Brad Hoyt's Harp Guitar!

Home , Harp guitar, Viola caipira

1 SOUNDIRON BRAD HOYT’S HARP GUITAR in- all impulses, fx otherworldly stantlyavailable through thecontrol interface. and cathedrals halls, rooms, recorded custom popular most our of multi with comprehensiveHarpsourceincludedour panel,rawGuitar.therecordingsWe’vealso RackFX the of from fashioned ambiences of collection a included we’ve always, As features. exclusive other of tons auto legato, true programming, GuitarroundlibraryHarpdeepyougivesThe anof acoustic guitar tonew frontiers. conceptentire the takes it highs, pristine and bass rich range, key wide tone, lush and massive a With drawings. concept Brad's on based U.K, the from Sedgwick Stephen luthier master with process tion construc-anddesignyearafour result instrument,Caipira",of uniquetheViolathe is"Arpa This titled sampledWe custom the theyoupower toshape thesound towork in anyarrangement and mix. gives also This clarity. and fidelity tone, maximum for preamps Devices Sound and microphones Neu- mann studio large of pair matched a through stereo wide in dry, and close up recorded was It detail. round deep withinstrument, exquisite this of nuance every capture fully to effects other of tons and percussion body guitar scrapes, glisses, slides, chokes, real total with all formance, single powerful offers It library. guitar powerfulcompletelyamulti Guitar Hoyt’sisHarp Brad Guitar! Harp Hoyt’s Brad to Welcome SOUND - effects, compression, EQ, amp/speaker simulation and convolution reverb, featuring dozens featuring reverb, convolution and simulation amp/speaker EQ, compression, effects, IRON - designedharp guitar which wascommissioned classicalby guitarist BradHoyt. - time control and automation support. We sampled plucks, palm mutes, palm plucks, sampled We support. automation and control time - tumn, chord strumming,

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ABOUT BRAD HOYT Guitar visit: Guitar oninformation more oftheHarpFor thecreation positions. com- future in performances guitar harp virtual and ble tangi- both from elements combining to forward looking is Brad more. many and Stephan Joscho Dufour, Antoine Anderson, Muriel Keaggy, Phil Bennett, Stephen masters guitar fingerstyle Levy, Howard winner Grammy 2x fin, Cof- Jeff winner Grammy 3x “ including world the around release Everyday recent 2009 From most in Away His release guitarists. harp CD other first His “ musicians. jazz and guitarists leading world’s the of some with recorded has Hoyt Brad http://www.harpguitars.net/luthiers/hoyt/sedgwick.htm oehr Alone Together

iscomposer,a pianist and harp guitarist who

” featured duets with himself and 10 and himself with duets featured ” faue 3 mscas from musicians 30 features ”

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3 SOUNDIRON BRAD HOYT’S HARP GUITAR TABLE OFCONTENTS CREDITS Kontakt“Player” andfree tab The the thisLibraries do support library. not full of KontaktNote: version orlateris The requiredforall 5.3.1 Kontaktpresets. convol and delay distortion, simulation, cabinet and with reverb dozens roomof and fximpulses chooseto from. amp compression, modeler, stereo flanger, chorus, with Rack Effects Full Powerful Custom Performance and FX Control Interface / 24bit 48kHzstereo PCM wav samples(non Legato True Slides Independent Control String and Tuning Chord Creator&Auto Real Multi Deep Plucks,Palm 11.8GB Installed 4,203 Samples powerful13 open ONE BRAD HOYT’S SOUND

THANK YOU LICENSE AGREEMENT INSTRUMENT PRESET LIST FX RACK UBERPEGGIATOR AMBIENCE AND PERCUSSION PRESETS AUTO PRESET TYPES & ADVANCED PERFORMANCE COMMON FRONT PANEL CONTROLS FIDELITY, REQUIREMENTS, INSTALLATION & LOADINGOVERVIEW & CREDITS INTRODUCTION Marshall, Chris Stephens Gregg Scripting Design & Systems Peaslee Stephens Mike and Gregg Sound Design Nunamaker Spencer and Stephens, Peaslee,Gregg Mike Recording, Editing, Programming - time String Selection/ Finger PositionControl - - STRUMMER OF - -

- Sampling with to up 12xRR and to Velocityup 7 Layers - Page 15 A mutes, Chokes,mutes, Slides, Percussion,Hand String Percussion, Glisses and Effects.

