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Privacy,Notice,And Design
PRIVACY, NOTICE, AND DESIGN Ari Ezra Waldman* CITE AS: 21 STAN. TECH. L. REV. 74 (2018) ABSTRACT Design configures our relationship with a space, whether offline or online. In particular, the design of built online environments can constrain our ability to understand and respond to websites’ data use practices or it can enhance agency by giving us control over information. This Article is the first comprehensive theoretical and empirical approach to the design of privacy policies. Privacy policies today do not convey information in a way understandable to most internet users. This is because they are created without the needs of real people in mind. They are written by lawyers and for lawyers, and they ignore the way most of us make disclosure decisions online. They also ignore the effects of design, aesthetics, and presentation on our decision-making. This Article argues that in addition to focusing on content, privacy regulators must also consider the ways that privacy policy design—the artistic and structural choices that frame and present a company’s privacy terms to the public—can manipulate or coerce users into making risky privacy choices. I present * Associate Professor of Law; Director, Innovation Center for Law and Technology, New York Law School; Affiliate Scholar, Princeton University Center for Information Technology Policy. Ph.D., Columbia University; J.D., Harvard Law School. Versions of this paper were work- shopped or presented at the Sixth Annual Internet Law Works-in-Progress Conference on March 5, 2016, as part of Whittier Law School’s Distinguished Speaker on Privacy Law lecture on March 17, 2016, at the New York Law School Faculty Colloquium on April 12, 2016, and at the Ninth Annual Privacy Law Scholars Conference on June 2, 2016. -
Martin Kemp MA, D
Martin Kemp MA, D. LITT, FBA, FRSE, HRSA, HRIAS, FRSSU Curriculum Vitae: Summary Education Windsor Grammar School 1960-3 Downing College, Cambridge University (Part I, Natural Sciences, Part II History of Art) 1963-5 Academic Diploma in the History of Western Art, Courtauld Institute Appointments and Activities a. Teaching and Research Posts, and Visiting Professorships etc 1965-1966 Lecturer in the History of Fine Art, Dalhousie University, Halifax, N.S., Canada 1966-1981 Lecturer in the History or Fine Art, University of Glasgow 1981-1990 Professor of Fine Arts, University of St. Andrews 1984-1985 Member of Institute for Advanced Study, Princeton 1990-1995 Professor of the History and Theory of Art, St. Andrews 1987-1988 Slade Professor, University of Cambridge 1988 Benjamin Sonenberg Visiting Professor, Institute of Fine Arts, New York University 1993 Dorothy Ford Wiley Visiting Professor in Renaissance Culture, University of North Carolina, Chapel Hill 1993-1998 British Academy Wolfson Research Professor 1995-1997 Professor of the History of Art, Oxford University 2000 Louise Smith Brosse Professor at the University of Chicago 2001 Research Fellow, Getty Institute, Los Angeles 2004 Mellon Senior Research Fellow, Canadian Centre for Architecture, Montreal 2007-2008 Research Professor in the History of Art, Oxford University 2008- Emeritus Professor in the History of Art, Oxford University 2010 Lila Wallace - Reader’s Digest Visiting Professor, I Tatti, Harvard University b. Invited lectures Britain and Ireland (various), America (Ann -
Spandau Ballet
