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ID Contrib Nombre RFC 0027 SECRETARIA DE ADMINISTRACION Y FINANZAS GES8-101015-I7
ID Contrib Nombre RFC 0027 SECRETARIA DE ADMINISTRACION Y FINANZAS GES8-101015-I7 00308 HOSPITALIDAD LATINA, S.A. DE C.V. HLA -981210-IF7 00318 IMPRESOS Y SELLOS DEL SOL, S.A. ISS -801104-5F0 00329 CORPORATIVO TURISTICO DE CULIACÁN, S.A. DE C.V. CTC -120720-1J6 00330 SECRETARIA DE EDUCACION PUBLICA SEP -920522-LL3 01005 SOCIEDAD MEXICANA DE FISICA, A.C. SMF -511227-SK5 01007 PRODINOR, S.A. DE C.V. PRO1002237I1 01008 SERVICIOS DE EDUCACION PÚBLICA DESCENTRALIZADA DEL ESTADO DE SINALOA - - 01010 COLEGIO NACIONAL DE EDUCACIÓN PROFESIONAL TÉCNICA - - 01015 COMPAÑIA HOTELERA PETATLAN, S.A. DE C.V. - - 01017 ULISES ALBERTO CARDENAS GUTIERREZ CAGU-870702-UB1 01034 ISMAEL BAEZ GERARDO BAGI6904241Q6 01035 INDEX DATACOM, S.A. DE C.V. IDA020408FI7 01047 JAVIER LORETO HERRERA LOHJ-740901-3D6 01050 RAÚL IGNACIO CARREÓN CORNEJO CACR-390422-TS2 01051 JUANA CIRIA ARRIETA LOC AILJ-620305-C45 01052 GILBERTO VALDEZ VALENZUELA VAVG-651127-LX7 01053 SINERGIA NORMATIVA, S.C. SNO -030429-M12 059 JORGE JUAN VASQUEZ VALENZUELA VAVJ-531018-AS8 096 JUAN FERNANDO GARCIA DE LOS RIOS GARJ-811111-JF8 1 ALQUILER INMUEBLE 10 AUTOFRIO LOLO-691116-KL7 100 PINTURAS BEREL COMASIN - - 1000 SOLUCIONES EMPRESARIALES H & T, S.A. DE C.V. SEH1-306055-3 1001 SEILSIN PROVELIM SA DE CV SEI -120112-FG3 1002 JORGE ALFREDO CAMACHO CAJO-490903-RR7 1003 CHAVEZ, AMES Y CIA., S.C. CAM -960124-DB0 1004 ELISA YAMEL GASTELUM HERAS GAHE-771018-KY9 1006 SOLUCIONES EMPRESARIALES H&T SA DE CV SEH -130605-S53 1007 ARMANDO CAMACHO AGUILAR CAA -701218-7A3 1008 MARIA CRISTINA MADRIGAL PEÑUÑURI MAPC-560919-2I3 1009 MARIA CRISTINA MADRIGAL PEÑUÑURI MAPC5609192I3 101 PITCO 1010 CONALEP NACIONAL - - 1011 OFILLEVA, S.A. -
The Mexican Film Bulletin Special Issue: Summer 2020
THE MEXICAN FILM BULLETIN SUMMER 2020 ISSUE TThhee MMeexxiiccaann FF iillmm BBuulllleettiinn SSppeecciiaall IIssssuuee:: SS uummmmeerr 22002200 We're Back! (Sort Of) years of age. Óscar Chávez Fernández was born in Although at this point we're not ready to resume March 1935 in Mexico City. Chávez became "regular" publication, there will hopefully be two interested in acting, studying with Seki Sano and at the special issues of MFB in 2020, one in the summer and Instituto de Bellas Artes school. He also worked in our annual "Halloween Issue" at the end of October. radio, sang, and directed plays before making his Sadly, a number of film personnel have passed screen debut in Los away since our last issue (December 2019) and so we caifanes (1966). have a lot of obituaries this time. A number of these Chávez subsequently individuals are from a certain "generation" who began appeared in a number their film work in the 1960s or early 1970s-- Jaime of popular films, Humberto Hermosillo, Gabriel Retes, Pilar Pellicer, including the remake Aarón Hernán, Óscar Chávez, Héctor Ortega--and thus of Santa, but spent made films that are particularly well-remembered by much of his time on those of a certain age (like yours truly). [It also means music, along with that two or more of these people often worked on the political and social same film, as some of the reviews in this issue activism. In the mid- illustrate.] 1970s he was among The COVID-19 pandemic has strongly affected film the actors who formed the Sindicato de Actores and other entertainment industries. -
Rose Gardner Mysteries
