DOCSLIB.ORG

Video Camera Recorder

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Video Camera Recorder 3-859-595-13 (1) Video Camera Recorder Operating Instructions Before operating the unit, please read this manual thoroughly, and retain it for future reference. Owner’s record The model and serial numbers are located on the bottom. Record the model and serial numbers in the space provided below. Refer to these numbers whenever you call upon your Sony dealer regarding this product. Model No. CCD- Model No. AC- Serial No. Serial No. CCD-TRV52 CCD-TRV32/TRV52/TRV53/ TRV312/TRV512 h 1997 by Sony Corporation Welcome! Congratulations on your purchase of this Sony Handycam Vision camcorder. With your Handycam Vision, you can capture life’s precious moments with superior picture and sound quality. Your Handycam Vision is loaded with advanced features, but at the same time it is very easy to use. You will soon be producing home video that you can enjoy for years to come. For the Sony Service Center nearest you call WARNING 1-800-222-SONY (United States only). For the Factory Service Center nearest you call To prevent fire or shock hazard, do 416-499-SONY (Canada only). not expose the unit to rain or Caution: Do not handle damaged or leaking nickel- moisture. cadmium batteries. CAUTION For the Customers in the RISK OF ELECTRIC SHOCK DO NOT OPEN U.S.A. CAUTION : TO REDUCE THE RISK OF ELECTRIC SHOCK, CAUTION You are cautioned that any changes or modifications DO NOT REMOVE COVER (OR BACK). not expressly approved in this manual could void NO USER-SERVICEABLE PARTS INSIDE. your authority to operate this equipment. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. Note: This equipment has been tested and found to comply This symbol is intended to alert the with the limits for a Class B digital device, pursuant user to the presence of uninsulated to Part 15 of the FCC Rules. These limits are designed “dangerous voltage” within the to provide reasonable protection against harmful product’s enclosure that may be of interference in a residential installation. This sufficient magnitude to constitute equipment generates, uses, and can radiate radio a risk of electric shock to persons. frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, This symbol is intended to alert the there is no guarantee that interference will not occur user to the presence of important in a particular installation. If this equipment does operating and maintenance cause harmful interference to radio or television (servicing) instructions in the reception, which can be determined by turning the literature accompanying the equipment off and on, the user is encouraged to try to appliance. correct the interference by one or more of the following measures: — Reorient or relocate the receiving antenna. RECYCLING NICKEL-CADMIUM — Increase the separation between the equipment BATTERIES and receiver. NICKEL-CADMIUM — Connect the equipment into an outlet on a circuit BATTERY. different from that to which the receiver is connected. MUST BE DISPOSED OF PROPERLY. — Consult the dealer or an experienced radio/TV technician for help. Nickel-Cadmium batteries are recyclable. You can help preserve our environment by returning your For the Customers in CANADA unwanted batteries to your nearest Sony Service Center or Factory CAUTION Service Center for collection, recycling or proper disposal. TO PREVENT ELECTRIC SHOCK, DO NOT Note: In some areas the disposal of nickel-cadmium USE THIS POLARIZED AC PLUG WITH AN batteries in household or business trash may EXTENSION CORD, RECEPTACLE OR be prohibited. OTHER OUTLET UNLESS THE BLADES CAN BE FULLY INSERTED TO PREVENT BLADE EXPOSURE. 2 Table of contents Before you begin Additional information Using this manual .................................. 4 Changing the lithium battery Checking supplied accessories ............. 6 in the camcorder ............................ 48 Before you begin Before Resetting the date and time ................. 50 Getting started Playback modes .................................... 52 Tips for using the battery pack ........... 53 Charging and installing the battery pack ............................... 7 Maintenance information and precautions ..................................... 56 Inserting a cassette ............................... 10 Using your camcorder abroad ............ 61 Basic operations Trouble check ........................................ 62 Specifications ........................................ 