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An Oral History of Berlin Minimal Techno
Menu Search Red Bull Music Academy Daily An Oral History of Berlin Minimal Techno A look back at the stripped-down subgenre that defined the German capital from 1998-2008 September 7, 2018 By Joshua Glazer In 1998, the rave scene that gripped Germany after reunification was at its apex. What had started in the literal underground spaces of post-GDR Berlin after the fall of the Wall had gone mainstream, with millions of young people celebrating the colorful culture of electronic dance music all across the country. But the techno utopia envisioned by many as the new millenium approached was already starting to come undone. The trend was swiftly co-opted – ironically, by some of the same capitalist forces that had defeated the communist system a decade earlier. The bubble soon burst, and many of those truly dedicated to the music were forced to rebuild. The result was something that was the opposite of rave’s over-the- top excess, a movement that idealized a minimalist aesthetic in sound, visuals and fashion. It was a lifestyle that resisted the unbridled exuberance of rave in favor of something more sustainable – and sustain it did, with tracks that filled whole sides of vinyl and parties that went on for days at a time. Berlin became the center for this new creative community, drawing in techno practitioners and aficionados from around the world who came for the party and stayed for the ease of living made possible by cheap rents and easy access to artist visas. “Minimal” became the buzzword around this scene, and while overindulgences were aplenty in freewheeling afterhours, the “arm, aber sexy” (poor but sexy) slogan coined by then-mayor Klaus Wowereit could not have been a more accurate appraisal of Berlin’s appeal. -
PULLOUT3<S08> ... 18/02/11
Friday, February 18, 2011 SFTW 9 FILMS MUSIC DVDs Dot JR Stars Fall Down, fits in perfectly with his new sound. He performed WHO: James Reeves the track at ashowcase recently GAMES BOOKS COMEDY WHERE: Stornoway as he debuted his new sound. BY JIM FOR FANS OF: Daft Punk, Anthem Top Of The World was GELLATLY Chase &Status, Mr Hudson evidence that he has awealth of JIM SAYS: Hailed as “the future hits in waiting. king of pop” and likened to a While some acts doing the “Scottish Justin Timberlake” in rounds rely very much on the pro- blogthepopcop.co.uk, this lad duction to create asound, Dot JR from the Isle of Lewis is certainly appears to focus on the songs. going places. Pumping beats coupled with Ifirst met James when he was massive choruses create a bass player with indie rockers sound that’s going to be all over Our LunarActivities, so this is the nation’s dancefloors within a some transition. few months. His stock is set to TOM He formed Dot JR (J.R. being rise with his official remix of Tinie CHRIS his initials) as avehicle for his Tempah’s new single Wonder- BY SWEENEY BY songwriting in 2007 and the band man ft. Ellie Goulding. CHURCHILL Iintroduced on stage at the He signed to Polydor Records C C RockNess festival the following last month —it’s yet another step I I year was very much an acoustic towards the big time. SIC S S folk outfit. MORE: myspace.com/DotJRmusic W W W It was always clear he was an Q Hear Jim on Amazing Radio, U U E E accomplished writer, and one of Sunday 3-4pm (DAB digital radio the songs from that set, Where &online). -
Marcel Dettmann Title: Conducted Label: Music Man Release: 14.11.2011
