Washington Irving
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Irving's Posterity
IRVING’S POSTERITY BY MICHAEL WARNER Like the narrators of all his major books—Geoffrey Crayon, Diedrich Knickerbocker, Jonathan Oldstyle, Fray Antonio Agapida—Washington Irving was a bachelor. In a sketch called “Bachelors” he wrote, “There is no character in the comedy of human life that is more difficult to play well, than that of an old Bachelor.”1 Reinventing that role was the project he took on, more or less consciously, from an early age. As a young man, he belonged to an intimate circle of bachelors (“Cockloft,” they called it) with whom he wrote Salmagundi; when the others married, he wrote with unusual passion about his abandonment. He then came to regard his writing career as an alternative to marriage. As an old man, he maintained himself at Sunnyside, his estate on the Hudson, as a surrogate patriarch to his nieces, his bachelor brother, miscellaneous dependents, and American letters in general. It was a role he played with success; before his death he was almost universally credited as “Patriarch of American literature” and “literary father of his country,” a pseudo-paternity most famously illustrated in the so-called Sunnyside portrait. When he died, he would be eulogized as “the most fortunate old bachelor in all the world.”2 Yet bachelorhood was something he consistently regarded as anoma- lous, problematic, and probably immoral. Irving claimed as early as 1820 that his natural inclination was to be “an honest, domestic, uxorious man,” and that matrimony was indispensable to happiness.3 Over twenty years later, he wrote, “I have no great idea of bachelor hood and am not one by choice. -
Symbolism in “Rip Van Winkle” by Washington Irving
PEOPLE’S DEMOCRATIC REPUBLIC OF ALGERIA Ministry of Higher Education and Scientific Research University of Tlemcen Faculty of Letters and Foreign Languages Department of Foreign Languages Section of English Symbolism in “Rip Van Winkle” by Washington Irving Dissertation Submitted to the Department of English as a partial Fulfillment for the Degree of “Master” in Literature and Civilization Presented by Supervised by Miss. Fatima Zahra BERROUKECHE Dr. Wassila MOURO Mrs. Souad BERBER Academic Year 2015/2016 Dedication I dedicate this work to my precious mother, the source of kindness and tenderness, my father, and dearest friends. I Acknowledgements My extreme appreciation and gratitude are addressed to my respectable teachers and supervisors Dr. Wassila MOURO who was abundantly helpful and supplied priceless support and to Mrs Souad BERBER for her patience, advice and guidance without which I could not have accomplished this task of research. My deepest thanks go to the respectful members of the jury who offered me the honor of evaluating this work. I would like to express my sincere and warm thanks to Mr. Mustapha OUSSAR who granted me his help and advice, additionally, I would like to express my appreciation to my dearest Amel RAHMOUNI who supported me and never hesitated to stand by my side. Furthermore, I have to acknowledge all my friends for the nice times that we spent together helping each other. II Abstract In American literature, Washington Irving’s “Rip Van Winkle” (1819) is an interesting symbolic tale, in which symbolism has been touched in every single corner in it. The objective of this work is to examine symbols in this short story that are used to interpret significant historical events in the American history, which were the American society’s conditions before and after gaining its independence. -
Washington Irving