66 Camera recording ................................. 11 Identifying the parts............................. 68 Using the zoom feature ................. 13 Warning indicators............................... 75 Selecting the start/stop mode ...... 14 Index ...................................... back cover Shooting with the LCD screen ..... 15 Letting the subject monitor the shot . 16 Hints for better shooting ..................... 17 Checking the recorded picture ........... 19 Playing back a tape ............................. 21 Searching for the end of the picture ... 23 Advanced operations Using alternative power sources ....... 24 Changing the mode settings ............... 27 Recording with the date or time ......... 30 Fade-in and fade-out ............................ 31 Enjoying picture effect ......................... 32 Using the wide mode function ........... 34 Focusing manually ............................... 36 Using the PROGRAM AE function .... 37 Shooting with backlighting ................. 38 Releasing the STEADY SHOT function ........................................... 39 Superimposing a title ........................... 40 Making your own titles ....................... 43 Watching on a TV screen ..................... 45 Editing onto another tape .................... 47 3 Before you begin Using this manual The instructions in this manual are for the five models listed below. Before you start reading this manual and operating the unit, check your model number by looking at the bottom of your camcorder. The CCD-TRV52 is the model used for illustration purposes. Otherwise, the model name is indicated in the illustrations. Any differences in operation are clearly indicated in the text, for example, “CCD-TRV52 only”. As you read through this manual, buttons and settings on the camcorder are shown in capital letters. e.g. Set the POWER switch to CAMERA. As indicated with ≥ in the illustrations, you can hear the beep sound to confirm your operation. Types of differences CCD- Audio Viewfinder LASER LINK TRV32 Monaural B/W – TRV52 Stereo B/W r TRV53 Monaural Color r TRV312 Monaural B/W – TRV512 Stereo B/W r Note on TV color systems TV color systems differ from country to country. To view your recordings on a TV, you need an NTSC system-based TV. When you want to use a PAL M system-based TV, you will need an NTSC/PAL M transcoder (as this is an NTSC system-based camcorder). Precaution on copyright Television programs, films, video tapes, and other materials may be copyrighted. Unauthorized recording of such materials may be contrary to the provision of the copyright laws. 4 Using this manual Precautions on camcorder care • The LCD screen and/or color viewfinder are manufactured using high-precision technology. However, there may be some tiny black points and/or bright points (red, blue or green in color) that constantly appear in the viewfinder or on the you begin Before LCD screen. These points are normal in the manufacturing process and do not affect the recorded picture in any way. Over 99.99% are operational for effective use. • Do not let the camcorder get wet. Keep the camcorder away from rain and sea water. It may cause a malfunction and sometimes the malfunction cannot be repaired. [a] • Never leave the camcorder under temperatures above 140 °F (60 °C), such as in a car parked in the sun or under direct sunlight. [b] [a] [b] 5 Checking supplied accessories Check that the following accessories are supplied with your camcorder. 1 23 4 56 * or 7 8 1 Wireless Remote Commander (1) (p. 22, 6 Shoulder strap (1) (p. 71) 72) 7 AC-V16/V16A AC power adaptor (1) 2 NP-33 Battery Pack (1) (p. 7) (p. 7, 24) 3 Battery case (1) (p. 25) 8 CR2025 Lithium Battery (1) (p. 48) CCD-TRV32/TRV52/TRV53 only Already installed in the camcorder. 4 A/V connecting cable (1) (p. 45) * for stereo model 5 Size AA (R6) battery for Remote Commander (2) (p. 72) Contents of the recording cannot be compensated if recording or playback is not made due to a malfunction of the camcorder, video tape, etc. 6 Getting started Charging and installing the battery pack Before using your camcorder, you first need to charge and install the battery pack. To charge the battery pack, use the supplied AC power adaptor. Charging the battery pack Charge the battery pack on a flat place without vibration. Getting started Getting (1) Connect the AC power adaptor to a wall outlet. (2) Align the right side of the battery pack with the line on the AC power adaptor, then slide the battery pack in the direction of the arrow. (3) Set the selector to CHARGE. The CHARGE lamp (orange) lights up. Charging begins. When charging is completed, the CHARGE lamp goes out. Unplug the unit from the wall outlet, and then remove the battery pack and install it on the camcorder. 1 2 3 POWER CHARGE Charging time (in minutes) Battery pack Charging time* Battery pack Charging time* NP-33 (supplied) 60 NP-68 125 NP-60D 90 NP-80/80D 190 NP-C65 105 NP-98/98D 215 * Approximate minutes to charge an empty battery pack using the supplied AC power adaptor (Lower temperatures require a longer charging
