Annual Report 2010
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Workshop Leaders and Speakers
WORKSHOP LEADERS AND SPEAKERS Arabic to English group: Jonathan Wright Jonathan Wright is a British journalist and literary translator. He joined Reuters news agency in 1980 as a correspondent, and has been based in the Middle East for most of the last three decades. He has served as Reuters' Cairo bureau chief, and he has lived and worked throughout the region, including in Egypt, Sudan, Lebanon, Tunisia and the Gulf. From 1998 to 2003, he was based in Washington, DC, covering U.S. foreign policy for Reuters. For two years until the fall of 2011 Wright was editor of the Arab Media & Society Journal, published by the Kamal Adham Center for Journalism Training and Research at the American University in Cairo. Elisabeth Jaquette Elisabeth Jaquette is a translator from the Arabic and Executive Director of the American Literary Translators Association (ALTA). Her work has been shortlisted for the TA First Translation Prize, longlisted for the Best Translated Book Award, and supported by several English PEN Translates Awards, a Jan Michalski Foundation residency, and the PEN/Heim Translation Fund. She has also served as a judge for numerous translation prizes, including most recently the National Book Award for Translated Literature. Elisabeth’s book-length translations include The Queue by Basma Abdel Aziz (Melville House), Thirteen Months of Sunrise by Rania Mamoun (Comma Press), and The Apartment in Bab el-Louk by Donia Maher (Darf Publishers). Forthcoming in 2020 are The Frightened Ones by Dima Wannous (Harvill Secker/Knopf) and Minor Detail by Adania Shibli (Fitzcarraldo/New Directions). English to Arabic group: Boutheina Khaldi Boutheina Khaldi is Associate professor of Arabic and translation studies at the American University of Sharjah. -
'These 39 Arab Writers Are All Under the Age of 40. They Have Flung Open
JOUMANA HADDAD FAIZA GUENE ABDELKADER BENALI Joumana Haddad was born in Lebanon in 1970. She is Faiza Guene was born in France in head of the Cultural pages of the prestigious “An Nahar” Abdelkader Benali was born in 1975 in The Netherlands, 1985 to Algerian parents. She wrote her newspaper, as well as the administrator of the IPAF literary of Moroccan origins. Benali published his fi rst novel fi rst novel, “Kiffe kiffe demain” (Just like SAMAR YAZBEK prize (the “Arab Booker”) and the editor-in-chief of Jasad “Bruiloft aan zee” (Wedding by the Sea) in 1996, for Tomorrow) when she was 17 years old. magazine, a controversial Arabic magazine specialized in the which he received the Geertjan Lubberhuizen Prize. For It was a huge success in France, selling SAMER ABOU HAWWASH literature and arts of the body. Amongst her books, “Time his second novel, “De langverwachte” (The Long-Awaited, over 360,000 copies and translation for a dream” (1995), “Invitation to a secret feast” (1998), 2002), Benali was awarded the Libris Literature Prize. He Samer Abou Hawwash was born rights around the world. She’s also the “I did not sin enough” (2003), “Lilith’s Return” (2004), has since published the novels “Laat het morgen mooi in 1972 in the southern Lebanese author of “Du rêve pour les oufs” in “Conversations with international writers”, (2006), “Death weer zijn” (Let Tomorrow Be Fine, 2005) and “Feldman city of Sidon. Abou Hawwash has 2006 and “Les gens du Balto” in 2008. will come and it will have your eyes” and “Anthology of 150 en ik” (Feldman and I, 2006). -
Le Prix De La Littérature Arabe 2019
Communiqué de presse Paris, le 7 novembre 2019 Le Prix de la littérature arabe 2019 (doté de 10 000 €), créé par l’Institut du monde arabe et la Fondation Jean-Luc Lagardère, est décerné à l’écrivain égyptien Mohammed Abdelnabi pour son roman La Chambre de l’araignée (Actes Sud / Sindbad) traduit de l’arabe (Égypte) par Gilles Gauthier Le jury, présidé par Pierre Leroy, cogérant de Lagardère SCA, et composé de personnalités du monde des médias, des arts et de la culture ainsi que de spécialistes du monde arabe, a élu, à l’unanimité, le texte de Mohammed Abdelnabi, saluant « un écrivain audacieux au style affirmé et percutant qui fait plonger le lecteur au cœur des tabous