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Coa-Program-For-Web.Pdf
HOUSTON GRAND OPERA AND SID MOORHEAD, CHAIRMAN WELCOME YOU TO THE TAMARA WILSON, LIVESTREAM HOST E. LOREN MEEKER, GUEST JUDGE FRIDAY, FEBRUARY 5, 2021 AT 7 P.M. BROADCAST LIVE FROM THE WORTHAM THEATER CENTER TEXT TO VOTE TEXT TO GIVE Text to vote for the Audience Choice Award. On page Support these remarkable artists who represent 9, you will see a number associated with each finalist. the future of opera. Text the number listed next to the finalist’s name to 713-538-2304 and your vote will be recorded. One Text HGO to 61094 to invest in the next generation vote per phone number will be registered. of soul-stirring inspiration on our stage! 2 WELCOME TO CONCERT OF ARIAS 2021 SID MOORHEAD Chairman A multi-generation Texan, Sid Moorhead is the owner of in HGO’s Overture group and Laureate Society, and he serves Moorhead’s Blueberry Farm, the first commercial blueberry on the company’s Special Events committee. farm in Texas. The farm, which has been in the Moorhead family for three generations, sits on 28 acres in Conroe and Sid was a computer analyst before taking over the family boasts over 9,000 blueberry plants. It is open seasonally, from business and embracing the art of berry farming. He loves to the end of May through mid-July, when people from far and travel—especially to Europe—and has joined the HGO Patrons wide (including many fellow opera-lovers and HGO staffers) visit on trips to Italy and Vienna. to pick berries. “It’s wonderful. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
María Katzarava Y Arturo Chacón-Cruz: Regresa Manon a Bellas Artes
PORTADA María Katzarava y Arturo Chacón-Cruz: Regresa Manon a Bellas Artes por Ingrid Haas Arturo Chacón (Des Grieux) y María Katzarava (Manon) Fotos: Ana Lourdes Herrera os días 11, 13, 16, 18 y 20 de marzo, el Palacio de Bellas Artes se vestirá de gala cuando la ópera Manon de Massenet se presente en la sala principal, después de 36 años de ausencia del repertorio de la Ópera de Bellas Artes (la última vez que se presentó fue en 1978). El elenco que dará vida a esta obra del repertorio francés está encabezado por dos de nuestros jóvenes talentos mexicanos a nivel internacional: la soprano María Katzarava en el rol de Manon y Arturo Chacón-Cruz como el L caballero Renato Des Grieux. 22 pro ópera Cada uno por su lado ha tenido éxito a nivel mundial, y ahora cuando lo he cantado y después regreso a mis otros papeles más regresan a México a cantar juntos, por segunda ocasión: antes centrales, noto que tengo que trabajar mi voz para no irme hacia hicieron los roles de Gilda y el Duca en Rigoletto de Verdi durante arriba. Me llaman mucho para cantarlo y seguirá en mi repertorio la temporada 2009 de la Ópera de Bellas Artes en el Teatro de la por mucho tiempo. Me pasa un poco como a María con la Gilda: Ciudad. mientras me sigan llamando, lo haré. Además de contar con trayectorias internacionales, Katzarava y En cuanto a la producción de Rigoletto que hiciste el año Chacón fueron ganadores de la beca que otorga el tenor Ramón pasado en Aix-en-Provence, dirigido escénicamente por Robert Vargas, a través de Pro Ópera, A. -
Rcam-Centre Pompidou Avec Le Soutien De L’Institut Finlandais À Paris, Création Mondiale