GIOVEDì 23 OTTOBRE 2014 Spandau Ballet grandi protagonisti oggi al festival del film di Roma: i cinque membri della band inglese degli anni Ottanta, oggi ultracinquantenni, hanno presentato il film che celebra il loro percorso, Spandau Ballet "Soul Boys of the Western World", diretto dalla regista George Hencken, distribuito nei cinema italiani il 21 e 22 ottobre. In un'ora e trenta di film Grande stile per il loro film su anni 80 si ripercorre il decennio degli anni Ottanta con un gruppo che ne fu protagonista, e che operò una rivoluzione di costume e musicale dopo il nichilismo punk, nell'Inghilterra degli scioperi e dei riots, sotto il governo di Margharet Thatcher. "Quello che amo di più di questo film è CARMEN GUADALAXARA E CRISTIAN la parte in cui si racconta il quartiere dove vivevamo da bambini, PEDRAZZINI Islington, e poi gli scioperi, i tumulti, la politica di quegli anni in Gran Bretagna: questo non è solo un film sugli Spandau Ballet" ha chiarito entusiasta il cantante Tony Hadley, mentre il sassofonista Steve Norman ha precisato: "Noi abbiamo dato tutto il materiale d`archivio a George, e lei ha reso giustizia sia agli anni Ottanta che alla nostra profonda amicizia". Attraverso immagini di repertorio e il racconto dei protagonisti nel film si ripercorre la storia dei cinque ragazzi della woking [email protected] class londinese, Gary e Martin Kemp, Steve Norman, Tony Hadley, John SPETTACOLINEWS.IT Keeble, che vendettero 25 milioni di dischi. Per gli Spandau è indelebile il ricordo del loro successo in Italia: "Essere qui era bellissimo, eravamo molto popolari" ha affermato Gary Kemp, mentre Hadley ha ricordato: "Noi qui abbiamo incontrato le fan più pazzi del mondo" e Steve Norman ha precisato: "L`Italia ha veramente abbracciato con affetto la nostra band: ai concerti non c`erano solo ragazzine, ma bambini piccoli, nonni e bisnonni". -
Extras - Episode One
Extras - Episode One by Ricky Gervais & Stephen Merchant COLD OPEN FADE IN: We are watching a TV biopic of the life of Lord Nelson. It is England, 1805. Lady Hamilton is running across a lawn towards a carriage that is being loaded by manservants. ROSS KEMP as Horatio Nelson is standing nearby. LADY HAMILTON Horatio. Ross turns to face Lady Hamilton. ROSS Emma. What are you doing here? LADY HAMILTON I couldn't bear to let you go without saying goodbye. ROSS You shouldn't have come, Emma. People will talk. LADY HAMILTON Let them talk. I'm tired of hiding our love away. I'm not ashamed of how I feel. We cut behind the scenes to see ANDY MILLMAN waiting off camera, dressed as a footman. He is watching the action, waiting for his cue. ROSS Neither am I. But we both know we shouldn't be together. LADY HAMILTON Shouldn't? Who says we shouldn't? Behind the scenes, Andy is tapped on the shoulder. He walks forward and loads his crate onto the back of the carriage. We see him appear in the background of the film clip. ROSS My conscience. My conscience tells me everything I feel for you is wrong. But my heart, my heart says I can't live without you. Andy stands by the carriage. LADY HAMILTON Promise me you'll return. ROSS I promise. Because if Napoleon doesn't kill me, then being away from you surely will. 2. Ross and Lady Hamilton kiss passionately. From behind their heads we see Andy emerge, edging himself into the frame. -
Stay Hungry, Stay Focused: Generating Informative and Specific