Artist: Marcel Dettmann Title: Conducted Label: Music Man Release: 14.11.2011 Music Man Records is proud to present the long awaited second mix-cd from Marcel Dettmann, resident at the notorious Berghain club in Berlin since it's oldest incarnation as Ostgut and a key artist on their label Ostgut Ton. Marcel Dettmann’s previous mix-cd was named best mix-cd of 2008 by Resident Advisor and last year he released his debut album ‘Dettmann’ to high critical acclaim. In the meantime he’s also built the profile of his own label MDR, and is a hugely in demand remixer for the likes of Emika, Ellen Allien, Radioslave, Scuba and O/V/R. The tracklist of ‘Conducted’ includes a mixture of new to be discovered talents, alongside older ready to be re-discovered gems, and those you may expect such as Sandwell District, Redshape or Shed. ‘Conducted’ is simply a timeless mix from one of the most important DJs and producers of the current techno scene. Tracklist CD/Digital 1. Sandwell District - Immolare (First) 2. Signal - Wismut 3. Roman Lindau - Sub Suggestion 4. Mono Junk - Channel B 5. Reel By Real - Sundog Tracklist 12’’ sampler 6. Bluemoon Productions - Night 7. The Analogue Cops - Why You Love Me 12” sampler 1: 8. Vril - V3 A1. Bluemoon Productions – Night 9. Milton Bradley - Don't Phonk A2. Morphosis - Too Far 10. Silent Servant - El Mar B1. Signal – Wismut 11. Morphosis - Too Far B2. FBK – Nanomal 12. Redshape - The Lesson 13. Shed - Hello Bleep! 12” sampler 2: 14. Cheeba Starks presents The Toupe Committee - GoGo A1. -
Gestreamt Alle Konzerte Werden Auch Vom 28
XX › AUSBLICK II . W WEIMARER FRÜHJAHRSTAGE FÜR R EIM EIMARE ZEITGENÖSSISCHE MUSIK 2022 W A RER F FRÜHJ BIS AI RÜHJ AHRSTAGE 26. 29. M 2022 A HRST FÜR A E GE ZEITGENÖSSISCH F ÜR ÜR WEITERE NFORMATIONEN ZEITGENÖSSISCHE US K › F I M I PROGRAMM WWW VIA NOVA EV DE . - - . M USIK 2021 21.-25. Mai 2021 gestreamt Alle Konzerte werden auch vom 28. bis 31. Mai auf unserem Youtube-Kanal gestreamt › AUSBLICK WEIMARER FRÜHJAHRSTAGE FÜR ZEITGENÖSSISCHE MUSIK 2022 26. BIS 29. MAI 2022 › FÜR WEITERE INFORMATIONEN WWW.VIA-NOVA-EV.DE 22. Weimarer Frühjahrstage für zeitgenössische Musik Begrüßung 2 Programm 7 Freitag, 21. Mai 2021 | 19:00h | mon ami (Großer Saal) MIET+ Sonnabend, 22. Mai 2021 | 19:00h | mon ami (Großer Saal) Asian Art Ensemble Sonnabend, 22. Mai 2021 | 21:00h | mon ami (Großer Saal) Preisträgerkonzert für Akusmatik VERSCHOBEN auf September Sonntag, 23. Mai 2021 | 19:00h | mon ami (Großer Saal) Asian Art Ensemble – ensemble via nova – MIET+ Sonntag, 23. Mai 2021 | 21:00h | mon ami (Großer Saal) ensemble via nova Montag, 24. Mai 2021 l 19:00h | mon ami (Großer Saal) Preisträgerkonzert Solokomposition Moritz Schneidewendt – Maria Löschner – Wu Wei Plan B - Das andere Festival Förderer & Partner 14 Kompositionswettbewerbe 15 Finalisten 16 Interpreten 23 Komponisten 32 Veranstalter 53 22 Jahre Weimarer Frühjahrstage 2154 Impressum & Bildnachweis 2860 BEGRÜSSUNG Johannes K. Hildebrandt Intendant Liebe Festivalgäste, 2 es war klar, dass uns auch in diesem Jahr die Pandemie weiter beschäftigt. Dennoch war die Hoffnung da, dass wir wieder ein größeres Publikum live erreichen können. Jetzt, wo ich dieses Grußwort schreibe, weiß ich noch nicht, wie die Situation zu Pfingsten sein wird. -
October 2011
Samstag 22.10.2011 Start 24 Uhr Klubnacht Berghain OKTOBER 2011 The Black Dog LIVE soma Surgeon dynamic tension Xhin stroboscopic artefacts Ryan Elliott ostgut ton Boris ostgut ton Samstag 01.10.2011 Start 24 Uhr Klubnacht Berghain > Henrik Schwarz LIVE TR-101 LIVE DVS1 Ben Klock Sigha Fiedel Panorama Bar – Pokerflat is back... Panorama Bar > Innervisions Âme LIVE Dixon Osunlade Marcus Worgull Freitag 14.10.2011 Start 24 Uhr RA X Dan Berkson & James What LIVE Steve Bug Alex Niggeman Clé SONNTAGS: Henrik Schwarz LIVE Prins Thomas Panorama Bar SUNDAY IS UPON YOU: Marco Carola m_nus Markus Meinhardt upon you nd_baumecker Gerd Janson Dixon X secret artist Ribn LIVE mild pitch Marco Resmann upon you Fabiano & Gunnar Stiller upon you Danny Howells dig deeper Jef K silver network Solomun diynamic Sonntag 02.10.2011 Start 22 Uhr Smegma The Black Dog war immer schon ein Wesen mit zwei