Washington Irving This article is about the writer. For the cricketer, see each named William, died in infancy, as did their fourth Irving Washington. child, John. Their surviving children were: William, Jr. (1766), Ann (1770), Peter (1772), Catherine (1774), Washington Irving (April 3, 1783 – November 28, Ebenezer (1776), John Treat (1778), Sarah (1780) and Washington.[1] 1859) was an American author, essayist, biographer, his- torian, and diplomat of the early 19th century. He is best known for his short stories "Rip Van Winkle" (1819) and "The Legend of Sleepy Hollow" (1820), both of which appear in his book The Sketch Book of Geoffrey Crayon, Gent.. His historical works include biographies of George Washington, Oliver Goldsmith and Muhammad, and sev- eral histories of 15th-century Spain dealing with sub- jects such as Christopher Columbus, the Moors and the Alhambra. Irving served as the U.S. ambassador to Spain from 1842 to 1846. He made his literary debut in 1802 with a series of ob- servational letters to the Morning Chronicle, written un- der the pseudonym Jonathan Oldstyle. After moving to England for the family business in 1815, he achieved in- ternational fame with the publication of The Sketch Book of Geoffrey Crayon, Gent. in 1819–20. He continued to publish regularly — and almost always successfully — throughout his life, and just eight months before his death (at age 76, in Tarrytown, New York), completed a five- volume biography of George Washington. Irving, along with James Fenimore Cooper, was among the first American writers to earn acclaim in Eu- rope, and Irving encouraged American authors such Watercolor of Washington Irving’s Encounter with George Wash- as Nathaniel Hawthorne, Herman Melville, Henry ington Wadsworth Longfellow, and Edgar Allan Poe. -
Haunted Hemisphere: American Gothic Literature in the Long Nineteenth Century
Haunted Hemisphere: American Gothic Literature in the Long Nineteenth Century Katie Richarts Bray Westminster, Maryland B.A., University of Virginia, 2007 M.A., University of Virginia, 2010 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of English Language and Literature University of Virginia August, 2014 ii © Copyright by Katie Richarts Bray All Rights Reserved August 2014 iii Abstract “Haunted Hemisphere” calls attention to the hemispheric gothic as a distinct body of literature, a genre that exposes the intertwining of United States narratives with the histories of the wider American hemisphere, against the grain of a contemporary literary culture that rarely spoke directly of the nation's profound involvement in a nexus of supranational cultural and economic relations. Hemispheric gothic works—from well-known novels by authors like Poe and Melville to popular fictions like The Black Vampyre—situate literary marketplaces within the haunted spaces of their plots, and thereby model, in an uncanny microcosmic form, the mutual imbrication of ostensibly distinct markets extending across the hemisphere. The slave revolts and shipwrecks I analyze are not simply generic horrors, but invoke recent historical memories that official discourses sought to repress, such as the Haitian Revolution, and proclaim the historical interdependence of (for example) the United States and Haiti. Through gothic explorations of the uncanny spaces of ships engaged in commercial and imperialist voyages, or the complicated genealogies of early colonial settlers in the Americas, the hemispheric gothic emerges as a transnational literary phenomenon engaged in highlighting the discrepant but shared histories of the New World that propelled nineteenth-century popular and canonical fiction alike. -
A Knickerbocker Tour of New York State, 1822: "Our Travels, Statistical
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Electronic Texts in American Studies Libraries at University of Nebraska-Lincoln 1822 A Knickerbocker tour of New York State, 1822: "Our Travels, Statistical, Geographical, Mineorological, Geological, Historical, Political and Quizzical"; Written by Myself XYZ etc. Johnston Verplanck New York American Louis Leonard Tucker , editor The New York State Library Follow this and additional works at: https://digitalcommons.unl.edu/etas Part of the American Studies Commons Verplanck, Johnston and Tucker, Louis Leonard , editor, "A Knickerbocker tour of New York State, 1822: "Our Travels, Statistical, Geographical, Mineorological, Geological, Historical, Political and Quizzical"; Written by Myself XYZ etc." (1822). Electronic Texts in American Studies. 61. https://digitalcommons.unl.edu/etas/61 This Article is brought to you for free and open access by the Libraries at University of Nebraska-Lincoln at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Electronic Texts in American Studies by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. I iC 1\ N A D I I I 0 iI I' I ~ I A Knickerbocker tour of New York State, 1822 ~~Our Travels, Statistical, Geographical, Mineorological, Geological, Historical, Political and "Quizzical" Written by myself XYZ etc. Edited, with an Introduction and Notes, By LoUIS LEONARD TUCKER The University of the State of New York The State Education Department The New York State Library Albany 1968 THE UNIVERSITY OF THE STATE OF NEW YORK Regents of the University (with years when terms expire) 1969 JOSEPH W. MCGOVERN, A.B., LL.B., L.H.D., LL.D., Chancellor · New York 1970 EVERETT J. -
