Welcome

UPCOMING Dear Friends, Welcome to Since Africa,our first 2009 production in the Copley Auditorium. March 7 - April 12,2009 Two years ago,when I first saw Seema Sueko’s Old Globe Theatre production of Since Africa,I was so moved by Mia OOO McCullough’scompelling story that I knew we OPUS had to share it with our audiences and invited March 21 - April 26,2009 Seema to direct a new production at The Old The Old Globe Globe this season. at the James S.Copley Auditorium, Museum of Art Since Africa joins a season of plays that offer enlightened and varied takes on life in America:Tony Award-winning playwright John Guare’smasterpiece Six Degrees OOO of Separation,the world premiere of Cornelia,a rousing true-life tale;and a new THEPRICE vision of the classic musical Working from the creator of Wicked,are all beautiful May 9 - June 14,2009 stories about who we are and what we value. The Old Globe Arena Stage at the James S.Copley Auditorium, We know that like many things that are important in your life — you value theatre — and this theatre to be specific.Now,more than ever,if you are at all able to,we ask you to make a gift to The Old Globe in support of our artistic OOO and education programs.As we endeavor to keep the level of production at the CORNELIA standard you expect,we must make certain that our finances are healthy. We May 16 - June 21,2009 must also strive to maintain our important programs that reach thousands of Old Globe Theatre young people each year.In fact,Charity Navigator,the premier evaluator of non-

OOO profit organizations,ranks The Old Globe in the top 6% of non-profit organiza- tions in the United States and designates The Globe as “exceptional" by giving us 2009Summer four consecutive four-star ratings based on sound use of funds for programs and SHAKESPEARE overall organizational health. FESTIVAL June 14 - September 27,2009 I assure you that we will continue to do everything possible to continue to create Lowell Davies Festival Theatre great theatre and make certain that the next generation loves this art form as TWELFTH NIGHT much as you do,and I thank you in advance for your gift to The Old Globe. CORIOLANUS CYRANO DEBERGERAC

OOO THEFIRSTWIVESCLUB Executive Producer July 15 - August 16,2009 Old Globe Theatre

PERFORMANCES MAGAZINE P1 Season Sponsors

The Old Globe is deeply grateful to its Season Sponsors,each of whom has made an annual donation of $50,000 or greater. These gifts are critical to maintaining the Theatre’shigh quality of artistic programming and award-winning work in the community.

TheLeglerBenboughFoundation Deni andJeff Jacobs JohnA.Berol JoanandIrwinJacobs MaryAnnBlair TheLipinskyFamily KarenandDonaldCohn ConradPrebys PeterCooperandNormanBlachford DonaldandDarleneShiley AudreyS.Geisel SupervisorPamSlater-Price andtheCountyof SanDiego GlobeGuilders Sheryl andHarvey White SupervisorBill Horn andtheCountyof SanDiego Anonymous

To become a Season Sponsor,please contact Director of Development Todd R.Schultz at (619) 231-1941 x2310.

P2 PERFORMANCES MAGAZINE PRESENTS SINCE AFRICA

BY Mia McCullough

SCENICDESIGN COSTUMEDESIGN LIGHTINGDESIGN SOUNDDESIGN Nick Fouch Charlotte Devaux Jason Bieber Paul Peterson

VOICEANDDIALECTCOACH STAGE MANAGER Claudia Hill-Sparks Moira Gleason

DIRECTEDBY Seema Sueko

Casting by Samantha Barrie,CSA

SINCE AFRICA was developed in part and originally produced at Chicago Dramatists;directed by Russ Tutterow,Artistic Director.

SINCE AFRICA was originally commissioned by the Cincinnati Studio Series.

PERFORMANCES MAGAZINE P3 Cast of Characters

(In Order of Appearance)

The Nameless One...... Kristin D.Carpenter * Diane MacIntyre ...... Linda Gehringer * Eve MacIntyre...... Ashley Clements Ater Dahl...... Warner Miller * Reggie Hudson ...... Willie C.Carpenter *

Stage Manager...... Moira Gleason * Movement Coordinator ...... Kristin D.Carpenter *

Setting: Chicago,Illinois - 2000

There will be one 15-minute intermission

* Members of the Actors’ Equity Association,the Union of Professional Actors and Stage Managers in the United States

Si desea una sinopsis de esta obra en Español,favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in Spanish,please request it from an usher.

P4 PERFORMANCES MAGAZINE Production Sponsors

SINCE AFRICA is supported, in part, by the following generous sponsors:

The Old Globe salutes Bank of America as a valued partner in provid- ing world-class theatre and outstanding arts education programs. Through Bank of America’ssupport,students from San Diego and Imperial Counties will have the opportunity to attend free matinee performances of Globe productions Since Africa and Kingdom. Bank of America has previously sponsored Globe pro- ductions of Beethoven,As I Knew Him,Dr.Seuss’ How the Grinch Stole Christmas!,What the World Needs Now,The Real Thing and Time and Again. Brian Wineke,Market Executive and Managing Director of Pacific Southwest Markets for U.S. Trust,Bank of America Private Wealth Management,serves on the Globe’sBoard of Directors.

National Endowment for the Arts The Old Globe’sproduction of Mia McCullough’s Since Africa,with accompanying educational programs and community activities,is supported by a grant from The National Endowment for the Arts,a public agency dedicated to supporting excellence in the arts,both new and established,bringing the arts to all Americans,and providing leadership in arts education.Established by Congress in 1965 as an independent agency of the federal government, the Arts Endowment is the nation'slargest annual funder of the arts,bringing great art to all 50 states,including rural areas,inner cities,and military bases.For more information,please visit www.arts.gov.

The mission of The James Irvine Foundation is to expand opportunity for the people of California to participate in a vibrant, successful and inclusive society. The Foundation generously supports the arts,fostering creativity and nurturing a rich cultural environment throughout the state. One of four California organizations selected in 2008 to receive an Irvine Foundation Artistic Innovation Fund grant,The Old Globe launched the Southeastern San Diego (SSD) Residency Project to establish the Globe as an artistic resource for the community.The Foundation’sgrant includes support for an extended run of Since Africa to accommodate free student matinees and offer increased access to residents of southeastern San Diego.

PERFORMANCES MAGAZINE P5 Board of Directors

Dear Friends,

It is my pleasure to welcome you to The Old Globe’s2009 Winter Season and this performance of Since Africa. Since breaking ground in June of 2008,we’ve made significant progress in construction of the Conrad Prebys Theatre Center. We’re eagerly anticipating the opening of this exciting new facility in January 2010,to coincide with the Globe’s75th Anniversary Season. The Globe’srejuvenated and enhanced facilities,containing a new arena stage and education center,will support the fulfillment of special artistic and educational goals.The Education Center will provide a critically needed permanent home for on-site classroom and performance space for our pioneering educational programs serving more than 50,000 young people each year. And a redesigned Community Plaza,accessible year-round to the more than 12 million visitors in ,will make more efficient use of the Globe’spublic spaces. None of these ambitious aspirations could have been realized without the Globe’sCapital and Endowment Campaign—which I’m pleased to report is moving toward successful conclusion with 85% of the goal achieved to date. I encourage you to consider making a Campaign gift as we enter this final phase of our fundraising efforts. From naming a room in the new Theatre Center to buying a personalized granite paver, there are many meaningful ways to become involved in this Campaign. We thank each and every one of you for your support of the mission and goals of The Old Globe at this important moment in our history. Enjoy the show!

Donald Cohn,Chair, Board of Directors BOARD OF DIRECTORS / OFFICERS DonaldCohn* KathyHattox* AnthonyS.Thornley* SandraRedman* SusanMajor* HarveyP.White* Chair Immediate Vice Chair Finance Vice Chair Vice Chair Secretary Past Chair & Treasurer Nominating Development DIRECTORS Martin Goodman Nancy A.Spector HONORARYDIRECTORS Mary Beth Adderley-Wright Timothy P.Haidinger Louis G.Spisto* Mrs.Richard C.Adams Joseph Benoit Viviana Ibañez Daniel L.Sullivan,Ph.D. (1912–2005) Deni S.Carpenter Deni Jacobs Julie H.Sullivan,Ph.D. Clair Burgener (1921-2006) Pamela Cesak Daphne Jameson Evelyn Mack Truitt Mrs.John H.Fox (1908–2003) Peter J.Cooper Mitzi Yates Lizarraga Debra Turner Audrey Geisel Valerie S.Cooper Timothy A.MacDonald Crystal Watkins Paul Harter Stephen M.Cusato Fern Murphy Brian E.Wineke Gordon Luce (1925-2006) Elaine Bennett Darwin Marianne Nelson Ruth Wikberg-Leonardi Dolly Poet (1921-2007) David W.Down Arthur Neumann June Yoder Deborah Szekely Bea Epsten Robin Nordhoff Carolyn Yorston-Wellcome Hon.Pete Wilson Joel Ewan Rafael Pastor* Deborah Young Pamela A.Farr Conrad Prebys* Tim K.Zinn EMERITUSDIRECTORS Sally Furay,R.S.C.J. John Rebelo Garet B.Clark Harold W.Fuson,Jr.* Sara Rosenthal,M.D. *Executive Committee Member J.Dallas Clark (1913–2005) Victor P.Gálvez Jeri Rovsek Bernard Lipinsky (1914-2001) Robert H.Gleason Jean Shekhter Delza Martin (1915–2005) Patsy Shumway

Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is supported in part by grants from Supervisor Pam Slater-Price and The County of San Diego.

P6 PERFORMANCES MAGAZINE SECURINGA SAN DIEGO LANDMARK

Construction is underway on an exciting new theatre complex at The Old Globe. Our new facilities project includes a beautifully renovated plaza, which will be enjoyed by hundreds of thousands of Globe patrons and Balboa Park visitors every year. The center of the plaza will be inlaid with a graceful circular pattern of personalized granite pavers to recognize donors who have made special gifts supporting both the Globe’s Securing a San Diego Landmark capital campaign (facilities and endowment) and the Annual Fund (production and operating expenses).

Granite pavers are available at three giving levels: $50,000, $25,000 and $10,000. Please call The Old Globe Development Department at (619) 231-1941 x2317 for an information packet on The Paver Campaign, or consultation with Development staff about this exciting opportunity.