Load more

Recommended publications
  • Bakalářská Práce
    Univerzita Hradec Králové Pedagogická fakulta Katedra technických předmětů OBRAZOVÁ PODPORA VÝUKY TECHNICKÝCH PŘEDMĚTŮ - TECHNIKA A TECHNOLOGIE PRO DYNAMICKÝ OBRAZ Bakalářská práce Autor: Pavel Bédi Studijní program: B 1801 Informatika Studijní obor: Informatika se zaměřením na vzdělávání Základy techniky se zaměřením na vzdělávání Vedoucí práce: doc. PaedDr. René Drtina, Ph.D. Hradec Králové 2020 UNIVERZITA HRADEC KRÁLOVÉ Studijní program: Informatika Přírodovědecká fakulta Forma studia: Prezenční Akademický rok: 2018/2019 Obor/kombinace: Informatika se zaměřením na vzdělávání – Základy techniky se zaměřením na vzdělávání (BIN-ZTB) Obor v rámci kterého má být VŠKP vypracována: Základy techniky se zaměřením na vzdělávání Podklad pro zadání BAKALÁŘSKÉ práce studenta Jméno a příjmení: Pavel Bédi Osobní číslo: S17IN020BP Adresa: Řešetova Lhota 41, Studnice – Řešetova Lhota, 54701 Náchod 1, Česká republika Téma práce: Obrazová podpora výuky technických předmětů – technika a technologie pro dynamický obraz Téma práce anglicky: Image support for the teaching of technical subjects – technique and technology for dynamic image Vedoucí práce: doc. PaedDr. René Drtina, Ph.D. Katedra technických předmětů Zásady pro vypracování: Cílem bakalářské práce je podat ucelený přehled o možnostech tvorby vidoezáznamů, snímací technice a produkčních SW. Předpokládá se, že na Bc práci bude navazovat diplomová práce s kompletně zpracovaným didaktickým materiálem pro vybrané téma. Předpokládané členění Bc práce (možné zadání pro dva studenty při rozdělení na oblast audio a video): Specifika tvorby dokumentárního a výukového videozáznamu pro technická zařízení. Digitální videokamery a jejich vlastnosti, záznamové a obrazové formáty a jejich kompatibilita, vysokorychlostní kamery. Snímací objektivy, testy rozlišovací schopnosti. Pomocná technika pro digitální video – nekonečné pozadí, osvětlovací technika, předsádky, atd. Zařízení pro záznam zvuku, mikrofony a jejich příslušenství, zásady pro snímání tzv.
    [Show full text]
  • Digital Video in Multimedia Pdf
    Digital video in multimedia pdf Continue Digital Electronic Representation of Moving Visual Images This article is about the digital methods applied to video. The standard digital video storage format can be viewed on DV. For other purposes, see Digital Video (disambiguation). Digital video is an electronic representation of moving visual images (video) in the form of coded digital data. This contrasts with analog video, which is a moving visual image with analog signals. Digital video includes a series of digital images displayed in quick succession. Digital video was first commercially introduced in 1986 in Sony D1 format, which recorded a non-repressive standard digital video definition component. In addition to uncompressed formats, today's popular compressed digital video formats include H.264 and MPEG-4. Modern interconnect standards for digital video include HDMI, DisplayPort, Digital Visual Interface (DVI) and Serial Digital Interface (SDI). Digital video can be copied without compromising quality. In contrast, when analog sources are copied, they experience loss of generation. Digital video can be stored in digital media, such as Blu-ray Disc, in computer data storage, or transmitted over the Internet to end users who watch content on a desktop or digital smart TV screen. In everyday practice, digital video content, such as TV shows and movies, also includes a digital audio soundtrack. History Digital Video Cameras Additional Information: Digital Cinematography, Image Sensor, and Video Camera Base for Digital Video Cameras are metallic oxide-semiconductor (MOS) image sensors. The first practical semiconductor image sensor was a charging device (CCD) invented in 1969 using MOS capacitor technology.
