A Little Night Music

Total Page:16

File Type:pdf, Size:1020Kb

A Little Night Music A Little Night Music Music and Lyrics by Stephen Sondheim Book by Hugh Wheeler Orchestrations by Jonathan Tunick Suggested by a Film by Ingmar Bergman Originally Produced & Directed on Broadway by Harold Prince Directed by Kelly Ward Bing Theatre | March 31–April 10, 2016 CAST OF CHARACTERS (in order of appearance) MUSICAL NUMBERS Fredrika Armfeldt Madame Armfeldt ACT 1 Sarah Rosenthal Camille Langston Night Waltz PRESENTS Mr. Lindquist Frid Company Austin Dalgleish Kyle McLaughlin Now Mrs. Nordstrom Henrik Egerman Fredrik Liz Buzbee Dorian Tayler Later A Little Night Music Mrs. Anderssen Anne Egerman Henrik Brooke Lewis Maxine Phoenix Soon MUSIC AND LYRICS BY BOOK BY Mr. Erlanson Fredrik Egerman Anne, Henrik, Fredrik Chas Conacher Taubert Nadalini The Glamorous Life Stephen Sondheim Hugh Wheeler Mrs. Segstrom Petra Fredrika, Desiree, Madame Armfeldt, Julianna Keller Molly Chiffer Mrs. Nordstrom, Mrs. Segstrom, Orchestrations by Jonathan Tunick Mrs. Hult Desiree Armfeldt Mrs. Anderssen, Mr. Lindquist, Suggested by a Film by Ingmar Bergman Carson Klasner Annika Ellwanger-Chavez Mr. Erlanson, Mr. Solberg, Mrs. Hult Originally Produced and Directed on Broadway by Harold Prince Mr. Solberg Malla Remember? Robert Lee Terry Ashley Busenlener Mr. Lindquist, Mrs. Nordstrom, Mrs. Segstrom, Mr. Erlanson, Osa Count Carl-Magnus Malcolm Mrs. Anderssen, Mr. Solberg, Mrs. Hult WITH (in alphabetical order) Shannon Sheridan Connor McCreary Bertrand, Theatre Page Countess Charlotte Malcolm You Must Meet My Wife Ashley Busenlener Liz Buzbee Molly Chiffer Desiree, Fredrik John “Jack” Tavcar Katie Pimentel Chas Conacher Austin Dalgleish Annika Ellwanger-Chavez Liaisons Julianna Keller Carson Klasner Camille Langston Madame Armfeldt TIME: Turn of the last century In Praise of Women Brooke Lewis Connor McCreary Kyle McLaughlin PLACE: Sweden Carl-Magnus Taubert Nadalini Maxine Phoenix Katie Pimentel Every Day A Little Death MUSICIANS Charlotte, Anne Sarah Rosenthal Shannon Sheridan John “Jack” Tavcar Flute, Piccolo, Alto Flute Julie Burkert | Clarinet, Bass A Weekend in the Country Dorian Tayler Robert Lee Terry Clarinet Darryl Tanikawa | Flute, Clarinet Dave Hill | Company Oboe, English Horn Kimaree Gilad | Bassoon Christin Webb | Horn 1 Melissa Hendrickson | Horn 2 ACT 2 SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Chris Wilson | Horn 3 Joy Armstrong | Trumpet 1 The Sun Won’t Set Lea Branyan Marly Hall Justus Bradshaw Bob Allen | Trumpet 2 Bill Barrett | Trombone June Mrs. Anderssen, Mrs. Segstrom, Satton | Violin 1 (Concertmaster) Sharon Cooper Mrs. Nordstrom, Mr. Lindquist, Mr. Erlanson, Mr. Solberg, Mrs. Hult SOUND DESIGN MUSICAL DIRECTION BY STAGE MANAGER | Violin 1 Sally Berman | Violin 2 Lydia Favorito | It Would Have Been Wonderful Danielle Kisner Parmer Fuller Alex Rehberger Violin 3 Manoela Wunder | Viola 1 Karen Goulding Long | Viola 2 Matt Witmer | Cello 1 Trina Carey- Fredrik, Carl-Magnus & Stephen Jensen Hodgson | Cello 2 Oliver Walton | Double String Perpetual Anticipation Bass Lisa Gass | Piano Celeste Ben van Diepen | Mrs. Nordstrom, Mrs. Segstrom, Mrs. Anderssen DIRECTED BY Percussion Raymond Frisby | Harp Amy Wilkins Kelly Ward Send in the Clowns UNDERSTUDIES Desiree Brooke Lewis for Countess Charlotte Malcolm The Miller’s Son Julianna Keller for Anne Egerman, Petra Petra Carson Klasner for Mrs. Anderssen, Mrs. Segstrom Bing Theatre | March 31–April 10, 2016 Finale Robert Lee Terry for Fredrik Egerman, Count Carl- Company Magnus Malcolm A LITTLE NIGHT MUSIC is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 W 54th St, New York, NY 10019 • PHONE: 212-541-4684 FAX: 212-397-4684 www.MTIShows.com There will be one 15-minute intermission. WARNING Please be advised