THEOLDGLOBEPAVERPATRONS

ALAN BENAROYA PAUL &MAGGIE MEYER IN MEMORY OF SOPHIE BRODY DR.PATRICIA MONTALBANO &FAMILY DALLAS &MARY CLARK THE FAMILY OF DOLLY POET R. PATRICK &SHARON CONNELL &FAMILY

BEA &BOB EPSTEN MARTIN,JORDAN &DANIEL GOODMAN GARY &JEAN SHEKHTER PETER C. FARRELL ELAINE &LEONARD HIRSCH MARISA SORBELLO &PETER CZIPOTT FARRELL FAMILY FOUNDATION CAROL &GEORGE LATTIMER DIXIE &KEN UNRUH MARTHA &GEORGE GAFFORD ELAINE LIPINSKY HARVEY &JORDINE VON WANTOCH ROBERT GLEASON,MARC MATYS SUSAN &JOHN MAJOR PAUL A. YODER FAMILY &FAMILY HARLE GARTH MONTGOMERY

BETH &AL BRUTON THE GALINSON FAMILY SHERRY &LAWRENCE KLINE & ELENE &HERBERT SOLOMON FAMILY ANITA BUSQUETS &WILLIAM LADD TOM &JANE GAWRONSKI PAT &JACK THOMAS ROBIN J. LIPMAN LISA &DAVID CASEY TIM HAIDINGER EVELYN MACK TRUITT DR.MARIANNE MCDONALD PAMELA &JERRY CESAK JERE B. HORSLEY &TISH HORSLEY CAROL VASSILIADIS ELIZABETH B. MEYER GARET &WENDY CLARK THE HUCKELLS PAMELA J. WAGNER GARY CARRY ROBBY ANNETTE AKIKO CHARLENE MORIMOTO & GIGI &ED CRAMER HUGH HAMILTON JAMES &ELLEN WEIL ALEXANDRA &JUSTIN JAMESON DEVORA &RON EISENBERG OF MARIE &DONALD PRISBY SHIRLI,DAMIEN &JUSTIN WEISS GREAT NEWS! WILLIAM &EDYTHE KENTON ROGER REVELLE LADY CAROLYN & JOEL &CAROL EWAN JO ANN KILTY BARD YORSTON-WELLCOME SUSAN &EDWARD SANDERSON SUSANNA &MICHAEL FLASTER J. ROBERT &GLADYS H. KING This list is current as of January 6, 2009

PERFORMANCES MAGAZINE P7 Program Notes Since Africa

MiaMcCullough,theauthorof SINCEAFRICA, CAN YOUTALKABOUT THENAMELESSONE? HOW DID recentlyansweredsomequestions fromJackDePalma, YOUCOMEUPON THISDEVICE? thePlayDevelopmentDirectorattheGlobe. My initial impulse to write the story came from a desire to put African culture and American culture side by side and see the HOW DID YOUCOMETO WRITETHISPLAY? contrast.I really started to think about what our rituals are. Western culture has so few rituals.We've abandoned so many, I had read an article about The Lost Boys in the NY Times or the ones that we've kept have lost most of their meaning.I Magazine.It had really intrigued me,but not inspired a story. wanted to find a way to bring ritual on stage. Then,I saw a well-heeled North Shore woman in the local gro- cery store showing the cereal aisle to a very confused looking And then there was this other odd young Dinka man in ill-fitting,second-hand clothes,and I thing happening.I had statues thought:“This relationship must be so bizarre.” popping up in all these scenes. These statues of women and girls So the play started with Diane and Ater.And then Reggie (only one is left in the current ver- popped in,and then Eve.So much of writing this play has been sion of the play).And the charac- an on-going struggle to access Ater on an emotional level.Most ters would talk about them,imbue refugees who have experienced severe trauma are necessarily very them with personality and flaws. emotionally disassociated,which is a difficult feature in a major And I kept thinking,what are they character. A constant challenge has been figuring out how to doing there? I kept wanting them crack Ater open.Dinka culture tends to be stratified by age. to be alive.The Nameless One Closer bonds are far more common in people of similar age.So came out of that.And the more Eve became essential to seeing other sides of Ater. developed she became,the more I was able to access Ater'semo- Unfortunately it wasn't enough.The feedback on the play was tional life,and the better the audience response became.Once that it felt far more weighted towards Diane'sstory.And while I she was up and moving on stage I knew:“Yes,this is it.This is think,in many ways,Diane'sjourney is more central,or primary, the connective tissue that was missing.She was always there. I wanted to open up the story to Ater;bring more Africa into this She just wasn't always moving around." American setting. CONTINUED ON PAGE 10

P8 PERFORMANCES MAGAZINE LOST BOYS In the 1980s a group of boys fled their villages in Southern Sudan.They were orphans and were afraid that they would be slaughtered as many of their families had been by government troops.Some boys were as young as 6 years old.They are called the “Lost Boys” because they had to fend for themselves without parents or elders.The Lost Boys walked a very dangerous route across rivers and deserts from the country of Sudan to Ethiopia.When they reached Ethiopia they were sent back to Sudan and finally ended up in refugee camps in Kenya. Sudanese refugees have gone to the UK,USA and France.In 2001 the U.S. government agreed to allow 3,600 Lost Boys to begin new lives in America.

THE DINKA The Dinka originate from 3,000 BC and are believed to have introduced the idea of farming cows.They are one of many tribes from Southern Sudan.They were farmers,cowherds,high court judges,civil administrators and doctors.They were the South’srichest and proudest tribe. Traditional homes were made of mud walls with thatched conical roofs,which might last about 20 years.Cattle have important religious meaning and are never eaten as meat.They have beauti- ful poetry and songs for holidays,praise to their ancestors and the living,field work,preparation for war and initiation ceremonies.Women make pottery,and weave baskets and mats while men are blacksmiths. In the 1930s,Christian missionaries went to Southern Sudan to convert the Dinkas into Christians.Although the Government has tried to make the country an Islamic one,the South has rejected this religion.Sadly,the Dinkas have been deeply affected by the war.The chaos of war has led to lost dialects and shaken beliefs.The separation and murder of family members has meant that the tradition of caring for the elderly by extended family no longer exists.Dinkas were forced from their homes in the South and to refugee camps.Some moved to Darfur were they have been affected by the conflict there.

The photo above right shows a “Corseted Dinka Man” in Sudan. Besides cattle, the most coveted possession of a Dinka man is an intricately beaded corset. This corset is sewn on tightly and worn until marriage. The height of the beaded wire at the back indicates that the wearer comes from a family rich in cattle.

“PARAPUOL” The Dinka people populate most of Southern Sudan,and the majority of The Lost Boys come from this ethnic tribe.In traditional Dinka culture,parapuol marks one'sinitiation from childhood into adulthood.Through a ritual of scarification,tribal marks are cut into the forehead of the initiate, usually around the age of 12.Those who have gone through parapuol are considered to be the war- riors or guardians of the tribe.

PERFORMANCES MAGAZINE P9 Program Notes continued

(Mia McCullough interview continued)

THEDIANE/REGGIERELATIONSHIPISPRICKLY.DIANEISNON-RELIGIOUS.DO YOUFIND THATIT’SHARD FORNON-RELIGIOUS PEOPLETO RELATETO CLERICS,ORISTHISJUSTDIANE’SPROBLEM? I do think it'sdifficult for many non-religious people to relate to clerics.I think there'sa little fear,mistrust,an inherent belief that they will have noth- ing in common.Many non-religious people,including myself,tend to be very judgmental of people of the cloth. A lot of Diane'shackles in the Diane/Reggie scenes are my own.And in writing those scenes I really had to confront my own biases and my own naiveté.Diane'sbiggest problem is that she has a "disbelief system" instead of a "belief system." So even if Reggie is wrong about God,his belief is active and positive and it makes him strong;whereas Diane'sdisbelief is inherently negative and does not make her strong or serve her in a time of crisis.I'm not saying we need to believe in God to be strong.We need to believe in something to be strong.I see a lot of empty belief in this country:people going to church out of habit in- stead of out of need.Rituals that have more to do with TV and shopping and checking our e-mail than in getting in touch with something larger than ourselves.And I believe there is something larger than ourselves.And The Nameless One represents that something.And she is desperate for Diane to recognize her.

INTERVIEW WITH THE DIRECTOR SEEMA: Yes,throughout the play she’strying to remind him,don’t forget where you came from.You know there’sthat scene where they go shopping Director Seema Sueko sat down with Jack DePalma, the Globe’sPlay Development Director to discuss Since Africa. and he’sgot that polo shirt on and she’sthere to remind him and after the phone call she’sthere – she’sthe one,she pushes him to make that phone JACK: You directed this play at the Mo’olelo Performing Arts Center where call,so she’svery much reminding him of where he belongs. She does the you are the Artistic Director.How will this production differ? same with the other characters too.With Reggie she sees a man of the cloth but it’sall through this Western perspective and she’strying to con- SEEMA: Well,I think the biggest difference was having more space. The nect him to more ancient tribal spirituality and she succeeds in that.He’s other production was in Diversionary Theatre,a tiny pie-sized stage.So going to go to Africa by the end of the play. It’sinteresting,I think at the here,we’ll be at the Copley with much more space and a little more free- start of the play Reggie’s the character who so knows where he belongs. dom. Because of that we knew we wanted to represent a little of Africa He belongs at the church,he belongs to this community.He knows what somewhere and that’swhere the light boxes on the walls pour these im- he’sdoing but by the end of the play he starts to question it and he’sabout ages out.We wanted to do that so we could support The Nameless One a to go on his journey and maybe really ask that question or get a different little bit more in this production. answer. JACK: Let’stalk about The Nameless One. JACK: Will you have music? SEEMA: She’svery much an African spirit,in her early twenties,so SEEMA: Yes – lots of music and Paul Peterson is a great sound designer youngish but not a child. She is an ancient presence,timeless and that and he’sfound some wonderful African sounds that just are dynamic and she’ll help everyone on their journey. I envision that she was with The will really add a lot to the production. We’ve got some great Dinka chant- Lost Boys when they walked across Sudan twice,and she was with them ing and some wonderful drums,some great warrior sounds,so I’m very protecting them when we meet her.I hope to kind of present that in the excited about the sound design. first prelude that will open with the sound of wind and footsteps,people walking through the brush and then lights on her walking and it turns JACK: Great – and you’ve immersed yourself in Dinka culture? into a representation – a dance representing a bit of The Lost Boys experi- SEEMA: Well as much as you can.It’stough because much of the Dinka ence. Then she meets Diane,who’son her trip to Africa – who’sshopping culture is very much a culture that’sbeen in war and certain aspects of the and who purchases this shield that The Nameless One has — this pur- culture are disappearing. Even The Lost Boys – they were all between 3 chase brings The Nameless One home with her who then sees Diane’s and 7 years old when they fled their villages and then they spent five years need and Ater’sneed. walking and then ten years in Kenya at a refugee camp,so even for them JACK: So it’sreally Diane that makes her appear,not Ater.Or does Ater the Dinka culture,it’swhat they can remember from their childhood. complete her? JACK: Also what I imagine is it’snot a culture that keeps records. SEEMA: Exactly.It’sthis transaction that brings her into Diane’sworld SEEMA: You’re absolutely right;it’svery much an oral culture. but she’sprobably been with Ater long before. JACK:This has been great - thank you. JACK: Ater is trying to find his place here and there is a continuity. Maybe that’shis completeness so he can be here but he has that past too. SEEMA: Thank you. FOR MORE INFORMATION ON THIS PRODUCTION PLEASE VISIT OUR WEBSITE AT www.TheOldGlobe.org.

