DOCSLIB.ORG

Kontakt: Peter Sølvsten Thomsen, [email protected] Angel Films

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Kontakt: Peter Sølvsten Thomsen, Peter@Angelfilms.Dk Angel Films Angel Films præsenterer Premiere: 24. maj Længde: 90 minutter Censur: 15 år Instruktør: Ben Wheatley Cast: Cillian Murphy, Brie Larson, Armie Hammer Premierebiografer: Gloria Biograf & Cafe, Nordisk Film Biografer Palads, Nordisk Film Biografer Århus, Nordisk Film Biografer Aalborg Kennedy, Nordisk Film Biografer Odense, CinemaxX København, CinemaxX Århus, CinemaxX Odense, Valby Kino, Atals Biograferne, Lalandia Bio. Synopsis: Boston, 1978. En våbenhandel mellem flere suspekte typer går spektakulært og eksplosivt galt og udvikler sig til en kæmpe skududveksling. Justine (Brie Larson) har arrangeret et møde mellem to irlændere og en kriminel bande ledet af det umage makkerpar Vernon (Sharlto Copley) og Ord (Armie Hammer). Sidstnævnte skal sælge en stor samling våben til irlænderne, men da situationen pludselig tilspidses, starter en kaotisk skudduel, hvor alle må kæmpe for egen overlevelse. Kontakt: Peter Sølvsten Thomsen, [email protected] FILM4 and BFI Present A Rook Films Production Free Fire Starring Sharlto Copley, Armie Hammer, Brie Larson, Cillian Murphy, Jack Reynor Babou Ceesay, Enzo Cilenti, Sam Riley, Michael Smiley and Noah Taylor Screenplay by Amy Jump Ben Wheatley Directed by Ben Wheatley Produced by Andy Starke SHORT SYNOPSIS Justine (Brie Larson) has brokered a meeting in a deserted warehouse between two Irishmen (Cillian Murphy, Michael Smiley) and a gang led by Vernon (Sharlto Copley) and Ord (Armie Hammer) who are selling them a stash of guns. But when shots are fired in the handover, a heart stopping game of survival ensues. LONG SYNOPSIS Massachusetts late ‘70s. A Winnebago cruises through the night towards the waterfront district with some urgency. The driver, Bernie (Enzo Cilenti), hurls abuse at other road users while in the passenger seat Stevo (Sam Riley) attempts to hold it together, his bruised face and air of dishevelment the result of the previous night’s antics, something he’s not keen to discuss. He smokes a joint to centre himself. At the dockside Stevo’s Irish brother-in-law Frank (Michael Smiley) agitatedly waits by a car containing the far more relaxed Chris (Cillian Murphy), a fellow Irishman and Frank’s business partner, and Justine (Brie Larson), an American intermediary in this deal. The Winnebago arrives, the stoned inhabitants fall out of it. Frank roughs Stevo up, annoyed by his unprofessional attitude. A man approaches this motley crew on the dockside. He is well groomed, dressed in sports jacket and polo neck sweater, exuding confidence and control with every step, this is Ord (Armie Hammer). Introductions are made, Ord pats everyone down, he doesn’t mind they are mostly armed his concern is for wires. Satisfied all is kosher the party moves into a nearby abandoned factory. “Fuck the small talk, let’s buy some guns, eh,” says Chris. They enter the main warehouse. It’s huge, half demolished, a few pillars, piles of rubble and broken down office partitions mark out the landscape. Rubbish, building debris, pieces of machinery and broken glass are everywhere. Ord calls out and two men enter: “international asshole” Vernon (Sharlto Copley) dressed expensively but with little taste and his business partner Martin (Babou Ceesay), the arms traders. Despite the discrepancy between what was ordered and what is delivered, the deal is struck and the cash changes hands. In an adjoining part of the factory, Gordon (Noah Taylor) and Harry (Jack Reynor) wait in a red Chevy van. Harry’s knuckles are badly bruised, also the result of some mysterious altercation the previous night... Satisfied with the cash count, Vernon and Martin radio to their underlings to bring in the rest of the consignment. Across the warehouse, Stevo spots Harry driving the Chevy and immediately becomes agitated, hiding his face and cursing. Gordon and Harry exit the Chevy and start to unload the gun crates from the back. Frank, annoyed with Stevo’s apparent shirking of his duties, sends him over to pick up the crates. Harry spots him, is stunned for a second then lunges for him with a crowbar, we learn it’s no coincidence that he and Stevo share fresh injuries. Both men have to be pulled apart by their respective gangs while Vernon, Martin, Ord and Justine try to figure out just what is going on and how to fix this ill-timed outburst of violence. Harry quietly reaches into the van, produces a revolver and shoots Stevo, hitting him in the shoulder, knocking him to the ground. Harry is dragged away, in the ensuing melee Stevo draws his pistol and starts firing