What Did Rap's First Grammy Award Represent

Total Page:16

File Type:pdf, Size:1020Kb

What Did Rap's First Grammy Award Represent GRAMMY AWARDS What did rap’s first Grammy GRAYSON Exactly. People felt that N.W.A later came to the forefront. Award represent, commercially “real” hip-hop, so to speak, wasn’t [Jazzy Jeff and The Fresh Prince] and culturally? being recognized — which is were hip-hop; we [radio DJs] were DRAKE It put rap culture on the actually a knock to Jazzy Jeff and playing that. And hip-hop was mainstream map. But it was the The Fresh Prince. They were more being recognized. If you pull up lighthearted version of rap. You commercial, and commercial hip- the category’s [nominees] then, also had N.W.A [which was not hop at that time wasn’t necessarily it was different parts of hip-hop, nominated] talking about taboo respected in the same way. like J.J. Fad and Kool Moe Dee. But subjects like oppression and it wasn’t [like], “Man, we’re not W police brutality. This highlighted BIG BOY Being probably the oldest being represented.” Jazzy Jeff and Grammy’s true relationship with one sitting here, I remember that Fresh Prince took the stance that, rap and hip-hop culture: to not Jazzy Jeff and The Fresh Prince “They’re not giving out the award air [more] categories and really were the shit in 1989. It wasn’t [on TV], so we’re not going.” We WHEN THE GRAMMY AWARDS support rap. Will Smith was the like, “Oh, they’re corny” or “Fuck weren’t saying, “Why them?” return to Los Angeles from New zeitgeist, but he was just one part. that shit.” It wasn’t [like] when They were saying, “Why not us?” York on Feb. 10, the ceremony That was the difference. will signal a momentous occasion: the 30th anniversary of the first CHERY It was important because Grammy for best rap performance, it cracked the door open. And I won by DJ Jazzy Jeff and Will “The specifically use the word “crack” Fresh Prince” Smith for “Parents because it wasn’t like, “It’s on.” Just Don’t Understand.” From that point on, the evolution From the beginning, the of rap started to be included. Grammys have struggled with But there have always been giving hip-hop its proper due: challenges, like the category not Smith and DJ Jazzy Jeff boycotted being televised or the right artist the show when they learned their [not] being acknowledged. If you award presentation wouldn’t look at history, albums revered as be televised. To address such the best in the genre have never criticisms, The Recording Academy been nominated, like Dr. Dre’s has taken steps that include last The Chronic, Snoop Dogg’s year’s addition of a rap nomination Doggystyle and Nas’ Illmatic. Nas review committee. The 2017 and Snoop Dogg, people that we nominees and winners came closer cherish in the culture, have never to reflecting rap’s established and won a Grammy. Forget the general emerging players, but it’s now categories — not even in the rap approaching 15 years since a rap categories. release — OutKast’s 2003 double LP, Speakerboxxx/The Love Below — DRAKE You make a great point. won album of the year. The Chronic was talking about the Just before nominations for ’hood and what was happening the 61st Grammy Awards were to people in the everyday life of announced on Dec. 7, Billboard institutionalized racism in this sat down with four industry country. And the Grammys was executives offering their takes on like, “We don’t want to highlight repairing rap’s relationship with that. We’re going to allow you the the Grammys, the evolution from fun side. The rest is not OK.” trend to genre and their favorite moments in hip-hop: iHeartRadio How would you describe the syndicated morning personality current relationship between the Kurt “Big Boy” Alexander; Spotify rap industry and the Grammys/ head of urban music Carl Chery; Recording Academy? Sony/ATV Music Publishing GRAYSON The Recording Academy’s senior director Jennifer Drake; relationship with hip-hop and the and Society of Composers, culture has really been a problem Authors and Music Publishers of from the beginning. To be fair, Canada senior A&R executive Jeriel Johnson [the academy’s Erica Grayson. Grayson former senior project manager 36 BILLBOARD | DECEMBER 22, 2018.