JABberwocky Literary Agency, Inc. Est. 1994 RIGHTS CATALOG 2019 JABberwocky Literary Agency, Inc. 49 W. 45th St., 12th Floor, New York, NY 10036-4603 Phone: +1-917-388-3010 Fax: +1-917-388-2998 Joshua Bilmes, President [email protected] Adriana Funke Karen Bourne International Rights Director Foreign Rights Assistant [email protected] [email protected] Follow us on Twitter: @awfulagent @jabberworld For the latest news, reviews, and updated rights information, visit us at: www.awfulagent.com The information in this catalog is accurate as of [DATE]. Clients, titles, and availability should be confirmed. Table of Contents Table of Contents Author/Section Genre Page # Author/Section Genre Page # Tim Akers ....................... Fantasy..........................................................................22 Ellery Queen ................... Mystery.........................................................................64 Robert Asprin ................. Fantasy..........................................................................68 Brandon Sanderson ........ New York Times Bestseller.......................................51-60 Marie Brennan ............... Fantasy..........................................................................8-9 Jon Sprunk ..................... Fantasy..........................................................................36 Peter V. Brett .................. Fantasy.....................................................................16-17 Michael J. Sullivan ......... Fantasy.....................................................................26-27 -
Revista No. 7
EDITORIAL: 01 Sergio Alvarado El ya clásico Riviera Maya Jazz Festival beneficia a más de 120 músicos de Solidaridad: Laura Beristain 03Por: Canal 10 ¿Pagar más por dispositivos de almacenamiento? 05Por: Hugo González Fernando de Santiago Por: Armando Báez 08 Entrevista ¿Por qué Santa Cecilia es la patrona de los músicos? Conoce su historia 15 Por: Graciela Olvera De oyente a fan: entendiendo el embudo de marketing para músicos. 17 Por: Paco Benitez La gestión colectiva de derecho de autor hoy 22 Por: David La Hoz Esteban Rivera Martínez 25 Conociendo a nuestros socios Organizaciones demandan regalías por descargas 27 Autor: Juan Carlos Talavera “Homenaje a la sonora ponceña en danzón” Toño Moreno 31 Nuevos lanzamientos Música moderna complica a grupos ya existentes: Jívaro Show 33 Por: Guadalupe Castillo PRIVILEGIO Por: Salvador Merchand 35 Reflexión ¿Por qué hay división de opiniones sobre la copia privada? 36 Por: Alejandro de la Rosa ¿En qué momento? Por: Rodrigo De La Cadena 39 #PeligroSóloBohemios 43Liberación de regalías por telenovelas Spotify patentó herramienta para evitar los plagios entre compositores 45Por: Kiko Perozo Los artistas necesitan un derecho de remuneración, irrenunciable, que opere sobre las plataformas de streaming de música Por: Mtro. José Luis Sevillano, AIE España 47 Sección FILAIE Cancionero Autor: Álvaro Carrillo 52 Partitura Músicos de todo el mundo forman Earth Orchestra para grabar una canción única 59 Por: Reuters ¿Qué es la propiedad intelectual y cómo se usa en la vida real? 61 Por: Rosibell Arevalo -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Cine-Excess 13 Delegate Abstracts
Cine-Excess 13 Delegate Abstracts Alice Haylett Bryan From Inside to The Hills Have Eyes: French Horror Directors at Home and Abroad In an interview for the website The Digital Fix, French director Pascal Laugier notes the lack of interest in financing horror films in France. He states that after the international success of his second film Martyrs (2008) he received only one proposition from a French producer, but between 40 and 50 propositions from America: “Making a genre film in France is a kind of emotional roller-coaster” explains Laugier, “sometimes you feel very happy to be underground and trying to do something new and sometimes you feel totally desperate because you feel like you are fighting against everyone else.” This is a situation that many French horror