indiscriminately. The situation is now out of control. More guns are drawn, everyone dives for the nearest available cover, the warehouse becomes a shooting gallery. Shots and insults are traded between gangs, there’s no coming back from this mess. Just about everyone takes a bullet as tempers continue to flare. Just when it seems as if there’s no way things can get worse, high on a balcony overlooking the warehouse two snipers, Howard (Patrick Bergin) and Jimmy (Mark Monero), open fire. No one seems to know who ordered the snipers. In an effort to appease, Chris proposes they let Justine leave so she can contact everyone’s people to come and help sort out this escalating mess before they all bleed to death. As she attempts to leave a phone is heard ringing in the offices that overlook the warehouse. The uneasy truce is broken, the stakes are raised, shooting resumes as the gangs realise whoever reaches the phone first to call for outside help will win. To do this the other side must be stopped. At all costs. PRODUCTION STORY Free Fire sees Ben Wheatley return home to Rook Films after briefly leaving the fold for the critically acclaimed adaptation of J.G. Ballard’s High-Rise, produced by Jeremy Thomas. Reuniting with producer Andrew Starke, who has produced all Wheatley’s feature films bar High-Rise, Free Fire is Rook Films’ largest undertaking, adding to the company’s impressive resume containing not only Wheatley’s films but other such interesting and unique works as Peter Strickland’s The Duke of Burgundy, Steve Oram’s Aaaaaaaah! and the upcoming The Greasy Strangler from Jim Hosking. Origins Free Fire sees Wheatley’s longtime love of action cinema take full flourish. “It’s kind of pure cinema. I wanted to do something that was dynamic and kinetic, that played up to things I really enjoy, like editing” says Wheatley. “You can see a bit of it in stuff like Kill List and it’s in the ‘Doctor Who’ episodes I did as well. I grew up watching Sam Peckinpah films, I remember having a heightened reaction to things like the editing in The Wild Bunch, Bring Me The Head Of Alfredo Garcia and Pat Garrett & Billy The Kid, incredible.” It wasn’t just the influence of these classics that spawned Free Fire, the gulf between accounts of real life gun battles and how such events are portrayed on the big screen also played into its creation. “I’d read a lot of transcripts of shootouts. There’d been a big one that the FBI had in Miami, there’s a blow-by-blow account of what happened online. It’s insane and it’s always been at the back of my mind to put that into a film,” recounts Wheatley. “Looking at transcripts and ballistics reports, you see you don’t necessarily die right away if you get shot if the vital organs are missed. Another thing is that most people in gun battles aren’t very well trained. I was trying to think what it would really be like, obviously still within the bounds of entertainment, it’s not something I’ve really seen in a film.” The other key element in the creation of Free Fire was the casting, as Wheatley explains: “These things come from a lot of different places, as usual. Some of it came from wanting to work with Cillian Murphy, trying to work out what would be a good role for him. Cillian’s agent had phoned my agent, said he wanted to meet up and we chatted about what we might do together. So I went away and wrote him something, so that’s a bit different from other members of the cast.” With Murphy locked the rest of the cast fell into place. As the cast grew so it shaped the script, which evolved to accommodate and capitalise on the unique qualities each performer was bringing to the table. “Michael Smiley’s character was obviously written specifically for him because you couldn’t cast anyone else but Michael Smiley in that role I don’t think,” explains Wheatley. “The others were through casting. Amy (Jump) and I both really loved The Lone Ranger, so just on a punt we’d asked, “can we talk to Armie Hammer?” And they got in contact and said yes, so that was really nice. Amy rewrote it as we went along, as we were shooting, to mold it more into Armie’s voice. Sharlto, I’ve always been a massive fan of Sharlto, he was quite late into it but again we changed the role to fit him, made him South African. Sam Riley reached out with his agents, had a brief chat on Skype and he’s brilliant, like a young John Hurt.” The impressive cast also boasts a freshly minted Oscar winner. “Brie Larson, which is obviously a complete bonus and lucky for us,” says Wheatley. “I met her just through the agents again and they said she’s really cool do you want to meet up and have a chat with her? Of course I did and I’d seen some of her other films and thought she was great.
