Knowing About Genocide: Armenian Suffering and Epistemic Struggles
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Didier Daeninckx and the Manouchian Resistance Group
1 An Ever-Present Past: Didier Daeninckx and the Manouchian Resistance Group ‘Writing is always “against”! […] Personally, I am against authority and the disappearance of memory’ — Didier Daeninckx (1997: 68)1 November 1943. Following a series of highly visible attacks in Paris, committed by the Communist, ‘immigrant’ Resistance group of Missak Manouchian,2 the Brigades spéciales (special Brigades) of the French police finally pounce on the perpetrators, and arrest follows arrest. At the end of a very brief trial a few months later, twenty-three members of the combat unit, including Manouchian himself, are condemned to death. The twenty-two men are immediately shot at Mont Valérien, on 21 February 1944 (the one woman, Olga Bancic, is executed separately, beheaded in Stuttgart on 10 May). More or less simultaneously, the photos of ten of these freedom fighters are displayed on the infamous Affiches rouges (red posters), which are plastered over the walls of French towns and cities, and which denounce ‘l’Armée du crime’ (the Army of crime), most obviously composed of people with names of foreign, if not Jewish, origin. Shortly afterwards, the Liberation of France, for which these combatants willingly gave their lives, commenced. That is by no means the end of their story, however. Throughout the post-war period, the group regularly comes back into the headlines, forming, as Margaret Atack has noted, ‘an important focal point for remembrance and controversy’ (2013: 175).3 For example, in 1955, in honour of the group, and to mark the inauguration of a rue du Groupe Manouchian in Paris, Louis Aragon writes the poem which will first appear in L’Humanité on 5 March 1955, entitled ‘Groupe Manouchain’, and then in his collection, Le Roman inachevé, as ‘Strophes pour se souvenir’ (1956: 225-26). -
Remembering the French Resistance: Ethics and Poetics of the Epic Author(S): Nathan Bracher Source: History and Memory , Vol
Remembering the French Resistance: Ethics and Poetics of the Epic Author(s): Nathan Bracher Source: History and Memory , Vol. 19, No. 1 (Spring/Summer 2007), pp. 39-67 Published by: Indiana University Press Stable URL: https://www.jstor.org/stable/10.2979/his.2007.19.1.39 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Indiana University Press is collaborating with JSTOR to digitize, preserve and extend access to History and Memory This content downloaded from 95.183.180.42 on Wed, 11 Mar 2020 17:03:40 UTC All use subject to https://about.jstor.org/terms Remembering the French Resistance Remembering the French Resistance Ethics and Poetics of the Epic NATHAN BRACHER From its very inception to the present day the French Resistance has been rep- resented and commemorated in the epic mode. While Laurent Douzou’s book, La Résistance française: Une histoire périlleuse, reaffirms this heroic vision, Pascal Convert’s sculpture honoring executed Resistance fighters on Mont Valérien and his documentary film Mont Valérien, aux noms des fusillés propose a more human, even anti-heroic approach which nevertheless aims to unite a community in memory by celebrating the courage and sacrifice, but also the specific persons, of previously forgotten résistants. -
Romanians of the French Resistance