Kimmo Hakola, Le Sacrifice commande de l’Ircam-Centre Pompidou avec le soutien de l’Institut finlandais à Paris, création mondiale Entracte Andrei Tarkovski, Le Sacrifice Ircam - Centreprojection intégrale duPompidou film emplin 2 Tr Laura Aikin, soprano Ashot Sarkissjan, violon Ensemble Intercontemporain Direction Jonathan Nott Mercredi 11 décembre 2002 Serge Lemouton, assistant musical Technique Ircam 20 h CoproductionIrcam Ensemble Intercontemporain, -Ircam-Centre Centre Pompidou et Forum des PompidouForum des images images Auditorium Ircam - Centre Pompidou Kimmo Hakola Le Sacrifice (2002) (Oratorio d’après Andrei Tarkovski) 1. La promenade enregistrements des chanteurs de la Maîtrise de Radio 2. La guerre France ont été analysés dans le but de créer un son synthé- 3. Dans les demeures de la souffrance tique dérivé du timbre des voix d'enfants. Ces chanteurs 4. Le violon compresseur et la sorcière sont Douglas Duteil, Patrick Wibart, Raphael Bleibtre, diri- 5. Le prophète gés par le chef de chœur, Catherine Nicole. Il s’agit de la 6. Le feu création mondiale. 7. Les arches de Saint-André « Quand j’ai vu Le Sacrifice de Tarkovski en 1986, j’ai immé- Ircam - CentreEffe ctif Pompidoudiatement su que je ferai, un jour, une œuvre ayant un rap- soprano solo, violon solo, flûte, port avec ce réalisateur. Ce qui m’intéresse dans son travail flûte/flûte piccolo, hautbois, de cinéaste, c’est sa capacité à traiter le temps et la drama- hautbois/cor anglais, clarinette, turgie. Et, sur un plan plus général, c’est Tarkovski en tant clarinette basse, basson, basson/contrebasson, qu’artiste, qui m’a intrigué. » 2 cors, 2 trompettes, 2 trombones ténor-basse, tuba, 3 percussions, piano, clavier Kimmo Hakola précise pourtant qu’il n’essaie ni d’illustrer numérique/célesta, harpe, les images ni d’écrire une musique de film. -
Gioachino Rossini
MATILDE DI SHABRAN GIOACHINO ROSSINI Olga Peretyatko Juan Diego Flórez Paolo Bordogna Anna Goryachova Nicola Alaimo Michele Mariotti Orchestra del Teatro Comunale di Bologna GIOACHINO ROSSINI MATILDE DI SHABRAN Conductor Michele Mariotti “There truly is a Rossini miracle!” (Deutschlandradio). Acclaiming Orchestra Orchestra del Teatro the mastery of tenorissimo Juan Diego Flórez and the breathtaking Comunale di Bologna young soprano Olga Peretyatko in the lead roles, the press hailed Chorus Coro del Teatro Comunale di Bologna the premiere of Rossini’s Matilde di Shabran at the Rossini Opera Chorus Master Lorenzo Fratini Festival in Pesaro as the “high point of the festival” (the Berlin daily Der Tagesspiegel). Matilde di Shabran Olga Peretyatko Matilde di Shabran was given its world premiere performance in Edoardo Anna Goryachova Rome in 1821. A genuine international hit, it was staged in Vienna, Raimondo Lopez Marco Filippo Romano London, Paris, New York and throughout Italy all before 1830. The Corradino Juan Diego Flórez music of Rossini’s last “opera semiseria” – thus half serious and half Ginardo Simon Orfila comic – contains a succession of beguiling ensemble pieces. The plot Aliprando Nicola Alaimo revolves around the knight Corradino, who has withdrawn to his castle Isidoro Paolo Bordogna and professes to hate his fellow humans. When he meets Matilde di Contessa d’Arco Chiara Chialli Shabran, however, he experiences unknown emotions that have Egoldo Giorgio Misseri nothing to do with hatred... Rodrigo Luca Visani Leading the Orchestra del Teatro Comunale di Bologna, conductor Staged by Mario Martone Michele Mariotti commands an ideal ensemble of singers: while Juan Diego Flórez, “perhaps the best Rossini tenor of our time” Video Director Tiziano Mancini (Deutschlandradio), sings the role of Corradino, that of Matilde is “gorgeously sung by Olga Peretyatko” (The New York Times). -
