Exit Through the Gift Shop
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The Coral the Invisible Invasion
The Coral The Invisible Invasion Hoylake, Merseyside – wo zum Henker soll nun DAS nun wieder sein? Es ist eines jener Dörfer, wo „jeder jeden, aber niemand irgendwen wirklich“ kennt, einer The Coral - The Invisible Invasion, diskografie, texty pÕsnÕ, karaoke texty, lyrics. Texty pÕsnÕ ĕeských a zahraniĕnÕch interpretů, karaoke texty, The Coral - The 2 Jun 2005 Photo: The Coral - 'Invisible Invasion' It becomes clear about halfway through the title track of this album that The Coral are back to their best. The Invisible Invasion is the third full-length album by The Coral. It was released on 23 May 2005 in the United Kingdom and entered at No. 3 in the album charts 17 May 2005 To a lot of people, The Coral are just another bunch of scousers, a gang 'The Invisible Invasion', like both it's predecessors, takes one or two Find album reviews, stream songs, credits and award information for The Invisible Invasion - The Coral on AllMusic - 2005 - Things are pretty much as you would 23 May 2005 Von Fans für Fans. The Coral - The invisible invasion • Rezension. Man hat gedacht, da könnte jetzt eh nichts mehr kommen von The Coral. THE CORAL The Invisible Invasion (2005 Japanese exclusive limited edition 2-disc set comprised of 14-track CD album produced by Geoff Barrow and Adrian The Invisible Invasion is the third full-length album by The Coral. It was released on 23 May 2005 in the United Kingdom and entered at No. -
Exit Through the Gift Shop
Filmtipp Banksy - Exit Through The Gift Shop Regie Banksy Darsteller/innen Banksy, Shepard Fairey, Thierry Guetta, Space Invader, Joshua Levine Land, Jahr USA, Großbritannien 2010 Länge, Format 87 Minuten FSK ab 6 Jahre Sprachfassung Deutsch Festivals, Preise Internationale Filmfestspiele Berlin 2010 (außer Konkurrenz), Sundance Festival Kinostart, Verleih 21.10.2010, Alamode Filmdistribution Genre Dokumentation Inhalt Der Street-Art-Künstler Banksy ist ein Phantom. Obwohl seine Werke auf zahlreichen Fassaden dieser Welt zu finden sind, ist seine Identität nur wenigen Menschen bekannt. Als der französische Filmemacher Thierry Guetta zufällig in die Street-Art-Szene hinein kommt und wie besessen alles mit seiner Videokamera festhält, ist es nur eine Frage der Zeit, bis er von dem berüchtigten Banksy hört. Er setzt sich das Ziel, auch diesen Künstler zu filmen. Dank guter Kontakte lernt Guetta Banksy tatsächlich kennen und bekommt die Erlaubnis, ihn bei seiner Arbeit zu filmen. Doch der fertige Film ist eine Katastrophe, so dass Banksy kurzerhand beschließt, den Spieß umzudrehen und einen Film über Guetta zu machen, der sich seitdem als Street-Art-Künstler betätigt. Fortan nennt sich der weder als Street-Art-Künstler noch als Filmemacher talentierte Guetta "Mr. Brainwash". Er plant eine Ausstellung, die in die Geschichte eingehen soll. Umsetzung "Banksy – Exit Through The Gift Shop" ist eine ungewöhnliche Dokumentation. Der Film des Provokateurs Banksy hat viel von einer "Mockumentary" (mock = vortäuschen, sich lustig machen), eines fiktionalen Dokumentarfilms, der sowohl das Genre als auch sein Thema aufs Korn nimmt. So kann sich der Zuschauer auch in diesem Film an kaum einer Stelle sicher sein, welche Elemente der Realität entsprechen, welche lediglich lose mit ihr verknüpft und welche vollständig erfunden sind. -
Ben Salisbury