French History, Vol. 28, No. 4 (2014) doi:10.1093/fh/cru080 Advance Access publication 10 October 2014 ROMANIANS OF THE FRENCH RESISTANCE GAVIn BOWD* Downloaded from Robert Guédiguian’s film L’Armée du crime and Didier Daeninckx’s novel Missak have been recent reminders of the role of immigrants in the French Resistance. The fate of the ‘Groupe Manouchian’, twenty-two men and one woman executed in early 1944 (they were used in the Nazi propaganda campaign L’Affiche rouge), still resonates and provokes controversy, raising the issue of the silence which http://fh.oxfordjournals.org/ has often surrounded the place of foreigners in la France résistante. What is more, it raises the wider issues of the fate of many of the surviving résistants in post-war communist Eastern Europe and the potential conflicts between inter- nationalism, nationalism and ethnicity. This article seeks to address such issues by examining the largely overlooked involvement of Romanians in the French Resistance, and the significant role they played—well beyond their numerical strength—in both the struggle against the German Occupier and in the post- at University of North Dakota on June 5, 2015 war communist regime. If this could be seen as yet another example of l’amitié franco-roumaine—those strong political and cultural bonds that made of Bucharest a ‘petit Paris’ and of the French capital a place of pilgrimage and ref- uge—it also reveals a complex and sometimes tragic entanglement. An event such as l’Affaire Manouchian is rightly cited as an example of the ‘Vichy Syndrome’ described by Henry Rousso, where a nation’s reassur- ing self-image is shattered by the unbearable reminder of ‘la guerre franco- française’.1 But this resurgence of a past that ‘will not pass’ goes beyond the strictly national frame. -
HAYK's SPIRIT IS IMMORTAL More Than 4500-Year-Old Roots of The
HAYK’S SPIRIT IS IMMORTAL Danielyan E. L. Doctor of Sciences (History) ETERNAL GLORY AND HONOR TO THE HEROES AND THEIR COMRADES-IN-ARMS WHO SACRIFICED THEIR LIVES FOR THE FREEDOM AND INDEPENDENCE OF THE FATHERLAND More than 4500-year-old roots of the Armenian Army are hallowed by the freedom struggle of the Armenian nation for the defence of the Fatherland against foreign invaders. The Armenian liberation torch sanctified by Hayk Nahapet (Patriarch) passed over from Hayots Dzor1 to Avarayr, Zeytun, Sasun, Sardarapat and has reached Artsakh. The heroes sacrificing their lives for the liberation of the Fatherland are immortalized. Hayk Lake Van 1 Մովսէս Խորենացի, Պատմութիւն Հայոց, Երևան, 1991, էջ 32-37: The year 2008 marked the 4500th anniversary of the victory of the Armenian Patriarch Hayk against Bel at the battle of Hayots Dzor (on the shore of Lake Van). Thе calendar calculation of the date based on the periodicity of “Hayk’s Cycle” of the “Ancient Armenian era” was done by the famous Armenologist Ghevond Alishan (1820-1901) (Ալիշան Ղ., Յուշիկք հայրենեաց Հայոց, հ. Ա, Վենետիկ, 1920, էջ 85). There was no leap-year in the ancient Armenian era, since a year was always considered to consist of 365 days; hence the year and the date were movable. Thus 1460 years, according to the Julian calendar, amount to 1461 years, according to the Armenian Calendar. By such periodicity of the “Cycle of Hayk”, 2492 BC denotes the year of Hayk’s victory. The beginning of the victorious year was Navasard 1 (=August 11). New discoveries connected with the observations of the starry sky (the 6th millennium BC - Zorats kar (Karahunj), the first half of the 3rd millennium BC - Metsamor), archaeological excavations and petroglyphs in the Armenian Highland, bear witness to the deep Haykian roots, and that the glorious victory of Hayk symbolized the beginning of a very important new epoch of the Armenian history. -
From Joachim Savelsberg. Forthcoming. Knowing About Genocide