Load more

Recommended publications
  • Exit Through the Gift Shop
    Filmtipp Banksy - Exit Through The Gift Shop Regie Banksy Darsteller/innen Banksy, Shepard Fairey, Thierry Guetta, Space Invader, Joshua Levine Land, Jahr USA, Großbritannien 2010 Länge, Format 87 Minuten FSK ab 6 Jahre Sprachfassung Deutsch Festivals, Preise Internationale Filmfestspiele Berlin 2010 (außer Konkurrenz), Sundance Festival Kinostart, Verleih 21.10.2010, Alamode Filmdistribution Genre Dokumentation Inhalt Der Street-Art-Künstler Banksy ist ein Phantom. Obwohl seine Werke auf zahlreichen Fassaden dieser Welt zu finden sind, ist seine Identität nur wenigen Menschen bekannt. Als der französische Filmemacher Thierry Guetta zufällig in die Street-Art-Szene hinein kommt und wie besessen alles mit seiner Videokamera festhält, ist es nur eine Frage der Zeit, bis er von dem berüchtigten Banksy hört. Er setzt sich das Ziel, auch diesen Künstler zu filmen. Dank guter Kontakte lernt Guetta Banksy tatsächlich kennen und bekommt die Erlaubnis, ihn bei seiner Arbeit zu filmen. Doch der fertige Film ist eine Katastrophe, so dass Banksy kurzerhand beschließt, den Spieß umzudrehen und einen Film über Guetta zu machen, der sich seitdem als Street-Art-Künstler betätigt. Fortan nennt sich der weder als Street-Art-Künstler noch als Filmemacher talentierte Guetta "Mr. Brainwash". Er plant eine Ausstellung, die in die Geschichte eingehen soll. Umsetzung "Banksy – Exit Through The Gift Shop" ist eine ungewöhnliche Dokumentation. Der Film des Provokateurs Banksy hat viel von einer "Mockumentary" (mock = vortäuschen, sich lustig machen), eines fiktionalen Dokumentarfilms, der sowohl das Genre als auch sein Thema aufs Korn nimmt. So kann sich der Zuschauer auch in diesem Film an kaum einer Stelle sicher sein, welche Elemente der Realität entsprechen, welche lediglich lose mit ihr verknüpft und welche vollständig erfunden sind.
    [Show full text]
  • Ben Salisbury
    Craft / Geoff Barrow of Portishead with Ben Salisbury quite dry, quite traditional. I was expecting it might be like ‘The Kids from Fame’. But they weren’t, the vast majority of students wanted to be music teachers! The benefit was there was a brand new recording studio at Newcastle University, and there was only me and one other guy who were interested in using it, so we had the run of it. It was absolutely state-of-the- art, when samplers and digital stuff were just taking off. So that was really my introduction into composing. Music for Film and TV at Bournemouth in the early ’90s was a brilliant course, in that you had your own workstation. You were sat down, you had deadlines, and it was quite pressurised, so was actually quite similar to life as a commercial composer. Weirdly, that was probably exactly the same time Geoff [Barrow] was using samplers to make Portishead’s Dummy. What was your first real break? I came out of Bournemouth with a credit to my name, because I did music for a short film that went on to win an award, and was broadcast on Channel Four. It was directed by a guy called Ben Salisbury Miguel Sapochnik who I’ve worked with since on other short films. Now he directs episodes of DAVE ROBINSON meets the nature documentary composer Game of Thrones! One person, that’s all it took: one director who has his (laser) sights on sci-fi chose a bit of music I’d done for that film as temp music for his film about elephants and en Salisbury is a name you can expect Your father worked at the BBC Natural said, “Look, you’re very inexperienced, but to see more and more of on your History Unit: that must have been useful to we’ve got this music in there.