The Enteric Terrors of Washington Irving
investigations | frederick kaufman Gut Reaction The Enteric Terrors of Washington Irving On january 22, 1803, a young journalist published the fol- Background: Knickerbocker’s History of New York lowing cultural observations in NewY ork’s Morning Chronicle: The book that rst brought Irving worldwide fame was pub- I had marched into the theatre through rows of tables heaped up with lished almost two decades before “The Legend of Sleepy delicacies of every kind—here a pyramid of apples or oranges invited Hollow.” It was called Diedrich Knickerbocker’s History of the playful palate of the dainty; while there a regiment of mince pies New York, and although it purported to be an objective and custards promised a more substantial regale to the hungry. I account of the triumphs and travails of the earliest Dutch entered the box, and looked round with astonishment… The crackling settlers of New Amsterdam, it was just as much a compara- of nuts and the craunching of apples saluted my ears on every side. tive study of Dutch and Yankee eating habits. Surely, thought I, never was an employment followed up with more Irving’s focus on foodstuffs throughout the History can assiduity than that of gormandizing; already it pervades every public serve as an introduction to Ichabod Crane’s dizzying inti- place of amusement… macy with a pumpkin because the History illustrates the The eating mania prevails through every class of society; not a soul great metaphorical power Irving assigned to such prosaic but has caught the infection. Eating clubs are established in every street comestibles as cabbages and onions. -
The Character of Rip Van Winkle: Representation of Disappearing Cultural Identity
Jambura Journal of English Teaching and Literature – Vol. 1(2), October 2020: 113 – 126 The Character of Rip van Winkle: Representation of Disappearing Cultural Identity MAGDALENA BAGA Universitas Negeri Gorontalo [email protected] ABSTRACT The purpose of this research is to explore how an ethnicity is represented in a story that has a historical setting and how this ethnic group was placed in American history. The short story of Washington Irving, “Rip Van Winkle”, published in 1819, was very popular in America. This story was recycled in the form of stories for children, made into plays, etc. What Americans always remember about Rip Van Winkle character is his laziness. The story of “Rip Van Winkle” is traced through Stuart Hall's Representation theory. This theory states that representation can give meaning to an identity, and the New Historicism method is used to uncover that fictional stories are tied to the world that produced them. The result shows that Rip’s character is a representation of Dutch ethnicity who felt losing their cultural identity. Rip’s character in the story is a representation of Dutch New York ethnicity, and he was the main character in the story who was narrated as a lazy man. Thus, what always presents in America’s memory is the lazy Dutch because of the representation of the character of Rip, but the other characters who were narrated less in the story are not remembered, even though they played a role in establishing America. Keywords: representation; cultural identity; new historicism; american history; dutch ethnicity INTRODUCTION Washington Irving, an early American writer, was famous for his fictions which always depicted Dutch ethnic in New York. -
Knickerbocker Stories from the Old Dutch Days of New York