Recommended publications
  • The Fine Art of Rap Author(S): Richard Shusterman Source: New Literary History, Vol
    The Fine Art of Rap Author(s): Richard Shusterman Source: New Literary History, Vol. 22, No. 3, Undermining Subjects (Summer, 1991), pp. 613- 632 Published by: The Johns Hopkins University Press Stable URL: http://www.jstor.org/stable/469207 Accessed: 30/11/2009 16:24 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=jhup. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to New Literary History. http://www.jstor.org The Fine Art of Rap Richard Shusterman ... rapt Poesy, And arts, though unimagined, yet to be.
    [Show full text]
  • In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
    In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998).
    [Show full text]
  • BRE CONFERENCE '90 UPDATE! Columbia " 01\ TENTS
    BRE CONFERENCE '90 UPDATE! Columbia " 01\ TENTS MAY 18. 1990 VOLUME XV. NUMBER 18 Publisher SIDNEY MILLER Assistant Publisher SUSAN MILLER Editor -in -Chief RUTH ADKINS ROBINSON Managing Editor JOSEPH ROLAND REYNOLDS FEATURES International Editor COVER STORY-BBD 14 DOTUN ADEBAYO STARTALK-The Winans 45 VP/Midwest Editor DOWNLINK 31 JEROME SIMMONS SECTIONS Art Department PUBLISHERS 5 LANCE VANTILE WHITFIELD art director NEWS 6 MARTIN BLACKWELL MUSIC REPORT 8 typography/computers MUSIC REVIEWS 11 Columnists RADIO NEWS 32 LARRIANN FLORES CONCERT REVIEW SPIDER HARRISON 42 JONATHAN KING JAZZ NOTES 43 ALAN LEIGH GRAPEVINE/PROPHET 46 NORMAN RICHMOND CHARTS & RESEARCH TIM SMITH NEW RELEASE CHART 17 ELAINE STEPTER RADIO REPORT 29 Concert/Record Reviews SINGLES CHART LARRIANN FLORES 34 ELAINE STEPTER THE NATIONAL ADDS 37 Reporters PROGRAMMER'S POLL 36 CORNELIUS GRANT JAZZ CHART 43 COY OAKES ALBUMS CHART 44 LANSING SEBASTIAN COLUMNS RACHEL WILLIAMS RAP, ROOTS & REGGAE 10 Production WHATEVER HAPPENED TO? 12 MAXINE CHONG-MORROW GOSPEL LYNETTE JONES 13 FAR EAST PERSPECTIVE Administration 18 ROXANNE POWELL. office mgr. BRITISH INVASION 19 FELIX WHYTE traffic CANADIAN REPORT 20 Media Relations MICHELE ELYZABETH ENT. (213) 276-1067 Printing PRINTING SERVICES. INC. BLACK RADIO EXCLUSIVE USPS 363-210 ISSN 0745-5992 is published by Black Radio Exclusive 6353 Hollywood Blvd.. Hollywood. CA 90028-6363 (2131469-7262 FAX# 213-469-4121 ' MODEM: 213-469-9172 BRE NEWSSTANDS-New York: Penn Book Store. (2121564-6033; Midwest: Ingram Periodicals; Los Angeles: World Book & News; Robertson News & Bookstore. Las Palmas Newsstand. Japan: Tower Records SUBSCRIPTION RATES: 3 Mos.-$90.6 Mos.-5120:9 Mos.-0150. 1 Yr.-S175: 1st Class -$250: Overseas -$250.
    [Show full text]
  • Dr Dre Chronic 2000 Torrent Tpb
    1 / 2 Dr Dre Chronic 2000 Torrent Tpb Albums torrent download. Dr Dre/2. 00. 1/Ackrite (Feat. Dr Dre/2001/Ackrite (Feat. ... Eminem Discography Torrent Pirate - movementskyey ... Anna Calvi Rar Rata Blanca Grandes Canciones 2000 Descargar Simcity Activation Code Vp-asp .... Download Dr. Dre - Chronic 2001 torrent or any other torrent from the Audio Music. Direct download via ... Dr. Dre - 2001 (download torrent) - TPB. December 01 .... Stream Up In Smoke Tour 2001 - HD - Dr Dre - Snoop Dogg - Eminem - Ice Cube - Xzibit by ... We have 12 Dr-Dre-Up-In-Smoke-Tour Movie torrents for you!. Download Dr. Dre - 2001 torrent or any other torrent from Mp3 category. ... Dr. Dre Chronic 2001. torrent download | ThePirateBay.mk. Dr Dre ... Dr. Dre - Chronic 2001 (2000) (320kbps) ready free download in Rapidshare, Torrent, Mediafire, .... Snoop Dogg Discography Torrent Tpb ... of the music industry in 1992, through his vocal contributions on Dr. Dre's The Chronic. ... on and his first album on his newly founded label, was released on December 19, 2000.. Why Dr. Dre's The Chronic Is the Rare Time Capsule That Transcends Time. It's hard to overstate ... Cover art for album Evolution: Dr. Dre (2000-2009) by TIDAL.. The Pirate Bay is the galaxys most resilient BitTorrent site. TPB. TO. Snoop Dogg ... Dr. Dre as a frequent record producer on the album. This is ... Download Dr. Dre - The Chronic 2001 (1999) 320kbps torrent or any oth. ... Direct download via magnet link dr dre 2001 tpb 2011. ... After the release of Chronic 2000, they announced that Dr. Dre's album would now be ...