From Joachim Savelsberg. Forthcoming. Knowing about Genocide. Armenian Suffering and Epistemic Struggles. University of California Press. Chapter 9: Denialism in an Age of Human Rights Hegemony Denialism can be effective, especially when powerful and influential actors repress dark chapters of history that the populace already seeks to avoid. Yet, denial of mass atrocity and genocide in the context of human rights hegemony is likely to fail. In fact, denialists have to expect counterproductive consequences. Their “successes” turn out to be Pyrrhic victories. To argue this point, I briefly return to central insights from the two preceding chapters. There I examined epistemic conflicts in the context of legal and political decision-making processes. Both chapters taught us important lessons about the social forces at work, the entrepreneurs of knowledge and carrier groups, the effect that rules of the game have on fights carried out in specific social fields, the limits of those rules when players improvise, and the weight of national contexts in which fields are nested. Yet, focusing on concrete processes of decision-making alone leaves out something important. It does not speak to situations in which problems never become issues in the first place, in which they do not enter public consciousness and are absent from the realm of deliberation and decision-making. Scholarly debates of the 1960s and 1970s about community power structures can teach us important lessons about such blank spots. They initially involved two camps, with a conflict theoretical model, inspired by C. Wright Mills, on one side of the divide. Its followers used a reputational approach to measure power, asking experts or members of local elites about the amount of power held by different actors in the community. -
United States Court of Appeals for the First Circuit ______
Appeal No. 09-2002 _______________________________________________________________ UNITED STATES COURT OF APPEALS FOR THE FIRST CIRCUIT ______________________________________________________________ THEODORE GRISWOLD; HIS PARENT AND NEXT FRIEND THOMAS GRISWOLD; JENNIFER WRIGHT; HER PARENT AND NEXT FRIEND, RAYMOND WRIGHT; DANIEL GLANZ; HIS PARENT AND NEXT FRIEND, RICHARD GLANZ; WILLIAM SCHECHTER; LAWRENCE AARONSON; AND ASSEMBLY OF TURKISH AMERICAN ASSOCIATIONS, APPELLANTS v. DAVID P. DRISCOLL, COMMISSIONER OF EDUCATION, MASSACHUSETTS DEPARTMENT OF EDUCATION; JAMES A. PEYSER, CHAIRMAN, MASSACHUSETTS BOARD OF EDUCATION; THE DEPARTMENT OF EDUCATION FOR THE COMMONWEALTH OF MASSACHUSETTS; AND THE MASSACHUSETTS BOARD OF EDUCATION, APPELLEES _______________________________________________________________ ON APPEAL FROM THE FEDERAL DISTRICT COURT FOR THE DISTRICT OF MASSACHUSETTS BRIEF OF AMICUS CURIÆ TURKISH AMERICAN LEGAL DEFENSE FUND _______________________________________________________________ BRUCE FEIN (DC BAR #446615) KEVIN S. NIXON (MA BAR #555231) DAVID SALTZMAN (DC BAR #436201) 65A ATLANTIC AVENUE TURKISH AMERICAN LEGAL DEFENSE FUND BOSTON, MA 02110 1025 CONNECTICUT AVENUE, SUITE 1000, NW PHONE: 617-227-6363 WASHINGTON, DC 20036 BBO #55231 PHONE: 202-370-1399 EXT.3 2 TABLE OF CONTENTS TABLE OF CONTENTS .......................................................................................... 2 TABLE OF AUTHORITIES .................................................................................... 4 CORPORATE DISCLOSURE STATEMENT ....................................................... -
L'affiche Rouge
L’Affiche rouge Adam Rayski L’Affiche rouge Cet ouvrage est issu d’un texte écrit par Adam Rayski peu de temps avant sa mort. La ville de Paris tient à saluer sa mémoire et à remercier sa famille qui a permis cette réédition. Adam Rayski 2009 - Comité d’Histoire de la Ville de Paris - Tous droits réservés pour tous pays. Paris n’oubliera jamais l’Affiche rouge. Ses noms et ses visages, que l’oppres- qui, avec ce témoignage aussi précis qu’émouvant, a offert en partage aux nou- sion nazie et la collaboration de Vichy voulaient condamner à l’infamie, incar- velles générations le bien le plus précieux : la vérité de l’Histoire. L’oppresseur neront devant l’Histoire les valeurs de résistance, de courage et d’héroïsme. voulait frapper de sa main criminelle « l’Arménien », « le Juif hongrois » ou Les FTP-MOI menés par Missak Manouchian ont sauvé, par la