Spelman EDITOR Jo Moore Stewart

Total Page:16

File Type:pdf, Size:1020Kb

Spelman EDITOR Jo Moore Stewart Spelman EDITOR Jo Moore Stewart COPYEDITOR Janet M. Barstow GRAPHIC DESIGN Garon Halt EDITORIAL COMMITTEE Eloise Abernathy, C’86 W. Christopher Cason Trisa Long Paschal WRITERS Fleda Maskjackson, C’73 Patricia GrahamJackson, C’73 Taronda Spencer, C’80 Angela Brown Terrell PHOTOGRAPHERS By Invitation Only J.D. Scott Bud Smith COVER KEY 17. Recording - The Atlanta- 34. Spelman Seminary pennant Morehouse-Spelman Chorus, 35. Clemmie Darden The 1. Spelman Legacy Poster, featuring Mae Belle Finch, 36. Poems of Elizabeth Barrett Spelman Messenger is published design by Jo Moore Stewart, Soprano, C'46 Browning, Volumes 1 & 2, twice a year (Summer/Fall issue and Win¬ 1998 18. 1863 Recording - The Atlanta- ter/Spring issue) by Spelman College, 350 2. A Legacy Continues: The Morehouse-Spelman Chorus, 37. Diary and Expense Book - Manley Years at Spelman featuring Mattiwilda Dobbs, Harriet E. Giles, 1907 Spelman Lane, S.W., Atlanta, Georgia College, 1953-1976. Albert E. Soprano, C'46 38. Spelman College Class of 303144-4399, free of charge for alumnae, Manley, 1995 19. Mattiwilda Dobbs as Queen 1934 3. Spelman Messenger, Vol. of Shemokhan in Le Coq d'Or donors, trustees and friends of the College. 100, No. 1, Spring, 1984. "Let 20. Recording Master - Negro Sample copies will be mailed free to inter¬ her first step be towards Spel¬ Folk Songs from the Willis CREDO ested persons. Recipients td man" photo by Jo Moore Laurence James Collection of wishing Stewart, 1983 Negro Folk Music change the address to which the Spelman The Spelman Messenger, 4. Spelman Messenger, Vol. 26, 21. Spelman Seminary students Messenger is sent should notify the editor, No. 6, March, 1910 with Misses Packard and founded in 1885, is 5. Spelman Seminary Seal Giles, 1886 giving both old and new addresses. Third- 6. Sisters Chapel Fan 22. Spelman College Class of dedicated toparticipating class postage paid at Atlanta, Georgia. 7. Spelman: a centennial cele¬ 1929 Patch Publication No. 510240 bration, 1881-1981. Beverly 23. Mr. and Mrs.(formerly Dora in the ongoing education of Guy-Sheftall and Jo Moore Jackson, HS '89) A. B. Murden our readers Stewart, 1981 24. Spelman Seminary Certificate through 8. Illustrated Sewing Primer in Printing awarded to with Songs and Music for Frankie Quarles, 1899 enlightening articles School and Families. Louise J. 25. Giles Hall, ca. 1920 designed topromote lifelong Kirkwood, 1881 26. Diary - Harriet E. Giles, 1909 9. The Story of Spelman College. 27. Spelman Messenger, Vol. 111 learning. The Spelman Florence M. Read, 1961 No. 1 Summer/Fall 1996 cover 10. Diary - Harriet E. Giles, 1883 art "Lifelong Learning"( Col¬ Messenger is the alumnae 11. Sophia B. Packard, Founder, lage Series 1996) by artist Spelman College Varnette Honeywood, C'72. magazine ofSpelman 12. Harriet E. Giles, Founder, 28. Spelman College Yearbook, Spelman College 1952 College and is committedto 13. Diary-Harriet E. Giles, 1882 29. Spelman College in the snow educating, serving, and 14. Sheet music from the Willis 30. Spelman College centennial Laurence James Collection of time-line, 1881-1981 empoweringAfrican Negro Folk Songs 31. Virginia Allen 15. Spelman Songbook, 1925 32. Spelman Seminary students American women. 16. Lapel ribbon, Academic in front of Union Hall, 1883 Department, Spelman 33. Bible — Harriet E. Giles Seminary, 1902 2 Voices Founders Day Address by Deborah Prothrow-Stith, M.D. 4 Stats & Studies COVER The Spelman Archives Seepage 8. 6 Books & Papers Features 8 The SpelmanArchives Books & Papers by Patricia Graham Johnson, C’73 Seepage 6. by Taronda Spencer, C’80 16 Alumnae Notes 24 Reunion ’99 ArchivesSpelman Founders Day Eleanor Lutia Ison Franklin, C’48 Seepage 2. (1975photo) 32 Talk. Back See In Memoriam page 19. The Spelman Archives Seepage 8. Lyda Ruth Larkins Stivers, C’49 See Alumnae Newsletterpage 16. Now: Miss Marguerite Simon, C’35, hugged by Delores Posey Harris, C’49, Golden Girls, Class at Reunion 99. of1949 Reunion 99 Seepage 24. Then: Miss Marguerite Simon, C35, participating in the 1951 Read Hall dedication. 