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OHIO NEWS BUREAU INC. CLEVELAND, OHIO 44115 216/241-0675 COLUMBUS DISPBTCH COLUMBUS, OH, HM CIRC, 284,796 flPR-30-99 ^Night Music’ at ^^lOtterbein a lavish, lovely production By Midiael Grossberg Dispatch Theater Critic Shimmering with beauty, melody Theater review wit, A Little Night Music be A UWb NlgM HibIc, Otterbein comes a jeweled music box in the College's student production of deft hands of Otterbein College’s composer-lyricist Stephen Sondheim theater and music departments. ard author Hugh Wheeler’s musical. ' Lavish but unerringly tasteful, Directed by Dennis Romer. lovely but not gaudy, comically .................. Allison Sattinger broad but often delightfully subtle, Madame Armfeldt..... ...... Unda Dorff. the 'co-production ranks with Otter- Fredrik Egeiman ........Christopher Sloan'7 heir’s best spring musicals. Anne Egerman------ Ainanda Wheeler} ■ ■ Night Music is one of the most Cart-Magnus... .............. .Ayler Evan', ■challenging Stephen Sondheim Charlotte...... —... chrisi Carter ij “shows. Yet, Otterbein brings the ™ta............ ........... .... Jen Minter ,1973 Tony winner for best musical to Hennk................ Matthew DeVrienrt ^ftering life with grace, sophistica tion md seemingly effortless ease. Send In the bouquets - ..Director Dennis Romer and music Being performed at 8 tonight and ; director Kevin Purcell enhance the Saturday and 2 p.m. Sunday—and 7 wistful romanticism of Sondheim’s 8 p.m. May 6-8—in Cowan Hall, 30 ■< gorgeous score and author Hugh S. Grove Westerville. if. ,\yheeler’s portrait -
The National News Council's News Clippings, 1973 August- 1973 September (1973)
University of California, Hastings College of the Law UC Hastings Scholarship Repository Formation of the National News Council Judicial Ethics and the National News Council 8-1973 The aN tional News Council's News Clippings, 1973 August- 1973 September The aN tional News Council, Inc. Follow this and additional works at: http://repository.uchastings.edu/nnc Recommended Citation The aN tional News Council, Inc., The National News Council's News Clippings, 1973 August- 1973 September (1973). Available at: http://repository.uchastings.edu/nnc/168 This News Article is brought to you for free and open access by the Judicial Ethics and the National News Council at UC Hastings Scholarship Repository. It has been accepted for inclusion in Formation of the National News Council by an authorized administrator of UC Hastings Scholarship Repository. For more information, please contact [email protected]. THE NEW YORK TIMES, SUNDAY, SEPTEMBER 16, 197J 19 By lORN I. O'CONNOR TelevisIon NE of the more significant con are received. The letter concluded that tuted "a controversial Issue ext public In three ·centralized conduits? If the frontations currently taking place "in our view there is no~hing contro importance," networks do distort, however uninten Oin the television arena involves versial or debatable in the proposition Getting no response from the net tionally, who will force them to clarify? the case of Accuracy in Media, that nat aU pensions meet the expecta work that it considered acceptable, AIM In any journalism, given the pressure Inc., a nonprofit, self-appointed "watch tions' of employes or serve all persons took its case to the FCC, and last of deadlines, mistakes are inevitable. -
Desperate Housewives a Lot Goes on in the Strange Neighborhood of Wisteria Lane
Desperate Housewives A lot goes on in the strange neighborhood of Wisteria Lane. Sneak into the lives of five women: Susan, a single mother; Lynette, a woman desperately trying to b alance family and career; Gabrielle, an exmodel who has everything but a good m arriage; Bree, a perfect housewife with an imperfect relationship and Edie Britt , a real estate agent with a rocking love life. These are the famous five of Des perate Housewives, a primetime TV show. Get an insight into these popular charac ters with these Desperate Housewives quotes. Susan Yeah, well, my heart wants to hurt you, but I'm able to control myself! How would you feel if I used your child support payments for plastic surgery? Every time