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Introduction to "Solaris" Translated from Polish by Lech Keller Stanislaw Lem Is Unquestionably One of the Greatest Authors of SF in the Global History of This Genre
Acta Polonica Monashiensis Volume 2 Number 2 December 2002 Wojciech Kajtoch Introduction to "Solaris" Translated from Polish by Lech Keller Stanislaw Lem is unquestionably one of the greatest authors of SF in the global history of this genre. Thus inclusion of his works to the reading list1 is certainly a gesture, which acknowledges the reality. One could also regard this inclusion as an ennoblement of a genre, so far virtually ignored by the school administration because of its "lowly" origin (i.e. Verne's fantastic novels, targeted mostly for young people, and American "pulp" SF magazines of the 1930s). There are also different claims, namely that "Solaris" (and this novel is virtually unanimously regarded as the best work of Lem, the work, which introduced his works to the list of "must-read" books), is not really SF. The main reason is that "Solaris" can be read and interpreted as a psychological novel, thus in this context Lem is a "real", i.e. "mainstream" writer, actually not much interested in science and technology. In short: Lem is strictly speaking a "high brow" writer, rather than a "lowly" SF writer. It should be also noted the lack of regard to the cultural background (or its arbitrary selection), which was frequent in the interpretation of the post-Second World War literature, and common in the Polish secondary schools habit of reading every literary text as a direct reflection and appraisal of the real world. This way we have compiled a catalogue of the dangers threatening analysis of "Solaris', as it is done at the classes of Polish literature. -
![La Recherche De L'absolu / [Balzac] a MADAME JOSEPHINE DELANNOY, NEE DOUMERC](https://docslib.b-cdn.net/cover/0517/la-recherche-de-labsolu-balzac-a-madame-josephine-delannoy-nee-doumerc-20517.webp)
La Recherche De L'absolu / [Balzac] a MADAME JOSEPHINE DELANNOY, NEE DOUMERC
Honoré de Balzac La recherche de l’absolu 2003 - Reservados todos los derechos Permitido el uso sin fines comerciales Honoré de Balzac La recherche de l’absolu Etudes philosophiques [Document électronique]. T. 1. La recherche de l'absolu / [Balzac] A MADAME JOSEPHINE DELANNOY, NEE DOUMERC. Madame, fasse Dieu que cette oeuvre ait une vie plus longue que la mienne ; la reconnaissance que je vous ai vouée, et qui, je l'espère, égalera votre affection presque maternelle pour moi, subsisterait alors au-delà du terme fixé à nos sentiments. Ce sublime privilége d'étendre ainsi par la vie de nos oeuvres l'existence du coeur suffirait, s'il y avait jamais une certitude à cet égard, pour consoler de toutes les peines qu'il coûte à ceux dont l'ambition est de le conquérir. Je répéterai donc : Dieu le veuille ! DE BALZAC. Il existe à Douai dans la rue de Paris une maison dont la physionomie, les dispositions intérieures et les détails ont, plus que ceux d'aucun autre logis, gardé le caractère des vieilles constructions flamandes, si naïvement appropriées aux moeurs patriarcales de ce bon pays ; mais avant de la décrire, peut-être faut-il établir dans l'intérêt des écrivains la nécessité de ces préparations didactiques contre lesquelles protestent certaines personnes ignorantes et voraces qui voudraient des émotions sans en subir les principes générateurs, la fleur sans la graine, l'enfant sans la gestation. L'Art serait-il donc tenu d'être plus fort que ne l'est la Nature ? Les événements de la vie humaine, soit publique, soit privée, sont si intimement liés à l'architecture, que la plupart des observateurs peuvent reconstruire les nations ou les individus dans toute la vérité de leurs habitudes, d'après les restes de leurs monuments publics ou par l'examen de leurs reliques domestiques. -
Dynamical Evolution of the Hungaria Asteroids ⇑ Firth M