P10 PERFORMANCES MAGAZINE Education Experiences BUILDING COMMUNITY: New Neighbors, New Opportunities

The Old Globe’snew Technical Center in Southeastern San Local after-school programs are telling us that they need profes- Diego has become the heartbeat of our scenic department as well as sional development for their instructors,many of whom are neigh- the home for our vast collection of props and costumes. Construc- borhood residents. These program instructors will benefit from tion of all of our sets will be done in this 33,000 square foot build- workshops with our Teaching Artists who will share theatre activi- ing on Market Street. The move to the new space has taken ties such as improvisation,ensemble-building games,movement thousands of hours of hard work for our scenic,properties and cos- and speech exercises,and Readers Theatre techniques.By training tume departments but now the building is humming (or some- the program instructors,our artists will help to build a sustainable times roaring) with the sounds of drills and saws,and the swish of community of local teachers who will be able to improve their pro- paint brushes. grams for years to come. The new facility represents the beginning of a new journey for Local community organizers are telling us that we are entering a The Old Globe. The theatre has been a part of the Balboa Park burgeoning arts and culture district and they want to know what landscape for over 70 years and is an integral part of this commu- we’ll be doing to enhance the offerings. We’re responding with new nity. Our full staff has worked on-site throughout the history of the ideas for performances at area venues and schools. We’ll seek to organization (except for the storage facility which recently closed provide plays that meet the same high standards we hold for our when we moved our belongings to the Market Street site) and the productions here in Balboa Park and will introduce students and very idea of moving some of our staff elsewhere was intimidating. families to our work with presentations at sites close to home.The But the move has taught us something and the organization is em- first of these offerings is our production of the new hip-hop musi- bracing a new reality as we face a bright future. That new reality is cal, Kingdom,which will be performed at the new Lincoln High our membership in a new community. School as well as on the Old Globe stage in February,2009. Southeastern San Diego is a vibrant community with residents None of this work would be possible without the incredible who have lived there for their entire lives along with newcomers support of the San Diego Foundation and the Irvine Foundation who hail from the far corners of the world. There are busy restau- whose grants will help us to focus our efforts and bring ideas to rants, fascinating shops,performance venues,arts organizations, fruition. and much more in this diverse area. And now,there’sThe Old We’re excited about the new ideas and opportunities that are Globe Technical Center. coming our way as a result of the move to the Tech Center and we As newcomers to a community,our goal is to meet our neigh- look forward to making new friends and sharing what we do with bors, get to know the area and reach out to serve as a resource. our new neighbors. We’ve met principals and teachers in the many schools in the area, service providers for residents of all ages,artists,business owners, For more information about The Old Globe’sEducation programs community organizers and more. These people are telling us about contact:Roberta Wells-Famula,(619) 238-0043 x2144 themselves and helping us to understand what makes our new neighborhood tick. And they are telling us what we can do for These programs are underwritten by generous grants from The James them. Irvine Foundation, Legler Benbough Foundation and San Diego The local schools are telling us that they need a place for stu- Foundation. Financial support is provided by the City of San Diego dents to go to meet people working in a field these young people Commission for Arts and Culture. Additionally, City Councilmember didn’t even know existed. In response to that need,we’ll be hosting Anthony Young and his staff have been extremely helpful as the Globe tours and workshops for area high school students,giving them the acquired this property and began developing relationships with neigh- opportunity to talk to our professionals about their work and learn borhood organizations and schools. how to make a career in this field.

PERFORMANCES MAGAZINE P11 Profiles

KristinD.Carpenter Amityville V,Grand Canyon,Twice As Hard. TV:Weeds,Women’s Murder Club,Cold Case, (The Nameless One/Movement Coordinator) AWARDS:Drama-Logue Award,Best Close to Home,Without a Trace,Boston Legal, THE OLD GLOBE: Actor;NAACP Award,Best Supporting Frasier, Gilmore Girls,The West Wing,Evening Debut.THEATRE: Actor. Shade. Pitched,Fringe Festival, Remembering WeSelves, AshleyClements WarnerMiller Elegba Crossings. (Eve MacIntyre) (Ater Dahl) CONCERTS: THE OLD GLOBE: THE OLD GLOBE: Purelements Dance 2008 Summer Shakes- Debut.REGIONAL: Company,Thelma Hill peare Festival,Sea of Ma Rainey's Black Performing Arts Center,Entering the Holy Tranquility.THE OLD Bottom, Syracuse Stage; of Holies,Circle of Light Productions,Ohio GLOBE/USD PRO- ,GEVA Dance Festival, M’Zawa Danz Company, FESSIONAL ACTOR Theatre and Indiana Women DanceMakers Series, Mother’s Rites, TRAINING PRO- Repertory Theater;False Peace on Earth.FILM: Before Dawn.EDUCA- GRAM: A Midsummer Creeds, The Alliance; A TION/TRAINING: BA,Black Studies,The Night’s Dream,Pericles,Stuff Happens.ELSE- Raisin In The Sun, Hartford Stage.FILM: City College of New York,Oberlin College; WHERE: Arcadia,'Tis Pity She's a Whore,An American Gangster.TV:CSI-NY;Everyday Alvin Ailey American Dance Center,Dance Ideal Husband,Fiddler on the Roof,A Christmas People (HBO Original);Wyclef Jean In Theatre of Harlem,Martha Graham School Carol,Captain Manly. EDUCATION:Ashley America (pilot).EDUCATION:Mr.Miller of Contemporary Dance. holds a BA in Drama from Ithaca College. received a BFA in Music Business from Five Towns College (Dix Hills,Long Island,NY). WillieC.Carpenter LindaGehringer (Reggie Hudson) (Diane MacIntyre) MiaMcCullough THE OLD GLOBE: THE OLD GLOBE:The (Playwright) . Women.REGIONAL: Mia McCullough'splays have been pro- BROADWAY:Musical Hamlet,Doubt,The Piano duced around the country at theatres that Comedy Murders of Teacher,Retreat from include Steppenwolf Theatre Company, 1940.OFF-BROAD- Moscow,Relatively Stage Left Theatre,and Chicago Dramatists WAY/REGIONAL: Speaking,Getting Frankie in Chicago;Actors' Express in Atlanta,In- Blue,Paper Mill Married,Hold Please,A terAct in Philadelphia,Mo'olelo Performing Playhouse;Mr.Rickey Delicate Balance,All My Sons,But Not for Me,As Arts Company in San Diego,the Victory Calls a Meeting, A Cup of Coffee, Pasadena Good as New, South Coast Rep;Picnic,Center Theatre in Los Angeles,and Cincinnati Playhouse;Sleep Deprivation Chamber, Stage;The Intelligent Design of Jenny Chow, Shakespeare Festival.Her breakthrough Signature Theatre;White People Christmas, Atlantic Theatre Company; Be Aggressive play Chagrin Falls garnered many awards in- Zephyr Theater;Up the Mountain,Theatre (world premiere),Light up the Sky, La Jolla cluding the American Theatre Critics Asso- Geo;The Seagull,Rose Theatre;Two Trains Playhouse;The Poison Tree,Be Aggressive,Mark ciation Osborn Award,first prize in the Julie Running,Doolittle Theatre;The Forbidden City, Taper Forum;The Batting Cage,Berkshire Harris Playwriting Competition,and a Public Theater;The Task,Mark Taper Too; Theatre Festival;Breaking and Entering,New Joseph Jefferson Award for New Work.Since Two Gentlemen of Verona,Nameless Theatre. York Stage and Film;Arcadia,A Streetcar Africa was originally commissioned by the TV:Las Vegas,Shark Swarm,The Unit,Capital Named Desire,The Little Foxes,Huntington Cincinnati Shakespeare Festival and was a Law (pilot),General Hospital,NCIS,Boston Theatre;The Waiting Room, Arena Stage;The finalist for the Susan Smith Blackburn Legal,The Practice,The Big House,Gilmore Girls, Taming of the Shrew,A Midsummer Night’s Prize,and a nominee for a Joseph Jefferson The District,Kate Brasher,Spin City,Welcome to Dream,Hamlet,Shakespeare Festival of Award for Best New Play. Ms.McCullough's NewYork,C-16.FILM:The Underground, Dallas; A Streetcar Named Desire,All the King’s plays Echoes of Another Man and Taking Care Hunter’s Moon,The Insider,The Best Man,Men Men,Temptation,The Three Sisters,Cat on a Hot are published by Broadway Play Publishing in Black,White Man’s Burden,Mi Familia,Full Tin Roof and others,Dallas Theater Center. and Chagrin Falls was published in the an- Eclipse,The Followers,Hard Target,Little Giants, FILM:The Last Producer,As Good as It Gets, thology “New Playwrights:Best Plays of American Pie,Dead Man on Campus,Ninth Life. 2001." Most recently,Mia'snewest play Lu-