we went out for pizza you could have said, "Hey, I once killed a man. " Okay, yes I am closer to your father than I have been in the past, the bitter ha tred has now settled to a respectful disgust. Lynette Please hear me out this is important. Today I have a chance to join the human rac e for a few hours there are actual adults waiting for me with margaritas. Loo k, I'm in a dress, I have makeup on. We didn't exactly forget. It's just usually when the hostess dies, the party is off. And I love you because you find ways to compliment me when you could just say, " I told you so." Gabrielle I want a sexy little convertible! And I want to buy one, right now! Why are all rich men such jerks? The way I see it is that good friends support each other after something bad has happened, great friends act as if nothing has happened. -
2021 Issue 1 to See the Pages Side-By-Side, Please Set Adobe Reader
2021 Issue 1 Composite #6 12/17/2020 at 3:02pm FOR PRINT To see the pages side-by-side, please set Adobe Reader “View/Page Display” Tab to “Two Page View” WINTER, 2021 Volume 21 Edition 1 We are all in this together. Cartoon by Elisabeth McNair © The New Yorker 2020 INSIDE PN INSIDE PN Cover ....................................................................................... 1 What’s Now! - Rashida Jones Named MSNBC President .... 12 Marilyn’s Page ........................................................................ 2 What’s Now! - SNL Costume Wizards ................................. 13 What’s Now! - The Butler Wedding ........................................ 3 What’s Now! - Tom Merritt’s Baseball Trivia Game ........... 14 What’s Now! - Bill Wheatley: A Time for Trust .................. 4-5 Silent Microphones - Bill Melanson ...................................... 15 What’s Now! - Becoming an American Correspondent ....... 6-7 Silent Microphones - Ed Delgado..................................... 16-17 What’s Now! - Tom Brokaw’s Thoughts ................................... 8 Silent Microphones - Tim Gorry, Stu Wolther ...................... 18 What’s Now! - Al Roker Returns from Surgery ...................... 8 Silent Microphones - Walter C. Miller .................................. 19 What’s Now! - John Filippelli: YES Meets the Challenge ...... 9 Peacock History - Reuven Frank by Mike Chapman ............ 20 Peacock Profile - Lenny Stucker, Photographer ............... 10-11 Peacock History - Wide Wide World: Live from Havana ..... 21 What’s Now! - Mike Meehan Retires .................................... 12 Peacock History - The Heidi Chronicles .......................... 22-23 The Kicker: Rock Plaza Holiday Events Go Virtual ............ 24 Page 2 Winter 2021 Peacock Marilyn’s Page One year ago, I, along with the rest of the world, was heralding in the new decade, looking forward to 2020. How odd that all seems now, having been in lockdown and listening to daily reviews of the pandemic and its death toll creep everywhere in the world. -
Determining Stephen Sondheim's
“I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS BY ©2011 PETER CHARLES LANDIS PURIN Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ___________________________ Chairperson Dr. Scott Murphy ___________________________ Dr. Deron McGee ___________________________ Dr. Paul Laird ___________________________ Dr. John Staniunas ___________________________ Dr. William Everett Date Defended: August 29, 2011 ii The Dissertation Committee for PETER PURIN Certifies that this is the approved version of the following dissertation: “I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS ___________________________ Chairperson Dr. Scott Murphy Date approved: August 29, 2011 iii Abstract This dissertation offers a music-theoretic analysis of the musical style of Stephen Sondheim, as surveyed through his fourteen musicals that have appeared on Broadway. The analysis begins with dramatic concerns, where musico-dramatic intensity analysis graphs show the relationship between music and drama, and how one may affect the interpretation of events in the other. These graphs also show hierarchical recursion in both music and drama. The focus of the analysis then switches to how Sondheim uses traditional accompaniment schemata, but also stretches the schemata into patterns that are distinctly of his voice; particularly in the use of the waltz in four, developing accompaniment, and emerging meter. Sondheim shows his harmonic voice in how he juxtaposes treble and bass lines, creating diagonal dissonances. -