    [Show full text]
  • Death Row Records
    The New Kings of Hip-Hop Death Row Records “You are now about to witness the strength of street knowledge.” —N.W.A. Contents Letter from the Director ................................................................................................... 4 Mandate .......................................................................................................................... 5 Background ...................................................................................................................... 7 Topics for Discussion ..................................................................................................... 10 East Coast vs. West Coast .................................................................................... 10 Internal Struggles................................................................................................. 11 Turmoil in Los Angeles ........................................................................................ 12 Positions ........................................................................................................................ 14 Letter from the Director Dear Delegates, Welcome to WUMUNS XII! I am a part of the class of 2022 here at Washington University in St. Louis, and I’ll be serving as your director. Though I haven’t officially declared a major yet, I’m planning on double majoring in political science and finance. I’ve been involved with Model UN since my freshman year of high school, and I have been an active participant ever since. I am also involved
    [Show full text]
  • Tim Young, Adam Fine, Tricia Southard.Pdf
    \ earn name here TRASHMASTERS 2004 - UT-CHATTANOOGA ) Tim Young, Adam Fine, and Tricia Southard , J t-/ILJjl£; // / He led the American League in hits in his rookie season of 1942, but then spent three years fighting in World War / /fI. While with Detroit in 1952, he helped Virgil Trucks record his second no-hitter of the season after admitting that he ,/' misplayed a Phil Rizzuto ball originally called a hit. The goat of the 1946 World Series when he allowed Enos Slaughter / to score, FrP name this Red Sox shortstop, born John Paveskovich, the namesake of the right field foul pole in Fenway Park. Answer: Johnny Pesky 2. The title came about as a catch phrase among band members about what they hoped would happen to people "behaving in a shitty way." The piano riff in the chorus echoes another song about someone acting badly, the Beatles' "Sexy Sadie." The lyrics decry a man who "buzzes like a detuned radio" and a girl with a "Hitler hairdo," and hope that the titular entity will arrest them. We are told in the coda that the narrator "For a minute there . .I lost myself' over and over. FTPname this 1997 song, the third single from "OK Computer," a major hit for Radiohead. Answer: Karma Police 3. A 1979 graduate of Davidson College, this woman won an investigative reporting honor from the North Carolina Press Association for a series of articles about crime and prostitution in Charlotte. Her first book, An Uncommon Friend, was a biography of Billy Graham's wife, but her six years of work for the Virginia Chief Medical Examiner's Office inspired her best know series of a dozen novels.
