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The Basel Museum of Music: Instrumental History

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The Basel Museum of Music: Instrumental History Musical Offerings Volume 10 Number 2 Fall 2019 Article 4 10-7-2019 The Basel Museum of Music: Instrumental History Elaina V. Hutton Cedarville University, [email protected] Follow this and additional works at: https://digitalcommons.cedarville.edu/musicalofferings Part of the Fine Arts Commons, and the Musicology Commons DigitalCommons@Cedarville provides a publication platform for fully open access journals, which means that all articles are available on the Internet to all users immediately upon publication. However, the opinions and sentiments expressed by the authors of articles published in our journals do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The authors are solely responsible for the content of their work. Please address questions to [email protected]. Recommended Citation Hutton, Elaina V. (2019) "The Basel Museum of Music: Instrumental History," Musical Offerings: Vol. 10 : No. 2 , Article 4. DOI: 10.15385/jmo.2019.10.2.4 Available at: https://digitalcommons.cedarville.edu/musicalofferings/vol10/iss2/4 The Basel Museum of Music: Instrumental History Document Type Report Abstract Basel, Switzerland thrives with a rich musical culture and history, and the Museum of Music at the Basel Historical Museum is truly a rare gem demonstrating the influence of instruments in Swiss cultural development. The museum houses an exquisite collection of instruments which beautifully encompasses an extensive timeline of musical and instrumental diversity. Unique beauty of the uncommon and the experimental is showcased in a manner that educates and inspires. The span of genre and style demonstrated by the array of composers and instrument builders recognized imparts just how important a role music plays in Basel. For one museum to weave so many different threads of musical significance into one magnificent tapestry is a significant achievement both musically and culturally. Following is a brief synopsis of a few select instruments from the collection. This discussion includes a harp built by renowned French musician and master craftsman Sébastien Erard. An overview of Erard’s inventive contributions to the musical world and the functions of his harp offers a greater understanding of the significance and capabilities of this instrument. Also included is a closer look at the fascinating harp- guitar. Following the development of this unique troubadour instrument through history offers a glimpse at a lesser-known side of the strings family. Finally, the museum houses a beautiful memory of the medieval: the remarkable strings and keys of the nyckelharpa. The range of sound and song this instrument is capable of producing is given a brief highlight at the end of this discourse. Basel’s Museum of Music offers a priceless gift of music, history, and insight, illuminated by a few of the exquisite instruments in the following offering. Keywords Musikmuseum, harp, harp-guitar, nyckelharpa Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This report is available in Musical Offerings: https://digitalcommons.cedarville.edu/musicalofferings/vol10/iss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  • Medium of Performance Thesaurus for Music
    A clarinet (soprano) albogue tubes in a frame. USE clarinet BT double reed instrument UF kechruk a-jaeng alghōzā BT xylophone USE ajaeng USE algōjā anklung (rattle) accordeon alg̲hozah USE angklung (rattle) USE accordion USE algōjā antara accordion algōjā USE panpipes UF accordeon A pair of end-blown flutes played simultaneously, anzad garmon widespread in the Indian subcontinent. USE imzad piano accordion UF alghōzā anzhad BT free reed instrument alg̲hozah USE imzad NT button-key accordion algōzā Appalachian dulcimer lõõtspill bīnõn UF American dulcimer accordion band do nally Appalachian mountain dulcimer An ensemble consisting of two or more accordions, jorhi dulcimer, American with or without percussion and other instruments. jorī dulcimer, Appalachian UF accordion orchestra ngoze dulcimer, Kentucky BT instrumental ensemble pāvā dulcimer, lap accordion orchestra pāwā dulcimer, mountain USE accordion band satāra dulcimer, plucked acoustic bass guitar BT duct flute Kentucky dulcimer UF bass guitar, acoustic algōzā mountain dulcimer folk bass guitar USE algōjā lap dulcimer BT guitar Almglocke plucked dulcimer acoustic guitar USE cowbell BT plucked string instrument USE guitar alpenhorn zither acoustic guitar, electric USE alphorn Appalachian mountain dulcimer USE electric guitar alphorn USE Appalachian dulcimer actor UF alpenhorn arame, viola da An actor in a non-singing role who is explicitly alpine horn USE viola d'arame required for the performance of a musical BT natural horn composition that is not in a traditionally dramatic arará form. alpine horn A drum constructed by the Arará people of Cuba. BT performer USE alphorn BT drum adufo alto (singer) arched-top guitar USE tambourine USE alto voice USE guitar aenas alto clarinet archicembalo An alto member of the clarinet family that is USE arcicembalo USE launeddas associated with Western art music and is normally aeolian harp pitched in E♭.