P12 PERFORMANCES MAGAZINE cinda's Bed was workshopped at Ensemble NickFouch Associate Designer of The New Zealand Studio Theatre in NY,and her play House- (Scenic Design) Christchurch Drama Theatre.FILM/TV: hold Spirits was included in new work festi- THE OLD GLOBE:Sight Unseen,Christmas Costume designer,stylist and wardrobe su- vals at both Steppenwolf and the Goodman on Mars,Lobby Hero.ELSEWHERE:Yellow- pervisor for Television New Zealand’slive Theatre in Chicago.Ms.McCullough is cur- man, Communicating Doors,Dying City,Love children’sprogramming and drama series. rently adjunct faculty at Northwestern Uni- Song,Cygnet Theatre; Macbeth,Kid Simple, Designed a variety of New Zealand short versity where she teaches playwriting and When the World Was Green,Chiang Kai Chek, films. screenwriting to students in the Creative Sledgehammer Theatre; The Goat,or Who Is Writing for the Media program.She lives Sylvia,Romance,Miss Witherspoon,Don JasonBieber just outside Chicago with her husband,son, Quixote,San Diego Rep; Limonade Tous les (Lighting Design) and small menagerie. Jours,Devil Dog Six,Moxie Theatre;Chrysalis: OLD GLOBE MFA: Richard III,A Complete Rapechild, produced and directed by Esther Turkey,Marat/Sade,UncleVanya. ELSE- SeemaSueko Emery; Smokey Joe’s Café,I Left My Heart,The WHERE: Cowboy Versus Samurai (2007 (Director) Buddy Holly Story,Welk Resort Theatre; Patté Award),Permanent Collection,Night Sky, THE OLD GLOBE:This is Seema'sDirec- Sailor’s Song,True West,Dancing at Lughnasa Mo’olelo Performing Arts Company; Sweet torial Debut at The Old Globe.She per- New Village Arts. EDUCATION:Nick 15 Quinceñera,San Diego Rep; Nine,My Fair formed here in The Intelligent Design of Jenny holds a BFA in Scenic Design and Technical Lady,Starlight Theatre;Bluebonnet Court,No Chow. SAN DIEGO:Seema is the Co- Direction from The University of Idaho. Exit,Scrooge in Rouge,Diversionary Theatre; Founder and Artistic Director of Mo’olelo Bleeding Kansas,Moxie Theatre;Charlie’s Aunt, Performing Arts Company CharlotteDevaux A Christmas Carol,North Coast Rep; A Mid- (www.moolelo.net) where she directed Per- (Costume Design) summer Night's Dream,Orphans,Prelude to a manent Collection,The Adoption Project:Triad, THE OLD GLOBE:Designer: Edward Kiss,New Village Arts;Picasso at the Lapin and Since Africa.REGIONAL:As an actor, Albee’s Who’s Afraid of Virginia Woolf?,Trying,A Agile,Muertos,The Crucible,Songs for a New Seema has been seen at Yale Repertory The- Body of Water,The Prince of L.A.,I Just Stopped World,American Song,Einstein's Dreams,Uni- atre, Seattle's5th Avenue Theatre,San By to See the Man,Fiction,Two Sisters and a versity of San Diego;Young Playwrights Diego Repertory,and Indiana Repertory Piano, Blue/Orange,Splendour, All My Sons, Project:Plays by Young Writers 2002, among others,and she is a three-time recip- Betrayal,The SantaLand Diaries,Da;Resident 2004,2005,and 2007; Henry and Ramona, ient of the Chicago Jeff Citation Award.As a Assistant Costume Designer:Over 35 pro- Suds,Seussical the Musical,J-Company;Once playwright,Seema'sscript remains received ductions including The Women,Chita Rivera: on this Island,Macbeth,Carnegie Mellon Uni- the McDonald Playwriting Award and the The Dancer’s Life,Dancing in the Dark,A versity; Blood Wedding,You Can’t Take it With Anti-Discrimination Committee Award. Catered Affair,The Times They Are A Changin’, You,LA County High School for the Arts. She was commissioned by Mixed Blood Dirty Rotten Scoundrels,Lucky Duck,Imaginary AWARDS:Has received two Patté Awards Theatre in Minneapolis to co-write Messy Friends,Dr.Seuss’ How The Grinch Stole for lighting design.EDUCATION:Mr. Utopia, which received the Ivey Award 2007, Christmas! and Summer Shakespeare Bieber holds a BFA from the Carnegie Mel- and was recently commissioned by Mixed Festival.ELSEWHERE:Miami Libre, lon University School of Drama. Blood again to write Hijab Tube,a play for Cuban Dance Musical,Adrienne Arscht young audiences on the theme of Islam in Center for the Performing Arts (Miami), PaulPeterson America.Seema'snext project is to direct Cabaret Dances,Nyumbani Project,Trolley (Sound Design) Good Boys,a play that deals with the after- Dances,San Diego Dance Theatre.INTER- THE OLD GLOBE:Over 65 productions, math of a school shooting,for Mo’olelo in NATIONAL: Dr.Livingstone,I Presume (pre- including: Six Degrees of Separation,The May 2009.EDUCATION:Seema received miere), ;Linnaeus,Prince of Flowers, Women,Back Back Back,Sight Unseen,The her MA in International Relations – Middle Botanic Gardens,Christchurch,New Pleasure of His Company,The American Plan, East Politics from The University of Zealand and Sydney,Australia (winner, Sea of Tranquility,Dr.Seuss’ How The Grinch Chicago,and her BA from the University of Fringe First,Edinburgh Festival);also in Stole Christmas!,Hay Fever,Bell,Book and Puget Sound. New Zealand:Suburb,Twelfth Night, Candle,Edward Albee’s Who’s Afraid of Virginia Christchurch Repertory Theatre;Hopes, Woolf?,Two Trains Running,Hold Please, Dreams and Perditions,The Court Theatre; Restoration Comedy,The Four of Us,Pig Farm,

PERFORMANCES MAGAZINE P13 Profiles continued

The Sisters Rosensweig,Trying,Moonlight and MoiraGleason tives in Southeastern San Diego.He also Magnolias,Vincent in Brixton,I Just Stopped By (Stage Manager) launched a free matinee series which brings to See the Man, Lucky Duck,The Intelligent THE OLD GLOBE: Back Back Back,Sea of thousands of students to the Globe’sproduc- Design of Jenny Chow,Blue/Orange,Time Flies, Tranquility,The Sisters Rosensweig,The Constant tions. He holds a Masters degree from the Pentecost,Compleat Female Stage Beauty,The Wife,Dr.Seuss’ How the Grinch Stole Christmas! University of Wisconsin in Arts Boswell Sisters,Crumbs from the Table of Joy. (‘05),Summer Shakespeare Festivals Administration and a Bachelors of Business ELSEWHERE:Centerstage,Milwaukee (2005,‘07 and ‘08),Vincent in Brixton,I Just Administration from the University of Notre Rep,San Jose Rep,, Stopped By to See the Man,Fiction,The Full Dame,and acted,directed,produced plays Sledgehammer Theatre (Associate Artist), Monty;as Douglas Pagliotti Stage and musicals throughout his early years Mo’olelo Performing Arts Company,The Managment Intern:Old Wicked Songs.ELSE- through college and graduate school.Mr. Wilma Theatre,L.A.TheatreWorks,San WHERE: Stage Manager of Adoption Spisto has served as chief executive for the Diego Repertory Theatre,Florida Studio Project - Triad,Mo’olelo; Miss Witherspoon, Pacific Symphony,Detroit Symphony,and Theatre,Lorraine Hansberry Theatre,North San Diego Rep;Fathom,Malashock Dance American Ballet Theatre. Coast Rep,Diversionary Theatre,Cape Fear (‘06).Ms.Gleason has held many different Regional Theatre,Hope Summer Repertory positions at The Globe from House DarkoTresnjak Theatre,Malashock Dance & Company,The Manager to Carpenter,Master Sound (Resident Artistic Director) University of San Diego,San Diego State Technician to Education Coordinator.Ms. DIRECTING CREDITS AT THE GLOBE University,and the Freud Theatre at UCLA. Gleason holds a BA from Southern Oregon INCLUDE:The Women,The Pleasure of His EDUCATION:BFA in Drama with an em- University.Moira is a proud member of Company,All’s Well That Ends Well,Bell,Book phasis in Technical Design from San Diego Actors’ Equity. and Candle,Hamlet,Pericles,The Two Noble State University. Kinsmen,Antony and Cleopatra,The Winter’s Tale, Louis G.Spisto The Comedy of Errors,A Midsummer Night’s ClaudiaHill-Sparks (CEO/Executive Producer) (Voice and Speech Coach) Dream,Titus Andronicus.OTHER CREDITS Louis G.Spisto has led The Old Globe since THE OLD GLOBE:2008 Shakespeare INCLUDE:The Merchant of Venice,Royal October 2002. During his tenure,Spisto Festival ,over 60 productions as Voice and Shakespeare Company,Theatre for a New spearheaded the return of the Shakespeare Speech Coach from 1993-2001.BROAD- Audience; All's Well that Ends Well,Antony and Repertory Season and brought to the Globe WAY: Dance of the Vampires.OFF-BROAD- Cleopatra,Theatre for a New Audience;The several new musicals,including the critically- WAY: A Midsummer Night's Dream,The Public Two Noble Kinsmen,The Public Theater; acclaimed A Catered Affair, the launch of the Theater,Shakespeare in the Park;Polish Joke, Princess Turandot,Hotel Universe, Blue Light national tour of the Tony Award-winning Manhattan Theatre Club;Time and the Theater Company;More Lies About Jerzy, Avenue Q and the Broadway transfers of Chita Conways,The Epic Theater Company;Stone Vineyard Theatre Company;The Skin of Our Rivera:The Dancer’s Life and the Twyla Cold Dead Serious,The Edge Theater Teeth,Rosencrantz and Guildenstern Are Dead, Tharp/Bob Dylan musical,The Times They Are Company.REGIONAL:Travesties,Arms and the The Winter's Tale,Under Milk Wood,Moving A-Changin’. He has produced over 75 plays Man,A Christmas Carol,The Little Foxes,The Way Picture,The Blue Demon,Princess Turandot,The and musicals,including Dirty Rotten of the World,Huntington Theatre Company;A Love of Three Oranges,Williamstown Theatre Scoundrels,the west coast premiere of the Christmas Carol,North Shore Music Theatre. Festival;Heartbreak House,What the Butler Saw, Tony-winning play Take Me Out and the an- TELEVISION:Dialect Coach for Richard Amphityron,The Blue Demon,Huntington nual holiday favorite,Dr.Seuss’ How the Grinch Easton as Ben Franklin for PBS. FACULTY: Theatre;Hay Fever,Princess Turandot,Westport Stole Christmas!.Spisto has managed the The Old Globe/USD Professional Actor County Playhouse;A Little Night Music,Amour, Globe’sCapital Campaign to raise $75 mil- Training Program,1993-2001;Boston ;Rosencrantz and lion by the Theatre’s75th anniversary in University BFA Professional Actor Training Guildenstern Are Dead,; 2010.Launched in March 2006,the cam- Program,1988-1993;The American Academy and The Two Noble Kinsmen,Chicago paign has reached 85% of its goal to date.A of Dramatic Arts;The Wilma Theater.EDU- Shakespeare Theatre.His opera credits in- strong advocate of arts education,Spisto ini- CATION: MFA in Acting,Temple University. clude the American premieres of Victor tiated several new programs including an in- Ullmann’s Der zerbrochene Krug and Alexander novative cross-border project and a new play Zemlinsky’s Der Zwerg,Los Angeles Opera; development program and several new initia- and the American premiere of Rimsky-

