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FMS Persecuz.BOXERS INGL:Layout 1
The China Martyrs of 1900 THE BOXER PERSECUTION SUMMARY 1 - A documents discovered ............................................ p. 5 2 - The Witnesses ................................................................ p. 6 3 - The Martyrs..................................................................... p. 8 4 - Historica and Social Setting....................................... p. 12 4.1 - China .................................................................... p. 12 4.2 - The Boxers........................................................... p. 13 4.3 - The Chinese Martyrs......................................... p. 15 4.4 - The Beijing Parishes .......................................... p. 17 5 - The Martyrs of the Parishes of Beijing ..................... p. 19 5.1 - The Martyrs of Si-t’ang ..................................... p. 19 5.2 - The Martyrs of Nan-t’ang ................................ p. 21 5.3 - The Martyrs of Tong-t’ang................................ p. 25 6 - The Martyrs of the villages around Beijing ............ p. 29 6.1 - The villages of Koan-t’eu, Ts’ai-Hu-Yng and Wa-Ts’iuen-Sze ............... p. 29 6.2 - The village of Yen-Tze-K’eou.......................... p. 30 6.3 - The villages of Tcheng-Fou-Sze, Heou-t’ouen, Si-Siao-K’eo and Eul-pouo-Tze........................ p. 35 7 - Sister Philómene Tchang ........................................... p. 39 The Boxer Persecution • 3 8 - The Yun Family ..............................................................p. 45 9 - Slaughter of the defensless ........................................p. -
Taiping Rebellion PMUNC 2017
Taiping Rebellion PMUNC 2017 Princeton Model United Nations Conference 2017 The Taiping Rebellion Chair: Nicholas Wu Director: [Name] 1 Taiping Rebellion PMUNC 2017 CONTENTS Letter from the Chair……………………………………………………………… 3 The Taiping Rebellion:.…………………………………………………………. 4 History of the Topic………………………………………………………… 4 Current Status……………………………………………………………….7 Country Policy……………………………………………………………… 9 Keywords…………………………………………………………………...11 Questions for Consideration………………………………………………...12 Positions:.………………………………………………………………………. 14 2 Taiping Rebellion PMUNC 2017 LETTER FROM THE CHAIR Dear Delegates, Welcome to PMUNC 2017! This will be my fourth and final PMUNC. My name is Nicholas Wu, and I’m a senior in the Woodrow Wilson School, pursuing certificates in American Studies and East Asian Studies. It’s my honor to chair this year’s crisis committee on the Taiping Rebellion. It’s a conflict that fascinates me. The Taiping Rebellion was the largest civil war in human history, but it barely receives any attention in your standard world history class. Which is a shame — it’s a multilayered conflict. There are ethnic, economic, and religious issues at play, as well as significant foreign involvement. I hope that you all find it as interesting as I do. On campus, I’m currently figuring out how to write my thesis, and I’m pretty sure that I’m going to be researching the implementation of Deferred Action for Childhood Arrivals (DACA). I’m also involved with the International Relations Council, the Daily Princetonian, the Asian American Students Association, and Princeton Advocates for Justice. I also enjoy cooking. Best of luck at the conference! Please don’t hesitate to reach out if you have any questions. You can email me anytime at [email protected]. -
THE WHIRLING of SWORDS By: Grandmaster
THE WHIRLING OF SWORDS By: Grandmaster. Michael Neal Have you ever wondered, “What are the martial arts? The term martial art refers to all of the various systems of training for combat that have been arranged or systematized. Generally, these different systems or styles are all designed for one purpose: Physically defeating opponents and defending against thwarts. In fact, the word “martial” derives from the name Mars, who was the Roman god of war. Before the martial arts were systematized, generals of the Warring States Period (480-221 BC) gained much personal combat experience in the field. As they grew older, they retired to Shaolin Temples to learn new skills from the masters there. The martial arts began in ancient times in East Asia, but because their beginnings are shrouded in myth and legend, it is impossible to establish their exact history. Kung fu, which may have been based on a fighting style from India, is perhaps the oldest martial art. A form of it was practiced in China more than 2,000 years ago. In 1898 through 1901, there arose a nationalist movement known as the Boxers, a Society of the Righteous and Harmonious Fists. A secret society founded in northern coastal province of Shandong China consisting largely of people who had lost their livelihood due to imperialism and natural disasters. They opposed foreign imperialism and Christianity. They met in secret at night, sang hymns, chanted, recited prayers, practiced martial arts and perhaps used breathing techniques to induce trances. The Boxers came from this secret society known as I-ho chuan, a Li sect of the Ba qua religion group, and were well trained in the martial arts of 1 Copyrighted 2012, By the Madison Martial Arts Academy| Boxing and Calisthenic that they practiced in the belief that this made them invulnerable, and would make them resistant to bullets. -
