends the Westminster Art School Leonard Woolf, Saxon Sydney-Turner, and Lytton Strachey elected to 'The A Bloomsbury Chronology XXI Apostles' (older members include Roger Fry, Desmond MacCarthy, E.M. -
Adam Smith, Karl Marx, and John Maynard Keynes / Mark Skousen
The Big Three in Economics OTHER ACADEMIC BOOKS BY MARK SKOUSEN The Structure of Production Economics on Trial Dissent on Keynes (editor) The Investor’s Bible: Mark Skousen’s Principles of Investment Puzzles and Paradoxes in Economics (co-authored with Kenna C. Taylor) Economic Logic The Power of Economic Thinking Vienna and Chicago, Friends or Foes? The Compleated Autobiography by Benjamin Franklin (editor and compiler) The Big Three in Economics Adam Smith Karl Marx and John Maynard Keynes Mark Skousen M.E.Sharpe Armonk, New York London, England Copyright 2007 by Mark Skousen All rights reserved. No part of this book may be reproduced in any form without written permission from the publisher, M.E. Sharpe, Inc., 80 Business Park Drive, Armonk, New York 10504. Library of Congress Cataloging-in-Publication Data Skousen, Mark. The big three in economics : Adam Smith, Karl Marx, and John Maynard Keynes / Mark Skousen. p. cm. Includes bibliographical references and index. ISBN-10: 0-7656-1694-7 (cloth : alk. paper) ISBN-13: 978-0-7656-1694-4 (cloth : alk. paper) 1. Economists—History. 2. Economics—Philosophy. 3. Economists—Biography. 4. Smith, Adam, 1723–1790. 5. Marx, Karl, 1818–1883. 6. Keynes, John Maynard, 1883–1946. I. Title. HB76.S58 2007 330.15092’2--dc22 2006020466 Printed in the United States of America The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences Permanence of Paper for Printed Library Materials, ANSI Z 39.48-1984. ~ BM (c) 10 9 8 7 6 5 4 3 2 1 Dedicated to The Big Three in my life, My editor, my friend, and my wife, Jo Ann Skousen Contents Introduction ix Photos follow page 104 Chapter 1. -
Lynn Garafola Most Fruitful Experiments in His Company's History
• ON 11 JANUARY 1916 DIAGHILEV and his Ballets Russessteamed into New York harbor for the first of two lengthy tours of the United States. Both began in New York, THE then crisscrossed the country, giving Americans in no fewer than fifty-one cities a taste of Diaghilev's fabled entertainment. The company that made these 1916-1917 tours was BALLETS RUSSES different from the one Europeans knew. There were few stars and many new faces and a repertory that gave only a hint of Diaghilev's growing experimentalism. The Ballets Russes IN AMERICA never triumphed in the United States, as it had in Europe, nor did it immediately influence the course of American ballet. But the tours set in motion changes within the Ballets Russes itself that had lasting consequences. Thanks to American dollars, Diaghilev rebuilt the company temporaril y disbanded by World War I while conducting some of the Lynn Garafola most fruitful experiments in his company's history. Those sa me dollars paid for the only ballet to have its premiere in the New World-Vaslav Nijinsky's Till Eulenspiegel. In size, personnel, and social relations, the Ballets Russes of the American tours marked the bi rth of Diaghilev's postwar company. Diaghilev had long toyed with the idea of an American tour. But only in 1914, when debt threatened the very life of his enterprise, did he take steps to convert the idea into a reality. "Have had several interviews ... Diaghileff about Ballet for New York," Addie Kahn wired her husband, Otto, chairman of the Metropolitan Opera's board of directors, from London on 18 July 1914: [Is] most insistent troupe shou ld go America this winter for urgent reasons too complicated to cable upon which largely depend continuance of organization. -
A Short Guide to Keynes and German Translations of His Works, Especially the General Theory
518297‐LLP‐2011‐IT‐ERASMUS‐FEXI A SHORT GUIDE TO KEYNES AND GERMAN TRANSLATIONS OF HIS WORKS, ESPECIALLY THE GENERAL THEORY NIELS GEIGER UNIVERSITÄT HOHENHEIM STUTTGART, GERMANY [email protected] ABSTRACT This guide aims at providing an introduction to the general context within which the translation of Keynes’s works into German, especially the most interesting case of the General Theory is to be seen. The guide thus relates to the related research paper by Harald Hagemann. The guide provides short overviews on Keynes’s biography, his works (including a short overview of German translations), and his legacy. Some exercises and a short test conclude the guide. “The study of economics does not seem to require any specialised gifts of an unusually high order. Is it not, intellectually regarded, a very easy subject compared with the higher branches of philosophy and pure science? Yet good, or even competent, economists are the rarest of birds. An easy subject at which very few excel! The paradox finds its explanation, perhaps, in that the master-economist must possess a rare combination of gifts. He must reach a high standard in several different directions and must combine talents not often found together. He must be mathematician, historian, statesman, philosopher - in some degree. He must understand symbols and speak in words. He must contemplate the particular in terms of the general, and touch abstract and concrete in the same flight of thought. He must study the present in the light of the past for the purposes of the future. No part of man's nature or his institutions must lie entirely outside his regard. -
The Structure of Post-Keynesian Economics: the Core Contributions of the Pioneers