P14 PERFORMANCES MAGAZINE Korsakov’s May Night, Sarasota Opera. Recipient of ArtServe Michigan’s2008 Leadership Gifts to The Old Globe UPCOMING:Walter Braunfels’ Die Vogel at International Achievement Award.Mr. the Los Angeles Opera,conducted by James O’Brien is a member of the College of Conlon. Fellows of the American Theatre. The Old Globe would like to recognize and thank the following generous individuals who JackO’Brien have made extraordinary gifts of $1 million or (Artistic Director Emeritus) more to this organization. These major Mr.O’Brien served as the Artistic Director of contributions have been designated for artis- The Old Globe from 1982 through 2007. tic projects,the endowment and facilities,and Recent Globe productions:Dirty Rotten help The Old Globe remain one of our Scoundrels,Imaginary Friends,Twelfth Night,The country’sgreat theatre institutions. Full Monty,The Seagull,The Magic Fire,Dr.Seuss’ How the Grinch Stole Christmas! WEST END: FORTHISPRODUCTION $20,000,000 or greater Love Never Dies (sequel to Andrew Lloyd AdditionalStaff Donald and Darlene Shiley Webber’s Phantom,Fall 2009),Hairspray (Olivier Award for Best Musical,Best Production Assistant ...... Jess Slocum $10,000,000 or greater Director nomination).BROADWAY: Impressionism (March 2009) Creator/ Conrad Prebys Supervisor,Dr.Seuss’ How the Grinch Stole Christmas!,The Coast of Utopia (2007 Tony $5,000,000 or greater Award® for Best Direction of a Play,which Sheryl and Harvey White won a total of 7 ,including Best Play),Dirty Rotten Scoundrels (Tony nomina- SPECIAL THANKS Kathryn Hattox tions: Best Director and Musical),Henry IV Alephonsion Awer Deng Karen and Donald Cohn (Tony Award),Hairspray (Tony Award),The Judy Bernstein Invention of Love (Tony nominations:Best $1,000,000 or greater Director and Play), (Tony Viterbi Family Foundation nominations:Best Director and Musical), More to Love,Labor Day,St.Louis Woman,Pride’s California Cultural and Crossing,The Little Foxes,Hapgood (Lucille Historical Endowment Lortel Award for Direction,1995),Damn Estate of Dorothy S.Prough This theatre operates under an agreement between the Yankees (Tony nomination Best Musical League of Resident Theatres and Actors’ Equity Association, the union of professional actors and stage The Rivkin Family Revival),Two Shakespearean Actors (Tony nom- managers in the United States. inations: Best Director and Play),Porgy and Estate of Beatrice Lynds Bess for Houston Grand Opera and Audrey S.Geisel / Broadway (Tony Award),as well as Radio The Directors are members of the Society of Stage Directors and Choreographers, an independent national San Diego Foundation City Music Hall,Il Trittico,Metropolitan labor union. Opera.RECENT AWARDS:2008 Theatre Dr.Seuss Fund Hall of Fame Inductee,2004 Thomas Mr.and Mrs. Victor H. Ottenstein Degaetani Award (USITT),2002 “Mr. The Scenic, Costume, Lighting and Sound Designers in LORT Theatres are represented by United Scenic Artists Mrs. Helen Edison Abbott” Award (SDCF),2001 Joan Cullman Local USA-826,IATSE. Award for Extraordinary Creativity,2001 Joe The Stephen and Mary Birch A.Callaway Award (SDCF),the Drama Foundation

League’sJulia Hansen Award for Excellence This Theatre operates under an Agreement with the International Alliance of Theatrical Stage Employees Local The Kresge Foundation in Directing,2001.Honorary Doctorate, No.122. University of Michigan.Honorary Doctor of Humane Letters,University of San Diego.

PERFORMANCES MAGAZINE P15 The Conrad Prebys Theatre Center

TheConradPrebys TheatreCenterwill herald an exciting new era for The Old Globe,enabling the theatre to produce works at an even higher artistic level and helping ensure the Globe’sprominent position in the future of American theatre.Construction will be completed in 2009 and the first production will be in early 2010. OldGlobeTheatre- DonaldandDarleneShileyStage The Conrad Prebys Theatre Center will encompass both the new facility now under construction and the Old Globe Theatre – the Globe’sflagship theatre with year-round performances of Broadway-bound musicals, classics and new plays.

NEW! Sheryl andHarveyWhiteTheatre A state-of-the-art arena stage – for our intimate productions – with 251 seats in five rows surrounding the stage,safe and comfortable theatre access for audience and actors,full lighting grid and trap room,and new public restrooms.

NEW! KarenandDonaldCohnEducationCenter Including Hattox Hall,a large performance and training space for children and adults,as well as a studio dedicated to student activities and a “History of The Old Globe” installation.The Education Center will be home to the Globe’smany audience enrichment activities,serving more than 50,000 each year,and will feature spectacular views from the Donald and Darlene Shiley Terrace.

NEWLYREDESIGNED! CopleyPlaza The Globe’s13,000-square foot “outdoor lobby” will feature an expanded dining pavilion and seating areas and stunning new landscaping,providing a comfortable welcome to theatergoers,as well as many of the 12 million annual visitors to Balboa Park.

THEOLD GLOBEARENASTAGEPRODUCTIONS ATTHESAN DIEGO MUSEUMOFART NOW - NOVEMBER2009 During construction,The Old Globe has built a temporary arena stage in the James S.Copley Auditorium at the San Diego Museum of Art. We are grateful to the Museum for leasing us this space just steps away from the Globe to house our “second stage” productions. In building this theatre,we had one goal: to provide you with uninterrupted enjoyment of our intimate productions.

P16 PERFORMANCES MAGAZINE Annual Fund Donors

The Old Globe’sability to maintain the highest standard of excellence,while keeping ticket prices affordable,is due in large part to the financial support of more than 3,500 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 625 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight. Benefactors ($100,000 and above) Mary Ann Blair Globe Guilders The Shubert Foundation City of San Diego,Commission for The James Irvine Foundation Supervisor Pam Slater-Price Arts & Culture The San Diego Union-Tribune and the County of San Diego Audrey S.Geisel/The San Diego Donald & Darlene Shiley Sheryl & Harvey White Foundation Foundation Dr.Seuss Fund

SeasonSponsors ($50,000 to $99,999) Bank of America Peter Cooper & Norman Blachford The Bernard & Dorris Lipinsky Fund The Legler Benbough Foundation Advised Fund at the San Diego of the Jewish Community Foundation John A.Berol Human Dignity Foundation Conrad Prebys California Bank & Trust Valerie & Harry Cooper QUALCOMM,INC. J.Dallas & Mary H.Clark Fund at Deni & Jeff Jacobs Wells Fargo The San Diego Foundation Joan & Irwin Jacobs Fund of the Karen & Donald Cohn Jewish Community Foundation

ProductionSponsors ($25,000 to $49,999) Mary Beth Adderley-Wright, Danah H.Fayman The San Diego Foundation’s Art Works Richard Wright & Elizabeth Adderley Jake & Todd Figi for San Diego Initiative,supported by American Airlines Kathryn & John Hattox The James Irvine Foundation, Alan Benaroya HM Electronics,Inc. Ariel W.Coggeshall Fund and The Cohn Restaurant Group/Prado Restaurant Sempra Energy San Diego Foundation Endowment Continental Airlines Sheraton San Diego Hotel & Marina Union Bank of California U.S.Bank Mandell Weiss Charitable Trust

DirectorCircle ($10,000 to $24,999) Lawrence G.Alldredge & Dawn Moore Hal & Pam Fuson Allison & Robert Price Anonymous Robert Gleason & Marc Matys Supervisor Ron Roberts and the Mrs.Inge Lehman Barta in memory of Lee & Frank Goldberg County of San Diego Chester K.Barta,MD Martin Goodman Jean & Gary Shekhter Jane Smisor Bastien Ingrid B.Hibben Patsy & Forrest Shumway Arthur & Sophie Brody Fund of the Dr.& Mrs.Harry F.Hixson,Jr. Nancy & Alan Spector and Family Jewish Community Foundation Supervisor Bill Horn and the Ms.Jeanette Stevens The Louis Yager Cantwell Private County of San Diego Anne Taubman & David Boyle Foundation Daphne Jameson Gillian & Tony Thornley Deni & Ken Carpenter Mr.& Mrs.Neil Kjos Evelyn Mack Truitt Elaine & Dave Darwin Dr.Ronald & Mrs.Ruth Leonardi Weingart-Price Fund at Mr.& Mrs.Brian Devine Sue & John Major The San Diego Foundation Nina & Robert Doede Dr.Patricia Montalbano Brent V.Woods & Laurie C.Mitchell Edgerton Foundation National Endowment for the Arts June E.Yoder Dr.& Mrs.Robert Epsten Hank & Robin Nordhoff Carolyn Yorston-Wellcome Carol Spielman-Ewan & Joel Ewan The Kenneth T.& Eileen L.Norris Robert & Deborah Young Pamela A.Farr Foundation Ellen & Tim Zinn

PERFORMANCES MAGAZINE P17 Annual Fund Donors continued

FOUNDERCIRCLE Peter & Doris Ellsworth ($1,500 to $2,499) ($5,000 to $9,999) Noddy & Ira Epstein The Family of Richard & Mary Adams Anonymous Alan & Pauline Fatayerji Diana J.Barliant & Nowell Wisch Richard & Kathy Binford Mary & David Fitz Yvonne & Lew Barnum The Colwell Family Fund at The San Diego Foundation Susanna & Michael Flaster Sally & John Berry R.Patrick & Sharon Connell Samuel I.& John Henry Fox Foundation at Cynthia Bolker & Greg Rizzi Chairman Greg Cox and the County of San Diego Union Bank of California Dr.Herman & Irene Boschken Ann & John Davies Millicent & Charles Froehlich Ronda & Stanley Breitbard Bernard J.Eggertsen & Florence Nemkov Deede Gales Terry & Bill Burd Martha & George Gafford Barbara & Albert Garlinghouse Clint & Susie Burdett Mary Ann & Arnold Ginnow Drs.Thomas H.& Jane D.Gawronski Anita Busquets & William Ladd Leo S.Guthman Fund Dr.& Mrs.William Gott Trish Butler & Cary Lowe Fred & Alicia Hallett Ms.Cheryl Haimsohn Pam & Jerry Cesak Alexa Kirkwood Hirsch Drs.Patrick Harrison & Eleanor Lynch Dolores Clark Leonard & Elaine Hirsch Susan & Dr.Ronald Heller Hon.Arthur J.Collingsworth & Brian R.Simmons Melissa & James Hoffmann Dr.& Mrs.Peter K.Hellwig Sally & Pat Crahan Carol & George Lattimer Rhonda Heth & Thomas Mabie Mrs.Gail Powell Davis Peter & Inge Manes Tish & Jere Horsley Pat & Dan Derbes Bob Martinet Richard & Janet Hunter Jim & Sally Ditto Paul I.& Margaret W.Meyer Drs.Sonia & Andy Israel Ron & Devora Eisenberg - Great News! Money/Arenz Foundation,Inc. Al* & Pat JaCoby Carol Fink Harle Garth Montgomery Mary & Russell Johnson Dieter & Susan Fischer/Dieter’sMercedes Service Arthur & Marilyn Neumann Dr.& Mrs.Richard L.Kahler Sid & Jean Fox Charles & Barbara Noell William Karatz Joy & Dr.Fred Fry Dolly* & Jim Poet Marge & Jerry Katleman Elaine & Murray Galinson John & Marcia Price Family Foundation Bob* & Gladys King Bill & Judy Garrett Ellen C.Revelle Jane & Ray Klofkorn Leslie & Robert Garson Jeannie & Arthur Rivkin Rosalie Kostanzer & Mike Keefe Daniel & Arline Genis Dr.H.Warren Ross Bob & Laura Kyle The George Consulting Group Julie & Bob Sullivan Dr.Eric Lasley & Judith Bachner Martin & Enid Gleich Deborah Szekely Ledford Enterprises Inc. Tom & Sheila Gorey Ric Torres Susan L.Leone Drs.Barbara & Leonard Gosink Dixie & Ken Unruh James & Pamela Lester Norm Hapke & Valerie Jacobs Hapke Jean & Tim Weiss Sandy & Arthur Levinson Michael & Jill Holmes Merriel F.Mandell,Ph.D. Dr.David K.Hostetler CIRCLE R.J.Maus,Architects Gary & Carrie Huckell Beginning July 2008, the Craig Noel Circle includes Elizabeth & Edward McIntyre Roberta Hussey gifts of $2,500 - $4,999. This change is being phased Harold O.McNeil Al Isenberg & Regina Kurtz in over the coming year as patrons renew their gifts. Rebecca Moores Jackie Johnston-Schoell For donors who contribute to the Paver Campaign, Mr.& Mrs.David Mulliken William & Edythe Kenton the phase-in period is up to five years. Josiah & Rita Neeper Jo Ann Kilty Eileen & Lawrence Newmark Ken & Sheryl King ($2,500 to $4,999) Tom & Lisa Pierce Sherry & Larry Kline Richard Addesso Matthew & Judith Pollack Curt & Nancy Koch Dr.& Mrs.Wayne Akeson Joanne Powers Brooke & Dan Koehler Gail,John & Jennifer Andrade Sarah B.Marsh-Rebelo & John G.Rebelo Terry & Mary Lehr Dr.Bob & Jill Andres Mrs.Charlotte Rees Ms.Sherrill Leist Anonymous (3) Nancy J.Robertson Jerry Lester,M.D./Rosarito,Mexico Mr.& Mrs.Richard Baldwin Sherry & Charles Sheppard Jerry & Elsa Lewis Melissa Garfield Bartell & Michael Bartell Drs.Joseph & Gloria Shurman Robin J.Lipman & Miro Stano Joan & Jeremy Berg Roberta J.Simpson Mathew & Barbara Loonin Perry S.Binder,MD Marisa SorBello & Peter Czipott Charlie & Jackie Mann Charles & Charlotte Bird Nancy Steinhart & Rebecca Goodpasture Dr.Marianne McDonald Paul Black Mickey Stern Elizabeth Meyer Dr.& Mrs.Edgar D.Canada Jay & Diane Sweeney Joel & Deirdre Mick Cecilia Carrick & Stan Nadel Marilyn Elizabeth Thompson Akiko Charlene Morimoto & Hubert Frank Hamilton,Jr. George & Ellen Casey Cherie Halladay Tirschwell James & Nancy Mullen Carol & Rudy Cesena Carol Vassiliadis Joyce & Martin Nash Carol & Jeff Chang Doris & Lou Vettese Parker & Crosland,LLP Garet & Wendy Clark Jordine Von Wantoch Sigrid Pate & Glenn Butler Ms.Heidi Conlan/The Sahan Daywi Foundation Jan Harden Webster & Raul Ortega Mo & Bill Popp Susan B.Cowell Chris & Pat Weil Dr.& Mrs.Daniel Porte Gigi & Ed Cramer Helene & Allan Ziman Jim & Claudia Prescott Darlene G.Davies in memory of Lowell Davies Marie & Don Prisby Mrs.Philip H.Dickinson Joseph & Jane Rascoff Marion Eggertsen Lynne Rich