that this production contains haze, smoking of e-cigarettes, and loud gunshots. DIRECTOR'S NOTE DIRECTOR'S BIO The Stephen Sondheim score for tonight’s paean Kelly Ward has to operetta and Ingmar Bergman is endlessly been directing and INTERIM DEAN choreographing for the Associate Professor of Theatre Practice David Bridel (Director of MFA in Acting) enchanting. One can listen to it over and over and theatre for close to 40 years. ASSOCIATE DEANS never run out of new discoveries, whether they’re He has written, story-edited, Professor Sharon Marie Carnicke and produced hundreds of delightfully deft turns of phrase, or slyly symbolic Professor Velina Hasu Houston (Distinguished Professor, Director of Dramatic Writing) musical quotes of the great Romantic composers. television episodes, and co-authored the feature ASSOCIATE PROFESSORS This piece marked the third collaboration between films Once Upon a Forest Luis Alfaro and All Dogs Go To Heaven Meiling Cheng (Director of Critical Studies) Stephen Sondheim and Harold Prince. Having been 2. He has been awarded Oliver Mayer denied the rights to adapt Ring Round the Moon, the Humanitas Prize for ASSISTANT PROFESSORS writing children’s animation they turned instead to Bergman’s Smiles of a Summer Carla Della Gatta and a Daytime Emmy for Night for their story. Their decision was somewhat Takeshi Kata directing. His forays into the Tom Ontiveros analogous to the romantic escapades depicted in executive ranks include four Sibyl Wickersheimer this play, and their selection of Hugh Wheeler to years as V.P. of Animation at write the book was equally serendipitous. Wheeler’s Metro Goldwyn Mayer, and PROFESSORS OF THEATRE PRACTICE adaptation — a masterful variation on Bergman’s two years as V.P. Creative Andrei Belgrader Affairs at MCA/Universal Natsuko Ohama ebullient film — is a perfect complement to Family Entertainment. As Andrew J. Robinson Sondheim’s unparalleled virtuosity with a lyric. an actor, Ward co-starred ASSOCIATE PROFESSORS OF THEATRE PRACTICE in the 1978 film version I met and worked with Hugh Wheeler in 1975, in Philip G. Allen of Grease, as “Putzie,” one Paul Backer (Director of Undergraduate Voice and Movement) between my freshman and sophomore years as of the five T-Birds. Other Brent Blair (Director of MA in Applied Theatre Arts) a Drama student here at USC. Though I’d been film credits of note include Elsbeth M. Collins (Director of Production) aware of A Little Night Music since shortly after its co-starring roles in Samuel Anita Dashiell-Sparks Fuller’s The Big Red One and inception, being a mere 18 years of age I lacked the Christina Haatainen-Jones (Director of Design) Luis Valdez’s Zoot Suit. Ward Joseph Hacker maturity to fully appreciate all that this play is. Hugh returns to the USC School of Duncan Mahoney (Technical Director) passed in 1987. There are so many things I should Dramatic Arts where he last Mary-Joan Negro (Director of BA Acting) like to have asked him. directed The Pajama Game. Jack Rowe (Artistic Director, Director of BFA Acting) He currently writes, and Stephanie Shroyer (Associate Artistic Director) directs voiceover on various Eric Trules SPECIAL THANKS animated productions, including The Lion Guard, ASSISTANT PROFESSORS OF THEATRE PRACTICE Jack Rowe, Norman Cooley, Narcissa Vanderlip Fuller, Star vs. the Forces of Evil, Paula Cizmar Kirby Ward, Beverly Ward, John Edw. Blankenchip The 7D, and Mickey and the John DeMita (posthumously), Monique Williams (Transportation), Roadster Racers, for Disney Kathleen Dunn-Muzingo G. Austin Allen Television Animation. Laura Flanagan Melinda C. Finberg Randle Mell Louise Peacock PRODUCTION STAFF David Warshofsky Choreography Kelly Ward | Asst. Director Kevin Paley | Rehearsal Pianist Benjamin van Diepen | Orchestra Contractor