de la société égyptienne et arabe. Un roman qui se veut une ode à la tolérance et à l’humanisme. » A l’occasion de la cérémonie de remise du prix, le 6 novembre 2019 à l’IMA, Jack Lang, Président de l’Institut, a rappelé le caractère unique du Prix et son rôle essentiel en tant que « caisse de résonnance pour les écrivains qui témoignent de l’extraordinaire vitalité de la littérature contemporaine arabe ». Pour Pierre Leroy, Président du Jury du Prix : « Transformant un événement précis en un vibrant plaidoyer pour la tolérance, Mohammed Abdelnabi accomplit ce qui peut être l’une des raisons de la littérature : porter un message politique dans l’espoir de faire évoluer la société ». Les membres du jury ont souligné la remarquable qualité des livres également retenus dans la dernière sélection de cette édition 2019 : Les petits de Décembre, de Kaouther Adimi (Éditions du Seuil) ; Ougarit, de Camille Ammoun (éditions incultes) ; Le Ciel sous nos pas, de Leïla Bahsaïn (Albin Michel) ; Égypte 51, de Yasmine Khlat (Elyzad) ; Port-au-Prince Aller-Retour, de Georgia Makhlouf (La Cheminante) ; Ceux qui ont peur (traduit de l’arabe par François Zabbal), de Dima Wannous (Gallimard). -
Contemporary Oriental Literature: a Feminist Orientation
PEOPLE’S DEMOCRATIC REPUBLIC OF ALGERIA Ministry of Higher Education and Scientific Research University of Tlemcen Faculty of Letters and Languages Department of English Contemporary Oriental Literature: A Feminist Orientation Dissertation submitted to the Department of English as a partial fulfilment of the requirements for the degree of Master in English Literary and Cultural Studies Presented by Supervised by BENNAI Ikram Prof. HADJOUI Ghouti BOARD OF EXAMINERS Dr. KHELLADI Mohamed Chairperson Prof. HADJOUI Ghouti Supervisor Dr. AZZOUG Omar Examiner Academic Year: 2016-2017 Dedication My Dearest Parents, Everything that I am I owe it to you This one is for you. i Acknowledgment I would like to first and foremost express my full gratitude and appreciation to my supervisor Prof. HADJOUI Ghouti for his help and guidance throughout this research. Everything that I know about literature I owe it to you. My deepest and warmest thanks go to the board of examiners namely: Dr. KHELLADI and Dr. AZZOUG for taking the time to read my work, I have been lucky enough to be your student in the previous years and accepting to be part of my viva‟s jury is truly an honour, I wouldn‟t want it any other way. My profound gratitude goes to Dr. AZZOUG Omar, you sir have been a mentor, a teacher and a friend and I am eternally grateful for that. Thank you. And lastly, thank you to every teacher who has crossed my path during my five years at university, thank you for your advice, for your support and motivation and most of all; thank you for being the role models that you are. -
The Muslim 500 2011
The Muslim 500 � 2011 The Muslim The 500 The Muslim 500 � 2011 The Muslim The 500 The Muslim 500The The Muslim � 2011 500———————�——————— THE 500 MOST INFLUENTIAL MUSLIMS ———————�——————— � 2 011 � � THE 500 MOST � INFLUENTIAL MUSLIMS · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · All rights reserved. No part of this book may be repro- The Muslim 500: The 500 Most Influential Muslims duced or utilised in any form or by any means, electronic 2011 (First Edition) or mechanic, inclding photocopying or recording or by any ISBN: 978-9975-428-37-2 information storage and retrieval system, without the prior · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · written permission of the publisher. Views expressed in The Muslim 500 do not necessarily re- Chief Editor: Prof. S. Abdallah Schleifer flect those of RISSC or its advisory board. Researchers: Aftab Ahmed, Samir Ahmed, Zeinab Asfour, Photo of Abdul Hakim Murad provided courtesy of Aiysha Besim Bruncaj, Sulmaan Hanif, Lamya Al-Khraisha, and Malik. Mai Al-Khraisha Image Copyrights: #29 Bazuki Muhammad / Reuters (Page Designed & typeset by: Besim Bruncaj 75); #47 Wang zhou bj / AP (Page 84) Technical consultant: Simon Hart Calligraphy and ornaments throughout the book used courtesy of Irada (http://www.IradaArts.com). Special thanks to: Dr Joseph Lumbard, Amer Hamid, Sun- dus Kelani, Mohammad Husni Naghawai, and Basim Salim. English set in Garamond Premiere -