P18 PERFORMANCES MAGAZINE Roger & Christine Roberts In Memory of Edward Silverstein Bill & Linda Kolb William & Susane Roberts Alan & Esther Siman Marvin M.Kripps,M.D. Warren & Beverly Sanborn Ron & Susan Styn Betty & Richard Kuhn Sanderson Family Donor Advised Fund Margery & John Swanson LABS,Inc./Silvia Dreyfuss at the Rancho Santa Fe Foundation Linda Terramagra CDR.Mark C Lorenzo,USN Ret. Dee E.Silver,M.D. Gene & Celeste Trepte Dr.& Mrs.David D.Lynn Herbert & Elene Solomon Stan & Anita Ulrich Edward & Nancy Lyon Hannah & Eugene Step M.J. Zahnle Carl Maguire & Margaret Sheehan Sharon S.Storey & Theodore A.Milby Jeanne Maltese Mr.& Mrs.Donald Tartre GOLD Ron & Mercy Mandelbaum Mr.& Mrs.Charles Taubman ($500 to $999) F.Dale & Lois Marriott Pat & Jack Thomas Dr.& Mrs.Maurice Alfaro Martin & Passante AAL Ed Torres & Mark VonderHaar Janet Anderson & John Glascock Christopher J.Maxin & Stephanie Buttell-Maxin Pamela J.Wagner Anonymous (3) Tony & Nancy McCune Merle & Phil* Wahl Drs.Michael & Gabriela Antos Mr.& Mrs.William McKenzie James & Ellen Weil Jeff & Donna Applestein Drs.John Meyers & Betty Joan Maly Shirli Fabbri Weiss Mr.& Mrs.David A.Baer James & Estelle Milch Fund of the The Gray White Family Fund Richard & Linda Basinger Jewish Community Foundation Michael & Penny Wilkes Robert Beck Carole S.Miller Mr.& Mrs.Harold B.Williams Ben-Yehuda Family Fund of the Joel,Annette & Arianna Millman Keith J.Wong Jewish Community Foundation Charles W.Mills,Jr. Allan & Bev Zukor Edgar & Julie Berner Steve & Jill Morris Bob & Joyce Blumberg Shirley Mulcahy DIAMOND Suzanne I.Bond In Memory of Margaret Peninger ($1,500 to $2,499) Mr.& Mrs.Blaine A.Briggs Dr.Ken Pischel & Dr.Katherine Ozanich Mrs.Lazare F.Bernhard Ruth Mary Campbell Drs.Paul & Katherine Ponganis Joy & Robert M.Callicott Beth & Tim Cann Leslie & Judy Reed Jack & Carol Clark Greg & Loretta Cass Robert & Doris Reed Mike Conley & Sue Steele Luc & Ann Marie Cayet-Pleska Elaine Rendon & Alicia Atun Richard & Stephanie Coutts Ray & Shelley Chalupsky Joseph W. & Kathleen A.Robinson Sandra Gulden & Leon J.Goldberger Gulden Lynne Champagne & Wilfred Kearse Stuart & Linda Robinson Private Foundation Anne C.Coleman Joseph J.Rusche Sherry & Rick Levin Roseann Concannon & Bill Waggoner The Sapp Family Ruth & Jim Mulvaney Dr.& Mrs.William Davidson Norman Schiewe & Elli Johns Susan Parker Dr.Donald & Eilene Dose Richard Shapiro & Marsha Janger Peggy W.Price William Eiffert & Leslie Hodge Mr.& Mrs.Randall Silvia Christy & Howard Zatkin Paul & Clare Friedman Gloria Penner Snyder & Bill Snyder Sally Fuller Mr.& Mrs.George Stassinopoulos PLATINUM Dr.& Mrs.Steven Garfin Helga & Sam Strong ($1,000 to $1,499) Peter & Christine Gault John & Linda Sunkel Anonymous (2) Craig & Terrie Georgi Clifford & Kay Sweet Michael Bark & Laura Benedict Arthur & Judy Getis Dr.Terry & Naomi Tanaka Judy & Larry Belinsky Norman & Patricia Gillespie Randy Tidmore Nicholas B.Binkley The Golemb Family Mr.& Mrs.Jeffrey C.Truesdell Drs.Gary & Barbara Blake Louise & Doug Goodman Natalie C.Venezia & Paul A.Sager Sandra & Harry Carter Chris Graham & Michael Albo Douglas Wallingford Patricia Eichelberger Carol & Don Green Howard & Jo Weiner Dan & Phyllis Epstein Mr.& Mrs.Arthur A.Greenberg Mr.& Mrs.David Weinrieb Mr.& Mrs.Thomas M.Henry Mr.& Mrs.Norman Greene Judith L.White Webster & Helen Kinnaird Richard & Candace Haden Katherine White Dr.& Mrs.Ara Klijian Jay & Mary Hanson Ross & Barbara White Dr.& Mrs.James E.Lasry Linda E.Hanson Dennis & Carol Wilson Don & Mary Jane Lincoln Alex & Mary Hart Cass Witkowski Family Dr.Robert & Marcia Malkus Mr.& Mrs.Arnold Hess Bill & Betty Witman Joy & Ronald Mankoff Mr.Stephen Hopkins & Dr.Carey Pratt Wolfe Legal Group Jasna Markovac & Gary Miller Viviana Ibanez Dr.Dolores Wozniak Dr.& Mrs.M.Joseph McGreevy Isabella Fund at The San Diego Foundation Brendan M.& Kaye I.Wynne Judith & Neil Morgan Edward & Linda Janon Elizabeth Zeigler & Bernard Kuchta Jack & Virginia Oliver Dr.& Mrs.Clyde W.Jones Rod & Barbara Orth Kathy & Rob Jones SILVER Dr.Julie Prazich & Dr.Sara Rosenthal Kenneth & Marilyn Jones ($250 to $499) Dan Rehm David & Susan Kabakoff Family Fund Ben Abate Don & Darlene Russell of the Jewish Community Foundation Mr.Gale Acker & Dr.Nancy Acker Debbie & Shayna Seid Family Fund of the Patricia & Alexander Kelley Sybil & B.J.Adelson Jewish Community Foundation Gerald & Phyllis Kelly James A.Agostini Lew & Alice Silverberg Gayle & Jerry Klusky George Amerault