- -

KIND30 Page 20

- -

format .nki Kontakt instrument presets -

Page 14 -

Pages 11

Pages 1 17 IRON -

- StrumSequencer Page 19 Page 3

2 Page 18 - STRINGHARP GUITAR MULTI HARP GUITaR

- -

Page 5 Page 13

- - encrypted)

Pages 6

Stephens Gregg Documentation StephensGregg and Mike Peaslee Photography Ryo Gregg Stephens Ishido,and Marshall Chris Artwork Design and UI - 10

Page 4

SAMPLELIBRARY

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loig o t si aed no h smls This samples. offset the start into ahead used alsoamount tocan be of“pluck.” control the sample skip of to you amount allowing the controls This Tightness/ Offset off, cut and longer. out ring to sounds the allow settings higher while damped be to sound the cause release settings and Lower choke samples. mute, palm the of time release the controls This Release a of more sound. pluck have values Lower attack. of sharpness the controls This Attack instrument. the of swell volume the controls knob This Swell semitones. + of range a with semitones in layer each of pitch the controls knob This Stepping toggles button radio glowing Release don’ton/off if to Samples you them at all.play want small The released. is string a of note last the when play samples These only. samples release of volume the controls This ReleaseVolume i ” button at the top of of Kontakt. top at the ” button -

(CC72) -

- (CC 74)

(CC76)

(CC90) - - click (PC) or Command or click (PC)

(CC78)

- Click (Mac) on the knob and then and then knob the on (Mac) Click

- time performance time -

6 SOUNDIRON BRAD HOYT’S HARP GUITAR f h Hr Gia i rpeetd s t on oohnc nt ih niiul oe fr lds hammer slides, for modes individual with unit TrebleBass and via AlsoHarp string keyswitch. the are included withcontrol individual mute and each. for choke monophonic own its as represented palm is Guitar Harp the of real the simulates preset Performance Advanced The robin variation.round are included Also styles. composition different for memory and CPU less are which useful type preset each of versions “Lite” be to designed was each and strengths own its offers type preset Auto Performance, Advanced types: preset main three contains Guitar Harp The Preset Types it makes sense logically, like Palm Mutes and Chokes overwriting one another. one overwriting Chokes Mutes and Palm like logically, sense it makes strings. all for on/off from high top and mid low, controls, range the like radio just Each string a left. represents the button to pictured controls interface user the via or keyswitches using controlled be can These modes. play toggleable of variety a has string Each - - to mutes and chokes. String ranges are set via the UI but can be overridden. All important functionality is also controllable also is functionality important All overridden. be can but UI the via set are ranges String chokes. and mutes - bottom. The label (like Slide or H.On) can be pressed to toggle the mode mode the toggle to pressed be can H.On) or Slide (like label The bottom.

Please be aware that certain modes override other modes where where modes other override modes certain that aware be Please n h tp ih o te I r a e o btos ht wth ewe pl mt or mute palm between switch that buttons of set a are UI the of right top the In Controls String Harp guitar controls. the by unaffected are and strings guitar the from separate totally are strings harp independently. The strings, harp treble and bass the both for articulations string choked

ADVANCED PERFORMANCE

world function of the Harp Guitar. Each of the 5 courses of guitar strings guitar of courses 5 the of Each Guitar. Harp the of function world controls. See page 8 for details. for controls. 8 Seepage of variety a with tab a open pressed, when which, buttons are UI the of side right bottom the Along

String Play Modes Play String - intensive at the cost of realism by reducing the number of number the reducing by realism of cost the at intensive Panel Controls

- Strummer and Percussion/Ambience. Each Percussion/Ambience. and Strummer

- on/pull - offs, 7 SOUNDIRON BRAD HOYT’S HARP GUITAR 1, 2,1, 3,4,5,All ^ righttop theUI. of neck theHarp of Guitar inthe controls the liveon The modes