directors have echoed. For all the talk of the new wave of French horror cinema, it is still very hard to find funding for genre films in the country, with the majority of French directors cutting their teeth using independent production companies in France, before moving over to helm mainstream, bigger-budget horrors and thrillers in the USA. This paper will provide a critical overview of the renewal in French horror cinema since the turn of the millennium with regard to this situation, tracing the national and international productions and co-productions of the cycle’s directors as they navigate the divide between indie horror and the mainstream. Drawing on a number of case studies including the success of Alexandre Aja, the infamous Hellraiser remake that never came into fruition, and the recent example of Coralie Fargeat’s Revenge, it will explore the narrative, stylistic and aesthetic choices of these directors across their French and American productions. -
Bringing Latin America to Life with Films in the Classroom Harry E
Social Education 71(4), pp 177–181 ©2007 National Council for the Social Studies Bringing Latin America to Life with Films in the Classroom Harry E. Vanden Mark Twain often observed that we, Americans, are not too aware of other and cuts from the City of God (Cidade cultures. A war critic, he reserved some of his best barbs for American ignorance de Deus) the first day. The former is a of foreign languages and cultures and the imperial endeavors of his day. Upon brilliant Chilean-made short that I hap- returning from traveling in Europe, he wrote, in The Innocents Abroad, “In Paris pened upon in the Museum of Modern they just simply opened their eyes and stared when we spoke to them in French! Art on a visit to New York. It skillfully We never did succeed in making those idiots understand their own language.” examines the reduction of modern life Twain was especially critical of U.S. imperial involvement in the Philippines and to the smallest unit—the silicon micro- attempts to suppress the Philippine Insurrection, writing in A Pen Warmed Up chip and the reduction of Chile’s old in Hell, “I am an anti-imperialist. I am opposed to having the eagle put its talons growth forests to one more exportable on any other land.” 1 commodity—the wood chip. These two “chips” are gracefully tied to the external One would hope that we as educa- such as Like Water for Chocolate or exploitation (the first chip is strongly tors could provide our students with (Pancho) Villa, the Latin American real- associated with Japan’s modernization a better understanding of other coun- ity would spring into their consciousness and the second fuels that country’s insa- tries and cultures than was the case and give them a means of connecting to tiable appetite for more wood-based when Mark Twain was pricking the a little known reality. -
12-08-HR Haldeman
Richard Nixon Presidential Library Contested Materials Collection Folder List Box Number Folder Number Document Date No Date Subject Document Type Document Description 12 8 7/21/1971Domestic Policy Memo From Deborah Sloan to Henry Cashen. RE: List of celebrities invited to the White House during the Nixon Administration. 14 pgs. 12 8 10/25/1971Domestic Policy Memo From Gordon Strachan to Haldeman. RE: Campaign strategy to utilize celebrities to help Nixon attain re-election on November 7, 1972. 1 pg. 12 8 10/20/1971Domestic Policy Memo From Haldeman to Fred Malek. RE: A scheduled meeting between the Attorney General and a group of entertainment industry leaders, in order to attain the names of celebrities who will be helpful in the campaign. 1 pg. 12 8 10/18/1971Domestic Policy Memo From Jeb Magruder to the Attorney General. RE: The use of celebrities as a means to maximize support for Nixon's campaign. 