What Drives Europeans to Syria, and to Insights From
WHAT DRIVES EUROPEANS TO SYRIA, AND TO IS? INSIGHTS FROM THE BELGIAN CASE EGMONT PAPER 75 WHAT DRIVES EUROPEANS TO SYRIA, AND TO IS? INSIGHTS FROM THE BELGIAN CASE Rik COOLSAET March 2015 The Egmont Papers are published by Academia Press for Egmont – The Royal Institute for International Relations. Founded in 1947 by eminent Belgian political leaders, Egmont is an independent think-tank based in Brussels. Its interdisciplinary research is conducted in a spirit of total academic freedom. A platform of quality information, a forum for debate and analysis, a melting pot of ideas in the field of international politics, Egmont’s ambition – through its publications, seminars and recommendations – is to make a useful contribution to the decision-making process. President: Viscount Etienne DAVIGNON Director-General: Marc OTTE Series Editor: Prof. Dr. Sven BISCOP Egmont – The Royal Institute for International Relations Address Naamsestraat / Rue de Namur 69, 1000 Brussels, Belgium Phone 00-32-(0)2.223.41.14 Fax 00-32-(0)2.223.41.16 E-mail [email protected] Website www.egmontinstitute.be © Academia Press Eekhout 2 9000 Gent Tel. 09/233 80 88 Fax 09/233 14 09 [email protected] www.academiapress.be All authors write in a personal capacity. Lay-out: punctilio.be ISBN 978 90 382 2484 8 D/2015/4804/92 U 2335 NUR1 754 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the permission of the publishers. Table of Contents Introduction . -
Mesaʼs 51St Annual Meeting
PRELIMINARY PROGRAM VER. 10-12-17 Jake McGuire Destination DC MESAʼs 51st Annual Meeting Washington DC November 18-21 We return to DC for MESA’s 51st annual meeting at the Washington Marriott Wardman Park Hotel where we have met every three years since 1999. The hotel is located in a lovely residential area near the National Zoo, but a nearby stop on the metro red line makes all parts of DC easily accessible. The program of 230+ sessions (see pages 12-51) spread over four days will offer a smorgasbord to whet the appetite of any Middle East studies aficionado. MESA’s affiliate groups meet mostly on Saturday, November 18 (see pages 10-11) and the first program session begins that day at 5:30pm. Panels run all day Sunday and Monday and end at 3pm on Tuesday. The book bazaar will be open Sunday and Monday from 9am to 6pm and on Tuesday from 8am to 12pm (see pages 8-9). MESAʼs ever-popular FilmFest (see the teaser on pages 6-7) begins screenings on Saturday morning and runs through Tuesday until around 2pm. The MESA Presidential Address & Awards will be held Sunday evening from 6pm to 7:30pm, and the MESA Members Meeting on Monday evening from 6pm to 8:00pm. As you will see, it’s business as usual, except of course for a new administration that is determined to ban nationals of six Muslim majority countries from traveling to the US, and MESA having joined a lawsuit against the ban that is making its way to the US Supreme Court in October. -
Re-Configurations Contextualising Transformation Processes and Lasting Crises in the Middle East and North Africa Politik Und Gesellschaft Des Nahen Ostens
Politik und Gesellschaft des Nahen Ostens Rachid Ouaissa · Friederike Pannewick Alena Strohmaier Editors Re-Configurations Contextualising Transformation Processes and Lasting Crises in the Middle East and North Africa Politik und Gesellschaft des Nahen Ostens Series Editors Martin Beck, Institute of History, University of Southern Denmark, Odense, Denmark Cilja Harders, Institut für Politikwissenschaft, Freie Universität Berlin, Berlin, Germany Annette Jünemann, Institut für Internationale Politik, Helmut Schmidt Universität, Hamburg, Germany Rachid Ouaissa, Centrum für Nah- und Mittelost-Stud, Philipps-Universität Marburg, Marburg, Germany Stephan Stetter, Institut für Politikwissenschaften, Universität der Bundeswehr München, München, Germany Die Reihe beschäftigt sich mit aktuellen Entwicklungen und Umbruchen̈ in Nor- dafrika, dem Nahen Osten, der Golfregion und darüber hinaus. Die politischen, sozialen und ökonomischen Dynamiken in der Region sind von hoher globaler Bedeutung und sie strahlen intensiv auf