^ Slide

^ H.On

Allow P.Mute ADVANCED PERFORMANCE(Continued) Choke the button toggles thesebetween the two modesto thewith selected method. fill gaps the next the methods: twoof one by in filled scalewill be the of outside note feature, constrain Scalethe using When Gap Fill Note can You constrained. be will C,choose D scale the which to key the select to you allows knob Key The Key Pentatonic, Blues, Chromatic Just, Tones and Quarter more. Tone Half Tone, Whole Locrian, Mixolydian, Lydian, Phrygian, Dorian, Minor, Melodic Minor, Harmonic Minor, Major, include modes The strained. con- be will scale the which to modes different 28 from select to you allows knob mode The Mode Slide can be controlled using the beto left controlled thecan the cyan far keyswitches keyboard. using sideof the a non tostring produce the chokes mode This Choke controlled thetobe yellow left side using the far of thekeyswitches keyboard. also can These notes open normal. of instead mutes palm play to string the switch These P.MuteMute) (Palm keyboard. the of side left far the to keyswtiches blue they the where using controlled notes be on also can sound This will overlap. “allowed” strings all string, one than more for active is natural any in“Allow” If neck. the up way the strings all strings on notes play otheruserslets This ranges. overlapping over precedence takes string that string, a for active When user. the by defined are that ranges string the override to used is functionality special This Allow green keyswitchesto left the the far keyboard. sideof the pull a simulating played be will note that held, still hammer a as functions first the after press note Thismodehammer simulates H.On (Hammer red the using controlled be also can Slides to left the far keyswitches keyboard.side of the note. down new held the note pushing previous the after Keep momentarily notes. between samples slide plays mode play This -

- ♭

, D,, E

♭ Higher , E, F, G , F, E, oe rgt ie f h itrae rvds w main two provides allto specificfor constraining notes scalemodes keys. and interface the controls provides section SCALE ofThe controls. of sections side right the along buttons lower of row the in found Panel Tuning The Tuning Panel - on/Pull

- note will be used or the next next the or used be will note ♭

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♭ , B. and - offs. Within the confines of each string, any new new string,any of each confines offs. Withinthe -

pitched, more percussive sound. This mode sound.This percussivemore pitched,

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Lower

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8 SOUNDIRON BRAD HOYT’S HARP GUITAR *The Treble Harp strings are placed one octave higher Treble *The octave Harp than one natural keyboard are strings placed theoverlapping due the to guitar on range. perhaps sliding on one string, palm muting another or playing the same note on two different strings. strings. different two on samenote the orplaying another palm muting string, sliding one on perhaps real the of that mirrors logic This strings. other the from separate unit, monophonic independent, an as conceptualized is strings guitar of course individual Each StringIndependent Control the Tuning range knobs or with the Allow buttons/keyswitches. Allow buttons/keyswitches. the with or range knobs Tuning the either using string which on isplayed note which can decide you strings, the of several on can played be notes on overridden be can ranges board. string The key- the of middle the in ranges key (5) yellow and teal (4) (3), (1),green blue red (2), the by below) (shown color the in is visible tive range ac- assigned The the coloredlines. through shown is string guitar each range for allowable maximum The tings. built the is Pictured below String Ranges Bass Harp B1 B1 -

A#2 A#2

ADVANCED PERFORMANCE(Continued) - ble ranges in Kontakt’s built Kontakt’s ranges in ble and playa- keyswitches other all hiding while given string the for range allowable mum maxi- full the reveal will briefly a knob Touching overlapping. and unintentional gaps prevent to string is higher that the of note low the on depends string one of note ble availa- highest string. The each range of the set to used be can controls These Guitar. knob The (Tuning) String Controls in Kontakt keyboard with all the playable colored key ranges set to their default set- default their to set ranges key colored playable all the with keyboard Kontakt in - coded keys. Each string’s range is represented on Kontakt’s built Kontakt’s on isrepresented range string’s Each coded keys.

- value edit pairs pictured to the left represent the guitar strings of the Harp Harp the of the guitar strings represent left the to pictured value editpairs - the - world instrument: one can play each string in a different way, different a in string each play can one instrument: world - fly using the “Allow” keyswitches and UI controls. Since many many Since controls. UI and keyswitches “Allow” the fly using -

in keyboard. in String 1: 1: String

B2 B2

String 2: 2: String -

String 3: 3: String E3 -

E4 String 4:

G#3 G#3 -

B3 B3 A4 String 5: 5: String

C#5 Treble Harp* Treble - in keyboard keyboard in

A#5 A#5 E4

- -

E5 G6

9 SOUNDIRON BRAD HOYT’S HARP GUITAR whatand rangesare. the are string keyswitches the what and The where shows functionality. displayed information regarding information important most the access to way fast a provide toavailable is panel help quick This of thecontrolsfor the behavior keyswitches. trols. sectionprovidesSLIDE Slide The controlsthe for adjusting behavior volume.KEYSWITCHES and The sectionprovides in SettingsPanel The found along the row theinterfacelower side right ofof the buttons oftwoprovides sectionscon- main SettingsPanel