Battle of the Brains: Election-Night Forecasting at the Dawn of the Computer Age
ABSTRACT Title of Dissertation: BATTLE OF THE BRAINS: ELECTION-NIGHT FORECASTING AT THE DAWN OF THE COMPUTER AGE Ira Chinoy, Doctor of Philosophy, 2010 Dissertation directed by: Professor Emeritus Maurine Beasley Philip Merrill College of Journalism This dissertation examines journalists’ early encounters with computers as tools for news reporting, focusing on election-night forecasting in 1952. Although election night 1952 is frequently mentioned in histories of computing and journalism as a quirky but seminal episode, it has received little scholarly attention. This dissertation asks how and why election night and the nascent field of television news became points of entry for computers in news reporting. The dissertation argues that although computers were employed as pathbreaking “electronic brains” on election night 1952, they were used in ways consistent with a long tradition of election-night reporting. As central events in American culture, election nights had long served to showcase both news reporting and new technology, whether with 19th-century devices for displaying returns to waiting crowds or with 20th-century experiments in delivering news by radio. In 1952, key players – television news broadcasters, computer manufacturers, and critics – showed varied reactions to employing computers for election coverage. But this computer use in 1952 did not represent wholesale change. While live use of the new technology was a risk taken by broadcasters and computer makers in a quest for attention, the underlying methodology of forecasting from early returns did not represent a sharp break with pre-computer approaches. And while computers were touted in advance as key features of election-night broadcasts, the “electronic brains” did not replace “human brains” as primary sources of analysis on election night in 1952. -
Reviews of Books and Audiobooks in Italian
Reviews of books and audiobooks in Italian Susanna Agnelli (1922-2009), Vestivamo alla marinara, 231pp. (1975). Susanna Agnelli's paternal grandfather founded the Fiat company in 1899. She was thus a member of one of the richest families in Italy. Vestivamo alla marina is an autobiography beginning in childhood and ending with Agnelli's marriage in 1945. The title \We dressed like sailors" refers to the sailor-suits her parents made all the children wear, and gives little hint of what the book is really about. It begins with the sailor-suits and her upbringing under the stern eye of British nanny \Miss Parker", but before long Italy has joined the Axis and the young \Suni", as Susanna was known, is volunteering as a nurse on ships bringing injured soldiers from Africa back to Italy. As a war memoir it is fascinating, including for example an account of the utter confusion and chaos created by the Armistice of September 8, 1943 (Suni was in Rome at the time). Judging by her own account, Suni was a very courageous young woman, but it is only fair to point out that her war experience was highly atypical because of her access to wealth and power. In the middle of the war, she takes a ski vacation in Switzerland. When she and her brother Gianni need a car in Firenze, hoping to get to Perugia where they can hide out in one of their grandfather's numerous houses and await the allied advance, as Agnellis they have only to go to the local Fiat headquarters and they're set. -
Anthony De Mare, Piano Re-Imagining Sondheim from the Piano