Europa aus. Die Reihe behandelt die gesa- mte Bandbreite soziopolitischer Themen in der Region: Veränderungen in Konfikt- mustern und Kooperationsbeziehungen in Folge der Arabischen Revolten 2010/11 wie etwa Euro-Arabische und Euro-Mediterrane Beziehungen oder den Nahost- konfikt. Auf nationaler Ebene geht es um Themen wie Reform, Transformation und Autoritarismus, Islam und Islamismus, soziale Bewegungen, Geschlechterver- hältnisse aber auch energie- und umweltpolitische Fragen, Migrationsdynamiken oder neue Entwicklungen in der Politischen Ökonomie. Der Schwerpunkt liegt auf innovativen politikwissenschaftlichen Werken, die die gesamte theoretische Breite des Faches abdecken. Eingang fnden aber auch Beiträge aus anderen sozialwissen- schaftlichen Disziplinen, die relevante politische Zusammenhänge behandeln. This book series focuses on key developments in the Middle East and North Africa as well as the Gulf and beyond. The regions’ political, economic and social dynam- ics are of high global signifcance, not the least for Europe. -
Eroticism in the Works of Contemporary Egyptian and Levantine Female Novelists Ibtihal R Mahmood a Thesis Submitted in Partial F
Eroticism in the Works of Contemporary Egyptian and Levantine Female Novelists Ibtihal R Mahmood A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in International Studies: Middle East University of Washington 2018 Committee: Terri DeYoung Selim Kuru Program authorized to offer degree: The Henry M. Jackson School of International Studies 1 ©Copyright 2018 Ibtihal R Mahmood 2 University of Washington Abstract Eroticism in the Works of Contemporary Egyptian and Levantine Female Novelists Ibtihal R Mahmood Chair of the Supervisory Committee: Professor Terri DeYoung Department of Near Eastern Languages and Civilization Literary and narrative discourses hold an inherent correspondence between themselves and the social, economic, national, and political issues that govern the atmosphere in which they emerge, including those concerning the war of the classes and of the sexes. Using the erotic as a parameter, this paper analyzes three novels by three contemporary women novelists from Egypt, Lebanon, and Syria: Nawāl el-Sa’dāwī, Ḥanān al-Shaykh, and Samar Yazbek, respectively. An analysis of the combination of language, culture, and space can lend itself to an examination of the relationships of power and social hierarchies that govern societies, in a fashion that follows the Foucauldian power/knowledge social theory. Adopting the Lacanian perspective of language as an inherently sexist utility, this paper examines the approaches found in these three novels to the objectification of the female body; the yearning to reclaim agency; and the success – and failure – in regaining and retaining autonomy. 3 Contents Chapter One Introduction ........................................................................................................................... 4 Chapter Two Desire, Abjection, and Social Hierarchy Nawāl el-Sa’dāwī – Egypt ................................ -
Syria Studies –––––––––––––– VOL 10, NO 1 (2018) November 2018
Syria Studies –––––––––––––– VOL 10, NO 1 (2018) November 2018 1 2 Untold Stories – Gender-sensitive readings of the Syrian Uprising Untold Stories Gender-sensitive readings of the Syrian Uprising ____________________ Joanne Hopkins Nusaiba Joan Imady Syria Studies 3 Syria Studies An open access, peer reviewed, & indexed journal published online by: The Centre for Syrian Studies (CSS) University of St Andrews Raymond Hinnebusch (Editor-In-Chief) & Omar Imady (Managing Editor) ___________________________ 4 Untold Stories – Gender-sensitive readings of the Syrian Uprising Contents Preface Omar Imady 5 Coercive Control in Conflict: Implications for Syria Joanne Hopkins 6-27 Framing Disaster, Performativity & Desire in the Writings of Syrians in Diaspora Nusaiba Joan Imady 28-49 Endnotes 50-56 Syria Studies 5 Preface Omar Imady In this new issue of Syria Studies, entitled “Untold Stories – Gender- sensitive readings of the Syrian Uprising,” we are pleased to share two samples of a new and promising approach to analysing and in- terpreting the narrative of war. It is an approach that is