Darryl Tanikawa | Dance Captain John “Jack” Tavcar | Scenic Artist ADJUNCT/PART-TIME FACULTY OF THEATRE PRACTICE Tony Abatemarco, Rob Adler, Craig Anton, Robert Bailey, Michael Bateman, Joe Bays, Stephanie Nimick | Asst. Stage Managers Simon Chau, Taylor Cullen | Technical Director Haley Andrew Borba, Jennifer Brienen, Tom Buderwitz, Anne Burk, Frank Catalano, Anatasia Miller | Asst. Technical Director Sandra Huang | Asst. Scenic Designer Grace Wang | Scenic Design Coon, Gregg T. Daniel, Debra DeLiso, Gary Domasin, Allison Dunbar, Frank Dwyer, Dan PA Zach Blumner | Fiber Optics Technician G. Austin Allen | Asst. Costume Designer Megan Fishbach, Jeff Flowers, Parmer Fuller, Terry Gordon, Linzi Juliano, Michael Keenan, Edgar Guthrie-Wedemeyer | Asst. Costume Designer Meagan Smith | Lighting Design PA Derek Landa, Vicki Lewis, Heather Lyle, Babette Markus, Jennifer Maisel, Kevin McCorkle, Christiansen | Production Sound Mixer Stephen Jensen | Sound A2 Emma Bramble | Sound PAs Debbie McMahon, Lauren Murphy, Jeremiah O’Brian, Patrick Pankhurst, Leah Piehl, John Alysha Bermudez, Dom Torquato, Ethan Zeitman | Crew Marissa DeMore, Miles Fowler, Rubinstein, Daniel Shaner, Jennifer Snoeyink, Zachary Steel, Nausica Stergiou, Phil Storrs, Christie Griffin, Edina Hiser, Elizabeth Kelly, Sameera Khurana, Catherine Lev, Amanda Jason Thompson, Alice Tuan, Julie Welch, Charlayne Woodard Long, Victoria Lowery, Shelby Miguel, Sabrina Odigie, Layla Shahabi, Sean Wejebe Courtesy Joint Appointments: Thomas G. Cummings, Larry E. Greiner (Emeritus), Bruce Smith Emeriti Faculty: Don Llewellyn, Eve Roberts, Robert R. Scales, James Wilson BOARD OF COUNCILORS STAFF SUPPORTERS OF DRAMATIC ARTS Michele Dedeaux Engemann DEAN’S OFFICE The USC School of Dramatic Arts would like to recognize the generosity of the following individuals Founding Chair and organizations who have supported the School with a gift of $1,000 or more over the past year Executive Assistant
Recommended publications
  • RICHARD STRAUSS SALOME Rehearsal Room Vida Miknevičiūtė (Salome) PRESENTING VICTORIAN OPERA PRESENTS PARTNER SALOME OPERA in ONE ACT
    RICHARD STRAUSS SALOME Rehearsal Room Vida Miknevičiūtė (Salome) PRESENTING VICTORIAN OPERA PRESENTS PARTNER SALOME OPERA IN ONE ACT Composer Richard Strauss Librettist Hedwig Lachmann Based on Oscar Wilde’s play Salomé Conductor Richard Mills AM Director Cameron Menzies Set Designer Christina Smith Costume Designer Anna Cordingley Lighting Designer Gavan Swift Choreographer Elizabeth Hill-Cooper CAST Salome Vida Miknevičiūtė Herod Ian Storey Jochanaan Daniel Sumegi Herodias Liane Keegan Narraboth James Egglestone Page of Herodias Dimity Shepherd Jews Paul Biencourt, Daniel Todd, Soldiers Alex Pokryshevsky, Timothy Reynolds, Carlos E. Bárcenas, Jerzy Kozlowski Raphael Wong Cappadocian Kiran Rajasingam Nazarenes Simon Meadows, Slave Kathryn Radcliffe Douglas Kelly with Orchestra Victoria Concertmaster Yi Wang 22, 25, 27 FEBRUARY 2020 Palais Theatre Original premiere 9 December 1905, Semperoper Dresden Duration 90 minutes, no interval Sung in German with English surtitles PRODUCTION PRODUCTION TEAM Production Manager Eduard Inglés Stage Manager Whitney McNamara Deputy Stage Manager Marina Milankovic Assistant Stage Manager Geetanjali Mishra MUSIC STAFF Repetiteurs Phoebe Briggs, Phillipa Safey ACKNOWLEDGEMENTS Surtitles courtesy of Opera Australia ResolutionX, BAACLight Theatre, Lilydale Theatre Company © Anna Cordingley, Costume Designer P. 4 VICTORIAN OPERA 2020 SALOME ORCHESTRA CONCERTMASTER Sarah Cuming HORN Yi Wang * Philippa Gardner Section Principal Jasen Moulton VIOLIN Tania Hardy-Smith Chair supported by Mr Robert Albert Principal
    [Show full text]
  • Stage by Stage South Bank: 1988 – 1996
    Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’.