Sunday, November 5, 201 7, 7pm Hertz Hall Anthony de Mare, piano Re-Imagining Sondheim from the Piano PROGRAM (all works based on material by Stephen Sondheim) andy akiHo into the Woods (2013) (Into the Woods ) William boLcoM a Little Night fughetta (2010) (after “anyone can Whistle” & “Send in the clowns”) ricky ian GorDoN Every Day a Little Death (2008/2010) (A Little Night Music ) annie GoSfiELD a bowler Hat (2011) (Pacific Overtures ) Mason batES very Put together (2012) (after “Putting it together” from Sunday in the Park with George ) Steve rEicH finishing the Hat –two Pianos (2010) (Sunday in the Park with George ) Gabriel kaHaNE being alive (2011) (Company ) Ethan ivErSoN Send in the clowns (2011) (A Little Night Music ) Wynton MarSaLiS that old Piano roll (2014) (Follies ) thomas NEWMaN Not While i’m around (2012) (Sweeney Todd ) Duncan SHEik Johanna in Space (2014) (after “Johanna” from Sweeney Todd ) Jake HEGGiE i’m Excited. No You’re Not. (2010) (after “a Weekend in the country” from A Little Night Music ) All pieces were commissioned expressly for the Liaisons Project, Rachel Colbert and Anthony de Mare, producers. Cal Performances’ 2017 –18 season is sponsored by Wells Fargo. 27 PROGRAM NOTES ike many of us, i have long held in highest COMPOSER COMMENTS esteem the work of Stephen Sondheim, Lwhose fearless eclecticism has emboldened Andy Akiho: “ the first time i listened to it i loved many a musical risk-taker. over the years, i often the concept of Into the Woods —being lost in and found myself imagining how the familiar and confused by the woods, and the consistent and beloved songs of the Sondheim canon would driving rhythms of the opening prologue. -
DOCUMENT RESUME Proceedings of the Annual Meeting of The
DOCUMENT RESUME ED 423 574 CS 509 918 TITLE Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (81st, Baltimore, Maryland, August 5-8, 1998). Radio-TV. INSTITUTION Association for Education in Journalism and Mass Communication. PUB DATE 1998-08-00 NOTE 362p.; For other sections of these Proceedings, see CS 509 905-922. PUB TYPE Collected Works Proceedings (021) Reports Research (143) EDRS PRICE MF01/PC15 Plus Postage. DESCRIPTORS *Broadcast Journalism; Case Studies; Content Analysis; Females; Foreign Countries; Higher Education; National Surveys; *News Media; Political Campaigns; *Radio; Student Attitudes; *Television; Television Research IDENTIFIERS China; Local Television Stations; *Media Coverage; *Television News ABSTRACT The Radio-TV section of the Proceedings contains the following 13 papers: "Computer-Assisted Reporting: A Nationwide Survey of Television Newsrooms" (Sonya Forte Duhe' and Erin Haynie); "Network Television News Coverage of the Environment and the Impact of the Electronic Newsletter 'Greenwire" (Claudette Guzan Artwick); "Managing Single-Market Radio Clusters" (Greg Stefaniak); "A Content Analysis of 'Dateline NBC' and 'NBC Nightly News': The Infiltration of the Youformation Story into News Magazines and Mainstream News" (Jeff Demas); "Priming Reporters: A Study on How the Willie Horton Case Altered the Portrayal of Criminals" (James Devitt); "Constructing International Spectacle on Television: CCTV News and China's Window on the World, 1992-1996" (Tsan-Kuo Chang and Chen Yanru); "Advertising's Influence on Broadcast News Content: A Study of Student Attitudes" (Hubert W. Brown and Beth E. Barnes); "Women in Television News Management: Do They Make a Difference?" (Laura K. Smith and John W. Wright II); "They'd Rather Be in Pictures, or Would They?: A Content Analysis of Video Bite Bias during TV Network News Coverage of the 1992 and 1996 Presidential Campaigns" (Jon A. -
Derick Cordoba Dissertation
© 2017 Derick Cordoba LITURGICAL JAZZ: THE LINEAGE OF THE SUBGENRE IN THE MUSIC OF EDGAR E. SUMMERLIN BY DERICK CORDOBA DISSERTATION Submitted in partial fuLfiLLment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Jazz Performance in the Graduate CoLLege of the University of IlLinois at Urbana-Champaign, 2017 Urbana, IlLinois Doctoral Committee: Associate Professor Lawrence Gray, Chair Professor GabrieL SoLis, Director of Research Associate Professor Tito CarriLLo Professor Erik Lund ABSTRACT This dissertation discusses the Lineage of Liturgical jazz with a particuLar focus on Edgar Eugene “Ed” SummerLin (1928-2006). This Lineage stretches back into the Late 1950s, but has LargeLy been unexplored beyond a seLect few high-profiLe artists. I trace the evoLution of Liturgical jazz from several composers’ earLiest attempts to