1 Founders Day 1999 In the TFue Blue Tradition Preserving leaders anda legacy through ordinary people dreaming ‘we’ dreams by Deborah Prothrow-Stith, M.D., C’75 o my sister Audrey Manley: your leadership. The first thing is some suturing on anesthetized I have to say thank you. that leaders are ordinary people. patients in the operating room. Dr. Audrey Forbes Manley If you look at the news — the This was the first time I was work¬ is a sister in that true blue tradition. recent scandal of our presidency ing on a patient who was alert, I know her as a colleague. I know her and people in history, what you awake and talking to me. I was ner¬ as someone who gives great advice learn is that leaders that make sig¬ vous and it took me about an hour — she gave it to me when I was here nificant contributions to improving to put in the two stitches that this as a student and she continued to this world are, in fact, ordinary peo¬ young man needed. give it to me throughout my career. I ple. They are imperfect, yet they get I told him I was a student and know her as a Spelman sister. a commission to serve and they get competent at this but it would take Let me personally and profes¬ a passion about that commission. me a little longer and it did. But we sionally thank you. I know we can They dream we dreams not just me had a great conversation. I told him count on her to keep the charge. dreams. Just ordinary people like us about being a medical student. He This is a great time at Spelman can make that kind of contribution. told me what happened. He said, “I because we have alumnae running You don’t have to be perfect. You went to a party. I danced with the College — the president and don’t have to be the smartest. Some another man’s girlfriend. We got the board chair. This is a great time of you are graduating summa, into an argument. The crowd egged with great expectations. I bring you some magna, and some thank you this whole thing on. We got into a greetings from Tanzania where my Now: Deborah Prothrow-Stith, M.D., lardy. I understand that. You don’t fight and that’s how I got cut.” husband is the U.S. ambassador. have to be the smartest, the I finished C’75, Founders Day speaker and pretti¬ putting in the stitches Our son will be having an exchange est, the best, or the and the senior resident came back in Doctor ofScience honorary degree brightest. Ordi¬ student at Morehouse next and said I had done a recipient. year and nary people can provide leadership great job. The our is and as a woman Then: Deborah Prothrow, C75, daughter, who graduating Spelman that is patient was ready to go and was on from his Spelman student. high school has just learned your charge. way out of the door, and he turned she is coming to Spelman and can’t to me and said, “Look, don’t go to wait to get here. In addition, I bring A Lesson On Passion bed — cause the person who did this you greetings from Harvard and the Learned from a Fight to me is going to be here in about an New England area where our roots I tell this story about violence for hour. You are going to get all the are planted through Miss Packard obvious reasons. I was a third year practice you need in putting in and Miss Giles. medical student when I was in the stitches.” It was interesting because I This morning I want to put forth emergency room assigned to work think he was planning on contribut¬ a charge to you. A charge to all of all night long. It was three o’clock ing to my medical education. my Spelman sisters and friends and in the morning when a young man But what struck me immedi¬ families of this came in college. The charge needing some stitches over ately in that situation — having is keeping and extending the legacy his eyebrow. The senior resident learned that homicide is the lead¬ of Spelman with your leadership. sent me down to put in the stitches. ing cause of death for young black We think about leaders and we I was nervous. I had had some prac¬ men —was that my response was think about these extraordinary tice in putting in stitches but I was to laugh with him since he said it as people. I want to tell you a few nervous. I had practiced on oranges a joke. My response was inadequate. things about leadership and about and leather and I had actually done You see if I had treated someone 2 SPELMAN MESSENGER a great story about a boyfriend and ioners and they love you back. It’s girlfriend. They were sitting out on a pretty easy.” swing on a porch on a beautiful So she went off to this first visit night courting. The boyfriend was and got to the house of this parish¬ saying all sorts of romantic and ioner and the mother of the church lovely things and then he said this, was standing in the door waiting on “You know I wish I were an octopus the pastor. She goes in and because I would have eight arms says, “Good morning, Ma’am.” | and with those eight arms I could The mother of the church said, f just hold you so tight.” “I’ve baked a cake and I have some The response,I thought,was tea.