not only pre- occupied with the human dimension of political conflict, but also one that seeks to shed light on the gender-specific nuances that permeate such dynamics. Indeed, it is now widely accepted that ideas of mas- culinity have had a significant impact on the way in which politics is understood and analysed, often skewing our perspective of what ex- actly is taking place. When applied to the realm of Syria studies, em- ploying a more gender-sensitive approach can help us capture the stories that are often untold, or brushed aside; stories of women and men attempting to assert their identity in a political context that is often adamant at denying them this right. -
Zena El Khalil Zena El Khalil, Born Year of the Dragon, Is a Visual Artist, Writer and Cultural Activist Based in Beirut, Lebanon
Zena el Khalil Zena el Khalil, born year of the Dragon, is a visual artist, writer and cultural activist based in Beirut, Lebanon. She has lived in Lagos, London and New York. Her work includes mixed media paintings, installations and performance and is a by-product of political and economic turmoil; focusing on issues of violence, gender and their place in our bubblegum culture. She has exhibited in the United States, Europe, Africa, Japan and the Middle East. While living in NYC, Zena co-founded xanadu*, an art collective dedicated to promoting emerging Arab and under - represented artists as a direct response to the 9-11 attacks which she witnessed. Currently, xanadu* is based in Beirut where Zena is focused on curating cultural events and publishing poets and comic book artists. During the 2006 invasion of Lebanon, Zena was one of the first largely followed Middle Eastern bloggers; her writings published in the international press, including the BBC, CNN, and Der Spiegel. The entire Guardian G2 supplement in July was dedicated to her blog, Beirut Update. In 2008, she was invited to speak at the Nobel Peace Center in Oslo and soon after, completed her memoir, Beirut, I Love You, now translated in several languages. Her publishers include The New York Review of Books and Saqi Books and Publishers Weekly gave her book a starred review. In an attempt to spread peace, Zena is often seen running around Beirut in a big pink wedding dress. In 2012, Zena was made a TED Fellow and has since given a few TED and TEDx talks. -
The Iconoclasts: How Syrian Citizens Brought a God Back Down to Earth the Iconoclasts: How Syrian Citizens Brought a God Back Down to Earth 23
22 The Iconoclasts: How Syrian Citizens Brought a God back down to Earth The Iconoclasts: How Syrian Citizens Brought a God back down to Earth 23 and unsupported by any developed critical SANA, and uploaded onto ‘blocked’ Facebook rationality. pages that could only be accessed via proxies. The Iconoclasts: How Syrian Citizens Brought a It was this type of thing that made people gasp Exalted Totalitarianism when they caught sight of Bashar or Asma in the street, as though they were movie stars God back down to Earth For decades the Syrian regime has fashioned and not the president and his wife. Compare an entirely separate world for itself. The this to the famous phrase uttered by the late Dima Wannous world in which Bashar al-Assad and his wife Palestinian poet Mahmoud Darwish after one Asma al-Akhras live is conceivably even more of his performances in Damascus. As usual he detached than was the world of his father Hafez had received rapturous applause, but after the al-Assad and his mother Anisa Makhlouf. This is show he grumpily confided to a friend: ’I don’t despite cosmetic attempts to give the opposite like all that. What am I, Ragheb Alama (a famous impression. No one knows where the family Lebanese singer), or something?’ and those around them live. The security that By contrast, Bashar and his wife became surrounds their existence is absolute and even obsessed with being seen as the most beautiful, overdone, given that they lived in a peaceful the cleverest, the chicest. Their media machine nation without any political life to speak of: even managed to convince Vogue to publish no independent parties, no autonomous ‘Was Maher al-Assad1 present in the great al-Assad as an ’acceptable‘ Alawite leader.