    [Show full text]
  • Journal of the Musicians' Union Spring 2019 Themu.Org Orchestra
    The Musician Journal of the Musicians’ Union Spring 2019 theMU.org Orchestra Conference Constructive debate on a range of topics at the fourth MU event Maxine Kwok-Adams How the LSO’s first violinist has tapped into the Twitter zeitgeist Classical Streaming The benefits and challenges of streaming classical music Focus On Bristol The ever-innovative music city with a rich and diverse heritage Contacts Union HQ General Secretary Horace Trubridge Deputy General Secretary Naomi Pohl (Music Industry) Assistant General Secretary David Ashley (Finance & Administration) National Organiser Jo Laverty (Orchestras) National Organiser Diane Widdison (Education & Training) National Organiser Phil Kear (Recording & Broadcasting) National Organiser Dave Webster (Live Performance) Head of Communications & Government Relations Isabelle Gutierrez In-House Solicitor Dawn Rodger PR & Marketing Official Keith Ames Recording & Broadcasting Official Michael Sweeney Licensing & Distribution Official Annie Turner Sessions Official Geoff Ellerby Live Performance Official Kelly Wood Equality, Diversity & Inclusion Official John Shortell Orchestras Official Morris Stemp Campaigns & Social Media Official Maddy Radcliff Regional Offices London Regional Organiser: Jamie Pullman 33 Palfrey Place, London SW8 1PE t 020 7840 5504 e [email protected] East & South East England Regional Organiser: Paul Burrows 1a Fentiman Road, London SW8 1LD t 020 7840 5537 e [email protected] Midlands Regional Organiser: Stephen Brown 2 Sovereign Court, Graham Street, Birmingham B1
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • Certain Women
    CERTAIN WOMEN Starring Laura Dern Kristen Stewart Michelle Williams James Le Gros Jared Harris Lily Gladstone Rene Auberjonois Written, Directed, and Edited by Kelly Reichardt Produced by Neil Kopp, Vincent Savino, Anish Savjani Executive Producers Todd Haynes, Larry Fessenden, Christopher Carroll, Nathan Kelly Contact: Falco Ink CERTAIN WOMEN Cast (in order of appearance) Laura LAURA DERN Ryan JAMES Le GROS Fuller JARED HARRIS Sheriff Rowles JOHN GETZ Gina MICHELLE WILLIAMS Guthrie SARA RODIER Albert RENE AUBERJONOIS The Rancher LILY GLADSTONE Elizabeth Travis KRISTEN STEWART Production Writer / Director / Editor KELLY REICHARDT Based on stories by MAILE MELOY Producers NEIL KOPP VINCENT SAVINO ANISH SAVJANI Executive Producers TODD HAYNES LARRY FESSENDEN CHRISTOPHER CARROLL NATHAN KELLY Director of Photography CHRISTOPHER BLAUVELT Production Designer ANTHONY GASPARRO Costume Designer APRIL NAPIER Casting MARK BENNETT GAYLE KELLER Music Composer JEFF GRACE CERTAIN WOMEN Synopsis It’s the off-season in Livingston, Montana, where lawyer Laura Wells (LAURA DERN), called away from a tryst with her married lover, finds herself defending a local laborer named Fuller (JARED HARRIS). Fuller was a victim of a workplace accident, and his ongoing medical issues have led him to hire Laura to see if she can reopen his case. He’s stubborn and won’t listen to Laura’s advice – though he seems to heed it when the same counsel comes from a male colleague. Thinking he has no other option, Fuller decides to take a security guard hostage in order to get his demands met. Laura must act as intermediary and exchange herself for the hostage, trying to convince Fuller to give himself up.