History of China and Japan from 1900To 1976 Ad 18Bhi63c
HISTORY OF CHINA AND JAPAN FROM 1900TO 1976 A.D 18BHI63C (UNIT II) V.VIJAYAKUMAR 9025570709 III B A HISTORY - VI SEMESTER Yuan Shikai Yuan Shikai (Chinese: 袁世凱; pinyin: Yuán Shìkǎi; 16 September 1859 – 6 June 1916) was a Chinese military and government official who rose to power during the late Qing dynasty, becoming the Emperor of the Empire of China (1915–1916). He tried to save the dynasty with a number of modernization projects including bureaucratic, fiscal, judicial, educational, and other reforms, despite playing a key part in the failure of the Hundred Days' Reform. He established the first modern army and a more efficient provincial government in North China in the last years of the Qing dynasty before the abdication of the Xuantong Emperor, the last monarch of the Qing dynasty, in 1912. Through negotiation, he became the first President of the Republic of China in 1912.[1] This army and bureaucratic control were the foundation of his autocratic. He was frustrated in a short-lived attempt to restore hereditary monarchy in China, with himself as the Hongxian Emperor (Chinese: 洪憲皇帝). His death shortly after his abdication led to the fragmentation of the Chinese political system and the end of the Beiyang government as China's central authority. On 16 September 1859, Yuan was born as Yuan Shikai in the village of Zhangying (張營村), Xiangcheng County, Chenzhou Prefecture, Henan, China. The Yuan clan later moved 16 kilometers southeast of Xiangcheng to a hilly area that was easier to defend against bandits. There the Yuans had built a fortified village, Yuanzhaicun (Chinese: 袁寨村; lit. -
The Eurasian Transformation of the 10Th to 13Th Centuries: the View from Song China, 906-1279
Haverford College Haverford Scholarship Faculty Publications History 2004 The Eurasian Transformation of the 10th to 13th centuries: The View from Song China, 906-1279 Paul Jakov Smith Haverford College, [email protected] Follow this and additional works at: https://scholarship.haverford.edu/history_facpubs Repository Citation Smith, Paul Jakov. “The Eurasian Transformation of the 10th to 13th centuries: The View from the Song.” In Johann Arneson and Bjorn Wittrock, eds., “Eurasian transformations, tenth to thirteenth centuries: Crystallizations, divergences, renaissances,” a special edition of the journal Medieval Encounters (December 2004). This Journal Article is brought to you for free and open access by the History at Haverford Scholarship. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Haverford Scholarship. For more information, please contact [email protected]. Medieval 10,1-3_f12_279-308 11/4/04 2:47 PM Page 279 EURASIAN TRANSFORMATIONS OF THE TENTH TO THIRTEENTH CENTURIES: THE VIEW FROM SONG CHINA, 960-1279 PAUL JAKOV SMITH ABSTRACT This essay addresses the nature of the medieval transformation of Eurasia from the perspective of China during the Song dynasty (960-1279). Out of the many facets of the wholesale metamorphosis of Chinese society that characterized this era, I focus on the development of an increasingly bureaucratic and autocratic state, the emergence of a semi-autonomous local elite, and the impact on both trends of the rise of the great steppe empires that encircled and, under the Mongols ultimately extinguished the Song. The rapid evolution of Inner Asian state formation in the tenth through the thirteenth centuries not only swayed the development of the Chinese state, by putting questions of war and peace at the forefront of the court’s attention; it also influenced the evolution of China’s socio-political elite, by shap- ing the context within which elite families forged their sense of coorporate identity and calibrated their commitment to the court. -
NE ZHA: a Remodeling Strategy of the Oriental Mythological Prototype