Stay Hungry, Stay Focused: Generating Informative and Specific Questions in Information-Seeking Conversations Peng Qi Yuhao Zhang Christopher D. Manning Stanford University Stanford, CA 94305 fpengqi, yuhaozhang, [email protected] Abstract Background: Spandau Ballet (English band) Spandau Ballet were an English new wave band formed in Islington, London, in 1979. Inspired by … We investigate the problem of generating infor- Topic: 1983--1989: International success and decline mative questions in information-asymmetric Private What was the first indication of Spandau Knowledge Ballet's success at the international level? conversations. Unlike previous work on ques- The band released their tion generation which largely assumes knowl- third album … The The follow-up album, Parade, was released in June follow-up album, 1984, and its singles were again big successes in edge of what the answer might be, we are in- Parade, was released in the charts in Europe, Oceania and Canada. June 1984, and its terested in the scenario where the questioner is singles were again big successes in the charts BL What was the name of the album? not given the context from which answers are in Europe, Oceania and Canada. The album’s What was the most popular single from drawn, but must reason pragmatically about Ours opening song, “Only the album? how to acquire new information, given the When You Leave”, became the band’s last What were the notable songs from the Ref shared conversation history. We identify two American hit. … album Parade? core challenges: (1) formally defining the in- formativeness of potential questions, and (2) Figure 1: Asking questions in a conversation to ac- exploring the prohibitively large space of po- quire information. -
Dan Blaze's Karaoke Song List
Dan Blaze's Karaoke Song List - By Artist 112 Peaches And Cream 411 Dumb 411 On My Knees 411 Teardrops 911 A Little Bit More 911 All I Want Is You 911 How Do You Want Me To Love You 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 911 The Journey 10 cc Donna 10 cc I'm Mandy 10 cc I'm Not In Love 10 cc The Things We Do For Love 10 cc Wall St Shuffle 10 cc Dreadlock Holiday 10000 Maniacs These Are The Days 1910 Fruitgum Co Simon Says 1999 Man United Squad Lift It High 2 Evisa Oh La La La 2 Pac California Love 2 Pac & Elton John Ghetto Gospel 2 Unlimited No Limits 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Kryptonite 3 Oh 3 feat Katy Perry Starstrukk 3 Oh 3 Feat Kesha My First Kiss 3 S L Take It Easy 30 Seconds To Mars The Kill 38 Special Hold On Loosely 3t Anything 3t With Michael Jackson Why 4 Non Blondes What's Up 4 Non Blondes What's Up 5 Seconds Of Summer Don't Stop 5 Seconds Of Summer Good Girls 5 Seconds Of Summer She Looks So Perfect 5 Star Rain Or Shine Updated 08.04.2015 www.blazediscos.com - www.facebook.com/djdanblaze Dan Blaze's Karaoke Song List - By Artist 50 Cent 21 Questions 50 Cent Candy Shop 50 Cent In Da Club 50 Cent Just A Lil Bit 50 Cent Feat Neyo Baby By Me 50 Cent Featt Justin Timberlake & Timbaland Ayo Technology 5ive & Queen We Will Rock You 5th Dimension Aquarius Let The Sunshine 5th Dimension Stoned Soul Picnic 5th Dimension Up Up and Away 5th Dimension Wedding Bell Blues 98 Degrees Because Of You 98 Degrees I Do 98 Degrees The Hardest -
Oxford Literary Festival Pocket Guide 2020
OXF OR D lit era ry Friday 27 March to festival Sunday 5 April 2 020 Chris P ackham Penelope Lively Ken Clarke Brenda Hale John Humphrys Jung Chang Pat Barker David Lammy Donna Leon Lucy Worsley Alexander McCall Smith Greta Scacchi Levison Wood Maggie Aderin-Pocock Jonathan Sacks pocket guide Box Office 0333 666 3366 • www.oxfordliteraryfestival.org Welcome to your pocket guide to the 2020 Ft Weekend oxFord literary Festival Tickets Tickets can be booked up to one hour before the event. Online: www.oxfordliteraryfestival.org In person: Oxford Visitor Information Centre, Broad Street, Oxford, seven days a week. * Telephone box office: 0333 666 3366 * Festival box office: The box office