PERFORMANCES MAGAZINE P19 Annual Fund Donors continued

Anonymous (3) John & Peggy Holl Daniel & Lynn Reisfeld Dr.& Mrs.John Randolph Backman Paul & Barbara Holz Brent & Bev Robinson John & Elizabeth Bagby Nancy & Bill Homeyer Irl & Clarice Robinson Allen & Nancy Bailey Kendyl & Merri Houdyshell Mr.& Mrs.Christopher Rohrer Beverly Bartlett & Barbara Sailors Stephanie & Carl Hurst Diane Roland Ruth & Jim Batman Robert Hyman Dr.& Mrs.Richard Rowen Sharon & Bill Beamer Joseph & Donna Hynes Rowling Family Charitable Fund of the Bruce & Patricia Becker Susan D.Inot Jewish Community Foundation Sarah & Vernon Berger Bill & Cheri James Dr.Norman & Barbara Rozansky Fund of the Mr.& Mrs.Stanley Birstein Nancy B. & David A.James Jewish Community Foundation Robert Blanton & Ann Clark Dr.Jim Jaranson George & Karen Sachs Gaylyn N.Boone & James Dorcy In Memory of Donald Jenkins Samiljan Family Fund of the Jewish Robert & Yvonne Boyer Jan Jessop Community Foundation David Brockway Judge & Mrs.Anthony C.Joseph Patrick Sammon Ed Brookins Jim & Sharon Justeson Josiah & Abigail Sand Julia Brown Dr.Michael & Mrs.Lucy Keehan Jack & Carol Sanders Dr.& Mrs.Simon C.Brumbaugh,Jr. Louis & Mary Beth Kelly Simon & Ruth Sayre Marie F.Buckey Gail & Chuck Kendall Ann & Herb Schnall David Burns & Diane Lischio Lloyd & Joanna Kendall Martin & Connie Schroeder Sandra Lee Burns Kathleen Kim & Zachary Rattner RAdm.& Mrs.H.James T.Sears Ms.Mary-Kay Butler Louis J.Knobbe In Memory of Malin E.See George Byrne Jo Ann & Lee Knutson Linda J.Seifert Helen M.Caldwell Elizabeth Lasley Lori Severson & Eric Longstreet William & Shirley Carrington Elliott & Phyllis Lasser Glenda Allen Shekell Mr.& Mrs.John Charron Dixon & Pat Lee Jerry & Beth Silverman Elaine & Peter Chortek Mr.& Mrs.Lawrence Lewis Eunice M.Simmons,M.D. Richard Clampitt & Rachel Hurst Tom & Terry Lewis Anne & Ron Simon Doug & Elisabeth Clark Donald Lipkis,MD & Arlene Pollard Terrence & Kathryn Slavin Barbara Mistler Crew Roy & Carol Long Malcolm E.Smith Glenn Currie Photography Mr.& Mrs.Howard Lund Norman & Judith Solomon Drs.Robert & Melanie Dean Sally A.Luster Bill & Barbara Sperling Caroline S.DeMar Judge & Mrs.Frederick Mandabach Mr.& Mrs.Fred C.Stalder Dutch & Dawn Dershem Patricia Manning Alan M.Stall Dean & Mrs.Michael H.Dessent Harold & Beverly Martyn Robert & Ann Steiner Wally & Linda Dieckmann Joanne D.Marugg Jim Stenderup In Memory of Edith Dolnick Cdr.& Mrs.John C.Mathews III Edward Stickgold & Steven Cande Patricia & Glen Doughty Gene McAllister Jill & Evan Stone Stephen & Sandra Drew Ronald McCaskill & Robyn Rogers Jan & Dave Stormoen Mr.& Mrs.Clarence B.Dustin Oliver McElroy & Karen Delaurier Mr.& Mrs.W.E.Strich Lizbeth Ecke & David Meyer Teresa McEuen Abbe Wolfsheimer Stutz Victor & Louise Engleman Cristie C.McGuire Mr.& Mrs.Eric Suggs Bill & Mary Farrell Steve McIntee Mrs.J.B.Swedelius Dr.Susan D.Fee Charles & Billie McKnight Donald & Margaret Sweimler Esther & Robert Feier Mr.& Mrs.Jim Melcher Dr.Blake S.& Mrs.Peggy Jean Talbot Drs.Lawrence & Irene Fine Mr.& Mrs.David Michan Dr.Marshall & Leila Taylor Richard & Beverly Fink Family Foundation Dr.& Mrs.Paul E.Michelson Douglas & Lynn Todd Larry & Jan Ford James & Dorothy Mildice Robert C.& Melesse W.Traylor Pauline Forman in memory of Sid Forman Dr. & Mrs.James Miller Johanna Vertullo Arthur & Barbara Friedman Stan & Phyllis Minick Barbara C.Ward Randee & Richard Friedman Rena Minisi & Rich Paul Kathy & Jim Waring Charles & Jeanne Gahagan Dr.& Mrs.Robert F.Morrison William Weeks Robert Glasser Susan & Charles Muha Mr.& Mrs.James Welterlen Dr.& Mrs.Jerrold Glassman Mary Jo Murphy Sandy Wichelecki Dr.& Mrs.Michael Goldbaum Wendy & Jim Neri Olivia & Marty Winkler Carole & Howard Goldfeder Harvey & Marsha Netzer Mr.& Mrs.John W.Witt Robert & Edry Goot Jack & Judy Nichols Perri L.Wittgrove Euvoughn L.Greenan Dr.David & Elizabeth Ostrander Janet Wolf Martin & Deanna Greenberg Joshua & Jacqueline Pack Vicky Zollweg & Michael Dunteman Theodore Gryga Carolann Pagliuso Jerome & Anita Gutkin Barbara Painter This list is current as of December 31, 2008 Maggi Hall Lori Partrick To learn more about supporting The Old Globe’s Helen M.Hammond Clifford T.Pentrack & Mary E.Giovaniello performances and education and outreach Robert M.& Helen M.Hansen Dr.& Mrs.Richard & Patricia Perlman programs,please visit our website at C.Harbordt Lawrence Roy Perrin www.TheOldGlobe.org or call Mark & Corrine Harvey Mr.& Mrs. David J.Pettitt Courtney Quinn at (619) 231-1941 x2311. Donald J.Hickey Deborah B.Pettry Christine Hickman & Dennis Ragen Susan Pollack *In Memoriam

P20 PERFORMANCES MAGAZINE Globe Ambassadors

Lawrence G.Alldredge and Dawn Moore Mary Ann and Arnold Ginnow Donald and Darlene Shiley Perry S.Binder,M.D. Alexa Kirkwood Hirsch Roberta J.Simpson Paul Black Leonard and Elaine Hirsch Ms.Jeanette Stevens Dr.and Mrs.Edgar D.Canada Pat Jacoby Jay and Diane Sweeney Carol and Rudy Cesena Mary and Russell Johnson Dixie and Ken Unruh Jack and Carol Clark Bob* and Gladys King Doris and Lou Vettese Mary H.Clark Rosalie Kostanzer and Mike Keefe Jordine Von Wantoch Steven J.Cologne Bob and Laura Kyle *In Memoriam R.Patrick and Sharon Connell James & Pamela Lester Susan B.Cowell Merriel F.Mandell,Ph.D. Globe Ambassadors are generous supporters of The Old Gigi and Ed Cramer Peter and Inge Manes Globe who attend special presentations about activities at Darlene G.Davies Bob Martinet the Globe and serve as the Theatre’s Ambassadors in the Mrs.Philip H.Dickinson Dr.Marianne McDonald community. Nina and Robert Doede Paul I.and Margaret W.Meyer Marion Eggertsen David and Noreen Mulliken For more information please Bernard J.Eggertsen and Florence Nemkov Charles Noell and Barbara Voss contact Marilyn McAvoy at Danah H.Fayman Jeannie and Arthur Rivkin (619) 231-1941 x2309. Susanna and Michael Flaster Dr.H.Warren Ross

Craig Noel League Members Planned Giving Society of The Old Globe

Anonymous (14) J.Robert* and Gladys H.King Florence Borgeson Plunkert* Merle and Phil* Wahl Robert S.Albritton* Marilyn Kneeland Dolly* and Jim Poet Holly J.B.Ward Diana Barliant Jean and David Laing Dorothy Shorb Prough* Sheryl and Harvey P.White Nancine Belfiore Jerry Lester Foundation Brenda Marsh-Rebelo and John Rebelo Mrs.Jack Galen Whitney Alan Benaroya Dr.Bernard Lipinsky* Donald and Darlene Shiley Stanley E.Willis II* Dr.and Mrs.Edgar D.Canada Heather Manion Patsy and Forrest Shumway Julie Meier Wright Garet and Wendy Clark Calvin Manning* B.Sy and Ruth Ann Silver Carolyn Yorston-Wellcome J.Dallas* and Mary H.Clark Chris and Jill Metcalf Stephen M.Silverman *In Memoriam R.Patrick and Sharon Connell Paul I.and Margaret W.Meyer Roberta Simpson Patricia W.Crigler,Ph.D.,CAPT/USN/Ret. Judy* and George Miller Dolores and Rod Smith Craig Noel League members are leaving Carlos and Patricia Cuellar Steve Miller Marisa SorBello and Peter Czipott lasting gifts to the Theatre through planned Patricia and Donn DeMarce* Dr.Robert W.Miner John and Cindy Sorensen gifts, cash contributions, bequests and other Mrs.Philip H.Dickinson Shirley Mulcahy Marje Spear estate planning options. Dr.and Mrs.Robert Epsten Laurie Dale Munday Nancy A.Spector and Alan R.Spector Frank A.Frye,III Stanley Nadel and Cecilia Carrick Jeanette Stevens For more information,please contact Robert Gleason and Marc Matys Alice B.Nesnow Eric Leighton Swenson Director of Development, Marcy Goldstone Arthur and Marilyn Neumann Anne C.Taubman Todd R.Schultz Kathryn Crippen Hattox Craig Noel Cherie Halladay Tirschwell (619) 231-1941 x2310 or David and Debbie Hawkins Greg and Polly Noel Marian Trevor (Mrs.Walter M.)* [email protected]. Craig and Mary Hunter PACEM (Pacific Academy of Evelyn Mack Truitt Barbara Iredale* Ecclesiastical Music) Ginny Unanue Bob Jacobs Mrs.Margaret F.Peninger* Carol and Lawrence Veit Joseph E.Jessop* Velda Pirtle* Harvey* and Jordine Von Wantoch

PERFORMANCES MAGAZINE P21 Special Thanks to our Corporate Donors SEASON SPONSORS ($50,000 and more)

PRODUCTIONSPONSORS ($25,000-$49,999)

DIRECTOR CIRCLE ($10,000-$24,999) Break-Away Tours Higgs,Fletcher & Mack,LLP Starbucks Coffee City National Bank KPMG,LLP Torrey Pines Bank Cyberknife Centers of San Diego,Inc./ Neiman Marcus Vistage International Radiation Medical Group ResMed Foundation

FOUNDER CIRCLE CRAIG NOEL CIRCLE ($5,000-$9,999) ($2,500-$4,999) AT&T Cush Family Foundation M2000 Corporation WD-40 Company San Diego Business Journal The Westgate Hotel 104.94FM XLNC1

Corporate Partners enjoy exclusive benefits and recognition,especially the opportunity to entertain clients and employees with exclusive receptions in our Patron and Lipinsky Family Suites,behind-the-scenes tours,and preferred seating at our shows. For information,please contact Courtney Quinn at (619) 231-1941 x2311.

P22 PERFORMANCES MAGAZINE Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent,we take great pride and pleasure in ac- knowledging as ASSOCIATE ARTISTS OF THE OLD GLOBE,the following who have repeatedly demonstrated by their active presence on our stages and in our shops,that wherever else they may work,they remain the heart and soul of this theatre.

William Anton Richard Easton Bob James Jonathan McMurtry Douglas W.Schmidt Irene Tedrow * Jacqueline Brooks Tovah Feldshuh Charles Janasz Stephen Metcalfe Seret Scott Sada Thompson Lewis Brown Monique Fowler Peggy Kellner* Robert Morgan David F.Segal Victor Buono* Ralph Funicello Tom Lacy Ellis Rabb* Richard Seger James Winker Wayland Capwell * Lillian Garrett-Groag Diana Maddox Steve Rankin Diane Sinor Robert Wojewodski Kandis Chappell Robin Pearson Rose Don Sparks G Wood* Eric Christmas* A.R.Gurney Deborah May Marion Ross David Ogden Stiers * in memoriam George Deloy Joseph Hardy Katherine McGrath Steven Rubin Conrad Susa Tim Donoghue Mark Harelik John McLain Ken Ruta Deborah Taylor Patron Information

TICKET SERVICES HOURS SEATING OF LATECOMERS Monday:Call the ticket office or visit our website for a current schedule Although we understand parking is often at a premium,the seating of of Monday hours. latecomers is extremely disruptive.Latecomers may be given alternative Tuesday - Sunday:Noon – last curtain seating and will be seated at an appropriate interval. Hours subject to change.Please call ahead. Phone (619) 23-GLOBE or (619) 234-5623 YOUNG CHILDREN FAX (619) 231-6752 Children three years of age and under will not be admitted to Email [email protected] performances.