3 pgs. Monday, December 13, 2010 Page 1 of 7 Box Number Folder Number Document Date No Date Subject Document Type Document Description 12 8 10/12/1971Economy Memo From Charles Colson to Haldeman. RE: The limitations faced by the Nixon Administration concerning the aid of celebrities, and the solution being "active recruiting by a leading celebrity." 1 pg. 12 8 10/11/1971Domestic Policy Memo From Henry Cashen II to Charles Colson. RE: Progress made in attaining celebrity endorsements such as athletes; however, a lack of White House functions has limited actors and entertainers from participating. 3 pgs. 12 8 8/12/1971Domestic Policy Memo From Henry Cashen II to Donald Rumsfeld. -
April 2021 New Releases
April 2021 New Releases SEE PAGE 15 what’s featured exclusives inside PAGE 3 RUSH Releases Vinyl Available Immediately 79 Music [MUSIC] Vinyl 3 CD 11 ROY ORBISON - HEMINGWAY, A FILM BY JON ANDERSON - FEATURED RELEASES Video THE CAT CALLED DOMINO KEN BURNSAND LYNN OLIAS OF SUNHILLOW: 48 NOVICK. ORIGINAL 2 DISC EXPANDED & Film MUSIC FROM THE PBS REMASTERED DOCUMENTARY Films & Docs 50 MVD Distribution Independent Releases 78 Order Form 81 Deletions & Price Changes 84 THE FINAL COUNTDOWN DONNIE DARKO (UHD) ACTION U.S.A. 800.888.0486 (3-DISC LIMITED 203 Windsor Rd., Pottstown, PA 19464 EDITION/4K UHD+BLU- www.MVDb2b.com RAY+CD) WO FAT - KIM WILSON - SLY & ROBBIE - PSYCHEDELONAUT TAKE ME BACK RED HILLS ROAD DONNIE DARKO SEES THE LIGHT! The 2001 thriller DONNIE DARKO gets the UHD/4K treatment this month from Arrow Video, a 2-disc presentation that shines a crisp light on this star-studded film. Counting PATRICK SWAYZE and DREW BARRYMORE among its luminous cast, this first time on UHD DONNIE DARKO features the film and enough extras to keep you in the Darko for a long time! A lighter shade of dark is offered in the limited-edition steelbook of ELVIRA: MISTRESS OF THE DARK, a horror/comedy starring the horror hostess. Brand new artwork and an eye-popping Hi-Def presentation. Blue Underground rises again in the 4K department, with a Bluray/UHD/CD special of THE FINAL COUNTDOWN. The U.S.S. Nimitz is hurled back into time and can prevent the attack on Pearl Harbor! With this new UHD version, the KIRK DOUGLAS-led crew can see the enemy with crystal clarity! You will not believe your eyes when you witness the Animal Kingdom unleashed with two ‘Jaws with Claws’ horror movies from Severin Films, GRIZZLY and DAY OF THE ANIMALS. -
Chavo Del Ocho
Chavo del Ocho: Sitcom neighborhood dynamics in Mexican television El Chavo del Ocho: la dinámica de la vecindad en la comedia de situación televisiva DAVID GONZÁLEZ HERNÁNDEZ1 DOI: https://doi.org/10.32870/cys.v2019i0.7084 https://orcid.org/0000-0003-3041-8750 This essay analyzes El Chavo del Ocho´s successful series (1971-1980). My argument is that this sitcom founded its television format on one of the most important social spaces in Mexico and Latin America: “La vecindad” or the neighborhood. Moreover, I analyze how the neighborhood dynamics contribute to represent a communal identity: each character portrays not only its specific version, but also of the collective, the conflicts, but above all, the solidarity of Mexico’s in 1970s. KEYWORDS: Television fiction, sitcom,Chavo del Ocho. Este ensayo analiza la exitosa serie El Chavo del Ocho (1971-1980). Argumento que el programa, como comedia de situación, arraigó su formato televisivo en una matriz importante en México y América Latina: la vecindad. De manera concreta, analizo cómo las dinámicas de la vecindad contribuyen a una representación de la identidad comunal: cada personaje manifiesta no solo su versión específica, sino que también representan una versión de lo colectivo, lo conflictivo, pero sobre todo, lo solidario del México de los años setenta. PALABRAS CLAVE: Ficción televisiva, comedia de situación, Chavo del Ocho. How to cite: González Hernández, D. (2018). Chavo del Ocho: Sitcom neighborhood dynamics in Mexican television. Comunicación y Sociedad, e7084. DOI: https://doi. org/10.32870/cys.v2019i0.7084 1 Instituto Tecnológico de Estudios Superiores de Occidente, Mexico. E-mail: [email protected] Submitted: 09/01/18. -