. ^y>;S^SS^?^^^;?^^TJ^^^ Number 23 March 1, 1897 KNICKERBOCKER STORIES ^1 FROM THfe OLD DUTCH DAYS OF NEW YORK I BY WASHINGTON IRVING i WITH AN INTRODUCTION AND EXPLANATORY NOTES V, \ UNIVERSITY PUBLISHING COMPANY If; NEW YORK: 4-3-47 E. Tenth Stree •i BOSTON: 352 Washington Street \ NEW ORLEANS: 7 14- and 7 16 Canal Street Single Numbers, I 2Hc. Double Numbers, 20c. YearlySubscrtptlont $l>75 I Publiahcil moutblj. £uicr«l u •ecoDil-class m>tt«r at tha Foat Office >C Kew lotk, N. T., Dm- 2tl, 18% Copyright ]^^_ COPYRIGHT DEPOSIT. PREFATORY NOTE. The following collection gives several of Washington Irving's sketches of Dutch life in tlie valley of the Hudson. These stories we associate with Irving just as we associate stories of Califor- nian life with Bret Harte, or stories of Creole life in Louisiana with Mr. Cable. Irving was one of the first to perceive the possi- bilities offered to the imagination by the varied phases of Ameri- can life. But his sketches are scattered about in half a dozen volumes. It has seemed worth while to gather a number together and to call attention to some of their chief characteristics. The Introduction is mainly on literary and historical points. The map on page 10 gives the situation of the places mentioned on the lower Hudson. For some hints on the study of Irving's ' style, the teacher is referred to the Introduction to ' The Sketch Book " in this series. Edward E. Hale, Jr. / CONTENTS. INTRODUCTION. I. Biographical Sketch II. Irving's Presentation of Dutch Character III. -
Washington Irving Encyclopedia of World Biography
Washington Irving Encyclopedia of World Biography. Online ed. 1998. COPYRIGHT 2018 Gale, a Cengage Company From World History In Context. Updated: Oct. 4, 2012 Born: April 03, 1783 in New York, New York, United States Died: November 28, 1859 in Irvington, New York, United States Other Names: Agapida, Fray Antonio; Crayon, Geoffrey; Knickerbocker, Diedrich; Langstaff, Launcelot; Oldstyle, Jonathan Nationality: American Occupation: Writer Updated:Oct. 4, 2012 Full Text: American short story writer, essayist, historian, journalist, and biographer. •The Life and Times of Washington Irving (1783-1859) •At the time of Irving's birth: •Treaty of Paris formally recognized American independence •Spanish siege of Gibraltar ended •First demonstration of hot-air balloon in Annonay, France •At the time of Irving's death: •James Buchanan was president of the United States •Charles Darwin published Origin of Species •Construction began on Suez Canal •The times: •1765-1830: Revolutionary and Early National Period of American literature •1789-1799: French Revolution •1795-1815: The Napoleonic Era •1775-1783: American War of Independence •1812-1814: War of 1812 •1830-1865: Romantic Period of American literature •Irving's contemporaries: •Daniel Boone (1734-1820) American pioneer •George Washington (1732-1820) American president •Wolfgang Mozart (1756-1791) Austrian composer •William Wordsworth (1770-1850) British writer •Zachary Taylor (1784-1850) American president •Davy Crockett (1786-1836) American explorer and woodsman •Ludwig Van Beethoven (1770-1827) German composer •Jane Austen (1775-1817) British writer •John Keats (1795-1821) British writer •Ralph Waldo Emerson (1803-1882) American writer •Selected world events: •1787: Constitution of United States was written •1793: Louis XVI and Marie Antoinette beheaded •1794: William Blake published Songs of Experience •1800: Mme. -
Read About Newark's Literary Lights
ERSEY W J CE E NT N ER N F O E R W T H J E E B R S O E O Newark’s LiteraryY Lights K L IT E R K AR AR Y LANDM Newark’s Literary Lights By April L. Kane New Jersey Information Center, The Newark Public Library Published on the occasion of the designation of the Newark Public Library as a New Jersey Literary Landmark by the New Jersey Center for the Book on October 2, 2002. Copyright © 2002 by The Newark Public Library Introduction ewark has different connotations to different people. N America’s third oldest major city evokes images of a 17th century Puritan settlement, an 18th century farm town, a 19th century industrial and commercial center and a 20th century metropolis dealing with all the complexities of a modern and changing world. Newark has hosted a dozen major immigrant ethnic groups and contributed outstanding men and women to varied fields of endeavor. Its sons and daughters have