    [Show full text]
  • Abstract Jordan III, Augustus W. B.S. Florida A&M University, 1994 A
    Abstract Jordan III, Augustus W. B.S. Florida A&M University, 1994 A Study of Language and Ideology in Rap Music Advisor: Dr. O. Osinubi Dissertation Dated June 5,1998 This study examined the language of Hip-Hop songs and ideology of the artists as reflected through their songs. The study was based on the theory that Hip-Hop or rap songs are legitimate artforms because of their use of poetic elements such as figuration, figures of sound, symbolism, and ambiguity. The study recorded and interpreted the lyrics of a few current rap songs for the purpose of investigating their poetical and ideological elements. The researcher found signification battles by some rap artists as the best examples of songs which express the richness and complexity of Hip-Hop music. The researcher found that both Hip-Hop music lyrics and standard poetry have many similarities, but also have a few different features which enhance their uniqueness. The conclusions drawn from the findings suggest that the main reason many critics do not consider Hip-Hop or rap music an artform, is that they either compare the music to something extremely different, or they simply do not take the time to listen to its songs. Rap Music is an artform that expresses poetic elements and utilizes electronic devices, thus making it a Postmodernist popular artform. Through the research, the researcher showed that rap music lyrics also have intense meaning, just like poetry. 2 A STUDY OF LANGUAGE AND IDEOLOGY IN RAP MUSIC A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN AFRICAN AND AFRICAN-AMERICAN STUDIES BY AUGUSTUS JORDAN III SCHOOL OF ARTS AND SCIENCES ATLANTA,GA JULY 1998 R -111 P-Jfl © 1998 AUGUSTUS W.
    [Show full text]
  • Boston, Massachusetts 02115
    If you have issues viewing or accessing this file contact us at NCJRS.gov. U.S. Department of Justice Office of Justice Programs National Institute of Justice Preventing Interpersonal Violence Among Youth An Introduction to School, Community, and Mass Media Strategies 150484 U.S. Department of Justice National Institute of Justice ~ This document has been reproduced exactly as received from the person or organization originating it. Points of view or opinions stated in CO this document are those of the authors and do not necessarily represent the official position or policies of the National Institute of Justice. Permission to reproduce this .n'lFtl material has been ~ granted by Pl ill] i c ]"bma j n/O.TP/NIJ o U.S. IBpartment of Justice to the National Criminal Justice Reference Service (NCJRS). l!) Further reproduction outside of the NCJRS system requires permission of the _owner. About the National Institute of Justice The National Institute of Justice (NIJ), a component of the The research and development program that resulted in Office ofJustice Programs, is the research and development the creation of police body armor that has meant the agency of the U.S. Department of Justice. NIJ was estab­ difference between life and death to hundreds of police lished to prevent and reduce crime and to improve the officers. criminal justice system. Specific mandates established by Congress in the Omnibus Crime Control and Safe Streets Pioneering scientific advances such as the research and Act of 1968, as amended, and the Anti-Drug Abuse Act of development of DNA analysis to positively identify 1988 direct the National Institute of Justice to: suspects and eliminate the innocent from suspicion.
    [Show full text]
  • The United Eras of Hip-Hop (1984-2008)
    qwertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfgh jklzxcvbnmqwertyuiopasdfghjklzxcvb nmqwertyuiopasdfghjklzxcvbnmqwer The United Eras of Hip-Hop tyuiopasdfghjklzxcvbnmqwertyuiopas Examining the perception of hip-hop over the last quarter century dfghjklzxcvbnmqwertyuiopasdfghjklzx 5/1/2009 cvbnmqwertyuiopasdfghjklzxcvbnmqLawrence Murray wertyuiopasdfghjklzxc vbnmqwertyuio pasdfghjklzxcvbnmqwertyuiopasdfghj klzxcvbnmqwertyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmrty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmqw The United Eras of Hip-Hop ACKNOWLEDGMENTS There are so many people I need to acknowledge. Dr. Kelton Edmonds was my advisor for this project and I appreciate him helping me to study hip- hop. Dr. Susan Jasko was my advisor at California University of Pennsylvania since 2005 and encouraged me to stay in the Honors Program. Dr. Drew McGukin had the initiative to bring me to the Honors Program in the first place. I wanted to acknowledge everybody in the Honors Department (Dr. Ed Chute, Dr. Erin Mountz, Mrs. Kim Orslene, and Dr. Don Lawson). Doing a Red Hot Chili Peppers project in 2008 for Mr. Max Gonano was also very important. I would be remiss if I left out the encouragement of my family and my friends, who kept assuring me things would work out when I was never certain. Hip-Hop: 2009 Page 1 The United Eras of Hip-Hop TABLE OF CONTENTS ACKNOWLEDGMENTS
    [Show full text]
  • N.W.A's Influence on Society
    #1 N.W.A’s Influence on Society Abstract I conducted research on the influence that the musical group N.W.A had on society in the late 80’s and as well as their influence on today's society. N.W.A is very well known for having changed the music industry, and they have been a controversial group since their debut album “Straight Outta Compton” was released on August 8, 1988. The album's songs were based on the group members' personal lives. N.W.A was putting out music and rapping about topics that at the time no one would dare to do.While conducting my research I found out why they were such a controversial group in the late 80’s; till this day they are still seen as controversial. Research Questions 1. In the 80s why was this group controversial? Is N.W.A still considered controversial today? 2. Why was “F _ _ _ Tha Police” one of their most popular and well known songs? 3. What are the members of the group doing now? “Who gave it that title, gangsta rap? It’s reality rap. It’s about what’s really going on.” - Eazy-E #2 How the Group Formed ● Was formed in 1987 by Eazy-E who co-founded a record label called “Ruthless Records”. ● Eazy-E recruited Dr. Dre and Ice Cube to write for his label. ● Ice-Cube & Dr. Dre wrote a song for a different group under Ruthless Records, but they decided not to record. So Eazy, Ice, & Dre recorded “Boyz-n-the-Hood” under the group name N.W.A.