plus sacrée des « polonais », « le communiste italien » et « l’Espagnol rouge ». Ne reste dans révoltes, non seulement l’honneur de notre pays mais aussi la conscience de nos cœurs que la figure magnifique d'hommes libres, dont la voix résonne à l’Humanité. travers les ténèbres par le chant d’Aragon : «Ils étaient vingt et trois quand les fusils fleurirent Patriotes face à ceux qui trahissaient la République, ces partisans devinrent Vingt et trois qui donnaient leur cœur avant le temps Français par le plus beau sacrifice – le combat pour la liberté et la dignité de Vingt et trois étrangers et nos frères pourtant l’Homme –, et méritent la reconnaissance et l’admiration éternelles de notre Vingt et trois amoureux de vivre à en mourir nation et de notre Ville. -
L'armee DU CRIME De Robert Guédiguian
L’ARMEE DU CRIME de Robert Guédiguian FICHE 1 : PRESENTATION DU FILM Genre : Film historique Année de sortie du film : 2009. Film présenté au Festival de Cannes avant sa sortie publique. Réalisation : Robert Guédiguian. Réalisateur né à Marseille d’un père arménien et d’une mère allemande, il a réalisé plusieurs films se déroulant à Marseille comme Marius et Jeannette (1997). Durée : 2h 19 Distribution : Simon Abkarian (Missak Manouchian), Virginie Ledoyen (Mélinée, épouse de Manouchian), Grégoire Leprince-Ringuet (Thomas Elek), Robinson Stévenin (Marcel Rayman), Olga Legrand (Olga Bancic, seule femme du réseau), Jean-Pierre Darroussin (Inspecteur Pujol, recruté par les Brigades Spéciales, service des Renseignements Généraux spécialisé dans la traque des résistants et des juifs). Synopis (=résumé de l’histoire du film): 1943, Paris pendant l’Occupation: Missak Manouchian, arménien et communiste, est chargé par la direction du Parti communiste français (alors clandestin car il avait été interdit par le régime de Vichy) d’organiser et diriger un réseau de résistants pour lutter contre « l’Occupant » (les Allemands). Ce réseau fera partie du FTP-MOI : FTP pour Francs Tireurs et Partisans, nom de l’organisation de résistance armée du parti communiste (qui regroupe plusieurs réseaux) et MOI pour Main d’œuvre Immigrée car le réseau confié à Manouchian est formé de travailleurs étrangers vivant en France depuis plus ou moins longtemps. Parmi eux, beaucoup de réfugiés qui ont fui, seuls ou avec leur famille, le nazisme dans leur pays d’origine : des juifs originaires d’Europe de l’Est, des Espagnols ayant fui le régime de Franco et des Italiens ayant fui le régime de Mussolini (dictateurs proches de Hitler). -
Les Arméniens Communistes En France, Une Histoire Oubliée
@mnis Revue de Civilisation Contemporaine de l’Université de Bretagne Occidentale EUROPES / AMERIQUES http://www.univ-brest.fr/amnis/ Les Arméniens communistes en France, une histoire oubliée Astrig Atamian INALCO France [email protected] Si le nom de Manouchian, immortalisé par l’Affiche rouge, résonne bien au-delà de la communauté arménienne, rares sont ceux — même parmi les Arméniens — à connaître le parcours de cet homme et celui de ses camarades dans la France de l’entre- deux-guerres. En France, l’engagement d’une partie de la « colonie » arménienne dans les rangs du mouvement communiste est bien souvent ignorée. Pourtant, dès 1921, une poignée de communistes arméniens installés à Paris se retrouvent au sein de l’Union des étudiants de Transcaucasie soviétique . Trois ans plus tard, le Parti communiste français met sur pied les groupes de langue destinés à encadrer les travailleurs étrangers. Si le nombre d’encartés militant dans le groupe de langue arménienne, bientôt baptisé « sous-section arménienne du PCF », ne semble pas avoir dépassé la centaine, c’est surtout au sein des organisations de masse, telles que le Comité d’aide à l’Arménie ou la Jeunesse arménienne de France, que l’on retrouve les sympathisants communistes et pro- soviétiques de la diaspora. Outre un ouvrage en arménien paru à Erevan en 1967, Les Arméniens communistes en France dans les années de Résistance 1, qui retrace l’histoire de la mouvance communiste arménienne en France dans un chapitre introductif, nous ne disposons sur ce sujet que de quelques pages dans différents travaux sur les Arméniens en France, l’histoire du PCF ou l’engagement des étrangers dans la Résistance pendant la Seconde Guerre mondiale. -