ADVANCED PERFORMANCE(Continued)

press. eachon key keyswitches toggle state the is released.key Latching keyswitchafter the reset keyswitches Momentary latching. or momentary either be can keyswitches 5 the of Each Keyswitches transitions. string and chord realistic for useful is This release. knob every on the sound scuff to fret additional an next toggle will button radio glowing The else. everything from fret separatethe of sounds volume slide the adjust to you allows section Options the in knob Noise Fret The Options The 12. least at to set is string minimum range is and 2 the maximum is 15. the of range they if or keyswitch or button with allowed“Allow” either the is string the when sound slide a get only will you 12, of range a with so basis, string per a on performed being still is (legato) this “slide” that mind a in Keep which performed. be in will range the constrain or extend to you allows knob Range The Range Quick Help Panel

•

SOUNDIRON BRAD HOYT’S HARP GUITAR the strum andstrum andthe randomizationhuman more natural sound. a for auto ful Strumulator thealong in rowofThe buttons theinterface Panellower found side right of the provides controlsfor the power- Strumulator Panel saved chords in the Type drop in the Type chords saved the up bring will setting ‘User’ The chord. a create matically drop This Key currently selectedthe chord. for high to low from notes individual the shows display This SELECT CHORD at canthem settings extreme make sloppy. and strums humanizes This chord. a in note each between delay the to randomness of amount an adds knob This Random a in notes long, out drawn strums ormore of arpeggiation.an between time of amount are values whilehigher tight strums, are values chord. Lower the sets knob This OPTIONS note the of independent buttons. are and on/off setting choke the toggle board fret the of right far the at buttons Choke The that time. on a at activated be fret can button note fret that one Only string. for note corresponding the with labeled is that abutton has fret Each Guitar. Harp the of neck the of representation graphical a is Strumulator the of top the At Fret and ButtonsFret Board

- strumming feature which feature chordstrumming custom creation, includes loading, and saving automation,chord tightness of keyswitch

- down menu allows you to select any key to auto- to key any select to allowsyou menu down -

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Current Chord ADVANCED PERFORMANCE(Continued)

- down menu.

before chord the save assign can ityou toakeyswitch. have must you you if chord, that custom a Note created keyswitch. that any to When assigned chord be selected etc). will currently the C#7, pressed, is C7, button (eg, keyswitch placement key sponding corre- their with labeled are buttons keyswitch twelve The Keyswitches menu.User onlyUser can that the chords Note deleted. be from type chord selected currently the deletes button This Delete inand type acustom name. menu. User drop the of text the the on click can you that into Note chord current the saves button This Save button ‘Save’ the press chord the isaddedand User to menu. the you when saved only is name The drop the of text drop Type the drop Key the in is selected ‘User’ When etc. minor, major, example for type, chord drop This Type

- down menu allows you to automatically select the select automaticallyto you allows menu down

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SOUNDIRON BRAD HOYT’S HARP GUITAR a play- the while keyswitches, on heavily focuses also preset The Panel. Sequencer the with replaced is Panel Tuning The sequencing. and creation chord on entirely focuses preset this On/ as present not Hammer are controls Slide, Allow and The Off Pull exceptions. some with preset Performance Advanced the as features same the of many Auto The ing note(s) willreleased. be play- currently the activated, When sequence. the into rests velocity belowthe buttons rest toinsert The allowtable you Rest drop a either from orchoke. choosenormal, mute, palm provides button articulation Each Art. (Articulation) v or ^ the by arrow. indicated as strokes down toggles and step up each between for table velocity the below button The Stroke Dir. (Stroke Direction) clickvelocity orcan clickto dragthe level.and adjust You bar. teal the by represented is step each of velocity The Velocity Table from to steps. 1 sequence 16 value This Steps timing. same to the steps all locks label Timing the below just button The step. individual each of duration the change to allowsyou quencer drop timing The Timing b l e

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Strummer contains a very powerful step sequencer for creating custom chord rhythms. The preset has preset The rhythms. chord custom creating for sequencer step powerful very a contains Strummer edit box allows you to change the length of the of length the change to you allows box edit i s

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SOUNDIRON BRAD HOYT’S HARP GUITAR strumming Auto The ↓

Range: D0 to C2 to D0 Range: Keyswitch Chord ↑

^ 1 1 2 3 4 5 -

. Picture below is the Quick Help Help ofQuick panelfunctions the .belowkeyswitchesand is displaying the Picture the ranges. playable Strummer preset does not include a standard playable range as the focus of the preset is chords and chords is preset the of focus the as range playable standard a include not does preset Strummer ^