    [Show full text]
  • Video Cassette Player
    3-861-061-12 (1) Video Cassette Player Operating Instructions Before operating the unit, please read this manual thoroughly, and retain it for future reference. GV-F700 ©1997 by Sony Corporation Operations Installing the battery pack This video cassette player operates with the “InfoLITHIUM” battery pack (not supplied). If you use any other battery pack to operate your video cassette player, the video cassette player may not operate or the battery life may be shortened. Operations “InfoLITHIUM” is a trademark of Sony Corporation. Install the battery pack on the video cassette player While pressing the battery pack, slide it to the left so that it attaches to the battery mounting surface firmly. Notes on the battery pack • Do not carry the video cassette player by grasping the battery pack. • Removing the battery pack during playback may damage the inserted tape. If this happens, restore the battery pack again immediately. To remove the battery pack While pressing BATT, slide the battery pack to the right. Battery life Battery pack Playback time NP-F930/B 175 (150) NP-F950/B 215 (190) Numbers in parentheses indicate the time when you use a normal charged battery pack. To charge the battery pack, use the battery charger BC-V615 (not supplied). Refer to the operating instructions of the battery pack and the battery charger for how to charge the battery pack. This mark indicates that this product is a genuine accessory for Sony video product. When purchasing Sony video products, Sony recommends that you purchase accessories with this “GENUINE VIDEO ACCESSORIES” mark. 5 Playing back a tape Playing back a dual soundtrack tape When you play back a dual soundtrack tape, select the desired sound.
    [Show full text]
  • DCR-TRV270E/TRV280/TRV285E RMT-830 SERVICE MANUAL DCR-TRV280 Ver 1.1 2004
    DCR-TRV270E/TRV280/TRV285E RMT-830 SERVICE MANUAL DCR-TRV280 Ver 1.1 2004. 12 US Model Canadian Model Revision History Argentine Model DCR-TRV270E AEP Model UK Model How to use East European Model Acrobat Reader DCR-TRV280/ TRV285E E Model DCR-TRV270E/ TRV285E North European Model DCR-TRV285E M2000 MECHANISM Photo: DCR-TRV280 Australian Model Tourist Model Link SPECIFICATIONS BLOCK DIAGRAMS PRINTED WIRING BOARDS SERVICE NOTE FRAME SCHEMATIC DIAGRAMS REPAIR PARTS LIST DISASSEMBLY SCHEMATIC DIAGRAMS NTSC MODEL: DCR-TRV280 PAL MODEL: DCR-TRV270E/TRV285E •For ADJUSTMENTS (SECTION 6), refer to SERVICE MANUAL, ADJ (9-876-780-51). •For INSTRUCTION MANUAL, refer to SERVICE MANUAL, LEVEL 1 (9-876-780-41). •For MECHANISM ADJUSTMENTS, refer to the “8mm Video MECHANICAL ADJUSTMENT MANUAL IX M2000 MECHANISM ” (9-929-861-11). • Reference No. search on printed wiring boards is available. •Table for differences of function of each model. •TO TAKE OUT A CASSETTE WHEN NOT EJECT (FORCE EJECT) • HELP: Sheet attachment positions and procedures of processing the flexible boards/harnesses are shown. VIDEO CAMERA RECORDER 2004L0500-1 DCR-TRV270E/TRV280/TRV285E ©2004.12 9-876-780-12 Sony EMCS Co. Published by DI Technical Support Section TM SERIES SPECIFICATIONS Video camera recorder Input/Output connectors AC Adaptor AC-L15A/L15B Audio/Video output Power requirements AV M I NIJACK AC 100 - 240 V, 50/60 Hz Video signal: 1 Vp-p, 75 Ω: (ohms), Current consumption unbalanced, sync negative 0.35 - 0.18 A System Audio signal: 327 mV (at output impedance Power consumption
    [Show full text]
  • Glossary of Digital Video Terms
    Glossary of Digital Video Terms 24P: 24 frame per second, progressive scan. This has been the frame rate of motion picture film since talkies arrived. It is also one of the rates allowed for transmission in the DVB and ATSC television standards – so they can handle film without needing any frame-rate change (3:2 pull-down for 60 fields-per-second systems or running film at 25fps for 50 Hz systems). It is now accepted as a part of television production formats – usually associated with high definition 1080 lines, progressive scan. A major attraction is a relatively easy path from this to all major television formats as well as offering direct electronic support for motion picture film and D-cinema. 24Psf: 24 frame per second, progressive segmented frame. A 24P system in which each frame is segmented – recorded as odd lines followed by even lines. Unlike normal television, the odd and even lines are from the same snapshot in time – exactly as film is shown today on 625/50 TV systems. This way the signal is more compatible (than normal progressive) for use with video systems, e.g. VTRs, SDTI or HD-SDI connections, mixers/switchers etc., which may also handle interlaced scans. It can also easily be viewed without the need to process the pictures to reduce 24-frame flicker. 3:2 pull-down: Method used to map the 24 fps of film onto the 30 fps (60 fields) of 525-line TV, so that one film frame occupies three TV fields, the next two, etc. It means the two fields of every other TV frame come from different film frames making operations such as rotoscoping impossible, and requiring care in editing.