Rossini Propició El Futuro De La Ópera
www.proopera.org.mx • año XXVI • número 1 • enero – febrero 2018 • sesenta pesos ENTREVISTAS Andeka Gorrotxategi Óscar Martínez ENTREVISTAS EN LÍNEA Mojca Erdmann Nancy Fabiola Herrera Willy Anthony Waters FESTIVALES Cervantino XLV OBITUARIO Dmitri Hvorostovsky JohnJohn OsbornOsborn “Rossini“Rossini propiciópropició el futuro de la ópera”pro opera¾ DIRECTORIO REVISTA COMITÉ EDITORIAL Adriana Alatriste índice Luis Gutiérrez Ruvalcaba Andrea Labastida Charles H. Oppenheim 3 Carta del Presidente FUNDADOR Y DIRECTOR EMÉRITO CONCIERTOS Xavier Torres Arpi 4 Juan Diego Flórez: Canto a México EDITOR Charles H. Oppenheim 6 En breve 6 [email protected] CORRECCIÓN DE ESTILO CRÍTICA Darío Moreno 8 Otello en Bellas Artes COLABORAN EN ESTE NÚMERO 10 Ópera en México Othón Canales Treviño Carlos Fuentes y Espinosa Luis Gutiérrez Ruvalcaba PROTAGONISTAS Ingrid Haas 12 Andeka Gorrotxategi: Ramón Jacques “Me encantaría tener puestas José Noé Mercado todas las óperas de Puccini” David Rimoch Vladimiro Rivas Iturralde RESEÑA Gamaliel Ruiz 15 Arreglo de bodas en el Cenart José Andrés Tapia Osorio David Josué Zambrano de León 16 Ópera en los estados 15 www.proopera.org.mx. FESTIVALES CORRESPONSALES EN ESTE NÚMERO 20 Cervantino XLV Eduardo Benarroch Francesco Bertini Abigaíl Brambila ENTREVISTA Jorge Binaghi 22 Óscar Martínez: John Koopman Un cantante versátil Daniel Lara y un maestro ecléctico Gregory Moomjy Maria Nockin OBITUARIO Gustavo Gabriel Otero 25 Dmitri Hvorostovsky (1962-2017) Joel Poblete Roberto San Juan Ximena Sepúlveda PORTADA Massimo Viazzo 26 John Osborn: “Rossini propició el futuro de la ópera” FOTOGRAFIA Ana Lourdes Herrera ESTRENO 25 DISEÑO GRAFICO 32 La degradación de la burguesía: Ida Noemí Arellano Bolio The Exterminating Angel, desde Nueva York DISEÑO PÁGINA WEB TESTIMONIAL Christiane Kuri – Espacio Azul 34 Pro Ópera en Los Ángeles DISEÑO LOGO 36 México en el mundo Ricardo Gil Rizo IMPRESION ÓPERA EN EL MUNDO Grupo Gama. -
NEWSLETTER of the American Handel Society
NEWSLETTER of The American Handel Society Volume XVIII, Number 1 April 2003 A PILGRIMAGE TO IOWA As I sat in the United Airways terminal of O’Hare International Airport, waiting for the recently bankrupt carrier to locate and then install an electric starter for the no. 2 engine, my mind kept returning to David Lodge’s description of the modern academic conference. In Small World (required airport reading for any twenty-first century academic), Lodge writes: “The modern conference resembles the pilgrimage of medieval Christendom in that it allows the participants to indulge themselves in all the pleasures and diversions of travel while appearing to be austerely bent on self-improvement.” He continues by listing the “penitential exercises” which normally accompany the enterprise, though, oddly enough, he omits airport delays. To be sure, the companionship in the terminal (which included nearly a dozen conferees) was anything but penitential, still, I could not help wondering if the delay was prophecy or merely a glitch. The Maryland Handel Festival was a tough act to follow and I, and perhaps others, were apprehensive about whether Handel in Iowa would live up to the high standards set by its august predecessor. In one way the comparison is inappropriate. By the time I started attending the Maryland conference (in the early ‘90’s), it was a first-rate operation, a Cadillac among festivals. Comparing a one-year event with a two-decade institution is unfair, though I am sure in the minds of many it was inevitable. Fortunately, I feel that the experience in Iowa compared very favorably with what many of us had grown accustomed Frontispiece from William Coxe, Anecdotes fo George Frederick Handel and John Christopher Smith to in Maryland. -