Craft / Geoff Barrow of Portishead with Ben Salisbury quite dry, quite traditional. I was expecting it might be like ‘The Kids from Fame’. But they weren’t, the vast majority of students wanted to be music teachers! The benefit was there was a brand new recording studio at Newcastle University, and there was only me and one other guy who were interested in using it, so we had the run of it. It was absolutely state-of-the- art, when samplers and digital stuff were just taking off. So that was really my introduction into composing. Music for Film and TV at Bournemouth in the early ’90s was a brilliant course, in that you had your own workstation. You were sat down, you had deadlines, and it was quite pressurised, so was actually quite similar to life as a commercial composer. Weirdly, that was probably exactly the same time Geoff [Barrow] was using samplers to make Portishead’s Dummy. What was your first real break? I came out of Bournemouth with a credit to my name, because I did music for a short film that went on to win an award, and was broadcast on Channel Four. It was directed by a guy called Ben Salisbury Miguel Sapochnik who I’ve worked with since on other short films. Now he directs episodes of DAVE ROBINSON meets the nature documentary composer Game of Thrones! One person, that’s all it took: one director who has his (laser) sights on sci-fi chose a bit of music I’d done for that film as temp music for his film about elephants and en Salisbury is a name you can expect Your father worked at the BBC Natural said, “Look, you’re very inexperienced, but to see more and more of on your History Unit: that must have been useful to we’ve got this music in there. -
Journal of the Musicians' Union Spring 2019 Themu.Org Orchestra
The Musician Journal of the Musicians’ Union Spring 2019 theMU.org Orchestra Conference Constructive debate on a range of topics at the fourth MU event Maxine Kwok-Adams How the LSO’s first violinist has tapped into the Twitter zeitgeist Classical Streaming The benefits and challenges of streaming classical music Focus On Bristol The ever-innovative music city with a rich and diverse heritage Contacts Union HQ General Secretary Horace Trubridge Deputy General Secretary Naomi Pohl (Music Industry) Assistant General Secretary David Ashley (Finance & Administration) National Organiser Jo Laverty (Orchestras) National Organiser Diane Widdison (Education & Training) National Organiser Phil Kear (Recording & Broadcasting) National Organiser Dave Webster (Live Performance) Head of Communications & Government Relations Isabelle Gutierrez In-House Solicitor Dawn Rodger PR & Marketing Official Keith Ames Recording & Broadcasting Official Michael Sweeney Licensing & Distribution Official Annie Turner Sessions Official Geoff Ellerby Live Performance Official Kelly Wood Equality, Diversity & Inclusion Official John Shortell Orchestras Official Morris Stemp Campaigns & Social Media Official Maddy Radcliff Regional Offices London Regional Organiser: Jamie Pullman 33 Palfrey Place, London SW8 1PE t 020 7840 5504 e [email protected] East & South East England Regional Organiser: Paul Burrows 1a Fentiman Road, London SW8 1LD t 020 7840 5537 e [email protected] Midlands Regional Organiser: Stephen Brown 2 Sovereign Court, Graham Street, Birmingham B1 -
Raja Mohan 21M.775 Prof. Defrantz from Bronx's Hip-Hop To
Raja Mohan 21M.775 Prof. DeFrantz From Bronx’s Hip-Hop to Bristol’s Trip-Hop As Tricia Rose describes, the birth of hip-hop occurred in Bronx, a marginalized city, characterized by poverty and congestion, serving as a backdrop for an art form that flourished into an international phenomenon. The city inhabited a black culture suffering from post-war economic effects and was cordoned off from other regions of New York City due to modifications in the highway system, making the people victims of “urban renewal.” (30) Given the opportunity to form new identities in the realm of hip-hop and share their personal accounts and ideologies, similar to traditions in African oral history, these people conceived a movement whose worldwide appeal impacted major events such as the