L'affiche Rouge: El Grupo De Resistentes Dirigidos Por Missak
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
Manipulation, Mystification, and Misrepresentation: Review
Burak Arliel. The Turkish Passport. Interfilm Istanbul, 2011. Documentary Film. 91 minutes. Reviewed by Ugur Ümit Üngör Published on H-Genocide (March, 2012) Commissioned by Elisa G. von Joeden-Forgey (University of Pennsylvania) In October 2011 the second Amsterdam Turk‐ cluding locations, costumes, and props, but for ish Film Festival (ATFF) was held in the noted cul‐ some reason the characters do not speak. The tural center De Balie. The flm selection presented meetings between Turkish diplomats, Nazi offi‐ a wide collection of movies from popular cinema cials, and Jews are overlaid with the narrator’s to art-house productions. One of the movies commentary about these events. In other words, screened was the 90-minute documentary The the documentary is a silent flm and not a proper Turkish Passport by director Burak Arlıel. This documentary with spoken dialogue and dramatic film tells the story of Turkish diplomats posted to reenactments, such as the BBC’s recent gem Turkish embassies and consulates in France, who “World War II Behind Closed Doors: Stalin, the allegedly saved numerous, mostly Turkish, Jews Nazis and the West” (2008). That documentary during the Second World War. The documentary also includes the full range of props, locations, is based on the testimonies of witnesses and sur‐ and costumes, as well as German-speaking Nazis, vivors, as well as historical documents, to tell a resembling Soviet characters (a pudgy, foul- straightforward story of rescue. mouthed Lavrenti Beria; a nervous, sycophantic The flm stood out from the other movies at Vyacheslav Molotov), and best of all: an eerily the ATFF for various reasons. -
Victory Day Celebrations Kick Off in Yerevan President Serzh Sargsyan’S Message on Victory and Peace Day
22 YEARS The #17 Noah’s Ark (1105) 10 May 2016 Published Since 1993 Weekly Newspaper HIGHLIGHTS ÜáÛÛ³Ý î³å³Ý ß³µ³Ã³Ã»ñà (³Ý·É. / ýñ³Ýë.) Victory Day celebrations kick off in Yerevan President Serzh Sargsyan’s message on Victory and Peace Day Dear Compatriots, I cordially congratulate you on the occasion of Victory and Peace Day. For our nation the WWII was really a Patriotic War. Many of the sons of our nation fought for the freedom of our Fatherland and its bright future. They fought at all fronts, at the battle field and at the home front. Today, we pay tribute and express gratitude to the bright memory of our heroic predecessors, hundred thousands of whom fell in the struggle with the evil. We also pay tribute and express gratitude to a sadly small number of veterans who today stand with us. This holiday is dedicated not only to the 1992. The cultural center of Artsakh, which sons of the liberators of Shushi repeated the military victory but also to peace. Along for centuries had always been spreading heroic act of their fathers. This time, these with other nations of the Soviet Union, we light, education, science and arts, was were not the fidayi units but regiments of the paid dearly for the victory and earned turned into a monstrous weapon emplace- mature regular army. They proved that each peace. That victory had given us a historic ment which was spreading death and new generation of the Armenian nation is chance to get again as a nation to our feet destruction all around.