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1 COMMONWEALTH of PENNSYLVANIA HOUSE of REPRESENTATIVES COMMITTEE on JUDICIARY Ouse Bill 1141
1 COMMONWEALTH OF PENNSYLVANIA HOUSE OF REPRESENTATIVES COMMITTEE ON JUDICIARY ouse Bill 1141 * * * * * Stenographic report of hearing held in Majority Caucus Room, Main Capitol Building, Harrisburg, Pennsylvania Friday, April 28, 1989 10:00 a.m. THOMAS CALTAGIRONE, CHAIRMAN MEMBERS OF COMMITTEE ON JUDICIARY ry Birmelin Hon. Christopher K. McNally hard Hayden Hon. Nicholas B. Moehlmann id W. Heckler Hon. Robert D. Reber ard A. Kosinski sent: antz. Executive Director lley, Minority Counsel Reported by: Ann-Marie P. Sweeney, Reporter ANN-MARIE P. SWEENEY 536 Orrs Bridge Road Camp Hill, PA 17011 2 INDEX PAGE gner, Southeast Regional Dir., 3 Ivamans vs. Pornography st. Esquire, United States Attorney 57 eters, Esquire, Legal Counsel, 74 al Obscenity Law Center wn, Southeast Coordinator, 78 Ivamans vs. Pornography Viglietta, Director, Justice and 96 Department, Pennsylvania Catholic ence 3 CHAIRMAN CALTAGIRONE: We'll start the ngs. Members will be coming in. We do have some Df the Judiciary Committee present - Jerry , Dob Reber, Chris McNally, and the staff a Director, Dave Krantz. There will be others L be coming in as the proceedings go on today. I'd like to introduce myself. I'm State bative Tom Caltagirone, chairman of the House f Committee. Today's hearing is on House Bill 'd like to welcome everybody that's in attendance ay, and I'd like to call as our first witness jner, who is the Southeast Regional Director of 3ylvanians vs. Pornography. Frank. MR. WAGNER: Mr. Chairman and members of the f Committee, I'm here today to testify on behalf flvanians vs. Pornography. PVP is a congress of nography works located here in the Commonwealth ides some 43 county anti-pornography tions, the Pennsylvania Catholic Conference, ania Council of Churches, Pennsylvamans for Morality, Concerned Women of America, the Eagle nd the Pennsylvania Knights of Columbus. -
New Product Special Full-Sized Tape VHS Camcorder, Super Beta
Sword and Sandal Sagas The #1 Magazine of Home Vu New Product Special Full-sized Tape VHS Camcorder, Super Beta Heard Anv Grind MnvieQ? BERGER-BRAITHWAITE VIDEOTESTS Sansui VHS Hi-Fi VCR Canon Portable 8mm VCR Canon 8mm Color Camera Bib VHS Video Alarm £ ^eX Vietnam V>1 ,‘--^og^onf6«ed ca^*e^ iSi*'"*'*'" i MGM/UA Home Video, 1350 Ave. of the Americas, New York, NY 10019. ;tna\\-^ettjv . Can they I Available ‘n racked iollo^-np lheW"j“’‘^,Svd«‘ron^ D»e?Xe‘»yirien<i'*tt’e i raiders fi^rroitK.FiM«'lessiv into* t$s*#** sssi^SS*- %£03(2£$2* S&tS* April 1985 Contents Volume IX, Number 1 Features Program Guide Columns The Greatest Stories Ever Told News & Views Channel One Our critic makes a selective By Ken Winslow.43 The Digital Class.6 survey of ‘the epic, ’ the film Top 10 Fast Forward genre in which too much is enough. Tape & Disc Sales & Rentals.45 Dr. Jekyll & Mr. Sony.8 By Tom Soter.66 Reviews Feedback What's New Film & Video Clips/Quick Takes.46 Who’s the Sucker?.10 We’ll tell you what’s new. Super New Products Beta! Korean VCRs! Camcorders! Directory NEC’s Quadruplets: 2 Beta, 2 VHS.. 14 And accessories are multiplying What’s New on Tape & Disc.57 like Rabbits (which is the name Fine Tuning of one of ’em). Yes, we have seen The Proper Dub the future of video—or at least Videotests By Roderick Woodcock.26 this year’s version of it. Videogram Sansui SV-R9900HF VHS Hi-Fi VCR By Richard Jaccoma.70 Flying Blind? Canon VR-E10 Portable 8mm VCR By William Wolfe.30 Found Sound Canon VC-200A 8mm Color Camera Those who take the trouble can Bib VHS Video Alarm TV Den find free multichannel riches By Berger-Braithwaite Labs.92 Resolution Resolved buried in movie soundtracks. -
March 20-26, 2014
MARCH 20-26, 2014 -------------------------------------Feature • Beer Bourbon Bacon Festival ------------------------------------ Everything Goes Better with Bacon By Chris Hupe of the sun on a consistent, daily basis and lect Indiana and Kentucky bourbons.” Pitchfork Music that his favorite sound is the start of Germanfest, the traditional open- All of the beverages listed above are bacon frying. “If you record the sound of ba- Beer. Bourbon. Bacon. These three ing event of Fort Wayne’s festival season at probably reason enough for most to drop con in a frying pan,” Waits said “and play it things in and of themselves are enough to Headwaters Park. But, with the seemingly anything they might have already planned for back, it sounds like the pops and cracks on make most people’s mouths water like Pav- endless winter we have had this year, giving March 29 and hightail it over to the Botani- an old 33-1/3 recording. Almost exactly like lovian dogs, but when you put them together just about everyone in the area a horrible case cal Conservatory, but the kicker is, of course, that. You could substitute it for that sound.” with live music and call it a festival, well, of cabin fever, it seems the organizers of the the addition of bacon to the mix. With all Of course, the biggest and probably now you’ve got something that is not only Beer Bour- due respect most famous proponent of bacon over the unique to Fort Wayne, but also a gathering bon Bacon to the egg, last decade has been comedian Jim Gaffigan that is sure to leave just about everyone sat- F e s t i v a l BEER BOURBON BACON FESTIVAL bacon may who brings it all together by saying bacon is isfied. -