    [Show full text]
  • Embargoed Until Announced at the Ceremony on Sunday 14 February 2016
    EMBARGOED UNTIL ANNOUNCED AT THE CEREMONY ON SUNDAY 14 FEBRUARY 2016 JOHN BOYEGA WINS THE EE RISING STAR AWARD AT THE EE BRITISH ACADEMY FILM AWARDS IN 2016 The Star Wars actor tops the public vote The EE Rising Star Award is the only one at the EE British Academy Film Awards to be voted for by the public The other 2016 nominees were: Taron Egerton, Brie Larson, Dakota Johnson and Bel Powley Last year’s EE Rising Star Award winner, Jack O’Connell presented this year’s award Previous winners include Will Poulter, Tom Hardy, Kristen Stewart, Noel Clarke, Eva Green and James McAvoy London, Sunday 14 February 2016: EE is proud to announce John Boyega as the winner of the EE Rising Star Award in 2016. The EE Rising Star Award is the only publicly-voted award presented at the EE British Academy Film Awards, and a hotly contested accolade for up and coming acting talent. Boyega was one of five international actors nominated for their exceptional talent and recognised as a true star in the making. The other nominees were: Taron Egerton, Brie Larson, Dakota Johnson and Bel Powley. JOHN BOYEGA was cast as the lead role in Star Wars: Episode VII – The Force Awakens, which premiered at the end of last year. Boyega had his screen debut in the critically acclaimed BBC series, Becoming Human, where he starred as Danny Curtis the school bully in four episodes. His first foray into feature films was playing the lead in cult sci-fi film, Attack the Block, which opened SXSW in 2011, collecting a plethora of international awards.
    [Show full text]
  • Festival Schedule
    T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen.
    [Show full text]
  • Norwich Film Festival Is Accredited by Both the British Independent Film Awards and the British Academy of Film and Television Arts
    NORWICH FILMFESTIVAL #NFF2019 6-17 NOVEMBER 2019 Supported by THANK YOU TO ALL OUR SUPPORTERS SPONSORS OF BEST SPONSORS OF BEST SPONSORS OF BEST DOCUMENTARY FILM EAST ANGLIAN FILM SHORT FILM THE TIMOTHY COLMAN TRUST NORWICH FILM FESTIVAL IS ACCREDITED BY BOTH THE BRITISH INDEPENDENT FILM AWARDS AND THE BRITISH ACADEMY OF FILM AND TELEVISION ARTS BIFA BAFTA QUALIFYING FESTIVAL QUALIFYING FESTIVAL BRITISH SHORT FILM BRITISH SHORT FILM CONTENTS WELCOME NOTES 4 OUR TEAM 5 FESTIVAL MAP 6 SUMMARY OF EVENTS 8 LAUNCH NIGHT 12 DAY ONE 13 DAY TWO 14 DAY THREE 15 DAY FOUR 18 DAY FIVE 21 DAY SIX 22 DAY SEVEN 24 DAY EIGHT 26 DAY NINE 30 DAY TEN 35 OFFICIAL SELECTION 38 OUR JUDGES 40 NOMINATED FILMS 42 FESTIVAL TIMETABLE 46 norwichfilmfestival.co.uk 3 WE’RE BACK and we’re incredibly excited to bring you the ninth Norwich Film Festival! We’ve had a record number of submissions this year, and we’ve spent months carefully choosing our Official Selection to present to you this month. We have 111 great short films, as well as 10 brilliant feature films, and a huge selection of industry sessions and talks. We’re extremely grateful for the continued support of our sponsors, partners, and friends, and we wouldn’t be where we are today without your help. We’re also proud of the ongoing commitment from our team of volunteers and the staff of all the venues hosting us across the city. The festival is what it is because of them, but also because of you, our audience.