Million Man March. Hip-hop’s enormous influence on the world is undeniable. In the isolated city of Bristol located in England arose a style of music dubbed trip-hop. The origins of trip-hop clearly trace to hip-hop, probably explaining why artists categorized in this genre vehemently oppose to calling their music trip-hop. They argue their music is hip-hop, or perhaps a fresh and original offshoot of hip-hop. Mushroom, a member of the trip-hop band Massive Attack, said, "We called it lover's hip hop. Forget all that trip hop bullshit. There's no difference between what Puffy or Mary J Blige or Common Sense is doing now and what we were doing…” (Bristol Underground Website) Trip-hop can abstractly be defined as music employing hip-hop, soul, dub grooves, jazz samples, and break beat rhythms. -
Dialectical Oscillations in Keats: a Kristevan Reading of Endymion, Hyperion and the Fall of Hyperion
DIALECTICAL OSCILLATIONS IN KEATS: A KRISTEVAN READING OF ENDYMION, HYPERION AND THE FALL OF HYPERION A THESIS PROPOSAL SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY GÖKHAN ALBAYRAK IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH LITERATURE JANUARY 2019 Approval of the Graduate School of Social Sciences Prof. Dr. Tülin Gençöz Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Doctor of Philosophy. Prof. Dr. Çiğdem Sağın Şimşek Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Doctor of Philosophy. Assoc. Prof. Dr. Margaret J-M Sönmez Supervisor Examining Committee Members Prof. Dr. Huriye Reis (Hacettepe Uni., IDE) Assoc. Prof. Dr. Margaret J-M Sönmez (METU, FLE) Prof. Dr. Nazan Tutaş (Ankara Uni., IDE) Assoc. Prof. Dr. Nurten Birlik (METU, FLE) Assoc. Prof. Dr. Nil Korkut Kaykı (METU, FLE) PLAGIARISM I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name : Gökhan Albayrak Signature : iii ABSTRACT DIALECTICAL OSCILLATIONS IN KEATS: A KRISTEVAN READING OF ENDYMION, HYPERION AND THE FALL OF HYPERION Albayrak, Gökhan PhD, Department of English Literature Supervisor: Assoc. Prof. Dr. Margaret J-M Sönmez January 2019, 422 pages By deploying Kristevan theory, this thesis argues that Keats's poetry oscillates between the semiotic and the symbolic and it asserts that the semiotic threatens to overwhelm the symbolic in Endymion while the poet strives to repress the semiotic in Hyperion poems but it returns and causes the poet to leave these poems as fragments. -
2005 Conference Platinum Sponsors November 2005
NOVEMBER 2005 2005 CONFERENCE PLATINUM SPONSORS www.tloma.com November 2005 PRESIDENT’S MESSAGE November 2005 Inside this Issue hey say as you get older, time goes by more quickly. I can’t think of a year where this was Tmore true. It’s astounding that in a few weeks ❖ Mars and Venus in the we will all be gathering for the TLOMA December Workplace Social and heading into the Holiday season. I look forward to seeing you ❖ Personalities at Work there and toasting to a warm and festive Holiday season and a happy and healthy new year. ❖ The Right to Infect? ❖ Voice Over Internet Fall is budget season for lots of us (the “most wonderful time of the year” for Protocol accountants, I guess!) and TLOMA is no exception. We have recently decided to increase our various fees a nominal amount to reflect the increasing costs ❖ Finance SIG – of all of our expenses (meeting speakers, rooms for meetings, supplies ... you Round Table know the list). Discussion Summary Our membership and Meeting fees will increase as follows: Membership: $250 to $275 plus GST Schedule of Events General Meeting (member) $45 to $47.50 plus GST General Meeting (non-member) $60 to $65 plus GST SIG (non-member/member cancellation charge) $25 to $30 (GST included). HR SIG Thursday, December 1, 2005 We are confident that TLOMA continues to provide huge value for these fees, and we hope you agree. We are looking forward to a new year of very high quality speakers and informative sessions at SIG meetings, as well as the 2006 TLOMA HOLIDAY SOCIAL Friday, December 9, 2005 Conference. -