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- 13

SOUNDIRON BRAD HOYT’S HARP GUITAR kit having all articulations immediately available with the restriction that all settings are global. all settings that restriction the with available immediately articulations all havingkit drop the have not does similar contain drop all presets Untuned Percussion a has Effects but layer, one onlycontains preset Effects The functionality. identical with presets Ambience and the to controls Percussion, Effects Effects, Percussion, Tuned The ored Blue, whilekey col- is range playable The window. program Kontakt main the of top the at button display keyboard Kontakt’s click ambience, material. source the using created ambiences tonal includes library This controlsthe volume swellThis knob instrument. of the Swell and rangeof Layers1 ping 2 appear yellow. in built Kontakt’s on play in appears 1 Layer layer. each of range ble theplaya- set to keyboard midiyour orin user type can You Assignment Key Range keyboard sideright of control the 2. Layer the to keyswitches green the and 1 the Layer control of keyboard side left the to keyswitches red The sound. current the select to Keyswitches the use also can You sound. drop These Layer Menu - - in keyboard and Layer 2 appears in teal. The overlap- The teal. in appears 2 Layer and keyboard in down menu for articulation selection. The Effects Percussion Untuned preset only contains one layer and and layer one contains only preset Untuned Percussion Effects The selection. articulation for menu down -

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AMBIENCE PRESETS

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SOUNDIRON BRAD HOYT’S HARP GUITAR held down. If additional notes are played, it adds them to the sequence of repeats in various ways, depending on on effects. and other patterns plucking depending chains, melodic complex produce to used be can and choose you ways, settings the various in repeats of sequence the to them adds it played, are notes additional If down. held self to note the causes key a pressing normally, used When arpeggiator. the of all aspects shape that controls performance automatable includes It presets. the of some of potential creative instant the expand to system arpeggiator custom flexible, a feature Guitar Harp the of presets Ambience and Percussion The voices more you the use. speed, the faster the that mind in keep but results, interesting yield set- can Fast tings notes. 128th to bars whole fromranging time, musicalin measured as arpeggiation, of speed the sets This Rhythm or up the down repeats. of direction the sets This Repeat next note. the for resetting before repeat, fall % intensity Hit the sets and sequence, arp the in note next the each to on of moving BEFORE repeats note of number the Sets Hits Hit and %     entirely. system Arpeggiator the Choosing mode. controls knob This Mode

for complex strum for complex patterns. used be can This played. be to rolls EZ of repeats. chain automated the to added be to + Hold the isrepeating. that note changes keys changing that so (monophonic) time, a at note one Hold itas arpeggiates. held notes all through cycling pressed, is note On

Roll sets it to respond only while a while only respond to it sets

sets it to automatically sustain -

sets it to allow polyphonic polyphonic allow to it sets sets it to allow new notes notes new allow to it sets

Off -

f rt fr each for rate off ials h Arp the disables

The UBERPEGGIATORThe pulses or extend them beyond the the beyond them length. normal beat extend or pulses staccato to note the shorten can this,one Using note. each of length the fine to user the allows knob This Duration theto notes thecause after play beat. zero above Values play beat. to the of notes Values ahead the notes. cause zero between below (swing) set off- rhythmic of amount the sets This Swing toaspecifickey. chosen arpeggiation the Binds Key arpeggiation.in an played note first the after notes peated re- all for pitch the offsets that effect quarter unique a is This Pitch note newest the ofalways the chain. addedend to the with in, playednotes you the order original the follow to it cause will Played” “As Choosing triggered. have you notes of sequence the through plays it as follow will tion arpeggia- the that patterns cycle plex com- or simple of number any select drop This MenuNote Order timing of Uberpeggiatoreach step. and velocity the humanizes knob This Humanize

on eu los o to you allows menu down

- tone detuning tone scale

you’ve - tune -

like like

loadpatterns. table Uberpeggiator and save to users allow buttons These SaveLoad / is nallyplayed at. note each origi- was it that velocity bypassed, the at played is you’ve it When that right. to left from velocities graph the on drawn the follows arpeggiation the active, When Graph. Velocity the bypasses or activates This PlayedAs Table / se- step graph quencer. velocity the with set (2 steps sequencer of number the determines setting This Steps the in steps all toadefaultof value graph (blank).0 resets button This Reset in to arpeggiation playyour at. sequence the step each draw want you to that velocities you allows graph This Sequencer Velocity Graph currently selected scale and key. the to note new any adjusts and Limits Free/ConstrainButton turningknob. by choose the se- arpeggiation can you that scale specific a to quence the binds Control Scale Selector

- repeat as long as a key is is key a as long as repeat

2 ta cn be can that 32)