Icarus 210 (2010) 644–654 Contents lists available at ScienceDirect Icarus journal homepage: www.elsevier.com/locate/icarus Dynamical evolution of the Hungaria asteroids ⇑ Firth M. McEachern, Matija C´ uk , Sarah T. Stewart Department of Earth and Planetary Sciences, Harvard University, 20 Oxford Street, Cambridge, MA 02138, USA article info abstract Article history: The Hungarias are a stable asteroid group orbiting between Mars and the main asteroid belt, with high Received 29 June 2009 inclinations (16–30°), low eccentricities (e < 0.18), and a narrow range of semi-major axes (1.78– Revised 2 August 2010 2.06 AU). In order to explore the significance of thermally-induced Yarkovsky drift on the population, Accepted 7 August 2010 we conducted three orbital simulations of a 1000-particle grid in Hungaria a–e–i space. The three simu- Available online 14 August 2010 lations included asteroid radii of 0.2, 1.0, and 5.0 km, respectively, with run times of 200 Myr. The results show that mean motion resonances—martian ones in particular—play a significant role in the destabili- Keywords: zation of asteroids in the region. We conclude that either the initial Hungaria population was enormous, Asteroids or, more likely, Hungarias must be replenished through collisional or dynamical means. To test the latter Asteroids, Dynamics Resonances, Orbital possibility, we conducted three more simulations of the same radii, this time in nearby Mars-crossing space. We find that certain Mars crossers can be trapped in martian resonances, and by a combination of chaotic diffusion and the Yarkovsky effect, can be stabilized by them. -
Dani Felber Big Band Explosion – Glenn Gould Plays Bach (3-DVD-Box), Sony Thank You Fos Stabe Z Fehlt
Das Schweizer Jazz & Blues Magazin Nov./Dez. 6/2012 S Schweiz CHF 11.– / Deutschland € 5.90 / Österreich € 6.10 , ROOT ‚ N BLUES ‘‘ NN ''MMOORREE MICHEL Legrand HowlIN’ WolF Andreas VARADY MATTHIAS SPILLMANN OMRI ZIegele FABIAN Anderhub DAVE FEUSI & FRIends STRAYMONK LESTER MENEZES Don LI'S OrbITAL Garden MALI MUSIC IIRO RANTALA Sarah BÜCHI ANSON Funderburgh Andrew HILL URS LEImgruber ChrIS MARK SATTLER MAX FRANKL ED PARTYKA WIesendanger ORIOXY AUS DEM Innern MEHR ALS 80 CD-BESPRECHUNGEN JNM_06_2012_01_def.indd 1 26.10.12 09:41 Andreas Homoki wird nicht ruhen, das Opernhaus Zürich neuen Künstlern und neuen Besuchern zu öffnen. Qualität. Das verbindet uns mit dem Intendanten des Opernhauses Zürich. Als eine der weltweit erfolgreichsten Bühnen zeigt das Opernhaus Zürich seit Jahren Opern und Ballette auf höchstem Niveau. Andreas Homoki sichert mit Zuhören, präzisen Analysen und harmonischem Zusammenspiel des ganzen Ensembles künstlerische Spitzenleistungen, die ein breites Publikum begeistern. Unermüdliches Streben nach dem Besten und leidenschaftliches Teamwork kennzeichnen auch unsere Arbeit für alle Kunden in der Schweiz. Deshalb unterstützt UBS das Opernhaus Zürich seit 1987 als Partner. Bis Sie von der Nachhaltigkeit unseres Engagements überzeugt sind, dürfen Sie sich auf eines verlassen: Wir werden nicht ruhen www.ubs.com/sponsoring Die Verwendung von Namen oder sonstiger Bezeichnungen Dritter in dieser Werbung erfolgt mit der entsprechenden Genehmigung. © UBS 2012. Alle Rechte vorbehalten. 10157_Ad Andreas Homoki Opernhaus Bühne - Publication Jazz'n'More_2012_10_12.indd 1 10/15/2012 4:03:21 PM JNM_06_2012_02-03.indd 2 26.10.12 09:43 EDITORIAL INHALT Andreas Homoki wird nicht ruhen, das Opernhaus Zürich neuen Künstlern und neuen Besuchern zu öffnen. -
24Th International Piano Competition Since 1947
24th International since 1947 Piano Competition Rina Sala Gallo 25 Settembre — 01 Ottobre 2016 Teatro Manzoni / Monza Rina Sala Gallo 2016 1 / 52 La Storia La Our History Our Rina Sala Gallo (1898 — 1980) u allieva prediletta di Giovanni Anfossi, sotto la cui he was the pet pupil of Giovanni Anfossi, under Fguida si diplomò giovanissima, con lode speciale, Swhose tutelage she graduated, at a very young presso il Conservatorio «G. Verdi» di Milano. age, and with special commendation, from the Iniziò la carriera concertistica poco più che decenne, Conservatorio “G. Verdi” in Milan. She began her con vivo successo di critica e di pubblico. concert career at around the age of ten with great Tenne concerti in Italia ed in Europa, riscuotendo critical and public success, and went on to give sempre i massimi consensi. concerts in Italy and in Europe, always earning Dedicò la sua vita all’arte pianistica e fondò a maximum acclaim. Monza una rinomata scuola di pianoforte. Sala Gallo dedicated her life to the Art of Nel 1947 organizzò il primo concorso pianistico Piano, and founded a renowned piano school di Monza in collaborazione con Benedetti in Monza.In 1947, she organized the first Piano Michelangeli ed altri esponenti del mondo musicale Competition in Monza in collaboration with italiano, tra i quali Tagliapietra, Gorini, Benedetti Michelangeli and other exponents of Sanzogno, Vidusso, Mozzati e Margola. A questo ne the Italian musical world, such as Tagliapietra, seguirono altri nel 1949 e nel 1967. Gorini, Sanzogno, Vidusso, Mozzati and Margola. Dal 1970 il concorso, divenuto biennale, è a suo This was followed by two further editions in 1949 nome e dal 2009 è membro della Federazione and 1967. -