HIV Prevention and Heterosexual College Students: the Impact of Video Instruction on the "Safer" Sexual Behaviors of Sexually Active Men
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-1994 HIV Prevention and Heterosexual College Students: The Impact of Video Instruction on the "Safer" Sexual Behaviors of Sexually Active Men Cheryl L. Knight Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Health Psychology Commons Recommended Citation Knight, Cheryl L., "HIV Prevention and Heterosexual College Students: The Impact of Video Instruction on the "Safer" Sexual Behaviors of Sexually Active Men" (1994). Dissertations. 1824. https://scholarworks.wmich.edu/dissertations/1824 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. HIV PREVENTION AND HETEROSEXUAL COLLEGE STUDENTS: THE IMPACT OF VIDEO INSTRUCTION ON THE "SAFER" SEXUAL BEHAVIORS OF SEXUALLY ACTIVE MEN by Cheryl L. Knight A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Psychology Western Michigan University Kalamazoo, Michigan December 1994 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. HIV PREVENTION AND HETEROSEXUAL COLLEGE STUDENTS: THE IMPACT OF VIDEO INSTRUCTION ON THE "SAFER" SEXUAL BEHAVIORS OF SEXUALLY ACTIVE MEN Cheryl L. Knight, Ph.D. Western Michigan University, 1994 Despite increasing evidence of the heterosexual transmission of the human immunodeficiency virus (HIV) among young adults, research with college students has been primarily restricted to descriptions of the levels of risky behavior and the correlates of that behavior. -
Service Organisations and Sexual Diversity: Sensory Impairment, Subcultures and Representation
Service Organisations and Sexual Diversity: Sensory Impairment, Subcultures and Representation Author Abrahams, Warwick Ashkey Published 2012 Thesis Type Thesis (PhD Doctorate) School School of Human Services and Social Work DOI https://doi.org/10.25904/1912/3819 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367772 Griffith Research Online https://research-repository.griffith.edu.au Service Organisations and Sexual Diversity: Sensory Impairment, Subcultures and Representation Warwick Ashley Abrahams BA (Hons) University of Queensland Grad Cert (Philanthropy & NpSt) Queensland University of Technology School of Human Services and Social Work Griffith Health Griffith University Submitted in fulfillment of the requirements of the Degree of Doctor of Philosophy June 2010 TABLE OF CONTENTS Chapters of the thesis…………………………………………………..i Synopsis...............................................................................iv Keywords.............................................................................iv Declaration...........................................................................v Acknowledgement................................................................vi Terminology........................................................................vii Syntax……….........................................................................xii Tables 1. Responses from blind persons........................26 2. Responses from d/Deaf persons.....................27 -
Forced Entry 30Th November 2015
Forced Entry th 30 November 2015 Acknowledgements I would like to thank Shaun Costello for taking time to answer my questions, and Martin Brooks, Oliver Carter, and Tony Richards for their valuable suggestions. ‘There is no better way to know death than to link it through some licentious image’ The Marquis De Sade (Quoted in Bataille 1986: 11) Forced Entry (Shaun Costello, 1972) is a sexually violent feature film which blurs perceptions of 1970s American hardcore cinema as a ‘golden age’ of creative ambition, commercial possibility and broader mainstream acceptance, a phenomenon that has been identified most resonantly as ‘porno chic’. This term originated in Ralph Blumenthal’s (1973) New York Times article bearing the same name, and soon entered into discussions on pornography’s role within that decade’s liberal trends of morality and sexuality, before achieving later ubiquity in various inquiries into porn’s 21st century cultural status (See McNair 2012). This was prompted by the succès de scandale of Deep Throat (Gerard Damiano, 1972), Behind The Green