SOUNDIRON BRAD HOYT’S HARP GUITAR instrument labeled “ instrument bottom the at tab UI the on clicking by presets all in accessible is Rack FX The effects. available the of all describes tion built Kontakt’s of many integrates that Rack FX flexible advanced, our contains tab Rack FX The effect. In Stereo In effect. modestereoit controlsthe width. Phase/Spread offeedbackmode)amount for the controlactiveeffect. the Feedback Rate of the selectedthe effect. Rate activeeffect. Drop Button Power Stereo. and Flanger Chorus, features module FX Mod The MOD MULTI EffectTypes& Controls pressor. Attack is displayedvalue right. The to the Ratio compressor. the Threshold Button Power The Dynamics FX module is aconfigurable compressor. DYNAMICS (COMPRESSOR) - - down -

This knob (not available in Stereo mode) controls mode) Stereo in available (not knob This - hs nb otos h rto f h compressor. the of ratio the controls knob This

This knob controls the attack time of the com- the of time attack the controls knob This

- -

This knob controls the volume threshold of threshold volume the controls knob This - hs nb nt vial i Chorus/Stereo in available (not knob This -

- - - s ti drop this Use

Toggles off. effect and on the Toggles off. effect and on the Thisknob controls the Phase of the active FX Rack

.”

- on eu o eet the select to menu down

DSPEFFECTS RACK

but reduces the dry level. In Stereo mode it controls the the controls volume. output it mode Stereo In level. dry the reduces but right values while level, left Values effect. the of output Mix/Vol selected effect.Stereo modethe In pan.it controlsthe Depth/Pan sor. Makeup compressor. Release

- - -

This knob controls the makeup of the compres- the of makeup the controls knob This This knob controls the amount of wet and dry and wet of amount the controls knob This hs nb otos h rlae ie f the of time release the controls knob This -

hs nb otos h dph itniy of (intensity) depth the controls knob This

- of - center keep wet levels the same the levels wet keep center - in effects. The following sec- following The effects. in - of - etr eue h wet the reduce center

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SOUNDIRON BRAD HOYT’S HARP GUITAR Mids Lows simulator. amp Drive amp simulator.the Volume twang jump.available types: and amp Drop Button Power tors. simula- amp “Jump” new and “Twang” the includes ef- It simulation fect. amp configurable a is module FX Amp The AMP SIMULATOR the cabinet sim. the Volume availabletypes the including Rotatoreffect. cabinet cabinet Drop Button Power (speaker) cabinet configurable a simulation effect. is module FX Cab The CAB SIMULATORSPEAKER tortion effect. Volume effect. Drive activedistortion effect. Drop Button Power Tape of Skreamer, variety a Distortion, De and Saturator features types: module distortion FX Drive The (DISTORTION)DRIVE virtual the between distance and cabinet. speaker microphone simulating effect, cabinet Air

- - - -

- down hs nb otos h aon o te Ar i the in “Air” the of amount the controls knob This down down down -

This knob controlsthe This gainknob of mid -

Thisknob controlsgain of low frequencies. (bass)

This controls knob gain of amount onextra the the hs nb otos h aon o te distortion the of amount the controls knob This - - -

This knob controls the volume output level of level output volume the controls knob This This knob controls the output level of the dis- the of level output the controls knob This This knob controls the volume output level of level output volume the controls knob This

- - -

Use this drop this Use Use this drop this Use s ti drop this Use -

- - -

Rez effect (Lo Rez effect Toggles off. effect and on the Toggles off. effect and on the Toggles off. effect and on the

- - down to select between the between select to down down to select between the between select to down - - on eu o eet the select to menu down Fi).

- level frequencies.

adjusts the of the adjustseffect. the presence Presence the drive.whileincreasing adjusted is Volume The off. and on mode Gain Hi toggles sim) amp Button Boost frequencies. Highs levelSkreamer tone effect. of the Tone frequencies. (treble) high Highs frequencies.(bass) Lows the Lo tion that reduc- rate sample and crushing bit of amount the controls Degrade slowto fast. from cabinet the of effect rotation the toggles type) cabinet Button Fast simulatedsize ofthe the cabinet. Size -

- - This knob controls size of cabinet effect, effectively effect, cabinet of size controls knob This

- This knob (when available) controls the level of lowof level the controlsavailable) (when Thisknob

hs nb ol i Srae md) otos the controls mode) Skreamer in (only knob This - hs nb we aalbe cnrl te ee of level the controls available) (when knob This d we atvtd o anan eaie volume relative maintain to activated when 9dB hs nb otos h gi o hg (treble) high of gain the controls knob This - -

hs nb ol aalbe n De in available (only knob This hs nb ol aalbe n h Jm amp) Jump the in available (only knob This -