Recommended publications
  • Lightning in a Bottle
    LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved.
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with Mattiwilda Dobbs Janzon
    Finding Aid to The HistoryMakers ® Video Oral History with Mattiwilda Dobbs Janzon Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Janzon, Mattiwilda Dobbs, 1925-2015 Title: The HistoryMakers® Video Oral History Interview with Mattiwilda Dobbs Janzon, Dates: March 1, 2005 Bulk Dates: 2005 Physical 5 Betacame SP videocasettes (2:25:17). Description: Abstract: Opera singer Mattiwilda Dobbs Janzon (1925 - 2015 ) was the first African American woman to appear in a principal role at La Scala Opera House in Milan. Dobbs also desegregated the San Francisco Opera Company and performed at the Metropolitan Opera in New York. Dobbs passed away on December 8, 2015 in Atlanta, Georgia. Janzon was interviewed by The HistoryMakers® on March 1, 2005, in Arlington, Virginia. This collection is comprised of the original video footage of the interview. Identification: A2005_056 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Opera singer Mattiwilda Dobbs was born on July 11, 1925 in Atlanta, Georgia. The fifth of six daughters, she sang her first solo at age six and began her musical studies in piano during Dobbs’ childhood. A member of the last graduating class from Atlanta University Lab School, Dobbs earned her high school diploma in 1942. Receiving her B.A. degree in music from Spelman College in 1946, Dobbs began her formal voice training under the direction of Naomi Maise and Willis Laurence James. After graduating, she studied with Lotte Leonard and Pierre Bernac and attended the Mannes College of Music and the Berkshire Music Center’s Opera Workshop.
    [Show full text]
  • EARL CAMERON Sapphire
    EARL CAMERON Sapphire Reuniting Cameron with director Basil Dearden after Pool of London, and hastened into production following the Notting Hill riots of summer 1958, Sapphire continued Dearden and producer Michael Relph’s valuable run of ‘social problem’ pictures, this time using a murder-mystery plot as a vehicle to sharply probe contemporary attitudes to race. Cameron’s role here is relatively small, but, playing the brother of the biracial murder victim of the title, the actor makes his mark in a couple of memorable scenes. Like Dearden’s later Victim (1961), Sapphire was scripted by the undervalued Janet Green. Alex Ramon, bfi.org.uk Sapphire is a graphic portrayal of ethnic tensions in 1950s London, much more widespread and malign than was represented in Dearden’s Pool of London (1951), eight years earlier. The film presents a multifaceted and frequently surprising portrait that involves not just ‘the usual suspects’, but is able to reveal underlying insecurities and fears of ordinary people. Sapphire is also notable for showing a successful, middle-class black community – unusual even in today’s British films. Dearden deftly manipulates tension with the drip-drip of revelations about the murdered girl’s life. Sapphire is at first assumed to be white, so the appearance of her black brother Dr Robbins (Earl Cameron) is genuinely astonishing, provoking involuntary reactions from those he meets, and ultimately exposing the real killer. Small incidents of civility and kindness, such as that by a small child on a scooter to Dr Robbins, add light to a very dark film. Earl Cameron reprises a role for which he was famous, of the decent and dignified black man, well aware of the burden of his colour.
    [Show full text]
  • 2009 Annual Report Resilience:The Ability to Recover from Or Adjust Easily to Change
    “Red Hot” by John Portman resilience:T h e D o w n T o w n S T a T e o f M i n D 2009 Annual Report resilience:the ability to recover from or adjust easily to change While not immune to the stresses of the past year, Downtown has shown amazing resilience in the face of global changes in economic, political, and social structures. Changes in the economy have touched all of us, but Atlanta has handled adversity and difficulty in the past. We know how to overcome and live to persevere another day. Now the wisdom gained through our history has served us well. We’ve been smart in Atlanta’s role as an international city was epitomized with our investments in the past and we’ve not panicked in light of the challenges in the the 1996 Olympic Games and CenTennial olyMpiC park; the flags in Quilt Plaza are a permanent reminder of our present. Therefore, we know we will thrive again in the future. Join us in a tour role in hospitality and leadership. around town to appreciate our public art and to remind ourselves why Resilience is the Downtown State of Mind. our Mission is to build a 21st century Downtown as the heart of the Atlanta Region – a vibrant community with strong leadership and sustainable infrastructure that is Safe, livable, DiverSe, eConoMiCally viable, accessible, Clean, hoSpiTable anD enTerTaininG. We own this vision every day as we work for you during prosperous times and challenging times. Our commitment and outlook are very optimistic as we walk around our community.