    [Show full text]
  • An Afrofuturistic Reading of Parliament-Funkadelic Joshua Bird Western Washington University, [email protected]
    Occam's Razor Volume 3 (2013) Article 6 2013 Climbing Aboard the Mothership: An Afrofuturistic Reading of Parliament-Funkadelic Joshua Bird Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/orwwu Part of the Arts and Humanities Commons Recommended Citation Bird, Joshua (2013) "Climbing Aboard the Mothership: An Afrofuturistic Reading of Parliament-Funkadelic," Occam's Razor: Vol. 3 , Article 6. Available at: https://cedar.wwu.edu/orwwu/vol3/iss1/6 This Research Paper is brought to you for free and open access by the Western Student Publications at Western CEDAR. It has been accepted for inclusion in Occam's Razor by an authorized editor of Western CEDAR. For more information, please contact [email protected]. 29 OCCAM’S RAZOR Bird: Climbing Aboard the Mothership OCCAM’S RAZOR 30 “What’s happening CC? They still call it the White House, but that’s CLIMBING a temporary condition ABOARD too. Can you dig it, CC” THE MOTHERSHIP In his 1994 essay Black to the Future, place I eat” (Heron). Clinton was the group’s newly acquired fortune, George cultural critic Mark Dery coined the term mastermind behind the 1970s funk Clinton assembled a five man backing “Afrofuturism” and defined it as such: collective Parliament-Funkadelic, and band that was dubbed Funkadelic (a “Speculative fiction that treats African- his artistic vision included extensive portmanteau of funk and psychedelic) AN elements of science fiction. Through the to complement the five vocalists. Due to American themes and addresses
    [Show full text]
  • 'You Never Been on a Ride Like This Befo'
    [PMH 4.2 (2010) 160-176] Popular Music History (print) ISSN 1740-7133 doi:10.1558/pomh.v4i2.160 Popular Music History (online) ISSN 1743-1646 Justin A. Williams ‘You never been on a ride like this befo’: Los Angeles, automotive listening, and Dr. Dre’s ‘G-Funk’* Justin Williams is currently a Principal Lecturer in Department of Music and Popular Music at Anglia Ruskin University. He recently Performing Arts completed an ESRC-funded Postdoctoral Fellowship Anglia Ruskin University to research a project on music and automobility at the East Road Centre for Mobilities Research at Lancaster University. Cambridge CB1 1PT He is currently under contract from University of Mich- [email protected] igan Press to write a book on musical borrowing and intertextuality in hip-hop music. Abstract Since the 1920s, multiple historically specific factors led to the automobile-saturated environ- ment of Los Angeles, contributing to a car-dependent lifestyle for most of its inhabitants. With car travel as its primary mode of mobility, and as a hub of numerous cultural industries through- out the twentieth century, the city has been the breeding ground for a number of car cultures, including hot rods, custom cars, and lowriders in addition to the large output of films and music recordings produced. In rap music of the early 1990s, producer/rapper Dr. Dre’s (Andre Romelle Young) creation of a style labelled ‘G-funk’, according to him, was created and mixed specifically for listening in car stereo systems. This article provides one case study of music’s intersections with geography, both the influence of urban geography on music production and the geogra- phy of particular listening spaces.
    [Show full text]