- This button (available only with the Rotator the with only (available button This Fi applies. effect -

hs utn ol aalbe n h Jump the in available (only button This

- Rez mode) mode) Rez

SOUNDIRON BRAD HOYT’S HARP GUITAR the delay effect. the Pan attenuateseffect, which and damps each successive echo. Damping echo. pronounced more a creating delays, between time longer a mean values Rate Button Power Delay The FXDelay moduleeffect.is a configurable DELAY thefrom Effectsloaded impulse menu. currently any unloads and overrides menu this from pulse real Menu Rooms Spaces the menu. from impulse loaded currently any unloads and overrides this menu from impulse an Selecting convolutions. effect special Menu FX view. Editor Kontakt’s through module FX Insert the in impulses built Button Custom Button Power impulses to simulated real reverb load to users allows module FX Reverb The REVERB CONVOLUTION - - ol evrnetl ovltos Slcig n im- an Selecting convolutions. environmental world n muss o o cn ae rst wt yu own your with presets save can you so impulses in -

- This knob controls the amount of stereo panning of panning stereo of amount the controls knob This This knob controls the time between delays. Higher delays. between time the controls knob This

- -

hs nb otos h dmig f h delay the of damping the controls knob This hs eu los o t slc oe f our of one select to you allows menu This

- - This menu allows you to select one of our of one select to you allows menu This

Toggles off. effect and on the Toggles off. effect and on the -

unn ti “n bpse te our the bypasses “On” this Turning

- world oreffects. spaces

thelevel.dry reduces right values while left Values effect. the of put Mix signal isreturned Delay Size allowingresponse, toremove you lowrumbleand end. Pass Hi allowing theresponse, todull sound. you darken and Pass Lo reduces thelevel.dry reduces right values while left Values effect. the of put Mix valuesand High effect. can cause loop.endless Feedback - - -

This knob controls the amount of wet and dry out- dry and wet of amount the controls knob This This knob controls the amount of wet and dry out- dry and wet of amount the controls knob This Sets the simulated roomconvolution.sizeSets the of the -

Sets the amount of pre of amount the Sets - -

es h hg feuny cut frequency high the Sets - es h lw rqec cut frequency low the Sets

This knob controls the feedback of the delay the of feedback the controls knob This

- - of of - -

center keep wet levels the same but but same the levels wet keep center center keep wet levels the same but but same the levels wet keep center - - of of - - center reduce the wet level, wet the reduce center center reduce the wet level, wet the reduce center - delay time before the wet the before time delay - - f o te impulse the of off impulse the of off

SOUNDIRON BRAD HOYT’S HARP GUITAR range mapping. key with custom setup Layer Dual tuned a in ambiences different 20 features preset This Harp Guitar mapping and range pitching. key custom Dual tuned a a in as layer type selectable separate articulation and string each features preset This Harp Guitar starts range at glisses. playable The single features preset This Harp Guitar a in but effects Dual percussion same the features preset This Harp Guitar It’s key. single a and spanning plucks from mapped articulation nut hits, each slide with taps, chokes string taps, body as such multi the all features preset This Harp Guitar 11 the in created or chosen sequence F2 the in Strumulator created or chosen chord the is by determined string is note guitar Each preset. ( key single this a to assigned in unique very is playable the range such, As sequencing. pattern rhythm and tion crea- chord easy for designed specifically is that preset plex Auto The Harp Guitar features. all available the on the to due 6 guitar. the with Seepages range overlapping natural than higher octave an mapped are G6) G6 is range playable The performances. chords and leads and guitar realistic create complex to features many with preset very powerful a is preset Performance Advanced The Harp Guitar variations. robin round limits fewer and lower voice range, modulation offset start sample reduced a as such tent, con- sample total of amount reduced a include certain and features lack may but memory version, standard and the CPU than dependent less are preset each of sions The presets. Ambience the of exception the “Lite” with named subfolder a in included also are presets all of “ that note Also higher. or 5.3.1 Kontakt with Layer setup with custom key range mapping. key with custom setup Layer Dual tuned a in ambiences different 20 features preset This Harp Guitar ** Please note that all presets listed are designed to be used be to designed are listedpresets all that note Please ** INSTRUMENTPRESETS (KONTAKT) - . Note that the Treble Harp strings (mapped from A#5 A#5 from (mapped strings Harp Treble the that Note . will perform an up will an perform