Pop / Rock / Commercial Music Wed, 25 Aug 2021 21:09:33 +0000 Page 1
Pop / Rock / Commercial music www.redmoonrecords.com Artist Title ID Format Label Print Catalog N° Condition Price Note 10000 MANIACS The wishing chair 19160 1xLP Elektra Warner GER 960428-1 EX/EX 10,00 € RE 10CC Look hear? 1413 1xLP Warner USA BSK3442 EX+/VG 7,75 € PRO 10CC Live and let live 6546 2xLP Mercury USA SRM28600 EX/EX 18,00 € GF-CC Phonogram 10CC Good morning judge 8602 1x7" Mercury IT 6008025 VG/VG 2,60 € \Don't squeeze me like… Phonogram 10CC Bloody tourists 8975 1xLP Polydor USA PD-1-6161 EX/EX 7,75 € GF 10CC The original soundtrack 30074 1xLP Mercury Back to EU 0600753129586 M-/M- 15,00 € RE GF 180g black 13 ENGINES A blur to me now 1291 1xCD SBK rec. Capitol USA 7777962072 USED 8,00 € Original sticker attached on the cover 13 ENGINES Perpetual motion 6079 1xCD Atlantic EMI CAN 075678256929 USED 8,00 € machine 1910 FRUITGUM Simon says 2486 1xLP Buddah Helidon YU 6.23167AF EX-/VG+ 10,00 € Verty little woc COMPANY 1910 FRUITGUM Simon says-The best of 3541 1xCD Buddha BMG USA 886972424422 12,90 € COMPANY 1910 Fruitgum co. 2 CELLOS Live at Arena Zagreb 23685 1xDVD Masterworks Sony EU 0888837454193 10,90 € 2 UNLIMITED Edge of heaven (5 vers.) 7995 1xCDs Byte rec. EU 5411585558049 USED 3,00 € 2 UNLIMITED Wanna get up (4 vers.) 12897 1xCDs Byte rec. EU 5411585558001 USED 3,00 € 2K ***K the millennium (3 7873 1xCDs Blast first Mute EU 5016027601460 USED 3,10 € Sample copy tracks) 2PLAY So confused (5 tracks) 15229 1xCDs Sony EU NMI 674801 2 4,00 € Incl."Turn me on" 360 GRADI Ba ba bye (4 tracks) 6151 1xCDs Universal IT 156 762-2 -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017). -
Center for Hawaiian Sovereignty Studies 46-255 Kahuhipa St. Suite 1205 Kane'ohe, HI 96744 (808) 247-7942 Kenneth R
Center for Hawaiian Sovereignty Studies 46-255 Kahuhipa St. Suite 1205 Kane'ohe, HI 96744 (808) 247-7942 Kenneth R. Conklin, Ph.D. Executive Director e-mail [email protected] Unity, Equality, Aloha for all To: HOUSE COMMITTEE ON EDUCATION For hearing Thursday, March 18, 2021 Re: HCR179, HR148 URGING THE SUPERINTENDENT OF EDUCATION TO REQUEST THE BOARD OF EDUCATION TO CHANGE THE NAME OF PRESIDENT WILLIAM MCKINLEY HIGH SCHOOL BACK TO THE SCHOOL'S PREVIOUS NAME OF HONOLULU HIGH SCHOOL AND TO REMOVE THE STATUE OF PRESIDENT MCKINLEY FROM THE SCHOOL PREMISES TESTIMONY IN OPPOSITION There is only one reason why some activists want to abolish "McKinley" from the name of the school and remove his statue from the campus. The reason is, they want to rip the 50th star off the American flag and return Hawaii to its former status as an independent nation. And through this resolution they want to enlist you legislators as collaborators in their treasonous propaganda campaign. The strongest evidence that this is their motive is easy to see in the "whereas" clauses of this resolution and in documents provided by the NEA and the HSTA which are filled with historical falsehoods trashing the alleged U.S. "invasion" and "occupation" of Hawaii; alleged HCR179, HR148 Page !1 of !10 Conklin HSE EDN 031821 suppression of Hawaiian language and culture; and civics curriculum in the early Territorial period. Portraying Native Hawaiians as victims of colonial oppression and/or belligerent military occupation is designed to bolster demands to "give Hawaii back to the Hawaiians", thereby producing a race-supremacist government and turning the other 80% of Hawaii's people into second-class citizens. -
Anika (Live Solo) Press and Promotion 2017