    [Show full text]
  • Projects in Moving Image and Sound Archiving Course Is to Provide Students with the Theoretical, Practical and Hands-On Experience in Digital Archive Creation
    1 Dr. Anthony Cocciolo Subject to change based Pratt Institute, School of Information and Library Science on student interest. 144 W. 14th St., 604D Please refer to the LMS New York, NY 10011-7301 for updates: Phone: 212-647-7702 http://lms.pratt.edu Email: [email protected] URL: http://www.thinkingprojects.org _____________________________________________________________________________________ Office Hours: Thursdays 3:00-6:00 pm, and by appointment Credits: 3 Prerequisites: LIS 654 (Information Technologies), or by permission Recommend: LIS 694 (Film and Media Collections) Location: PMC 611 Bulletin Description: From film, video, to born digital, moving image and sound recordings have compelled users since their advent in the late nineteenth century. Today, many archives housed at universities or non-profit institutions act to preserve the moving image record. However, the fragility of this medium (particularly the magnetic medium that holds sound and video), combined with the preservation needs of today’s born-digital works (such as independent documentaries and time-based media art), are questioning our collective ability to preserve this work. This class will work to combat this trend by focusing on the theoretical and practical 2 aspects related to archiving moving image and sound recording, with a particular focus on digitization and born-digital assets. Detailed Description: This class will explore how to use digital technology to preserve the moving image and sound record for future generations. To best understand this process, students will work with an archive to transform an analog collection into a digital archive for long-term preservation. Additionally, students will work in a team to implement this moving image and sound archive using open source software.
    [Show full text]
  • 0 N"Y' ,, 2-515-25 -,2Tl
    ,.._0 N"Y'_,,_ 2-515-25_-,2tl/ Video Camera Recorder/Digital Video Camera Recorder video Hi8 C CD- TR V138/TR V338 DigitaJ 8 DCR- TR V280 C_ tnfoL/THiUM 0 SE_UE_ © 2005 Sony Corporation Readthis first For customers in the U.S.A. and CANADA Before operating the ullil, please read Ibis RECYCLINGLITHIUM-ION BATTERIES manual lhoroughly, and relain il for futttre Lithium-Ion batteries are reference. recyclable. You can help preserve our enviromnent by returning your WARNING used r_:chargeablebatteries to the @ collection and recycling location To _revent fire or shock hazard, do not nearest yo/i. ex Dose the unit to rain or moisture. For more information regarding recycling of rechargeable batteries_ call toll free 1-800-822- 8837, or visit hltp://www.rbrc.org/ Caution: Do nol handle damaged or leaking Lithium- p_ Ion balteries. CAUTION TO AEDUCETHE AISK OF ELEC'TAI¢ SHOO_ DO NOT AEMOVE tOWn (OR BACK/ T_OOSER=$ERVECEA_LEP_,mS I_,SIDE, For customers in the U.S.A. REFERSERVICI_qGTO aUALBFID SERVECEPERSONNEL If you ha_eanyquestions abotlt this product, you may call: Sony Customer lnl_)rmation Center 1-800-222-SONY This symbol is intended Io alerl Ihe (7669). user Io the presence of uninsulated The number below is for the FCC related matters only. "dangerous voltage" x_ilhin Ihe Regulato U Information product's enclosure thai may be of Declaration of Conformity sufficienl magnilude Io constiltlte a risk of electric shock Io persons. Trade Name: SONY Model No.: DCR-TRV280 This symbol is inlended Io alerl the Responsible Party: Sony Electronics Inc. user Io the presence of important Address: 16450 W.