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  • Guitarmuseum.Org
    The Instrument That Rocked The World STUDY GUIDE FOR THE EXHIBIT Preliminary!!! www.nationalguitarmuseum.org “GUITAR: The Instrument That Rocked The World” 1 Presented by The National GUITAR Museum TABLE OF CONTENTS Introduction to the Study Guide . 3 Overview . 4 Definition of Chordophone, Brief History . 5 Parts Of A Guitar . 6 Wood Construction Strings Gears Electricity & The Electric Guitar . .14 Body Parts Pickups Amplifiers Preliminary!!! The Inventors . .17 Antonio De Torres Jurado, C.F. Martin It Electrified Orville Gibson, George Beauchamp Paul Bigsby, Leo Fender, Les Paul, Charles Kaman The Entire Historical Guitars Featured In The Exhibit . 20 The Guitar In Art . 21 World. Caravaggio, Vermeer, Rousseau, Benton, Picasso The Interactives In The Exhibit . .30 Student Activities . 36 Drawing Activities (various ages) . 49 Credits . .62 “GUITAR: The Instrument That Rocked The World” 2 Presented by The National GUITAR Museum Introduction to the Study Guide Science plays a significant role in “GUITAR: The Instrument That Rocked The World.” The science inherent in the guitar (and all music) allows students to explore sound and sound generation from within the instrument itself as well as from the perspective of engineers and musicians. The following pages are designed to be used as both a Teacher’s Reference to “GUITAR: The Instrument That Rocked The World” and an education and activity book. Any of the pages herein can be used for classroom presentations and activity, but it is up to the educator to determine the grade appropriate level of each section. For very young students, teachers may want to disseminate the drawing and activities section only, while using other pages as a guide and prep for the exhibit.
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  • GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector
    GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 6pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 6pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc.
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  • W. J. Dyer & Bro. Symphony Harp Mandolins
    © 2019 Gregg Miner www.harpguitarmusic.com All rights reserved. No part of this publication may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except in the case of brief quotations embodied in critical articles or reviews. W. J. Dyer & Bro. Symphony Harp Mandolins and the Symphony Harp Plectral Ensemble © 2019 Gregg Miner www.harpguitarmusic.com By Gregg Miner with special contributions from Robert Hartman All rights reserved. No part of this publication may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except in the case of brief quotations embodied in critical articles or reviews. Dyer Symphony Harp Plectral Family from Dyer extant specimens The Cadenza, 1917-1918 1 Foreword Though the sight of the unusual instrument may be familiar to harp guitar aficionados and fans of fretted instruments built by the Larson brothers, its history has remained little understood. Indeed, the story of the Dyer harp mandolin has been one of those musical instrument histories that seemed destined to perpetually remain “to be determined.” There were always simply too many unanswered questions. For example, when I first wrote online on the subject in 2002, there wasn’t a single harp mandola known. Neither could we then confirm – let alone explain – the existence of the “backwards 1908 harp mandolin.” By 2018, after the discovery of a late 1907 W. J. Dyer & Bro. catalog along with many additional instrument discoveries (we have now found five harp mandolas!), things started to fall into place.
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  • Stanford White's Musical Instrument Treasures
    Stanford White’s Musical Instrument Treasures By Gregg Miner March, 2020 There will be some among my readers already familiar with the name Stanford White. I was reminded about him in mid-2018 at our AMIS convention, where Byron Pillow gave a paper on some specific decorative instruments in White’s c.1900 collection. (The topic was on specific theorboes that, long after being built, had been “beautified” with intricate cabinet-style marquetry by persons unknown – apparently, a not-uncommon practice to re-purpose old lutes and such for the high-end decorator’s market.) I’ll begin with my own nutshell look at Stanford White; his story is fascinating. Stanford White was a New York high society architect, murdered in 1906 by a jealous husband (shot in the face at the theater at point blank range, if you’re curious). That was Harry Thaw, who had been quietly nursing a rather serious grudge for several years – ever since White (said to be a habitual sexual predator of young women) had gotten Thaw’s future wife drunk and (allegedly) forced himself on her (the then-16- year-old actress Evelyn Nesbit). If you’ve seen the book, musical or movie Ragtime, you know that these three infamous characters formed a large part of the story (I think I slept through that part of the show). It was an ignominious end to an incredible career. Besides countless magnificent public buildings, White’s astounding architectural achievements (within the firm of McKim, Mead & White) included numerous private homes, each more opulent than the last.
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  • English Harp Guitar, That Has Additional Five Watch-Key Tuning and a Smith Patent Box)
    Chevalier Thys de Castella wishes to thank Emiliano Marinucci for his long work on the collection that has given birth to this catalogue. Emiliano Marinucci The collection Chevalier Thys deCastella A musical baroque cabinet des merveilles B4BAROQUE instrument’s choices in sounds. The brightness, Foreword clearness is favored, darker tones are more atmospheric yet rich. The piano has a lute register, the harp a dry touch that gives a distinct perfume of A Collection is an image of a search that happens nobility, just like in Dussek’s contemporary sonatas through time, it develops, like an idea, a feeling. A destined to Marie Antoinette de France. true love, and time is the key element, in the birth of So we have a display of Europe, testified from a this collection as in music. This is what the collection complete view of exclusive aristocratic soprano is about. Time and the extravagant shapes and lutes (pandurine), a chitarra battente by Vinaccia sounds of the baroque world. that has no equal, into the extravaganzas of the Chevalier Thys waited, chose, traveled, through their hurdy-gurdy’s, and the poetry and intimacy of the sounds and shapes like following a story, like the English experimental citterns and guitars. one of his family, linked to the military history of And the violin family with her astounding Switzerland. experiments that reveal to a modern ear that Music always was a persistent part of Chevalier instrument makers and composers always worked Thys’s life, accompanying him through times together. We have here one of the only six contralto and places.
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