12 for details12 features. all available the on - Layer set up with custom playable range and pitching. range and with custom setplayable up Layer - >>SoundironHarpGuitar\Instruments\<< tumr rst s nte avne ad com- and advanced another is preset Strummer C3 C3 . . ------

XFX Ambiences Undulus.nki XFX Ambiences Harpnotix.nki Tuned Percussion.nki Effects.nki Effects Percussion.nki Effects Percussion Untuned.nki Auto Advanced Performance.nki E2 -

D5 will perform a down a perform will - . - stroke strum. stroke

Strummer.nki A2

- shot effects such as scuffs and and scuffs as such effects shot , B2 - , sampled percussion effects effects percussion sampled C3 C3 G3 Sequencer ,

and varies by effect. effect. variesand by D3

will play the current -

- , and and , Layer set up with up set Layer stroke strum and and strum stroke (mbp) (gbs) -

Lite 10 for details details for 10 E3

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SOUNDIRON BRAD HOYT’S HARP GUITAR SOFTWARE LICENSING AGREEMENT SOUND withoutwritten consent of Soundiron LLC. escannot transferredbe or soldtoanother entity, length.Licens- total in seconds8 thanless no time running a with design, sound of work finished or finish performance live production, multimedia the teractive in- or visual into audio, an of mix final integrated or soundtrack and rendered fully where except kind, any of hardware or into software embedding or isolating, processing, mixing, code, or - sounds re tolimited not constituent butincluding means, any through its or product, re of form other any or resale licenseThis also forbidsany unauthorized transfer, our expressprior written consent. withoutkind,any of libraryeffect or loop or bank, sound synthesizer library, effect sound strument, non any or into commercial other product this within unmixed or contained raw content any of inclusion unauthorized any forbids expressly license This Soundiron. to attribution source providing or fees license tional addi- any paying without creation content other re- production,design,orpost commercial sound music,cordings, of production and creation the for purchased sounds you've library(s) the in the samples and of any use to you allows Soundiron equipment softwarethis is installedor used on. allof onlyuser soleowner and the are they if only equipment other computersor multiple on library this install to permitted are holders license vidual similar or finishedcontent broadcast performance, production, sound music, non and commercial for ron, Soundi- by you to sold, not but licensed, is ware this in contained copyrightsareproductSoundiron,soft-ofThis llc. text and designs scripting, es, imag- programming, samples, sounds, All mitted. per- is use unlicensed No user. individual asingle to only granted is product this for license The LICENSEGRANT productlicense agreement: installingBy the productyou accept the following LICENSEAGREEMENT apig rvre niern, eopln, re- decompiling, engineering, reverse sampling, - fet rain adovdo post audio/video creation, effect - creationand production use. Indi- IRON

- omril ape in- sample commercial

- omril s in use commercial distribution of this of distribution

productcannot returnedbe or refunded. the user, end the to DVD on shipped or servers our on accessed been has product the as soon as that aware Be exchanges. or refunds provide not do we so returned, be can't libraries Downloaded REFUNDS by agreement.this covered and bound fully are entity product, other any this of by distributed or published versions versions any including future and past All product. this within included performances sical sounds, recorded all mu- and documentation programming, of instrument and ownership privileges complete copyright full retains Soundiron RIGHTS extent of US and International civil and criminal criminal law. and civil International and US fullest of the extent to work copyrighted this defend and piracy prosecute to right the reserves Soundiron VIOLATION the under covered termsof this agreement. are Soundiron, than this other of brands versions through released those future including product, and past All expense. own your at product the of contents and copies any for refund alldestroy to agree a youtermination Upon reason. request or agreement, this of conditions or terms the of any break you if nated Soundiron,terminationlicensebyllc. Theistermi- until effect full in remain will license The means. any by acquired or purchased is product the ment mo- the from effective is agreement license This TERMS of form use ofthis product. any from arising kind any no of damage holds or Soundiron harm loss, indirect or risk. direct any for responsibility own licensee’s the at is software supplied any and product this Using RESPONSIBILITY

SOUNDIRON BRAD HOYT’S HARP GUITAR hearyou.from to alwayshappyWe’re know. us let just all, at anything need or questions any have virtualyou If libraries. instrument awesome other our of some out check you’ll creation,thisenjoy we hopealsampler youplatform. If InstrumentsNativevirtu-theKontaktforprogrammed library, Guitar Harp Soundiron’s buying for you Thank THANKYOU

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