ADMINISTRATION HOURSMonday - Friday:9am – 5pm ELECTRONIC DEVICES AND CAMERAS Phone (619) 231-1941 Use of recording devices and cameras is not permitted.If you are wear- Website www.TheOldGlobe.org ing a digital watch or pager,or if you are carrying a cellular phone, Address The Old Globe please silence it prior to entering the theatre. P.O.Box 122171 San Diego,CA 92112-2171 ASSISTED LISTENING SYSTEM For the convenience of the hearing impaired,the assisted listening sys- ORDERING TICKETS/CHANGE OF ADDRESS tem is available in the Old Globe Theatre.Lightweight headsets may be The Old Globe accepts Visa, Discover, MasterCard, or American obtained from the house manager prior to performances,free of charge. Express. Phone orders for non-subscribers are subject to a $3 per ticket service charge,not to exceed $12.Ticket exchanges are subject to a ser- PUBLIC TOURS vice charge for non-subscribers. If you have moved, please notify the Go behind the scenes at The Old Globe to learn about the history,three Ticket Services Office to update our records.Call (619) 234-5623 dur- stages,shop and craft areas.Open tours:most Saturdays and Sundays ing Ticket Services hours, mail your change of address to the Ticket at 10:30am.Groups by reservation.$5 adults;$3 seniors and students. Services Office,or email us at [email protected]. Phone (619) 231-1941 x2142 for information/reservations.

UNABLE TO ATTEND? LOST AND FOUND If you find you are unable to use your tickets, please give them to a If you have misplaced a personal item while at the theatre,please con- friend,or turn them in to the Ticket Serivces Office and receive a tax re- tact the Ticket Services Office or Security as soon as possible. If we are ceipt for your donation.Tickets must be received by show time. unable to locate your item,we’ll happily take down your contact infor- mation as well as a description of the item and contact you if it is found. RESTROOMS AND TELEPHONES The Old Globe does not assume liability for items left behind on Restrooms are located in the lower lobby of the Old Globe Theatre and premises. adjacent to the Festival Theatre;pay phones may be found in the lower Globe Theatre lobby and next to the Gift Shop. NaturalHerbCoughDrops - Courtesyof RicolaUSA,Inc. —availableuponrequest—. Pleaseaskanusher.

PERFORMANCES MAGAZINE P23 Lighting MARKETING Staff Nate Parde ...... Lighting Director Mia Fiorella...... AudienceDevelopmentManager Megan Fonseca...... Lighting Assistant Jackie Anderson...... Publications Coordinator Tonnie Ficken...... MasterElectrician,Globe Claire Kennelly...... Marketing Assistant Jim Dodd...... MasterElectrician,Copley Samantha Haskins...... PublicRelations Assistant Louis G. Spisto...... CEO/ExecutiveProducer Kevin Liddell...... MasterElectrician,Festival Erica Dei...... GraphicDesigner Todd Adams,Elizabeth Axe, Jason Bieber,Meghan Bourdeau Craig Schwartz...... ProductionPhotographer Michael G. Murphy...... GeneralManager Bonnie Breckenridge,Mark Dewey,Kristen Flores,Lacey Flores, Joyanne Buscemi,Monica Jorgensen, ...... ResidentArtisticDirector Kelli Groskopf,Maureen Hanratty,Justin Hobson,Jennifer Haley White...... Marketing/Events Assistants Dave Henson...... Directorof Marketing andCommunications Horowitz,Ashley Jenks,Shawna Kyees,Steve Schmitz, Subscription Sales Todd Schultz...... Directorof Development Amanda Zieve...... Electricians Scott Cooke ...... SubscriptionSales Manager Mark Somers...... Directorof Finance Sound Anna Bowen-Davies,Stanley Cade,Arthur Faro,Andy Fink, Richard Seer...... Directorof ProfessionalTraining Paul Peterson ...... SoundDirector Randi Hawkins,Pamela Malone,Yolanda Moore,Jessica Morrow, Robert Drake...... Directorof Production Erik Carstensen...... MasterSoundTechnician,Globe Ken Seper,Cassandra Shepard,Mandy Smith, Roberta Wells-Famula...... Directorof Education Rachel Eaves...... MasterSoundTechnician,Copley Grant Walpole ...... SubscriptionSales Representatives ARTISTIC Ticket Services ADMINISTRATION Bob Coddington ...... TicketServices Manager Jack DePalma...... PlayDevelopmentDirector Suzanne Bradley...... AssistantGeneralManager Marsi Roche...... TicketOperations Manager Samantha Barrie...... Casting Director Mark Gingery...... TheatreCenterProjectCoordinator Dani Meister...... GroupSales Manager Claudia Hill-Sparks...... VoiceandSpeechConsultant Information Technology Brandon Smithey...... TicketServices Supervisor/ Bernadette Hobson...... ArtisticAssistant Dean Yager...... InformationTechnologyManager Training Coordinator Stage Management ThadSteffen...... InformationTechnologyAsst.Mgr. Marissa Haywood, Leila Knox...... ProductionStageManager J.Adam Latham...... InformationTechnologyAssistant Shouna Shoemake...... LeadTicketServices Representatives Human Resources Brian Abraham,Elizabeth Brown,Sarah Ditges,Tony Dixon, PRODUCTION Sandra Parde...... HumanResources Director Merri Fitzpatrick,Michael Knudsen,Alicia Lerner,Cassie Lopez, Debra Pratt Ballard...... AssociateDirectorof Production Maintenance Caryn Morgan,Jensen Olaya,Michael Pousson,Carlos Quezada, Ron Cooling...... CompanyManager Randy McWilliams...... Facilities Manager Molly Whittaker...... TicketServices Representatives Carol Donahue...... ProductionCoordinator Violanda Corona,Ismael Delgado,Miguel Gaspar,Roberto Technical Gonzalez,Reyna Huerta,Jose Morales,Albert Rios,Maria Rios, PATRON SERVICES Benjamin Thoron ...... TechnicalDirector Perla Rios,Joshua J.Sanchez,Nicolas Torres...... Building Staff Mike Callaway ...... TheatreManager Wendy Berzansky ...... AssociateTechnicalDirector Kristen Cairns ...... Frontof HouseAssistant Sean Fanning ...... ResidentDesignAssistant PROFESSIONAL TRAINING Rob Novak ...... HouseManager Eliza Korshin...... TechnicalAssistant/Buyer Llance Bower...... ProgramCoordinator Dana Juhl...... FoodandBeverageManager Christian Thorsen...... StageCarpenter/Flyman,Globe Maria Carrera,Cynthia Caywood,Sabin Epstein, Haydee Aldas...... FoodandBeverageAssistantManager Carole Payette...... ChargeScenicArtist Gerhard Gessner,Jan Gist,Claudia Hill-Sparks,Peter Kanelos, Michelle Elliott,Perla Rios,Brock Roser,Anne-Marie Shafer, Edee Armand,Adam Bernard,Victoria Erbe...... ScenicArtists Fred Robinson,Liz Shipman...... MFAFaculty Tess Thompson...... PubStaff Gillian Kelleher...... MasterCarpenter Corey Johnston,Robin Sanford Roberts, Rose Espiritu,Stephanie Rakowski, Robert Dougherty...... MasterCarpenter,Festival Ben Seibert,George Yé...... MFAProductionStaff Stephanie Reed ...... GiftShopSupervisors Sheldon Goff,Jason McIntyre,Laura McEntyre,Mongo Moglia, Mason Petersen...... Carpenters Security/Parking Services Costumes EDUCATION Rachel “Beahr” Garcia ...... Security/Parking Services Supervisor Stacy Sutton...... CostumeDirector Kim Montelibano Heil ...... EducationAssociate Irene Herrig...... AssociateSupervisorof Security Charlotte Devaux Shields...... ResidentDesignAssistant Carol Green ...... SpeakersBureauCoordinator Sherisa Eselin,Janet Larson,Jeffrey Neitzel, Maureen Mac Niallais ...... AssistanttotheDirector Marisela De la Parra,Monique Gaffney,Janet Hayatshahi, Sonia Paul...... SecurityOfficers Shelly Williams...... DesignAssistant/Shopper Jamie Koottarappallil,Jensen Olaya,Steve Lipinsky, Mark Anguiano,Patricia Ceja,Dallas Chang, Erin Cass,Wendy Miller...... Drapers Sarah Price,David Tierney...... Teaching Artists Deborah Elliott,Mark Florez,Nicole Hagemeyer, Babs Behling,Anne Glidden Grace...... AssistantCutters Lou Hicks, ...... Parking LotAttendants Mary Miller ...... CostumeAssistant FINANCE Andrew Ashton,David Nguyen...... V.I.P.ValetAttendants Nancy Liu...... Stitcher Paula Nickodemus ...... SeniorAccountant Erin Carignan...... CraftSupervisor,Dyer-Painter Trish Guidi...... Accounts Payable/Accounting Assistant Molly O’Connor ...... Wig andMakeupSupervisor Anthony Martinez...... PayrollCoordinator/Accounting Assistant Jack O’Brien...... ArtisticDirectorEmeritus Kim Parker...... AssistanttoWig andMakeupSupervisor Tim Cole...... Receptionist Craig Noel...... Founding Director Beverly Boyd...... WardrobeSupervisor Marnee Davis...... GlobeCrewChief DEVELOPMENT Kristin Bongiovanni...... GlobeRunCrew Annamarie Maricle ...... AssociateDirector,InstitutionalGrants Jeri Nicolas...... CopleyCrewChief Marilyn McAvoy ...... MajorGifts Director Marie Jezbera ...... RentalAgent Eileen Prisby...... Events Manager Properties Courtney Quinn...... DevelopmentCoordinator, Neil A.Holmes...... Properties Director IndividualAnnualGiving Kristin Steva Campbell...... AssistanttotheDirector Diane Addis...... MembershipAdministrator M.H.Schrenkeisen...... ShopForeman Josh Martinez-Nelson ...... Development Administrator Rory Murphy...... LeadCraftsman Diana Steffen...... VIPDonorTicketing Pat Cain...... PropertyMaster,Globe Rachel Plummer...... DevelopmentAssistant David Buess ...... PropertyMaster,Copley Donor Services Trevor Hay...... PropertyMaster,Festival Joyanne Buscemi,Monica Jorgensen,Barbara Lekes,Richard Joshua Camp,Kristi Hummel,David Medina, Navarro,Stephanie Reed,Judy Zimmerman...... SuiteConcierges Patricia Rutter...... Craftspeople

PERFORMANCES MAGAZINE P24