Anika (Live Solo) (Invada UK/EU // Stones Throw US/JAPAN) anikainvada.tumblr.com/ // anika.bandcamp.com // twitter.com/anikainvada Press and Promotion 2017 Photo Credit: Shinya Kato Please credit 'Shinya Kato' for every instance of use (print and online) - thanks Further Press pics and logo: https://www.dropbox.com/sh/omv809qlymfb3jj/AADcJdJVhMK6yHZC2GbNFLSUa?dl=0 ; Press Infos: http://wolfypiehands.com/anika Anika Infos: Annika Henderson is a musician, poet and artist who rose to fame as ANIKA with two highly acclaimed eponymous records (Recorded with Geoff Barrow of Portishead and his band Beak>, released on Stones Throw in the US), and was touring the world. She is well known as a DJ too, hosts a radio program on BCR – Berlin Community Radio, is seen and heard in experimental cinema and collaborates with a variety of Berlin, London, or Mexico City based artists and musicians among them Jandek, Shackleton, Michael Rother (Neu!), Dave Clarke (Skint BMG), Andreas Reihse of Kreidler, T.Raumschmiere (Sleeping Pills and Habits), Doireann O'Malley, Ricardo Domeneck, Stine Omar / Max Boss (EASTER), Phillip Geist (Live Video mapping project and soundtrack in Tehran, Iran) or Yann Tiersen. Last year, Anika released an album with her new WOLFYPIEHANDSMGMT | wolfypiehands.com | [email protected] Mexico City-based project, Exploded View on Sacred Bones (US). In 2017, Anika released a string of new material, comprising of two releases with new partners and a follow-up record with her Mexico-City based band, Exploded View. In July was the release of her new collaboration projection with bass outsider, Shackleton, in the form of a full length LP released on Shackleton’s own Woe To The Septic Heart! label and accompanied by a string of exclusive live dates. -
Rootkits: a Hidden Issue in Security
Rootkits: A hidden issue in security Bryan Crawford Olimhon Malikov Matthew Miller MBA605 Demorest, GA 20 February, 2006 Abstract: Rootkit: A rookit is a collection of programs used by a hacker to evade detection while trying to gain unauthorized access to a computer. This is done either by replacing system files or libraries, or by installing a kernel module. The hacker installs the rootkit after obtaining user-level access.1 In this era of business threats to company security come in all forms, many of which are electronic threats that affect information systems and databases, often times these systems are critical to operations or contain important information that needs to be protected. Rootkits are quickly becoming a buzz word in computer security as they provide protection to malicious mal-ware and trojan ware programs that may affect a user’s computer system. It is important to remember that in and of itself a rootkit is not always malicious or harmful, many computer security programs use this technology to operate. However the passages that rootkits provide for hackers to access a system are what make them dangerous. This writing reflects out research into what rootkits are capable of, how they affect a system, and one major example of how a major company attempted to use this technology to protect itself, only to run into negative publicity and a great financial burden. Crawford, Malikov, Miller 2 "2006 will be the year of the rootkit. It's no longer just about getting on machines, it's how to stay on machines”2 Vincent Weafer, Senior Director, Symantec Security Response As the computer According to a recent report on rootkits by technology around the Kaspersky Lab3, a developer of secure content world continues to management solutions aiming to protect against viruses, develop at a very steady spyware, Trojans, hacker attacks and spam, rootkits are speed the problems also described as a set of programs enabling a hacker to keep a similar pace.