    [Show full text]
  • Equity Magazine Autumn 2020 in This Issue
    www.equity.org.uk AUTUMN 2020 Filming resumes HE’S in Albert Square Union leads the BEHIND fight for the circus ...THE Goodbye, MASK! Christine Payne Staying safe at the panto parade FIRST SET VISITS SINCE THE LIVE PERFORMANCE TASK FORCE FOR COVID PANDEMIC BEGAN IN THE ZOOM AGE FREELANCERS LAUNCHED INSURANCE? EQUITY MAGAZINE AUTUMN 2020 IN THIS ISSUE 4 UPFRONT Exclusive Professional Property Cover for New General Secretary Paul Fleming talks Panto Equity members Parade, equality and his vision for the union 6 CIRCUS RETURNS Equity’s campaign for clarity and parity for the UK/Europe or Worldwide circus cameras and ancillary equipment, PA, sound ,lighting, and mechanical effects equipment, portable computer 6 equipment, rigging equipment, tools, props, sets and costumes, musical instruments, make up and prosthetics. 9 FILMING RETURNS Tanya Franks on the socially distanced EastEnders set 24 GET AN INSURANCE QUOTE AT FIRSTACTINSURANCE.CO.UK 11 MEETING THE MEMBERS Tel 020 8686 5050 Equity’s Marlene Curran goes on the union’s first cast visits since March First Act Insurance* is the preferred insurance intermediary to *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 12 SAFETY ON STAGE New musical Sleepless adapts to the demands of live performance during the pandemic First Act Insurance presents... 14 ONLINE PERFORMANCE Lessons learned from a theatre company’s experiments working over Zoom 17 CONTRACTS Equity reaches new temporary variation for directors, designers and choreographers 18 MOVEMENT DIRECTORS Association launches to secure movement directors recognition within the industry 20 FREELANCERS Participants in the Freelance Task Force share their experiences Key features include 24 CHRISTINE RETIRES • Competitive online quote and buy cover provided by HISCOX.
    [Show full text]
  • 2017 Convention Schedule
    WEDNESDAY, JANUARY 4 2:00PM – 5:00PM Board of Directors Meeting Anacapa 6:00PM - 9:00PM Pre-Conference Dinner & Wine Tasting Villa Wine Bar 618 Anacapa Street, Santa Barbara 7:00PM – 10:00PM Opera Scenes Competition Rehearsal Grand Ballroom THURSDAY, JANUARY 5 8:00AM – 5:00PM Registration Grand Foyer 9:00AM – 5:00PM EXHIBITS Grand Foyer 9:00AM – 9:30AM MORNING COFFEE Grand Foyer Sponsored by the University of Colorado at Boulder College of Music 9:30AM-10:45AM Sierra Madre The 21st Century Way: Redefining the Opera Workshop Justin John Moniz, Florida State University Training programs have begun to include repertoire across varying genres in order to better equip young artists for prosperous careers in today’s evolving operatic canon. This session will address specific acting and movement methods geared to better serve our current training modules, offering new ideas and fresh perspectives to help redefine singer training in the 21st century. Panelists include: Scott Skiba, Director of Opera, Baldwin Wallace Conservatory; Carleen Graham, Director of HGOco, Houston Grand Opera; James Marvel, Director of Opera, University of Tennessee-Knoxville; Copeland Woodruff, Director of Opera Studies, Lawrence University. 11:00AM-12:45PM Opening Ceremonies & Luncheon Plaza del Sol Keynote Speaker: Kostis Protopapas, Artistic Director, Opera Santa Barbara 1:00PM-2:15PM The Janus Face of Contemporary American Opera Sierra Madre Barbara Clark, Shepherd School of Music, Rice University The advent of the 21st century has proven fertile ground for the composition
    [Show full text]
  • Runway Revolution: Is This the End of Fashion As We Know
    Established 1961 13 Lifestyle Features Monday, July 6, 2020 French theatre star accused of beating up vlogger n actor from France’s most pres- back when I was on the ground. I was tigious theatre company, the hit with books and shoes,” she said. “He AComedie Francaise, has been pulled my hair and threw me to the accused of assaulting and threatening ground in his apartment. He tried to to kill a vlogger, the theatre confirmed strangle me and left marks on my Tuesday. “La Comedie Francaise is neck,” Coquille-Chambel added, who hugely shocked to discover the intoler- also posted photos of bruises and a cut able violence one of its staff has been lip. She said she had audio recordings accused of,” the theatre tweeted. “We of the actor threatening to kill her. condemn this in the strongest terms Coquille-Chambel appealed to other and will take all necessary measures,” it women who may have been victims of added, without naming the man. There the actor to come forward and to Founder of Mosi Oa Tunya and Zimbabwe entrepreneur Shepherd Elias Lopez, a cigar making maestro from the Dominican Republic, lights are some 30 male actors in the “break the silence” of abuse in the the- Mafundikwa poses for pictures with his company’s hand rolled cigars as a hand rolled cigar at the Mosi Oa Tunya. Comedie Francaise company, including atre. “I know that he had a reputation he poses for a portrait at his factory in Harare.—AFP photos some of France’s most loved stars.