    [Show full text]
  • My Name Is Emily
    MY NAME IS EMILY A FILM BY SIMON FITZMAURICE 2015 / Ireland / English / Drama 94 min / HD / 16:9 / Dolby 5.1 Sales Contact: 173 Richardson Street, Brooklyn, NY 11222 USA Office: +1.718.312.8210 Fax: +1.718.362.4865 Email: [email protected] Web: www.visitfilms.com LOGLINE On her 16th birthday, Emily and her new friend Arden set out to break her troubled biological father out of a psychiatric institution. SHORT SYNOPSIS After her mother dies and her father is institutionalized, Emily is placed in a foster home and in a new school where she is ostracized. When her father’s annual card fails to arrive on her 16th birth- day, Emily knows something’s wrong. She decides to take matters into her own hands and, enlisting her only friend at school, Arden, sets off on a road trip to break her father out of the psych ward. As their journey progresses Emily and Arden become close, and both come to realize important truths about the nature of relationships, both to their parents and to each other. TECH SPECS Run Time: 94 min Aspect Ratio: 16:9 Shooting Format: HD Sound: Dolby 5.1 Country: Ireland Language: English WORLD PREMIERE Galway Film Fleadh Opening Film – 7th July 2015 *Winner of the Best Cinematography Award for an Irish Feature* PRESS “Life-affirming and truly extraordinary (...) Big thumbs up.” - Film Ireland “An impressively intimate portrait (...) full of stunning imagery and even more poignant poetry.” - Under the Radar Magazine “[Evanna Lynch] gives Emily a lightness and ethereal quality (…) a commanding lead.” -Galway Advertiser DIRECTOR’S STATEMENT My wife wants me to be a novelist.
    [Show full text]
  • Atonement (2007) Compiled by Jay Seller
    Literature to Film, lecture on Atonement (2007) Compiled by Jay Seller Atonement (2007) Universal Pictures Director: Joe Wright Screenwriter: Christopher Hampton Novel: Ian McEwan 123 minutes Cast Cecilia Tallis Keira Knightley Robbie Turner James McAvoy Briony Tallis,Briony Romola Garai Older Briony Vanessa Redgrave Briony Taliis,Briony Saoirse Ronan Grace Turner Brenda Blethyn Singing Housemaid Allie MacKay Betty Julia Ann West Lola Quincey Juno Temple Jackson Quincey Charlie Von Simpson Leon Tallis Patrick Kennedy Paul Marshall Benedict Cumberbatch Emily Tallis Harriet Walter Fiona MacGuire Michelle Duncan Sister Drummond Gina McKee Police Constable Leander Deeny Luc Cornet Jeremie Renier Police Sergeant Peter McNeil O’Connor Tommy Nettle Daniel Mays Danny Hardman Alfie Allen Pierrot,Pierrot Jack Harcourt Frenchmen Michel Vuillemoz Jackson,Jackson Ben Harcourt Frenchmen Lionel Abelanski Frank Mace Nonso Anozie Naval Officer Tobias Menzies Crying Soldier Paul Stocker Police Inspector Peter Wright Solitary Sunbather Alex Noodle Vicar John Normington Mrs. Jarvis Wendy Nottingham Beach Soldier Roger Evans, Bronson Webb, Ian Bonar, Oliver Gilbert Interviewer Anthony Minghella Soldier in Bray Bar Jamie Beamish, Johnny Harris, Nick Bagnall, Billy Seymour, Neil Maskell Soldier With Ukulele Paul Harper Probationary Nurse Charlie Banks, Madeleine Crowe, Olivia Grant, Scarlett Dalton, Katy Lawrence, Jade Moulla, Georgia Oakley, Alice Orr-Ewing, Catherine Philps, Bryony Reiss, DSarah Shaul, Anna Singleton, Emily Thomson Hospital Admin Assistant Kelly Scott Soldier at Hospital Entrance Mark Holgate Registrar Ryan Kiggell Staff Nurse Vivienne Gibbs Second Soldier at Hospital Entrance Matthew Forest Injured Sergeant Richard Stacey Soldier Who Looks Like Robbie Jay Quinn Mother of Evacuees Tilly Vosburgh Evacuee Child Angel Witney, Bonnie Witney, Webb Bem 1 Primary source director’s commentary by Joe Wright.