The Hungaria Asteroids: Close Encounters and Impacts with Terrestrial Planets
Mem. S.A.It. Suppl. Vol. 26, 38 Memorie della c SAIt 2014 Supplementi The Hungaria Asteroids: close encounters and impacts with terrestrial planets M. A. Galiazzo, A. Bazso, and R. Dvorak Institute of Astronomy, University of Vienna, Turkenschanzstr.¨ 17, A-1180 Wien, Austria e-mail: [email protected] Abstract. The Hungaria asteroid family (Named after (434) Hungaria), which consists of more than 5000 members with semi-major axes between 1.78 and 2.03 AU and have in- clinations of the order of 20◦, is regarded as one source for Near-Earth Asteroids (NEAs). They are mainly perturbed by Jupiter and Mars, and are ejected because of mean motion and secular resonances with these planets and then become Mars-crossers; later they may even cross the orbits of Earth and Venus. We are interested to analyze the close encounters and possible impacts with these planets. For 200 selected objects which are on the edge of the group we integrated their orbits over 100 million years in a simplified model of the planetary system (Mars to Saturn) subject to only gravitational forces. We picked out a sam- ple of 11 objects (each with 50 clones) with large variations in semi-major axis and some of them achieve high inclinations and eccentricities in connection with mean motion and secular resonances which then leads to relatively high velocity impacts on Venus, Earth and Mars. We report all close encounters and impacts with the terrestrial planets and statistically determine the mean life and the orbital distribution of the NEAs of these Hungarias. -
Neglected Literature: an Experimental Curriculum Resource Bulletin for Secondary Schools
DEPARTMENT OF HEALTH. EDUCATION, AND WELFARE . OE FORM 6000, 2/69 OFFICE OF EDUCATION fr-cd-Utt ERIC ACC. NO. tallt.... I. FCC.UMt. ED 032 315 IS DOCUMENTCOPYRIGHTED? YES 0 NOEl CH ACC. NO. P.A.PUBL. DATEno 7`EPICREPRODUCTIONRELEASE? YESIIINOEa TE 001 546 56r ILEVELOF AVAILABILITY I I I I I AUTHOR TITLE Neglected Literature: An Experimental Curriculum Resource Bulletin for Secondary Schools. SOURCECODEINSTITUTION(SOURCE) FGK22275 SP. AG. CODESPONSORING AGENCY EDRS PRICE CONTRACT NO. GRANT NO. 0.25;2.55 REPORT NO. BUR EAU NO. AVAILABILITY JOURNAL CITATION DESCRIPTIVE NOTE 49p. DESCRIPTORS *Negro Literature; *English Instruction; *Instructional Materials; *Teaching Guides; Literature Appreciation; Negro History; Negro Culture; Negroes; African American Studies; Novels; Short Stories; Poetry; Drama; Essays; Biographies; American Literature; Chronicles . IDENTIFIERS 1 ABSTRACT The materials presented in this teaching guide for Negro literature, prepared under an ESEA Title 3 grant, were collected for inclusion into the traditional English . curriculum "to enable students to regard the works of .Negro writers as a' sharing of diversified human experiences." Sample units on the novel, slave narration, short story,' poetry, drama,'essay, biography; and argumentation and debate illustrate how literature of the Negro may be used in planning lessons. One or more literary works are reviewed in each unit which also lists questions and activities for class discussion. Following each unit are short bibliographies that suggest alternatives , to the units presented. (LH) . We acknowledge with appreciation theservice of Mr. James E. Taylor, Deputy Director Educational Resources Center and. Staff in duplicating and collating thispamphlet. 59 77". ^It U.S. DEPARTMENT OF HEALTH, EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE LC1 PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS r-4 STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION 141 POSITION OR POLICY. -
Novità Di Ottobre