Gesichtern. Auf ihren Platten sind sie Kantine > Boris Innen + Aussen Dj-TEAm Raufen + Saufen Dj-TEAm Khan Samstag 08.10.2011 Start 24 Uhr Klubnacht Zehn Jahre Resident Advisor, die Internetplattform für alle Partynerds, Clubkultur-Turteltäub- bekannt für ihre Subtilität, ihren emotionalen wie intellektuellen Reichtum, der zwischen UK chen, Discogs-Referendare und sonstige Tagediebe. Das Konzept ihrer weltweit ausgetra- Electronica und klassischen Ambient changiert, als Live Act im Club liefern sie aber puri- Freitag 07.10.2011 Start 24 Uhr Berghain – Prologue Nacht genen Feierlichkeiten ist so einfach wie bestechend: ein geheim gehaltener Künstler, nennen stischen -
Tillery, Esoulate — — Im Anschluss: PATTERNS of SOUND PRES
№ 3 Die Fotos stellt uns farbsucht.de zur Verfügung. Vielen Dank :) Die Fotos stellt uns farbsucht.de zur Verfügung. Vielen Dank :) Die Fotos stellt uns farbsucht.de zur Verfügung. Vielen Dank :) Die Fotos stellt uns farbsucht.de zur Verfügung. Vielen Dank :) Die Fotos stellt uns farbsucht.de zur Verfügung. Vielen Dank :) Die Fotos stellt uns farbsucht.de zur Verfügung. Vielen Dank :) Fr 19:30 bzw. 24:00 02. LIVELYRIX POETRY SLAM 11. +PATTERNS OF SOUND Martin Geier, Josefine Berkholz, Rebekka Lenz, u.v.m. Music by: DJ Rukey, E-Mantra, Mongoose & Meehal u.a. Sa 23:00 03. MINDCOOKIES 11. MEETS SYNTAX Roman Flügel, Paul Birken LIVE, Lars-Christian Müller, Steve K, Georg Bigalke Fr 23:00 09. C:\SCHEMA_F >CYAN.EXE Ruby my Dear, Ashtar-DXD, Detest LIVE, 11. Rote Rakete, Das Zirkuskind Sa 23:00 10. VORNE LANG, 11. HINTEN KURZ Acid Pauli, Nu, Subʞutan, Vincent Neumann Fr 23:00 16. CARIBBEAN NICE UP! 11. GETS MAD AGAIN! Herbalize It, DJ Beatzeps, Mr. Dagga, Chabwera Banda, Sencha, Pablo Gunzales Sa 23:00 17. DREIKOMMANULL Paul Woolford, Kleinschmager Audio, Mentell, 11. Nikolas Sternberg, Daniel Sailer, Rekorder Di 23:00 20. 9 JAHRE IT’S YOURS! Dub Phizix, MC Strategy, Conscious:mind, Audite, 11. J.SN, Booga, Porpoise, Dubstep Newcomer Wettbewerb Gewinner Fr 23:00 23. STYLE WILD Dudley Perkins aka Declaime, Georgia Anne Muldrow, 11. DJ Romes, Spitainment & Resistant Mindz Allstars Sa 23:00 24. AUDIOINVASION 11. AFTERHSHOW Dürerstuben, Daniel Stefanik, Philipp Matalla, Dilivius Lenni, Feenstaub Fr 21:00 (Einlass) / 22:00 Start Konzert 30. ANALOGSOUL 11. ALBUM RELEASE Klinke auf Cinch, Petula, Micronaut, DJ Rukey Sa SA. -
Nrf Magazine 18
EDITORIAL SECCIONES 06 Noticias 18 Festivales 15 Novedades NUEVAS SECCIONES 12 Sesiones 22 Charts 14 Agenda Ibiza 20 Agenda BIOGRAFIA 32 HARDWELL REPORTAJES 13 Opening Space Ibiza 31 app deej ENTREVISTAS 24 SOUND OF STEREO NOTICIAS ULTRA EUROPE, nuevas confirmaciones Avance MONEGROS DESERT FESTIVAL 2013 NOTICIAS Tercer Avance ELECTROBEACH 2013 Tercer Avance del DREAMBEACH Villaricos ELECTRIC DAISY CARNIVAL también en Londres NOTICIAS Primeros nombres ELECTRIC ZOO 2013 Primeras confirmaciones TOMORROWWORLD FIB 2013 cierra cartel. NOTICIAS FENNSOOTTTIIVICCAIILAAESSS Lo último de Crookers Nervo nos presenta su nuevo tema ‘Hold On’ BOT ExCrookers se estrena en solitario Nuevo EP de Knife Party Rusty Warriors se unen a Dim Mak NOTICIAS Disponible el álbum de Henry Saiz en Nuevo trabajo de Remute PREORDER Headhunterz presenta su nuevo sello NOTICIAS Daft Punk – “Random Access Memories” – Tracklist completo John Digweed presenta su nuevo directo SESIONES NEW NOISE ZEDS DEAD CHEWY CHOCOLATE COOKIES MAINROOM Space Ibiza Opening Party 2013 Después de un largo y triste invierno, por fin, es la hora del sol, el calor, la playa, el mar y, como ya es tradición, el Opening de Space Ibiza que es, sin duda, lo que marca el comienzo de la temporada estival en esta isla paradisiaca, pero, ¿qué es lo que le hace tan especial? Tras tantos años en el “mundo” del entretenimiento es my difícil seguir manteniendo la línea de crecimiento y de asistencia pública, sin embargo, parece que Space Ibiza ha dado con la receta. Esta discoteca es considerada una de las Mecas de la música electrónica por la que cualquier dj importante tiene que haber actuado alguna vez. -