Modern American Grotesque
Modern American Grotesque Goodwin_Final4Print.indb 1 7/31/2009 11:14:21 AM Goodwin_Final4Print.indb 2 7/31/2009 11:14:26 AM Modern American Grotesque LITERATURE AND PHOTOGRAPHY James Goodwin THEOHI O S T A T EUNIVER S I T YPRE ss / C O L U MB us Goodwin_Final4Print.indb 3 7/31/2009 11:14:27 AM Copyright © 2009 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Goodwin, James, 1945– Modern American grotesque : Literature and photography / James Goodwin. p. cm. Includes bibliographical references and index. ISBN-13 : 978-0-8142-1108-3 (cloth : alk. paper) ISBN-10 : 0-8142-1108-9 (cloth : alk. paper) ISBN-13 : 978-0-8142-9205-1 (cd-rom) 1. American fiction—20th century—Histroy and criticism. 2. Grotesque in lit- erature. 3. Grotesque in art. 4. Photography—United States—20th century. I. Title. PS374.G78G66 2009 813.009'1—dc22 2009004573 This book is available in the following editions: Cloth (ISBN 978-0-8142-1108-3) CD-ROM (ISBN 978-0-8142-9205-1) Cover design by Dan O’Dair Text design by Jennifer Shoffey Forsythe Typeset in Adobe Palatino Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 Goodwin_Final4Print.indb 4 7/31/2009 11:14:28 AM For my children Christopher and Kathleen, who already possess a fine sense of irony and for whom I wish in time stoic wisdom as well Goodwin_Final4Print.indb 5 7/31/2009 -
Cancionero Durangueño
Cancionero durangueño Antonio Avitia Hernández México, 2011 1 2 Prólogo Con un enfoque incluyente, este Cancionero durangueño, contiene documentos de la lírica ritual de las etnias primigenias de la entidad, alabanzas y canciones religiosas de los mestizos e indígenas durangueños, romances tradicionales e históricos de la época colonial, romances de la Guerra de Independencia. Canciones y corridos decimonónicos, de los periodos: porfirista, revolucionario, villista, de las rebeliones cristeras, de la segunda mitad del siglo XX, citadinos y culteranos, entre los que hay ejemplos de diversa índole ideológica: liberales, conservadores, comunistas, agraristas, cristeros, así como indígenas y priístas, entre otros Con múltiples formas de composición que van desde las autóctonas hasta el rock. En todo el libro se puso énfasis en la ubicación histórica de las composiciones, en la información en torno a evolución de las dotaciones instrumentales, los ritmos y los contenedores para su conservación y difusión, así como en las formas de interpretación que se utilizaron en los diversos momentos de la evolución histórica de los cantos de los durangueños. El resultado es una versión lírica de la Historia de Durango, que implica el ordenamiento y la conservación de ese rico acervo cultural ritual, narrativo, panorámico y sentimental de la creatividad de los ciudadanos de la entidad. 3 4 I.- Mitoteros y shamanes. Alabados, pasiones pastorelas y romances Ubicado en la región cultural conocida como Aridoamérica, el actual estado de Durango, en la época prehispánica, estuvo habitado por diversos pueblos nómadas y seminómadas, recolectores, cazadores agricultores como los tarahumaras, laguneros, zacatecos, acaxees, xiximes, tepehuanes, coras, huicholes y mexicaneros, entre otros, los que como la mayoría de las civilizaciones del mundo tuvieron y tienen su propia producción de lírica ritual y narrativa.