Novità Ducale dal 18-09-2012 al 22-10-2012 ARVO PÄRT 1935 Adam's Lament Beatus Petronius, Salve Regina, Statuit ei Dominus, Alleluia-Tropus, L'abbé Agathon, Estonian Lullaby, Christmas Lullaby TÕNU KALJUSTE Dir Nato a Tallinn nel 1953, Tonu Kaljuste si è dapprima dedicato al repertorio tradizionale, per poi concentrare la propria attenzione sullla produzione di autori estoni come Part, Tuur e Tormis, di cui ha realizzato incisioni di altissimo profilo. 1 CD ECM 2225 Durata: 68:00 Alto Prezzo ¶|xACIJEHy648253z Confezione: Jewel Box + O-card Genere: Musica Sacra distribuzione Italiana:09/10/2012 Registrato nella Chiesa di San Nicola, Tallinn "Adam's Lament" è basato sugli scritti di Saint Silouan (Silvanus, nella pronuncia latina), nei quali il monaco ortodosso sul monte Athos ha descritto il dolore di Adamo per la caduta dal Paradiso. Non è la prima volta che Arvo Pärt viene ispirato a comporre su testi di Saint Silouan, nel 1991 ha infatti pubblicato i "Silouans Songs" per orchestra, registrati da ECM con il Te Deum, il Magnificat e la Berliner Mass. Il compositore ha interiorizzato profondamente le parole,che, nella lingua slava ecclesiastica, determinano la sostanza e la struttura del brano. Il nome di Adamo è pensato come un termine collettivo, che comprende l'intero genere umano, ma anche ciascuna persona individualmente, la previsione di una tragedia umana come una colpa personale. La prima esecuzione di questo lavoro ebbe luogo nel giugno 2010 a Istanbul proprio sotto la direzione di Tõnu Kaljuste e con l'Estonian Chamber Choir, cioè gli interpreti ideali di cui si avvale questo CD, che comprende anche altri importanti lavori della produzione sacra di Pärt. -
Intraoral Pressure in Ethnic Wind Instruments
Intraoral Pressure in Ethnic Wind Instruments Clinton F. Goss Westport, CT, USA. Email: [email protected] ARTICLE INFORMATION ABSTRACT Initially published online: High intraoral pressure generated when playing some wind instruments has been December 20, 2012 linked to a variety of health issues. Prior research has focused on Western Revised: August 21, 2013 classical instruments, but no work has been published on ethnic wind instruments. This study measured intraoral pressure when playing six classes of This work is licensed under the ethnic wind instruments (N = 149): Native American flutes (n = 71) and smaller Creative Commons Attribution- samples of ethnic duct flutes, reed instruments, reedpipes, overtone whistles, and Noncommercial 3.0 license. overtone flutes. Results are presented in the context of a survey of prior studies, This work has not been peer providing a composite view of the intraoral pressure requirements of a broad reviewed. range of wind instruments. Mean intraoral pressure was 8.37 mBar across all ethnic wind instruments and 5.21 ± 2.16 mBar for Native American flutes. The range of pressure in Native American flutes closely matches pressure reported in Keywords: Intraoral pressure; Native other studies for normal speech, and the maximum intraoral pressure, 20.55 American flute; mBar, is below the highest subglottal pressure reported in other studies during Wind instruments; singing. Results show that ethnic wind instruments, with the exception of ethnic Velopharyngeal incompetency reed instruments, have generally lower intraoral pressure requirements than (VPI); Intraocular pressure (IOP) Western classical wind instruments. This implies a lower risk of the health issues related to high intraoral pressure. -
The Embodied Mind in Sleep and Dreaming: a Theoretical Framework and an Empirical Study of Sleep, Dreams and Memory in Meditators and Controls
Université de Montréal The Embodied Mind in Sleep and Dreaming: A theoretical framework and an empirical study of sleep, dreams and memory in meditators and controls par Elizaveta Solomonova Programme de doctorat individualisé Sciences biomédicales Faculté de médecine Thèse présentée à la faculté de médecine en vue de l’obtention du grade de doctorat en sciences biomédicales option individualisée Août 2017 © Elizaveta Solomonova, 2017 Résumé Les théories récentes de la conscience incarnée (embodiment) soulignent que l'esprit est un processus incarné, impliquant le cerveau, le corps et l'environnement. Plusieurs aspects de la cognition, de l’interaction sensorimotrice avec l’environnement à la pensée abstraite et métaphorique, ont été conceptualisés dans ce paradigme. Le sommeil et le rêve, cependant, ont rarement été abordés par des chercheurs dans