Politics of Electronic Music Purism: Social Space and Label Authenticity in the Netherlands
Politics of electronic music purism: Social space and label authenticity in the Netherlands Master Thesis Student Name: Marko Polovina Student Number: 465938 Supervisor: Erik Hitters Erasmus School of History, Culture and Communication Erasmus University Rotterdam June, 2018 i Abstract Since electronic music’s emergence in the mid-1980s, the genre has gained considerable recognition as an unusual and an interesting case study for cultural production dynamics and socio-cultural values in regards to what is considered authentic. The scene in the Netherlands has seen large-scale consumption of more mainstream/accessible off-shoots of electronic music genres such as trance, techno, and house for over two decades. The most significant case studies on electronic music are presented by Thornton (1995) and Hesmondhalgh (1998), generally taking a more broad approach in understanding these definitions within the electronic music dance industry; both share key ideas of technology innovation and convergence of these practices within identity. This thesis attempts to look at the label perspective of the Dutch scene because of its independent and historical connotations associated with the music genre, similarly done by Grote (2014) and Strachan (2007) in other locations and genres in the label perspective. The fact that these labels are independent, but aesthetically appear small-scale, despite at times being the large-scale producer of certain genres, creates a dissonance in the way that cultural capital can be clearly created in this world. Bourdieu’s (1993/1996) cultural capital, specifically the social space aspect, along with Bruno Latour’s (1996) actor network theory is used to understand how music labels in the Dutch electronic music industry in Amsterdam and Rotterdam construct their identities in this network of influences and social space, what they distinctly value as authentic, and ultimately how they perceive authenticity in the current electronic music scene. -
Hertzflimmern 8 Presenta: Ostgut Ton Sábado 1 De Abril Foro
HERTZflimmern 8 presenta: Ostgut Ton Sábado 1 de abril Foro Normandie (Calle Lopez 15 Col. Centro, Cd. de México) 21hrs Cuando se trata de enumerar las piezas clave en la construcción de una sólida cultura del techno en Alemania, el club Berghain es fundamental. Este espacio ha sido consagrado en las palabras del especialista Phillip Sherbourne como “probablemente, la capital mundial del techno”; Berghain es el descendiente directo del club anteriormente conocido como Ostgut que cesó sus operaciones en 2003 pero dio lugar a la creación de Ostgut Ton, el actual sello discográfico de la casa. Ostgut Ton da cuenta del impresionante desarrollo de talento que sucede al interior de los muros del Berghain, entre los nombres que se han encontrado espacio en la disquera están residentes del club consolidados como importantes productores y Djs: Ben Klock, Cassy, Edit-Select, Luke Slater, Marcel Dettmann, Marcel Fengler, Nick Höppner, Prosumer, Tama Sumo, Tobias Freund, Answer Code Request y talentos más jóvenes que, sin embargo, ya han dejado una fuerte huella como Kobosil y Somewhen. Con 12 años de vida, Ostgut Ton - sinónimo del auténtico techno alemán y de releases con un altísimo control de calidad tanto en su sonido como en su dirección de arte gráfico- ha producido más de 100 lanzamientos entre EPs, LPs, mixes y recopilaciones. Para la octava noche de HERTZflimmern, el Goethe-Institut Mexiko, en colaboración con Rockets Musik, hospedarán algunos de los sonidos más representativos de este emblemático sello, como Answer Code Request, Dj productor y cazador de música que se ha especializado en crear territorios inéditos para el techno, y quien conmocionó a los fanáticos del género cuando -aún sin que se conociera su identidad- publicó en 2011 su primer EP, con un sonido tan logrado que causó el rumor de que se trataba de un nuevo alias de Marcel Dettmann o Shed. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Transitions Into Art School 20/21 ENTRY