2019 International Conference on Art Design, Music and Culture (ADMC 2019) NE ZHA: A Remodeling Strategy of the Oriental Mythological Prototype Zheng Jinyan School of digital creation and animation, Shenzhen Polytechnic, Shenzhen, Guangdong, China Keywords: Oriental mythology, Prototype shaping, Animation works, Reshaping strategy. Abstract: Oriental traditional myths usually contain the archetypes that people yearn for. These archetypes represent part of the emotional expression that people pursue in their hearts. Many wonderful films began to attract more audiences with the increasing of domestic mythological films. But in this process, the prototype of myth is not perfect. Therefore, this paper takes the typical oriental mythological prototype film “Ne Zha: I am the destiny “ as an example and analyses the connotation of the prototype on the basis of analyzing the plot of the film. Finally it puts forward specific strategies for remodeling the Oriental mythological prototype with a view to providing supplementary material for the current analysis of the mythological film. 1. Research Background 1.1 Literature review In the Chinese cultural circle, characters are the earliest used cultural symbols, but because of various factors, mythology has not occupied an important position in historical documents. Many ancient myths with humanistic attributes are lost, concealed or recorded (Gan Z. L, 2012). Nevertheless, according to the literature of later generations, there are still plenty of information about the sun, moon, stars and figures. The emergence of mythology is related to human desire to conquer natural forces, but it is an unconscious product of human beings. Its metaphorical and symbolic nature is more closely related to words (Chen Z. -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
Life, Thought and Image of Wang Zheng, a Confucian-Christian in Late Ming China
Life, Thought and Image of Wang Zheng, a Confucian-Christian in Late Ming China Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität zu Bonn vorgelegt von Ruizhong Ding aus Qishan, VR. China Bonn, 2019 Gedruckt mit der Genehmigung der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität Bonn Zusammensetzung der Prüfungskommission: Prof. Dr. Dr. Manfred Hutter, Institut für Orient- und Asienwissenschaften (Vorsitzender) Prof. Dr. Wolfgang Kubin, Institut für Orient- und Asienwissenschaften (Betreuer und Gutachter) Prof. Dr. Ralph Kauz, Institut für Orient- und Asienwissenschaften (Gutachter) Prof. Dr. Veronika Veit, Institut für Orient- und Asienwissenschaften (weiteres prüfungsberechtigtes Mitglied) Tag der mündlichen Prüfung:22.07.2019 Acknowledgements Currently, when this dissertation is finished, I look out of the window with joyfulness and I would like to express many words to all of you who helped me. Prof. Wolfgang Kubin accepted me as his Ph.D student and in these years he warmly helped me a lot, not only with my research but also with my life. In every meeting, I am impressed by his personality and erudition deeply. I remember one time in his seminar he pointed out my minor errors in the speech paper frankly and patiently. I am indulged in his beautiful German and brilliant poetry. His translations are full of insightful wisdom. Every time when I meet him, I hope it is a long time. I am so grateful that Prof. Ralph Kauz in the past years gave me unlimited help. In his seminars, his academic methods and sights opened my horizons. Usually, he supported and encouraged me to study more fields of research. -
The Dictionary of Chinese Deities
THE DICTIONARY OF CHINESE DEITIES HAROLD LIU For everyone who love Chinese myth A Amitabha Amitabha is is a celestial buddha described in the scriptures of the Mahayana school of Buddhism. Amitabha is the principal buddha in the Pure Land sect, a branch of Buddhism practiced mainly in East Asia. An Qisheng An immortal who had live 1.000 year at he time of Qin ShiHuang. According to the Liexian Zhuan, Qin Shi Huang spoke with him for three entire days (including nights), and offered Anqi jade and gold. He later sent an expedition under Xu Fu to find him and his highly sought elixir of life. Ao Guang The dragon king of East sea. He is the leader of four dragon king. His son Ao Bing killed by Nezha, when his other two son was also incapitated by Eight Immortals. Ao Run The dragon king of West Sea. His crown prine named Mo Ang and help Sun Wukong several times in journey to the West story.His 3th son follow monk XuanZhang as hisdragon horse during Xuan Zhang's journey to the West. Ao Qin The dragon king of South sea AoShun The dragon King of North sea. Azzure dragon (Qing Long) One of four mythical animal in China, he reincanated many times as warrior such as Shan Xiongxin and Yom Kaesomun, amighty general from Korea who foiled Chinese invasion. It eleemnt is wood B Bai He Tongzhu (white crane boy) Young deity disciple of Nanji Xianweng (god of longevity), he act as messenger in heaven Bai Mudan (White peony) Godess of temptress Famous prostitute who sucesfully tempt immortal Lu Dongbin to sleep with her and absorb his yang essence. -
2008 UPRISING in TIBET: CHRONOLOGY and ANALYSIS © 2008, Department of Information and International Relations, CTA First Edition, 1000 Copies ISBN: 978-93-80091-15-0