in the Blackwell’s marquee will be open during the festival. Immediately before events: Last-minute tickets are available for purchase from the festival box office in the marquee in the hour leading up to each event. You are strongly advised to book in advance as the box office can get busy in the period before events. * An agents’ booking fee of £1.75 will be added to all sales at the visitor information centre and through the telephone box office. This pocket guide was correct at the time of going to press. Venues are sometimes subject to change, and more events will be added to the programme. For all the latest times and venues, check our website at www.oxfordliteraryfestival.org General enquiries: 07444 318986 Email: [email protected] Ticket enquiries: [email protected] colour denotes children’s and young people’s events Blackwell’s bookshop marquee The festival marquee is located next to the Sheldonian Theatre. -
112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question -
Smash Hits Volume 50
OCTOBER 30 NOVEMBER 12 1980 tstti: TErrar5 HAZEL O'CONNOR AQAM & THE ANTS ORCHESTRAL MANOEUVRES & STATUS QUO IN COLOUR - ^gW^**^Oct. 30-Nov. 121980 Vol. 2 No. 22 THE TIDE IS HIGH Blondie 2 TOWERS OF LONDON XTC 5 DANCING WITH MYSELF Generation X S GENTLEMEN TAKE POLAROIDS Japan 8 ONE MAN WOMAN Sheena Easton 11 GIVE ME AN INCH Hazel O'Connor 18 LA-DI-DA Sad Cafe 21 IN MY STREET The Chords 24/25 LET ME TALK Earth Wind & Fire 27 I NEED YOUR LOVIN' Teena Marie 30 ALL OUT OF LOVE Air Supply 30 PASSING STRANGERS Ultravox 35 The Tide Is High HEROES The Stranglers 39 WHOSE PROBLEM Motels 42 Blondie FASHION David Bowie 51 on Chrysalis Records JAPAN: Feature 6/7/8 HAZEL O'CONNOR: Feature 16/17/18 STATUS QUO: Colour Poster 28/29 &KS2ES3S—-— ADAM & THE ANTS: Feature 40/41 O.M.I.T.D.: Colour Poster 52 BITZ 13/14/15 BIRO BUDDIES 22&34 CARTOON 22 MADNESS COMPETITION 24 DISCO 27 Repeat chorus CROSSWORD 31 REVIEWS 32/33 WHITESNAKE COMPETITION 34 rl antSVO,Jtob STAR TEASER 36 IutHf'' t «herrnan FACT IS 43 INDEPENDENT BITZ 44 LETTERS 47/48 BADGE OFFER 48 GIGZ 50 chorus Repeat Editor Editorial Assistants Contributors Ian Cranna Bev Hillier Robin Katz Linda Duff Red Starr 9" 1 nts you to be Fred Dellar hw •"" STKiBut I II artT Advertisement w my deaf David Hepworlh Manager Mike Stand m V Rod Sopp m the kinda Kelly Pike ' ^ •* who aive" u ju« J Hk. th.t. (Tel: 01-439 8801) Jill Furmanovsky oh no Design Editor Assistant Steve Bush Steve Taylor Adie Hegarty 'roduction Editor Editorial Consultant Publisher Kasperde Graaf Nick Logan Peter Strong to fade Repeat chorus Editorial and Advertising address: Smash Hits, 52-55 Carnaby Street, London W1V 1PF. -
Karaoke Song Book Karaoke Nights Frankfurt’S #1 Karaoke
KARAOKE SONG BOOK KARAOKE NIGHTS FRANKFURT’S #1 KARAOKE SONGS BY TITLE THERE’S NO PARTY LIKE AN WAXY’S PARTY! Want to sing? Simply find a song and give it to our DJ or host! If the song isn’t in the book, just ask we may have it! We do get busy, so we may only be able to take 1 song! Sing, dance and be merry, but please take care of your belongings! Are you celebrating something? Let us know! Enjoying the party? Fancy trying out hosting or KJ (karaoke jockey)? Then speak to a member of our karaoke team. Most importantly grab a drink, be yourself and have fun! Contact [email protected] for any other information... YYOUOU AARERE THETHE GINGIN TOTO MY MY TONICTONIC A I L C S E P - S F - I S S H B I & R C - H S I P D S A - L B IRISH PUB A U - S R G E R S o'reilly's Englische Titel / English Songs 10CC 30H!3 & Ke$ha A Perfect Circle Donna Blah Blah Blah A Stranger Dreadlock Holiday My First Kiss Pet I'm Mandy 311 The Noose I'm Not In Love Beyond The Gray Sky A Tribe Called Quest Rubber Bullets 3Oh!3 & Katy Perry Can I Kick It Things We Do For Love Starstrukk A1 Wall Street Shuffle 3OH!3 & Ke$ha Caught In Middle 1910 Fruitgum Factory My First Kiss Caught In The Middle Simon Says 3T Everytime 1975 Anything Like A Rose Girls 4 Non Blondes Make It Good Robbers What's Up No More Sex.... -