Transitions into Art School 20/21 ENTRY ALT CITY GUIDE GSA LIVE MAP OPEN DAYS Discover the Glasgow scene Tour GSA’s global creative networks Register for events and live chat page 2 page 10 page 22 1 Contents Welcome ALT CITY GUIDE TO GLASGOW page 2 GSA LIVE MAP page 10 TRANSITIONS IN TO ART SCHOOL page 14 GSA SINGAPORE page 18 THE GSA HUB page 20 PhD STUDY page 21 OPEN DAYS page 22 DEGREE SHOW page 24 preview 2019 Show Degree GSA PROGRAMMES, HOW TO APPLY AND MORE INFO page 30 Live map: Stow map: Live Follow us @GSofA @glasgowschoolart /glasgowschoolofart /glasgowschoolofart /glasgowschoolart [ ] GSA Live map The GSA Live Map is a Google Map-based guide to CONTENTS GSA’s global Creative Network, connections, locations • Creative Network and to the city at our heart, Glasgow. Throughout this • Alt City Guide to Glasgow guide you will see yellow highlights over text. These • vOpen Day highlights show that the place, business or person is featured on the Live Map and shows a map reference. Discover the GSA Live Map at: gsa.ac.uk/livemap The GSA is ranked 3rd in UK, 5th in Welcome Europe and 8th in the world for Art and Design in the QS World University Rankings 2019. 3 A network of indie galleries, clubs, restaurants and bars has created a robust creative scene in Scotland’s largest city, where talent is allowed time to flourish. The Alt City Guide to Glasgow The Alt City Poetry Club, image courtesy SWG3 image courtesy Club, Poetry Photographer Photographer Live map: Poetry Club Poetry map: Live Guide to James Anderson by Tony Naylor Glasgow originally published in The Guardian 5 Optimo 20 Live map: SWG3 map: Live Photographer Brian Sweeney Silvia Ziranek. -
Techno's Journey from Detroit to Berlin Advisor
The Day We Lost the Beat: Techno’s Journey From Detroit to Berlin Advisor: Professor Bryan McCann Honors Program Chair: Professor Amy Leonard James Constant Honors Thesis submitted to the Department of History Georgetown University 9 May 2016 2 Table of Contents Acknowledgements 3 Introduction 5 Glossary of terms and individuals 6 The techno sound 8 Listening suggestions for each chapter 11 Chapter One: Proto-Techno in Detroit: They Heard Europe on the Radio 12 The Electrifying Mojo 13 Cultural and economic environment of middle-class young black Detroit 15 Influences on early techno and differences between house and techno 22 The Belleville Three and proto-techno 26 Kraftwerk’s influence 28 Chapter Two: Frankfurt, Berlin, and Rave in the late 1980s 35 Frankfurt 37 Acid House and Rave in Chicago and Europe 43 Berlin, Ufo and the Love Parade 47 Chapter Three: Tresor, Underground Resistance, and the Berlin sound 55 Techno’s departure from the UK 57 A trip to Chicago 58 Underground Resistance 62 The New Geography of Berlin 67 Tresor Club 70 Hard Wax and Basic Channel 73 Chapter Four: Conclusion and techno today 77 Hip-hop and techno 79 Techno today 82 Bibliography 84 3 Acknowledgements Thank you, Mom, Dad, and Mary, for putting up with my incessant music (and me ruining last Christmas with this thesis), and to Professors Leonard and McCann, along with all of those in my thesis cohort. I would have never started this thesis if not for the transformative experiences I had at clubs and afterhours in New York and Washington, so to those at Good Room, Flash, U Street Music Hall, and Midnight Project, keep doing what you’re doing.