Door (Artie and Jim Mitchell, 1972), The Resurrection of Eve (Jon Fontana and Artie Mitchell, 1973) and The Devil in Miss Jones (Gerard Damiano, 1973). All of these films were male authored, but dealt in some way with both the potential and the limitations of a female protagonist’s sexual assertion relative to masculine primacy, in scenarios which were either conventionally dramatic, comedic or even steeped in the supernatural. However, in Forced Entry, not only is the film male authored, but its point of view is channelled through a psychologically disturbed Vietnam war veteran - now a New York gas station attendant - who stalks selected female customers before raping and murdering them in their homes, seemingly as a punishment for sexual assertiveness and social independence which threaten his fragile claims to masculine authority. -
The Golden Age of Porn: Nostalgia and History in Cinema Susanna Paasonen and Laura Saarenmaa
Pornification 19/7/07 10:56 am Page 23 –2– The Golden Age of Porn: Nostalgia and History in Cinema Susanna Paasonen and Laura Saarenmaa The mainstreaming of pornography is indebted to the success of feature-length hardcore films of the 1970s. Shot on 35 mm film, productions such as Deep Throat (1972), Behind the Green Door (1972), The Devil in Miss Jones (1973), The Opening of Misty Beethoven (1976) and Debbie Does Dallas (1978) were widely screened both in the USA and internationally. These films have since been estab- lished as classics (Buscombe 2004: 30) and milestones in both scholarly and popular porn historiographies. While some identify the so-called ‘golden age of porn’ through North American legislation and as ranging from 1957 from 1973 (Lane 2000: 22–3), it was in the 1970s and early 1980s that porn shifted towards the mainstream. In a trend titled by the New York Times as porno chic, pornography became fashionable, gained mainstream publicity and popularity (McNair 2002: 62–3; Schaefer 2004: 371; Wyatt 1999). During the past decade, this golden age has been reminisced in films such as People Vs. Larry Flynt (1996), Boogie Nights (1997) and Rated X (2000), numerous documentaries – including the critically acclaimed Inside Deep Throat (2005) – and books.1 This body of popular porn historiography depicts the decade as one of quality films with real stories, personal performers and talented directors, in contrast to the 1980s of video distribution, inflation of the porn industry, rise of AIDS and conservative backlash. With notable exceptions such as the French Le pornographe (2001) and the Spanish–Danish co-production Torremolinos 73 (2003), European histories have not been reminisced to the same degree. -
Miss MARILYN CHAMBERS
The Ivory Snow Soap model gone XXX porn legend of the 70s and 80s pries open the paint-chipped green door and lets us peak inside… the Insatiable… Miss MARILYN CHAMBERS r e t s o P d n a k o o B d o o w y l l o H f o y s e t r u o c s o t o Interview by Robert Steven Rhine h P G&C: You’re truly a survivor, Marilyn. Many of the 70s porn performers are gone and buried. ODs, suicides and AIDS – which also happen to mainstream performers – it seems like in your business a lot more actors had some really rough, and even deadly, times. So, to what do you owe your longevity and survival? There’re only a handful of Marilyn: [laughs] Probably a little bit of AA names who meet the test of here and there. I also have a teenager who keeps legendary adult film icon: JOHN me real busy. As far as being a survivor over the HOLMES, LINDA LOVELACE, RON years, I didn’t totally over-expose myself, pardon JEREMY, TRACY LORDS, GINGER LYNN, JENNA JAMESON the pun. I didn’t go to the max like a lot of porn performers do, especially, today. When I first and, of course, at the top of that list… MARILYN CHAMBERS. came around, everything was shot on film and it I happen to be a bone-a-fide fan of Marilyn Chambers, having became porno chic. They just don’t make these watched her in the very first XXX movie I ever saw, Behind the kind of adult movies anymore. -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
Sanitizing the Seventies Pornography, Home Video, and the Editing of Sexual Memory