5.1 Integritas (Arbery)
Commencement Week 2018 NTEGRITA IWyoming Catholic CollegeS Issue . Reflecting on the Class of by Dr. Glenn C. Arbery President Wyoming Catholic College (Delivered at the annual President's Dinner, held on May , ) When this year’s graduating class first came to Wyo- ming Catholic College in the fall of 2014, they were already a vivid group. I remember them, fresh from the backcountry after their 21-day trip, when they came to Humanities class ready to talk about Hesiod and Homer. The girls were of course all proper and restrained, but the guys were a little like the whalers that Melville describes at the beginning of Moby-Dick when they burst into the first bar they find: “all bedarned and ragged, and their beards stiff with icicles, they seemed an eruption of bears from Labrador.” I’m exaggerat- ing, of course. That wasn’t until after the winter trip. I got to know these graduates best the next semester in the Trivium 102 course that has since fallen out of the curriculum. For a few weeks, we had time to think about poetry—how essential it was to understand meter, for example, and what the difference was between a good poem and a bad one. As we were reading Paul Fussell’s Poetic Meter and Poetic Form, they began to see that the good poet never simply follows a predictable pattern—say, the sequence of unstressed and stressed syllables in an iam- bic pentameter line (daDUN-daDUN-daDUN-daDUN-daDUN)—or if the poet does follow it, it’s for a good poetic reason. -
THROUGH the BARRICADES HAD ONS LAATSTE ALBUM MOETEN ZIJN” Interview Tony Hadley (Spandau Ballet) – Melkweg Amsterdam (27 November 2016 )
“THROUGH THE BARRICADES HAD ONS LAATSTE ALBUM MOETEN ZIJN” Interview Tony Hadley (Spandau Ballet) – Melkweg Amsterdam (27 november 2016 ) “Ik ging ooit met Lemmy op stap in LA en heb het overleefd!” Aldus Tony Hadley, zanger van 80’s-popband Spandau Ballet. Niet de eerste persoon die je in één adem met de eind vorig jaar overleden frontman van Motörhead zou noemen, maar blijkbaar hebben de wegen van beide zangers elkaar in het verleden toch gekruist. Met Spandau Ballet is Tony vooral bekend van hits als Gold , True en Through the Barricades en zijn wereldwijd meer dan twintig miljoen platen verkocht. Niet slecht voor een band die is vernoemd naar de tekst Spandau Ballet die op een Berlijn- se wc-muur was gekalkt! Na een dieptepunt in 1999, toen de bandleden in de rechtbank recht tegenover elkaar stonden vanwege ruzie over royalties, kwam de band tien jaar later weer terug. Na de laatste wereldtournee van 2015 ligt Spandau Ballet weer even stil, vandaar dat Tony nu met zijn eigen band optreedt. Maar solo of niet, de hits van vroeger zal hij altijd blijven spelen. Tekst: Godfried Nevels Een paar weken geleden heb ik Paul Young geïnter- Low deed. En Ultravox, vroege Ultravox. En ook vroege viewd. Ik heb begrepen dat Paul een goede vriend Human League. De hele scene veranderde steeds van je is? meer. Het was een geweldige tijd. Het belangrijkste “Ja, we zijn goede vrienden. Hij is een geweldige vent.” van die tijd om muzikaal te onthouden: er was geen social media. Als je een demo opnam was het op band, Ken je Paul al lang? haha! Er waren geen mobiele telefoons.