2008 UPRISING IN TIBET CHRONOLOGY AND ANALYSIS CONTENTS (Full contents here) Foreword List of Abbreviations 2008 Tibet Uprising: A Chronology 2008 Tibet Uprising: An Analysis Introduction Facts and Figures State Response to the Protests Reaction of the International Community Reaction of the Chinese People Causes Behind 2008 Tibet Uprising: Flawed Tibet Policies? Political and Cultural Protests in Tibet: 1950-1996 Conclusion Appendices Maps Glossary of Counties in Tibet 2008 UPRISING IN TIBET CHRONOLOGY AND ANALYSIS UN, EU & Human Rights Desk Department of Information and International Relations Central Tibetan Administration Dharamsala - 176215, HP, INDIA 2010 2008 UPRISING IN TIBET: CHRONOLOGY AND ANALYSIS © 2008, Department of Information and International Relations, CTA First Edition, 1000 copies ISBN: 978-93-80091-15-0 Acknowledgements: Norzin Dolma Editorial Consultants Jane Perkins (Chronology section) JoAnn Dionne (Analysis section) Other Contributions (Chronology section) Gabrielle Lafitte, Rebecca Nowark, Kunsang Dorje, Tsomo, Dhela, Pela, Freeman, Josh, Jean Cover photo courtesy Agence France-Presse (AFP) Published by: UN, EU & Human Rights Desk Department of Information and International Relations (DIIR) Central Tibetan Administration (CTA) Gangchen Kyishong Dharamsala - 176215, HP, INDIA Phone: +91-1892-222457,222510 Fax: +91-1892-224957 Email: [email protected] Website: www.tibet.net; www.tibet.com Printed at: Narthang Press DIIR, CTA Gangchen Kyishong Dharamsala - 176215, HP, INDIA ... for those who lost their lives, for -
Empty Cloud, the Autobiography of the Chinese Zen Master Xu
EMPTY CLOUD The Autobiography of the Chinese Zen Master XU YUN TRANSLATED BY CHARLES LUK Revised and Edited by Richard Hunn The Timeless Mind . Undated picture of Xu-yun. Empty Cloud 2 CONTENTS Contents .......................................................................................... 3 Acknowledgements ......................................................................... 4 Introduction .................................................................................... 5 CHAPTER ONE: Early Years ............................................................ 20 CHAPTER TWO: Pilgrimage to Mount Wu-Tai .............................. 35 CHAPTER THREE: The Journey West ............................................. 51 CHAPTER FOUR: Enlightenment and Atonement ......................... 63 CHAPTER FIVE: Interrupted Seclusion .......................................... 75 CHAPTER SIX: Taking the Tripitaka to Ji Zu Shan .......................... 94 CHAPTER SEVEN: Family News ................................................... 113 CHAPTER EIGHT: The Peacemaker .............................................. 122 CHAPTER NINE: The Jade Buddha ............................................... 130 CHAPTER TEN: Abbot At Yun-Xi and Gu-Shan............................. 146 CHAPTER ELEVEN: Nan-Hua Monastery ..................................... 161 CHAPTER TWELVE: Yun-Men Monastery .................................... 180 CHAPTER THIRTEEN: Two Discourses ......................................... 197 CHAPTER FOURTEEN: At the Yo Fo & Zhen Ru Monasteries -
Ideophones in Middle Chinese
KU LEUVEN FACULTY OF ARTS BLIJDE INKOMSTSTRAAT 21 BOX 3301 3000 LEUVEN, BELGIË ! Ideophones in Middle Chinese: A Typological Study of a Tang Dynasty Poetic Corpus Thomas'Van'Hoey' ' Presented(in(fulfilment(of(the(requirements(for(the(degree(of(( Master(of(Arts(in(Linguistics( ( Supervisor:(prof.(dr.(Jean=Christophe(Verstraete((promotor)( ( ( Academic(year(2014=2015 149(431(characters Abstract (English) Ideophones in Middle Chinese: A Typological Study of a Tang Dynasty Poetic Corpus Thomas Van Hoey This M.A. thesis investigates ideophones in Tang dynasty (618-907 AD) Middle Chinese (Sinitic, Sino- Tibetan) from a typological perspective. Ideophones are defined as a set of words that are phonologically and morphologically marked and depict some form of sensory image (Dingemanse 2011b). Middle Chinese has a large body of ideophones, whose domains range from the depiction of sound, movement, visual and other external senses to the depiction of internal senses (cf. Dingemanse 2012a). There is some work on modern variants of Sinitic languages (cf. Mok 2001; Bodomo 2006; de Sousa 2008; de Sousa 2011; Meng 2012; Wu 2014), but so far, there is no encompassing study of ideophones of a stage in the historical development of Sinitic languages. The purpose of this study is to develop a descriptive model for ideophones in Middle Chinese, which is compatible with what we know about them cross-linguistically. The main research question of this study is “what are the phonological, morphological, semantic and syntactic features of ideophones in Middle Chinese?” This question is studied in terms of three parameters, viz. the parameters of form, of meaning and of use.