le domaine de la conscience incarnée. Cette dissertation vise à montrer, en s’appuyant sur la phénoménologie, la philosophie énactive et des sciences cognitives du sommeil et des rêves, que le rêve est un processus incarné de formation de sens dans le monde onirique. Ce travail comporte trois objectifs principaux : 1) de démontrer que le rêve est incarné; 2) de clarifier les liens entre les expériences corporelles et la formation onirique; et 3) de préciser si la sensibilité corporelle accrue, en tant qu’une compétence entraînable, mène à des changements globaux dans la façon dont l'information est traitée en sommeil. Le premier objectif est une proposition inédite dans la science des rêves. Dans ce travail, j’analyse les études théoriques et empiriques sur le sujet afin de motiver la notion de l’incarnation corporelle du rêve. -
A Philosophy of the Dreaming Mind
Dream Pluralism: A Philosophy of the Dreaming Mind By Melanie Rosen A THESIS SUBMITTED TO MACQUARIE UNIVERSITY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF COGNITIVE SCIENCE, FACULTY OF HUMAN SCIENCE MACQUARIE UNIVERSITY, NSW 2109, AUSTRALIA JULY 2012 Table of Contents Abstract 9 Declaration 11 Acknowledgements 13 Introduction 15 Part 1: Dream Pluralism 25 Chapter 1: The Empirical Study of Dreams: Discoveries and Disputes 27 1.1 Stages of sleep 29 1.1.1 NREM Sleep 30 1.1.2 REM Sleep 32 1.1.3 The Scanning Hypothesis: an attempt to correlate eye movements with dream reports 33 1.2 Dream reports 35 1.2.1 The benefits of lab-based research 36 1.2.2 The benefits of home-based research 38 1.3 Measuring the physiology of the sleeping brain and body 41 1.3.1 Physiological measures: pros and cons 42 1.4 Cognitive and neural features of sleep 48 1.5 Lucid dreamers in the dream lab 55 Conclusion 59 1 Chapter 2: Bizarreness and Metacognition in Dreams: the Pluralist View of Content and Cognition 61 2.1 A pluralistic account of dream content 62 2.1.1 Bizarre and incoherent dreams 63 2.1.2 Dreams are not particularly bizarre 66 2.1.3 Explanations of the conflicting results 69 2.1.4 Dreams vs. fantasy reports 72 2.2 Cognition in dreams: deficient or equivalent? 80 2.2.1 What is metacognition? 80 2.2.2 Metacognition in dreams 83 Conclusion 97 Chapter 3: Rethinking the Received View: Anti-Experience and Narrative Fabrication 99 3.1 Malcolm on dreaming 101 3.1.1 Dreams and verification 102 3.1.2 Evidence against Malcolm 109 3.2 Metaphysical anti-experience theses 115 3.2.1 The cassette view 115 3.2.2 Arguments against the cassette view 118 3.2.3 Consciousness requires recognition or clout 120 3.3 Narrative fabrication in dream reports 122 3.3.1 Rationalisation of strange content 123 3.3.2 Confabulation and memory loss 127 3.3.3 Altered states of consciousness and what it’s like to be a bat. -
The Journ Al of the Polynesian Society
THE JOURNAL OF THE POLYNESIAN SOCIETY VOLUME 126 No.3 SEPTEMBER 2017 INSTRUMENTS IN MOTION: FLUTES, HARMONICAS AND THE INTERPLAY OF SOUND AND SILENCE IN COLONIAL MICRONESIA BRIAN DIETTRICH Victoria University of Wellington The few native musical instruments are now obsolete or nearly so and are replaced by the guitar, harmonica, and ukulele (Fischer and Fischer 1957: 203) Music enters the history of empire as silence (Bohlman 2016: 174) While I was residing in the islands of Chuuk in the Federated States of Micronesia, friends told me a story about a musical instrument no longer seen or heard in the islands but not completely without a presence. I first listened to this tale in 2001 and again in subsequent years. In accounts of the story—said to date from the German colonial administration (1899–1914)—the identity of the instrument was not always clear, but most believed it to be the aangún, a nose flute made of bamboo or mangrove root but not regularly constructed or played since the mid-20th century. The word aangún can be translated as ‘soft-sounder’, a term that designates its delicate tone, but the name also calls to mind its quiet place in histories of Chuuk. The story about the instrument relates how a group of men from one village planned to ambush those from another as part of traditional warfare practices. Although the warring party disguised their plans, one knowledgeable man who knew how to play the instrument sounded a coded warning to his village after he learned about the intentions of the visitors.