    [Show full text]
  • Ccd-Fx420/Fx425 Rmt-509
    CCD-FX420/FX425 RMT-509 i SERVICEMANUAL US Model CCD-FX420/FX425 Canadian Model CCD-FX420 Video8 Remote commander is available as a unit. But as Handgcam individual parts the battery case lid of commander is only avaiable. IA MECHANISM I For MECHANISM ADJUSTMENTS, refer to the "8 mm Video MECHANICAL ADJUSTMENT CCD-FX420/FX425 is based on model CCD-FX300/FX310/FX311. MANUAL ]Y" (9-973-199-11 ). In this service manual, only the differences from CCD-FX300/FX310/FX311 are mentioned. When servicing, see the CCD-FX300/FX310/FX311 service manual(9-973-275-11 ) with this. SPECl FICATIONS Video camera recorder Color temperature AUTO Minimum illumination 2 Ix System Illumination range 2 Ix to 100,000 Ix (0.2 to 9294 footcandles) Video recording system Recommended illumination Rotary two heads, Helical scanning More than 100 Ix FM system (9 footcandles) Audio recording system Aperture correction Automatic Rotary head, FM system With backlight adjustment Video signal NTSC color, EIA standards Usable cassette 8 mm video format cassette Tape speed SP mode: Approx. 1.43 cm Input and output connector (_9/32inch)/sec. LP mode: Approx. 0.72 cm Video output Phono jacK, 1 Vp-p, 75 ohms (5/,6 inch)/sec. unbalanced sync negative (playback only) Audio output Phono jack Recording time SP mode: 2 hours (P6-120) Output: -7.5 riBs, (at output Playback time SP mode: 2 hours (P6-120) impedance 47 kilohms) LP mode: 4 hours (P6-120) Fast forward/rewind time impedance less than 1 kilohms Approx. 6 min. 30 sec. (P6-120) RFU DC OUT Special minijack, 5 V DC Image device CCD (Charge Coupled Device) Viewfinder Electronic viewfinder Earphone jack Minijack, 8-ohm impedance Remote _ jack Stereo mini-minijack (black and white) MIC jack Minijack, --66 dBs, low impedance Lens Combined 10 × power zoom lens with 2.5 to 3 V DC output, impedance f=6.1 to 61 mm (V4to 2V2 inches) 6.8 kilohms Approx.
    [Show full text]
  • Ccd-Tr23/Tr33/Tr380
    CCD-TR23/TR33/TR380/ TR380PK/TR460/TR460PK I=IMT-70B • ii _ SERVICEMANUAL usM Canadian Model CCD- TR23/'FR33 E Modol CCD- TR380/'I'R380PK/TR460/TR460PK Hong Kong Modol CCD- TR380/TR460 Handy,-arn I A MECHANISM I CCD-TR380PK is model that carrying case and wireless remote commander are added in For MECHANISM ADJUSTMENTS, refer to the CCD-TR380. CCD-TR480PK is model that carting case are "8 mm Video MECHANICAL ADJUSTMENT added in CCD-TR480. MANUAL IV" (9-973-199-11). CCD-TR380PK/TR460PK are different from CCD-TR380/TR460 only in the accessory and packing materials. SPECIFICATIONS Video Camera Recorder i System Viewfinder Output connector Video recording system Electronic viewfinder Video output Two rotary heads, HeLical CCD-TR23/I'R380: Black andwhite Phono jack,IVp-p,75Q, scanning, FM system CCD-TR33/I'R460: Color unbalanced, sync negative Audio recording system Lens Audio output Rotary heads, FM system 12 x,Combined power zoom lens, Monaural, Phono jack 327 mV, (at Video signal Filter diameter 1',_inches (37 output irnpedance 47 k.Q) NTSC color, EIA standards mm), "FFL autofocus system inner impedance less than 2.2 k.Q Usable cassette focus wide macro system 8 mm video format cassette Focal distance RFU DC OUT (standard 8 mm) 7Ar-2%in (5.4--/o4.8ram) Special minijack, DC 5 V Tape speed 1%_-181/2in (39-468 mm), when Earphone jack SP mode: Approx. 19/32 inches converted into a 35-ram still Minijack (03.5 mm) (1.43 cm)/second, camera LANC jack LP mode: Approx.