Wagner March 06.Indd
Wagner Society in NSW Inc. Newsletter No. 103, March 2006 IN NEW SOUTH WALES INC. President’s Report In Memoriam While on the subject of recordings, we are still waiting for the first opera of the promised set from the Neidhardt Birgit Nilsson, the Wagner Soprano Legend, Ring in Adelaide in 2004, and regretting that last year’s Dies at 87 and Tenor James King at 80 triumphal Tristan in Brisbane with Lisa Gasteen and John Birgit Nilsson, the Swedish soprano, died on 25 December Treleaven went unrecorded. 2005 at the age of 87 in Vastra Karup, the village where Functions she was born. Max Grubb has specially written for the Newsletter an extensive appraisal and appreciation of the On 19 February, we held our first function of 2006, at which voice, career and character of Nilsson (page 10). Nilsson’s Professor Kim Walker, Dean of the Sydney Conservatorium regular co-singer, Tenor James King has also died at eighty: of Music, spoke about the role of the Conservatorium, Florida, 20 November 2005 (see report page 14). the work of the Opera Studies Unit in particular, and the need to find private funding to replace government grants A LETTER TO MEMBERS which have been severely cut. Sharolyn Kimmorley then Dear Members conducted a voice coaching class with Catherine Bouchier, a voice student at the Con. From feedback received at and Welcome to this, our first Newsletter for 2006, in which since the function, members attending found this “master we mourn the passing of arguably the greatest Wagnerian class” a fascinating and rewarding window onto the work soprano of the second half of the 20th century, Birgit of the Conservatorium, and I’d like on your behalf to once Nilsson. -
Wagnerkalender – Sluitingsdatum Van Deze Kalender 1 December 2017
Wagnerkalender – sluitingsdatum van deze kalender 1 december 2017 Amsterdam Tristan und Isolde, 18, 22, 25, 30 januari, 4, 7, 10 en 14 februari 2018 Pierre Audi regie, Christof Hetzer decor, Marc Albrecht dirigent, Stephen Gould (Tristan), Ricarda Merbeth (Isolde), Günther Groisböck (Marke), Ian Paterson (Kurwenal), Michelle Breedt (Brangäne), Roger Smeets (Ein Steuermann), Marc Lachner (Ein Hirt/Ein Junger Seemann) Tannhäuser light, 26 mei, Muziekgebouw aan het IJ Pocketversie van Tannhäuser, samengesteld door Carel Alphenaar. Michael Gieler dirigent, zangers: Laetitia Gerards, Gustavo Peña, Aylin Sezer, Michael Wilmering, orkest: leden van het Koninklijk Concertgebouworkest. Der Ring ohne Worte (arr. Lorin Maazel), Concertgebouw 13 juni 2018 UVA-orkest J.Pzn. Sweelinck Fragmenten uit de Ring, 20, 21 en 22 juni 2018, Concertgebouw Concertant, Koninklijk Concertgebouworkest o.l.v. Daniele Gatti, met medewerking van Eva-Maria Westbroek. Antwerpen Parsifal, 18, 21, 24, 27, 29 maart, 1 en 4 april 2018 Tatjana Gürbaca regie, Henrik Ahr decor, Cornelius Meister dirigent, Erin Caves (Parsifal), Tanja Ariane Baumgartner (Kundry), Stefan Kocan (Gurnemanz), Christoph Pohl (Amfortas), Károly Szemerédy (Klingsor), Markus Suihkonen (Titurel) Baden Baden - Festspielhaus Parsifal, 24 en 30 maart, 2 april 2018 Dieter Dorn regie, Magdalena Gut decor, Simon Rattle dirigent, Stephen Gould (Parsifal), Franz-Josef Selig (Gurnemanz), Ruxandra Donose (Kundry), Evgeny Nikitin (Klingsor), Gerald Finley (Amfortas) Der fliegende Holländer, 18 mei 2018 (concertant) -