    [Show full text]
  • Emma Scott Make-Up & Hair Designer
    Lux Artists Ltd. 12 Stephen Mews London W1T 1AH +44 (0)20 7637 9064 www.luxartists.net EMMA SCOTT MAKE-UP & HAIR DESIGNER FILM/TELEVISION DIRECTOR PRODUCER POSSUM Matthew Holness The Fyzz Cast: Sean Harris THE SNOWMAN Tomas Alfredson Working Title Cast: Michael Fassbender, Rebecca Ferguson, Charlotte Gainsbourg Universal Pictures FREE FIRE Ben Wheatley Rook Films Cast: Sam Riley, Cillian Murphy, Brie Larson, Noah Taylor, Armie Hammer Studio Canal Official Selection, Toronto Film Festival (2016) Official Selection, London Film Festival (2016) Nominated, Best Director, BIFA (2016) PRIDE, PREJUDICE & ZOMBIES Burr Steers Cross Creek Pictures Cast: Sam Riley, Matt Smith, Lena Headey, Jack Huston, Douglas Booth BABYLON (Pilot) Danny Boyle Nightjack Cast: Brit Marling, James Nesbitt Channel 4 THE GOOB Guy Myhill BBC Films Cast: Sean Harris, Hannah Spearritt, Liam Walpole Winner, Golden Hitchcock Award, Dinard British Film Festival (2014) ’71 Yann Demange Warp Films Cast: Sean Harris, Jack O’Connell, Paul Anderson, Sam Reid Nominated, Outstanding British Film, BAFTA Awards (2015) Official Selection, London Film Festival (2014) Official Selection, Berlin Film Festival (2014) Official Selection, Toronto Film Festival (2014) MUPPETS: MOST WANTED James Bobin Walt Disney Pictures Cast: Ricky Gervais, Tina Fey, Ty Burrell SOUTHCLIFFE (Mini-series) Sean Durkin Warp Films Cast: Sean Harris, Rory Kinnear, Shirley Henderson, Eddie Marsan, Joe Dempsie Nominated, Best Mini-Series, BAFTA TV Awards (2014) UTOPIA (Season 1) Marc Munden Kudos Film & TV Cast:
    [Show full text]
  • Wfs Filmnotes Template
    30 April 2013 www.winchesterfilmsociety.co.uk … why not visit our website to join in the discussion after each screening? Sightseers UK 2012 Every season when the committee Ben Wheatley is the outstanding young whittle down a long, long list to just British film-maker who got himself Directed by 16 films, there are one or two that talked about with his smart debut Down Ben Wheatley really intrigue us and we can’t wait to Terrace; then he scared the daylights out Director of Photography see. Sightseers is that film for 12/13! of everyone, as well as amusing and Laurie Rose baffling them, with his inspired and There is no direct French translation for ambiguous chiller Kill List. His talent Original Music and signature are vividly present in every Jim Williams the word ‘sightseers’, so Ben Wheatley’s new film is titled Touristes in Cannes, frame of this new movie, Sightseers, a Screenplay where it has screened as part of grisly and Ortonesque black comedy Alice Lowe Directors’ Fortnight. In a way, that’s about a lonely couple played by co- Steve Oram perfectly fitting: this flesh-creepingly writers Steve Oram and Alice Lowe. funny comedy turns into something that, Again, Wheatley is adept at summoning Cast rather worryingly, you can’t imagine an eerie atmosphere of Wicker Man Alice Lowe happening in any other country but disquiet; the glorious natural Tina England. Lowe and Oram’s script surroundings are endowed with a golden Steve Oram balances nimbly on the thread of razor sunlit glow and the trips to quaint Chris wire between horror and farce: the film venues of local interest are well Eileen Davies is frequently laugh-out-loud funny but observed: particularly Tina's heartbroken Carol the couple’s crimes are never trivialised, solo excursion to the Pencil Museum.
    [Show full text]