the present day. ALthough the Liturgical jazz movement began in the Late 1950s, it was primariLy a product of the turbuLent 1960s in America. This was a period of great change and expLoration not onLy in jazz but in organized reLigion as weLL. A deep and frank discussion emerged as to what Liturgical music shouLd and wouLd be alLowed to sound Like. These decisions at the highest LeveLs of denominations had ramifications that are stiLL being feLt today in the churches of America; however, the primary focus of this dissertation is on the formative period of Liturgical jazz during the 1960s and earLy 1970s. These years give a basis for better understanding and appreciating the deveLopment and defining features of Liturgical jazz. SummerLin is a figure that is often cited as a pioneer in Liturgical jazz, but no one has offered a history of his Life, his music, or why his Liturgical music was so revoLutionary. -
Organ Recital Hall / University Center for the Arts
ORGAN RECITAL HALL / UNIVERSITY CENTER FOR THE ARTS ⊲ ⊲ ⊲ CO-PRESENTED BY THE LINCOLN CENTER AND COLORADO STATE UNIVERSITY ⊳ ⊳ ⊳ RE-IMAGING SONDHEIM FROM THE PIANO APRIL 17, 7:30 P.M. TONIGHT’S PROGRAM ANTHONY DE MARE / LIAISONS: RE-IMAGINING SONDHEIM FROM THE PIANO (ALL WORKS BASED ON MATERIAL BY STEPHEN SONDHEIM) Into the Woods (2013) Andy Akiho (Into the Woods) The Ladies Who Lunch (2010) David Rakowski (Company) Color and Light (2012) Nico Muhly (Sunday in the Park with George) Finishing the Hat –Two Pianos (2010) Steve Reich (Sunday in the Park with George) I Think About You (2010) Paul Moravec (after “Losing My Mind” — Follies) That Old Piano Roll (2014) Wynton Marsalis (Follies) Johanna in Space (2014) Duncan Sheik (after “Johanna” – Sweeney Todd) The Demon Barber (2010) Kenji Bunch (A Fantasia on “The Ballad of Sweeney Todd”) No One Is Alone (2010) Fred Hersch (Into the Woods) I’m Excited. No You’re Not. (2010) Jake Heggie (after “A Weekend in the Country” – A Little Night Music) FROM THE ARTIST Like many of us, I have long held in highest esteem the work of Stephen Sondheim, whose fearless eclecticism has emboldened many a musical risk-taker. Over the years, I often found myself imagining how the familiar and beloved songs of the Sondheim canon would sound if transformed into piano works along the lines of what Art Tatum and Earl Wild did for George Gershwin and Cole Porter, or what Liszt did for Verdi, Schubert and so many others. In 2007, after many years of working with talented composers from across the musical spectrum, I decided to pursue a formal commissioning and concert project. -
A Little Night Music"
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 7-2020 The Scenic Design of "A Little Night Music" Kathleen Holmes University of Arkansas, Fayetteville Follow this and additional works at: https://scholarworks.uark.edu/etd Part of the Art and Design Commons, and the Other Theatre and Performance Studies Commons Citation Holmes, K. (2020). The Scenic Design of "A Little Night Music". Theses and Dissertations Retrieved from https://scholarworks.uark.edu/etd/3777 This Thesis is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected]. The Scenic Design of “A Little Night Music” A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Theatre by Kathleen Holmes Louisiana Tech University Bachelor of Arts in Theatre, 2017 July 2020 University of Arkansas This thesis is approved for recommendation to the Graduate Council. _____________________________ Michael Riha M.F.A Thesis Director _____________________________ _____________________________ Shawn Irish M.F.A Jason Burrow M.F.A Committee Member Committee Member Abstract A Little Night Music by Hugh Wheeler and Stephen Sondheim was produced by the University of Arkansas Department of Theatre in 2018-2019 academic school year. The scenic design process entailed a series of private meetings, design meetings, independent research, and analysis that all culminated into a full scenic design package. The show itself has many locations that quickly transition into one another. It was my challenge as the designer to cohesively design the scenery so that it could be transitioned easily and in time with the music.