    [Show full text]
  • WRAP THESIS Johnson1 2001.Pdf
    University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/3070 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. David Johnson Total Number of Pages = 420 The History, Theatrical Performance Work and Achievements of Talawa Theatre Company 1986-2001 Volume I of 11 By David Vivian Johnson A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in British and Comparative Cultural Studies University of Warwick, Centre for British and Comparative Cultural Studies May 2001 Table of Contents VOLUMEI 1. Chapter One Introduction 1-24 ..................................................... 2. Chapter Two Theatrical Roots 25-59 ................................................ 3. ChapterThree History Talawa, 60-93 of ............................................. 4. ChapterFour CaribbeanPlays 94-192 ............................................... VOLUME 11 5. ChapterFive AmericanPlaYs 193-268 ................................................ 6. ChapterSix English Plays 269-337 ................................................... 7. ChapterSeven Conclusion 338-350 ..................................................... Appendix I David Johnsontalks to.Yv6nne Brewster Louise
    [Show full text]
  • A Kid's Guide To
    A Kid’s Guide To Atlanta A Kid’s Guide To s guid kid’ e t PROPERTY OF TWIN LIGHTS PUBLISHERSa PROPERTYo OF TWIN LIGHTS PUBLISHERS A Kid’s Guide to Atlanta is your own personal tour guide when you and your family venture out to explore all this great city has to offer! It’s jam packed with colorful pictures and fun facts about Atlanta’s history, landmarks, PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS neighborhoods, and more! Atlanta All the interesting stuff that makes Atlanta such an amazing place to discover is waiting inside, along with a way-cool map and stickers that will help you along your journey. PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF Lights Publishers Twin TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS Twin Lights Publishers, Inc. PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS Photography by Paul Scharff • Written by Sara Day PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS ’s guid PROPERTY OF TWIN LIGHTS PUBLISHERSkid PROPERTYe t OF TWIN LIGHTS PUBLISHERS a o PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS Atlanta PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS Photography by Paul Scharff PROPERTY OF TWIN LIGHTS PUBLISHERSWritten by Sara Day PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS Copyright © 2013 by Twin Lights Publishers, Inc. All rights reserved. No part of this book may be reproduced in any form without written PROPERTY OF TWIN LIGHTS PUBLISHERS PROPERTY OF TWIN LIGHTS PUBLISHERS permission of the copyright owners.
    [Show full text]
  • Łódź Celebrates Ira Aldridge (1807–1867), the First Black Shakespeare Tragedian
    Łódź Celebrates Ira Aldridge (1807–1867), the First Black Shakespeare Tragedian Edited by prof. zw. dr hab. Krystyna Kujawińska Courtney dr Magdalena Cieślak dr Agnieszka Rasmus dr Monika Sosnowska http://dx.doi.org/10.18778/8142-489-9.01 Krystyna Kujawińska Courtney, Monika Sosnowska – University of Łódź British and Commonwealth Studies Department, Faculty of International Studies and Politology 90-131 Łódź, 59a Narutowicza St. Magdalena Cieślak, Agnieszka Rasmus – Univeristy of Łódź, Institute of English Studies, Faculty of Philology, 90-236 Łódź, 171/173 Pomorska St. INITIATING EDITOR Witold Szczęsny PROJECT Beata Chruścicka TYPESETTING AGENT PR © Copyright by Authors, Łódź 2019 © Copyright for this edition by University of Łódź, Łódź 2019 Published by Łódź University Press First edition. W.09092.19.0.I Publisher’s sheets 3,5; printing sheets 10,75 e-ISBN 978-83-8142-489-9 Łódź University Press 90-131 Łódź, 8 Lindleya St. www.wydawnictwo.uni.lodz.pl e-mail: [email protected] phone (42) 665 58 63 Contents: Part I 1.1. Foreword: Krystyna Kujawińska Courtney _ _ _ _ _ _ _ _ _ _ _ 07 1.1.1. Ira Aldridge’s Life and Professional Achievements _ _ _ _ _ _ _ 08 1.1.2. Aldridge’s State Funeral in Łódź _ _ _ _ _ _ _ _ _ _ _ _ 11 1.1.3. The Town’s Care of Aldridge’s Tomb _ _ _ _ _ _ _ _ _ _ _ 13 1.1.4. The International Symposium _ _ _ _ _ _ _ _ _ _ _ _ _ 14 1.1.5.