Così Fan Tutte
Wolfgang Amadeus Mozart Così fan tutte CONDUCTOR Opera in two acts James Levine Libretto by Lorenzo Da Ponte PRODUCTION Lesley Koenig Saturday, April 26, 2014, 1:00–4:40 pm SET & COSTUME DESIGNER Michael Yeargan LIGHTING DESIGNER Duane Schuler STAGE DIRECTOR Robin Guarino This production of Così fan tutte was made possible by a generous gift from Alberto Vilar. Additional funding was provided by the Metropolitan Opera Club; the Denenberg Foundation, in honor of Dan Denenberg; The DuBose and Dorothy Heyward Memorial Fund; and the late Mr. and Mrs. Samuel L. Tedlow. The revival of this production is made possible GENERAL MANAGER Peter Gelb by a gift from DOLCE & GABBANA. MUSIC DIRECTOR James Levine PRINCIPAL CONDUCTOR Fabio Luisi 2013–14 Season The 184th Metropolitan Opera performance of Wolfgang Amadeus Mozart’s Così fan tutte This performance is being broadcast live over The Conductor Toll Brothers– James Levine Metropolitan Opera International IN ORDER OF VOCAL APPEARANCE Radio Network, sponsored by Ferrando Toll Brothers, Matthew Polenzani America’s luxury homebuilder®, with Guglielmo generous long-term Rodion Pogossov* support from Don Alfonso The Annenberg Maurizio Muraro Foundation, The Neubauer Family Fiordiligi Foundation, the Susanna Phillips Vincent A. Stabile Endowment for Dorabella Broadcast Media, Isabel Leonard and contributions from listeners Despina worldwide. Danielle de Niese* This performance is Cello Continuo also being broadcast David Heiss live on Metropolitan Opera Radio on Harpsichord Continuo SiriusXM channel 74. Howard Watkins* Saturday, April 26, 2014, 1:00–4:40 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation. -
Dossier De Presse Luigi Nono
FESTIVAL D’AUTOMNE À PARIS 4 septembre – 31 décembre | 43 e édition DOSSIER DE PRESSE LUIGI NONO Service de presse : Christine Delterme, Carole Willemot Assistant : Maxime Cheung Tél : 01 53 45 17 13 | Fax : 01 53 45 17 01 [email protected] [email protected] [email protected] Festival d’Automne à Paris | 156, rue de Rivoli – 75001 Paris Renseignements et réservations : 01 53 45 17 17 | www.festival-automne.com DOSSIER DE PRESSE MUSIQUE – FESTIVAL D’AUTOMNE À PARIS 2014 – PAGE 2 EDITORIAL Un “portrait” consacré au compositeur vénitien Luigi Nono (1924-1990) Il est temps de revenir sur la musique de Luigi Nono. Depuis plus de dix ans, ses grandes œuvres n’ont pas été jouées à Paris. Développé au cours des automnes 2014 et 2015, ce “portrait” de Luigi Nono permettra d’écouter des œuvres d’orchestre et de musique de chambre (avec l’ajout de live-electronics pour celles de la dernière période), rares au concert, et dont certaines en création française. L’attention portée à la voix, en soliste ou en chœur, et la manifes - tation de son engagement politique dans ses œuvres constituent les deux axes sur lesquels se déploie ce cycle. Dans les années 1960 et 1970, Luigi Nono, membre du Parti communiste italien, organise en effet des concerts dans les usines et rencontre, au cours de nombreux voyages, les militants des mouvements révolutionnaires apparaissant en Algérie, à Cuba, au Pérou, au Chili, au Vietnam et ailleurs. Ces rencontres fournissent la matière aux deux opéras de cette période, Intolleranza 1960 et Al gran carico d’amore – ce dernier, créé avec le metteur en scène Youri Liou - bimov.