    [Show full text]
  • Battery Pack
    Video Camera Recorder/Digital Video Camera Recorder _U_lFJ_'cl_rn videoHi8 CCD-TRV128/TRV228/TRV328/TRV428 Digital 8 DCR- TRV260/TRV265 © 2004 Sony Corporation RECYCLINGLITHIUM-IONBMTERIES Read this first Litltium-lon batteries are recyclable. You can help preserve our Before operating the unit, please read Ibis environment by retracing your masmal thoroughly, and retain it lbr future used rechargeable b_lteries to the @ reference. collection and recycling location nearest you. For more intb_Tn_tion regarding recycling of rechargeable batteries, call toll free 1-800-822- 8837, WARNING or visit h.p://www.rbrc.org/ To prevent fire or shock hazard, do not expose the unit to rain or moisture. Caution: Do nol handle damaged or leaking Lithium- Ion batteries. For customers in the U.S.A. If you have any questions abou_ this product, you may C_LEflON: TO REDUCE THE R_ _ B_E_'TR_ _'_q_ call: DO NOT P,_AOV E OOV_ {O R B_E_I_. Sony Customer Information Center 1-800-222-SONY USEq_R_qC_BIJ_ PARTS IN_CE. (7669) R_=Z_t SS_VK;ING TO QUAUFqBD 8_*'ICE pEr_CNNB_. The number below is for FCC related m_lter_ only. Regulatory Information Declaration of Conformity This symbol is intended to alert the Trade Name: SONY user to the presence of unin sulated Model No.: DCR TRV260 "dangerous voltage" within the Responsible Party: Smay Electronics Inc. product's enclosure that may be of Address: 680 Kinderkamack Road, Oradel[, sufficient magnitude to constitute a NJ 07649 U.S.A. risk of electric shock to persons. Telephone No.: 201 930-6972 This device complies with Part 15 of the FCC Rules.
    [Show full text]
  • Tektronix: Glossary Video Terms and Acronyms
    Glossaryvideo terms and acronyms This Glossary of Video Terms and Acronyms is a compilation of material gathered over time from numer- ous sources. It is provided "as-is" and in good faith, without any warranty as to the accuracy or currency of any definition or other information contained herein. Please contact Tektronix if you believe that any of the included material violates any proprietary rights of other parties. Video Terms and Acronyms Glossary 1-9 0H – The reference point of horizontal sync. Synchronization at a video 0.5 interface is achieved by associating a line sync datum, 0H, with every 1 scan line. In analog video, sync is conveyed by voltage levels “blacker- LUMINANCE D COMPONENT E A than-black”. 0H is defined by the 50% point of the leading (or falling) D HAD D A 1.56 µs edge of sync. In component digital video, sync is conveyed using digital 0 S codes 0 and 255 outside the range of the picture information. 0.5 T N E 0V – The reference point of vertical (field) sync. In both NTSC and PAL CHROMINANCE N COMPONENT O systems the normal sync pulse for a horizontal line is 4.7 µs. Vertical sync P M is identified by broad pulses, which are serrated in order for a receiver to O 0 0 C maintain horizontal sync even during the vertical sync interval. The start H T 3.12 µs of the first broad pulse identifies the field sync datum, 0 . O V B MOD 12.5T PULSE 1/4” Phone – A connector used in audio production that is characterized -0.5 by its single shaft with locking tip.
    [Show full text]
  • Analog Video Vs Digital Video Pdf
    Analog video vs digital video pdf Continue Analogue vs. digital - the debate seems to be everywhere. The problem is that a lot of people just don't understand what these terms mean. In one 25-minute video - engaging and entertaining to watch right through - the biggest myths all get busted. In short: 1. 16-bit, 44.1 kHz is really good for many tasks. (You save this data for the computer and processing, not your own ears. 2. Digital sound does not include stairs. 3. Digital signals can be stored and used to play sound identical to what is stored in analogue form. The choice between analog and digital as a category, so makes no sense at all. Now, choosing between individual filters, for example, or taking care of the physical design of electronic instruments, or acknowledging that you can spoil digital or analogue recording - all these things matter. In fact, they have such a value that obscuring them with misinformation is very bad. The video is The Work of Monty Montgomery in xiph.org. (See also: and Watch the video, but here are some discussions: Digital technology is pretty easy to define. The system, using a digital signal, simply presents information as discrete, selected values. The analog signal uses an ever-changing electrical signal. Both are a means of coding - neither is a literal sound. The digital system is so named because these discrete values are akin to counting (hence the numbers, as when counting on your fingers), while the analog system uses an electrical signal that is similar - though not literally - to the original, in that it changes in how (for sound) the pressure will be.
    [Show full text]