    [Show full text]
  • A Midsummer Night's Dream
    Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears
    [Show full text]
  • Horton Foote
    38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis .......................................................................................................
    [Show full text]
  • An Aristotelian Approach to Jane Austen's Mansfield Park Katherine A
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2015 An Aristotelian Approach to Jane Austen's Mansfield Park Katherine A. (Katherine Amanda) Guin Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES AN ARISTOTELIAN APPROACH TO JANE AUSTEN’S MANSFIELD PARK By KATHERINE A. GUIN A Dissertation submitted to the Department of Philosophy in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2015 Katherine A. Guin defended this dissertation on March 30, 2015. The members of the supervisory committee were: David McNaughton Professor Directing Dissertation Eric Walker University Representative John Roberts Committee Member J. Piers Rawling Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii To my father and mother, And To my husband iii ACKNOWLEDGMENTS This project began almost twenty years ago when I read Mansfield Park and the Nicomachean Ethics both for the first time and in quick succession. My father, Greg Guin, had pushed me to read both and I waited far too long to take his excellent advice. I am very grateful not only to my father but his friend, Bill Henry, for inspiring my interest in great literature. As an undergraduate at Millikin University, I had the privilege of being taught by several gifted teachers in the Philosophy, English, and History departments. I thank my English Professor, Bonnie Gunzenhauser, for encouraging me in my first attempt at exploring the connection between Austen and Aristotle.
    [Show full text]
  • Scanned Using Scannx OS15000 PC
    OHIO NEWS BUREAU INC. CLEVELAND, OHIO 44115 216/241-0675 COLUMBUS DISPBTCH COLUMBUS, OH, HM CIRC, 284,796 flPR-30-99 ^Night Music’ at ^^lOtterbein a lavish, lovely production By Midiael Grossberg Dispatch Theater Critic Shimmering with beauty, melody Theater review wit, A Little Night Music be­ A UWb NlgM HibIc, Otterbein comes a jeweled music box in the College's student production of deft hands of Otterbein College’s composer-lyricist Stephen Sondheim theater and music departments. ard author Hugh Wheeler’s musical. ' Lavish but unerringly tasteful, Directed by Dennis Romer. lovely but not gaudy, comically .................. Allison Sattinger broad but often delightfully subtle, Madame Armfeldt..... ...... Unda Dorff. the 'co-production ranks with Otter- Fredrik Egeiman ........Christopher Sloan'7 heir’s best spring musicals. Anne Egerman------ Ainanda Wheeler} ■ ■ Night Music is one of the most Cart-Magnus... .............. .Ayler Evan', ■challenging Stephen Sondheim Charlotte...... —... chrisi Carter ij “shows. Yet, Otterbein brings the ™ta............ ........... .... Jen Minter ,1973 Tony winner for best musical to Hennk................ Matthew DeVrienrt ^ftering life with grace, sophistica­ tion md seemingly effortless ease. Send In the bouquets - ..Director Dennis Romer and music Being performed at 8 tonight and ; director Kevin Purcell enhance the Saturday and 2 p.m. Sunday—and 7 wistful romanticism of Sondheim’s 8 p.m. May 6-8—in Cowan Hall, 30 ■< gorgeous score and author Hugh S. Grove Westerville. if. ,\yheeler’s portrait
    [Show full text]
  • The Enduring Power of Musical Theatre Curated by Thom Allison
    THE ENDURING POWER OF MUSICAL THEATRE CURATED BY THOM ALLISON PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP PRODUCTION CO-SPONSOR LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. CURATED AND DIRECTED BY THOM ALLISON THE SINGERS ALANA HIBBERT GABRIELLE JONES EVANGELIA KAMBITES MARK UHRE THE BAND CONDUCTOR, KEYBOARD ACOUSTIC BASS, ELECTRIC BASS, LAURA BURTON ORCHESTRA SUPERVISOR MICHAEL McCLENNAN CELLO, ACOUSTIC GUITAR, ELECTRIC GUITAR DRUM KIT GEORGE MEANWELL DAVID CAMPION The videotaping or other video or audio recording of this production is strictly prohibited. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives.