TheStructureofPost-KeynesianEconomics Thisbookisamajorcontributiontopost-Keynesianthought.With studiesofthekeypioneers–Keyneshimself,Kalecki,Kahn,Goodwin, Kaldor,JoanRobinson,SraffaandPasinetti–GeoffHarcourtempha- sisestheirpositivecontributionstotheoriesofdistribution,pricing, accumulation,endogenousmoneyandgrowth.Thepropositionsof earlierchaptersarebroughttogetherinchapters6and8inaninte- gratednarrativeandinterpretationofthemajorepisodesinadvanced capitalisteconomiesinthepost-warperiod,leadingtoadiscussionof therelevanceofpost-Keynesianideastobothourunderstandingof economiesandtopolicy-making.(Chapter7isconcernedwiththeories of growth from Adam Smith to the present day.) The appendixes include biographical sketches of the pioneers and an analysis of the conceptual core of their discontent with orthodox theories. Drawing on the author’s experience of teaching and researching over fifty years, this book will appeal to undergraduate and graduate students interested in alternative approaches to theoretical, applied and policy issues in economics, as well as to teachers and researchers in economics. G . C . HARCOURT is Emeritus Reader in the History of Economic Theory, University of Cambridge, Emeritus Fellow of Jesus College, Cambridge and Professor Emeritus of the University of Adelaide. The Structure of Post-Keynesian Economics The Core Contributions of the Pioneers G. C. Harcourt CAMBRIDGE UNIVERSITY PRESS Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge -
Intellectual Backgrounds
Notes NOTES TO THE INTRODUCTION l. These are Renato Poggioli's terms in The Theory ofthe Avant-Garde. eh. 2. Poggioli's entire account illuminates how Bloomsbury was and was not avant-garde. 2. Bloomsbury writers were closely associated at times with the Nation and the New Statesman, but the political and even parts ofthe literary halves ofthese periodicals were edited and written by journalists largely unassociated with the Group. Desmond MacCarthy edited two periodicals that might be considered small magazines, and, though both had Bloomsbury con tributors, neither the Speaker nor Lift and Letters could be called a Blooms bury magazine. 3. Desmond MacCarthy can serve as an illustration of what is involved in determining the membership of Bloomsbury. Recently MacCarthy's son in-law David Cecil has denied his connection with Bloomsbury: 'As he bimself said, "Bloomsbury has never been a spiritual horne to me'" (Cecil, 'Introduction', p. 15). Cecil omits the other half of the sentence from MacCarthy's Bloomsbury memoir, wbich is 'but let me add that I have not got one, although at Cambridge for a few years I fancied that I had'. MacCarthy goes on to call Bloornsbury ahorne away frorn horne and note how he converged on the Group through the Apostles, Clive Bell and the Stephen sisters (SPRlBG, p. 28). To these connections could be added bis association with Roger Fry, wbieh led to bis writing the introduction for the catalogue of the first post-impressionist exhibition. Like Strachey, MacCarthy was more closely involved in Old than New Bloomsbury, but in both he edited periodicals that depended on bis Bloomsbury friends for contributions. -
The Image of Keynes. Duncan Grant and John Maynard
KEYNES IN KING’S COLLEGE Julien Domercq (King’s College, Cambridge), The Image of Keynes. Duncan Grant and John Maynard Keynes were in their early twenties when they spent two months together at the end of the summer of 1908 in splendid isolation on the island of Hoy in the Orkneys, an archipelago to the very north of Scotland. However, this two-month holiday was far from being only a romantic idyll. Keynes revisited his Treatise on Probability, the Fellowship Dissertation which had failed to win him a prize-fellowship at King’s College, Cambridge, while Grant produced several drawings and paintings of the barren and inhospitable landscape, as well as his striking Portrait of John Maynard Keynes (1908). Reproduced in almost all publications on Keynes and on Grant, this intimate portrait, owned by King's since 1958, has often been described as one of Grant’s ‘most vivid likenesses’. Centred on this portrait, the talk claims that it was painted at a pivotal moment in the development of Grant and Keynes’s professional, and indeed emotional, lives, and argues that its making had a key influence on the development of Keynes’s interest in art. Julien Domercq is now the Vivmar Curatorial Assistant at the National Gallery in London, where he is one of the curators responsible for Post-1800 paintings. Julien graduated with a BA and an MPhil in History of Art from the University of Cambridge and is currently completing his PhD at King’s College, Cambridge, funded by a Gates Cambridge scholarship. His thesis, ‘From Noble to Ignoble Savage: Representing the Pacific, c. -
ARCHIVES and SPECIAL COLLECTIONS QUEEN ELIZABETH II LIBRARY MEMORIAL UNIVERSITY, ST
ARCHIVES and SPECIAL COLLECTIONS QUEEN ELIZABETH II LIBRARY MEMORIAL UNIVERSITY, ST. JOHN'S, NL Richard Keynes collection MF-394 Website: Archives and Special Collections Author: Amanda Jamieson Date: 2001 Scope and Content: This fonds consists of pages from a diary kept by Richard Keynes. In it he documents his attempted visit to Funk Island, Newfoundland, in 1939 in order to make a census of the small gannet colony there. While on Funk Island, Keynes and his friend, Oliver Davies, hoped to find Great Auk bones which they planned to sell in order to further finance their North American expedition to survey its entire gannet population. Custodial History: The contents of this fonds were acquired from Richard Keynes on June 12, 1991. Restrictions: There are no restrictions on access, however, copyright rules and regulations apply. All patrons should be aware that copyright regulations state that any copy of archival material is to be used solely for the purpose of research or private study. Any use of the copy for any other purpose may require the authorization of the copyright owner. It is the patron's responsibility to obtain such authorization. Biography or History: Richard Darwin Keynes was born in London, England on August 14, 1919, the eldest son of Sir Geoffrey Keynes and Margaret Elizabeth Darwin, grand-daughter of Charles Darwin. Keynes received his early schooling at Oundle School. His university education at Trinity College, Cambridge University, was interrupted by World War II. During the war, Keynes served as temporary experimental officer, with the HM Anti-Submarine Establishment and Admiralty Signals Establishment.