    [Show full text]
  • Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre
    Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) James Cotton Living the Blues James Cotton; Larry McCray; John Primer; Johnny B. Gayden; Brian Jones; Dr. John; Lucky Peterson; Joe Louis Walker 1994 1121-105-242 19 Blues (music) Willie Dixon Willie Dixon; Andy McKaie; Don Snowden 1988 1121-105-249 01 Oversized case; 2 CD box set Blues (music) Cincinnati Blues (1928-1936) Bob Coleman's Cincinnati Jug Band and Associates; Walter Coleman; Bob Coleman no date 1121-105-242 17 Found with CD album in Box #10, Item #28; Case was found separately Blues (music) Willie Dixon, The Big Three Trio Willie Dixon; The Big Three Trio 1990 1121-105-242 18 Blues (music) The Best of Muddy Waters Muddy Waters 1987 1121-105-242 08 Blues (music) The Roots of Robert Johnson Robert Johnson 1990 1121-105-242 07 Blues (music) The Best of Mississippi John Hurt Mississippi John Hurt; Bob Scherl 1987 1121-105-242 06 Blues (music) Bud Powell: Blues for Bouffemont Bud Powell; Alan Bates 1989 1121-105-242 36 Friday, May 11, 2018 Page 1 of 89 Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) Big Bill Broonzy Good Time Tonight Big Bill Broonzy 1990 1121-105-242 04 Blues (music) Bessie Smith The Collection Bessie Smith; John Hammond; Frank Walker 1989 1121-105-242 38 Blues (music) Blind Willie Johnson Praise God I'm Satisfied Blind Willie Johnson 1989 1121-105-242 20 Post-it note was found on the back of this CD case, photocopy made and placed in envelope behind CD.
    [Show full text]
  • Albert E. Manley Presidential Collection
    The Albert Manley Presidential Collection Box Folder Title Content Notes Numbers Correspondence Files Board of Trustee Box 1 Meeting Agendas and Minutes Minutes- November 15,1963 Board of Trustee Board of Meeting Agendas Trustee and Minutes Files Minutes- April 26,1963 Board of Trustee Meeting Agendas and Minutes Minutes- November 9,1962 Board of Trustee Meeting Agendas and Minutes Minutes- April 13, 1962 Board of Trustee Meeting Agendas and Minutes Minutes- November 10, 1961 Board of Trustee Meeting Agendas and Minutes Minutes- April 14,1961 Board of Trustee Meeting Agendas Minutes- November 11,1960 Board of Trustee Meeting Agendas and Minutes Minutes- April 22,1960 Board of Trustee Meeting Agendas and Minutes Minutes- November 13,1959 Board of Trustee Meeting Agendas and Minutes Minutes- April 3,1959 Board of Trustee Meeting Agendas and Minutes Minutes- November 7,1958 Board of Trustee Meeting Agendas and Minutes Minutes- April 18,1958 Board of Trustee Meeting Agendas and Minutes Minutes- November 22,1957 Board of Trustee Meeting Agendas and Minutes Minutes- April 12,1957 Board of Trustee Meeting Agendas and Minutes Minutes- November 9,1956 Board of Trustee Meeting Agendas and Minutes Minutes- April 13,1956 Board of Trustee Meeting Agendas and Minutes Minutes- November 18,1955 Board of Trustee Meeting Agendas and Minutes Minutes- April 23, 1954 Board of Trustee Meeting Agendas and Minutes Minutes- November 19,1954 Board of Trustee Meeting Minutes Minutes- November 16,1953 Board of Trustee Meeting Minutes Minutes- April 3,1952 Board
    [Show full text]