helped weave part of the American mosaic. From its very beginning Newark has valued the printed word. Robert Treat carried books with him up the Passaic River to that tiny settlement long ago, and a variety of mercantile libraries preceded the 19th century Newark Library Association. The present Newark Public Library was established in 1888 and opened its present structure as one of the City’s first important public buildings in 1901. Soon it was filled with a wealth of information for both the curious and the serious. The purpose of this publication is to bring to you some names of writers associated with Newark who have produced books, short stories, plays, monographs, and poetry as well as periodicals and newspaper columns and articles. -
Reading the Periodical Essay in Eighteenth-Century Britain And
CONVERSING WITH BOOKS: READING THE PERIODICAL ESSAY IN EIGHTEENTH-CENTURY BRITAIN AND JEFFERSONIAN AMERICA by RICHARD J. SQUIBBS A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Literatures in English written under the direction of William C. Dowling and approved by ________________________ ________________________ ________________________ ________________________ New Brunswick, New Jersey October, 2007 ABSTRACT OF THE DISSERTATION Conversing with Books: Reading the Periodical Essay in Eighteenth-Century Britain and Jeffersonian America By RICHARD J. SQUIBBS Dissertation Director: William C. Dowling The periodical essay is the sole British literary genre to have emerged and declined within the chronological eighteenth century. It appeared in London during the reign of Queen Anne, and by the end of the century had virtually disappeared amidst a new culture of magazine publication. This study charts the various guises the genre assumed across the eighteenth century as essayists in Edinburgh, Philadelphia and Manhattan adapted the worldviews expressed in the earlier London essays to the particular circumstances of their cities. What the English essayists and their readers had regarded as timely, topical conversations in print about manners and culture became something more to their Scottish and American avatars. The periodical essay for them became a medium for witnessing historical change, a genre centrally concerned with what might have been. Each of the first three chapters focuses on a particular figure within the periodical essay tradition, showing how each one articulates a moral relationship to civil society that the essays’ authors encourage their readers to adopt. -
The Writers of Knickerbocker New York
THE WRITERS OF KNICKERBOCKER NEW YORK THE WRITERS OF KNICKERBOCKER NEW YORK :BY HAMILTON WRIGHT MABIE ILLUSTRATIONS ENGRAVED BY WALWORTH STILSON THE GROLIER CLUB OF THE CITY OF NEW YORK 1912 Copyright, 1912, by Tile Grol·ur Club of the City of New York LIST OF WOODCUTS DEVICE OF THE GROLIER CLlm Title-page PAGE TAIL-PIECE . viii .. From Bowling Green to Trinity Church." I HEAD-BAND . 8 .. New York has grown by the process of destruction, and bas become metropolitan through successive stages of self-efface ment." 2 TAIL-PIECE 28 "And there was a bridge on the Boston Post Road • . • which bore the suggestive name of the Kissing-bridge." 29 " The old Government House." 51 .. The olc-iasii?-<Mie<f g~ntleman- ~ho -;v:::.s last seen on the Albapy PQst Road." 5 HEAD-BAND • 59 "Celebrated- in . f"ae: •_ec.Imae,~i~' i:apers as Cockloft Hall.: - 6 TAIL-PIECE 67 .. Sitting . overlooking the river . the old man delighted to recall the golden Kn!ckerbocker 2ge." vii viii LIST OF WOODCUTS PAGE 7 HEAD-BAND 68 "Whose distinction was invariably expressed in a green or common. a Congregational spire, an academy, and ro,Ys of graceful elms." 8 TAIL-PIECE 8S "Let it be taken from the top of Weehawk Hill, overlooking New York." 9 HE-"..D-BAl\TD 89 •• In the back room of Wiley's shop ... Dana met Cooper, Halleck, Brevoort." IO TAIL-PIECE . 191 •• Lines to a water-fowl." THE WRITERS OF KNICKERBOCKER NEW YORK KNICKERBOCKER NEW YORK IN these days, when New York has be come a metropolitan city with a popu lation of four million souls, and the old city has shrunk politically into the Borough of Manhattan, it is not easy to recall the obliterated outlines of the Town which was satirized bv.