WHITNEY STRUB Sanitizing the Seventies Pornography, Home Video, and the Editing of Sexual Memory ABSTRACT During the 1980s US feminist sex wars, pornography edited its own history, leav- ing a distorted record both less problematic and less queer than scholars have yet recognized. Academic inquiry into pornography coincided with home-video boom years, and research often took place in adult backrooms, necessarily because pornography was so poorly archived. Yet even as access has shifted from VHS to digital, the field has yet to reckon with how its interpre- tive frameworks were shaped by a material history in which the films that scholars watched were often altered from the versions patrons had seen in theaters. Gone from both straight and gay films were many transgressive sex acts that had frequently been staples of the genre, affecting the perceived oeuvre of nearly every hardcore filmmaker of the era. This article recov- ers the lost history of sexual media editing, arguing for a more carefully historicized interro- gation of the commercial sources of our porn archives. KEYWORDS censorship, home video, new video studies, pornography, sex wars At the height of the s feminist sex wars, pornography edited its own history. Few noticed and no official archives recorded or preserved this change, but the interpretive stakes were, and remain, high. Scenes disappeared, and with them the social meanings of texts, resulting in a disconnect between embodied histori- cal experiences and the later textual interpretations of those works. The pornog- raphy industry sanitized its s iterations, leaving a distorted record that narrowed the scope of its erotic imaginary in ways that left it both less misogy- nistic and less expansive, a triumph of the banal and the genital that necessitates intervention, since the “porno chic” that scholars have inherited is in large part an industrial memory production of the sands, as pornography’shis- tory was quietly disciplined and revised over the course of its various platform adaptations. -
A Content Analysis of Pornographic Feature Films, 1972-1985
University of Pennsylvania ScholarlyCommons Dissertations (ASC) Annenberg School for Communication 1987 Power, Pain, and Pleasure in Pornography: A Content Analysis of Pornographic Feature Films, 1972-1985 Stephen Robert Prince University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/dissertations_asc Part of the Film and Media Studies Commons, Mass Communication Commons, and the Other Feminist, Gender, and Sexuality Studies Commons Recommended Citation Prince, Stephen Robert, "Power, Pain, and Pleasure in Pornography: A Content Analysis of Pornographic Feature Films, 1972-1985" (1987). Dissertations (ASC). 4. https://repository.upenn.edu/dissertations_asc/4 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/dissertations_asc/4 For more information, please contact [email protected]. Power, Pain, and Pleasure in Pornography: A Content Analysis of Pornographic Feature Films, 1972-1985 Abstract Within the last decade, a view has emerged in governmental publications, the popular press, and research conducted in the fields of communications and film studies whichegar r ds pornography as being typified by material which is violent or which exhibits unequal relations of power between the sexes. This dissertation employs content analysis to investigate the portrayal of male and female characters and relationships in pornographic films. The investigation empirically operationalizes certain broadly defined concepts that are often used in conjunction with pornography, concepts of unequal power relations and of the subordination or de-humanization of characters. Specifically, certain observable components of unequal power relations have been postulated and investigated throughout the range of films sampled. In addition, communication patterns, demonstrations of affection and of sexual pleasure are analyzed, as well as rates of violent and abusive behavior. -
The Legend of Henry Paris
When a writer The goes in search of Legend the great of auteur of the golden age of porn, she gets more than she bargained for Henry paris BY TONI BENTLEY Photography by Marius Bugge 108 109 What’s next? The fourth title that kept showing up on best-of lists of the golden age was The Opening of Misty Beethoven by Henry Paris. Who? Searching my favorite porn site, Amazon.com, I found that this 1975 film was just rereleased in 2012 on DVD with all the bells and whistles of a Criterion Collection Citizen Kane reissue: two discs (re- mastered, digitized, uncut, high- definition transfer) that include AAs a professional ballerina, I barely director’s commentary, outtakes, finished high school, so my sense of intakes, original trailer, taglines inadequacy in all subjects but classi- and a 45-minute documentary cal ballet remains adequately high. on the making of the film; plus a In the years since I became a writer, magnet, flyers, postcards and a my curiosity has roamed from clas- 60-page booklet of liner notes. sic literature to sexual literature to classic sexual literature. When Misty arrived in my mailbox days later, I placed the disc A few months ago, I decided to take a much-needed break in my DVD player with considerable skepticism, but a girl has to from toiling over my never-to-be-finished study of Proust, pursue her education despite risks. I pressed play. Revelation. Tolstoy and Elmore Leonard to bone up on one of our most interesting cultural phenomena: pornography.