    [Show full text]
  • Artswest Playhouse and Gallery Announces UNCHARTED the 2016-2017 Season
    FOR IMMEDIATE RELEASE Date: May 12, 2016 Contact: Laura Lee Email: [email protected] Phone: (206) 938-0963, ext. 114 ArtsWest Playhouse and Gallery announces UNCHARTED the 2016-2017 Season SEATTLE, WA (May 12, 2016) – ArtsWest Artistic Director Mathew Wright has announced his second season, running September 2016 through July 2017. Opening with acclaimed dramatist Terrence McNally’s MOTHERS AND SONS, the six production season will include the magical story telling of PETER AND THE STARCATCHER based on the novel by Dave Barry & Ridley Pearson; an Olivier Award winning new adaptation of Henrik Ibsen’s GHOSTS; a piercing glimpse into the teen-age world in Kirsten Greenidge’s MILK LIKE SUGAR; Byrony Lavery’s unflinching drama FROZEN; and the Stephen Sondheim musical thriller SWEENEY TODD. “Through a variety of lenses, periods and styles, we are looking at the ways in which parents and children navigate the seemingly uncharted path out of childhood and into adulthood.” shares Artistic Director Mathew Wright. In addition to the six show season, ArtsWest is pleased to announce a co-production with ACT and Circle X Theatre Co. in the presentation of an incendiary new rock musical BAD APPLES, directed by ACT Artistic Director John Langs at ACT’s Falls Theatre in the fall of 2016. MOTHERS AND SONS By Terrence McNally September 22 – October 23, 2016 2014 Tony Award Nominated Best Play 2014 Drama League Nominated Outstanding Play By turns smartly funny and powerfully resonant, this latest play from acclaimed dramatist Terrence McNally (Love! Valour! Compassion! Corpus Christi, Master Class) portrays a woman who pays an unexpected visit to the New York apartment of her late son’s partner, who is now married to another man and has a young son.
    [Show full text]
  • American Music Research Center Journal
    AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301.
    [Show full text]
  • T Wentieth Centur Y North Amer Ican Drama
    TWENTIETH CENTURY NORTH AMERICAN DRAMA, SECOND EDITION learn more at at learn more alexanderstreet.com Twentieth Century North American Drama, Second Edition Twentieth Century North American Drama, Second Edition contains 1,900 plays from the United States and Canada. In addition to providing a comprehensive full-text resource for students in the performing arts, the collection offers a unique window into the econom- ic, historical, social, and political psyche of two countries. Scholars and students who use the database will have a new way to study the signal events of the twentieth century – including the Depression, the role of women, the Cold War, and more – through the plays and performances of writers who lived through these decades. More than 1,250 of the works are in copyright and licensed Jules Feiffer, Neil LaBute, Moisés Kaufman, Lee Breuer, Richard from the authors or their estates, and 1,700 plays appear in Foreman, Stephen Adly Guirgis, Horton Foote, Romulus Linney, no other Alexander Street collection. At least 550 of the works David Mamet, Craig Wright, Kenneth Lonergan, David Ives, Tina have never been published before, in any format, and are Howe, Lanford Wilson, Spalding Gray, Anna Deavere Smith, Don available only in Twentieth Century North American Drama, DeLillo, David Rabe, Theresa Rebeck, David Henry Hwang, and Second Edition – including unpublished plays by major writers Maria Irene Fornes. and Pulitzer Prize winners. Besides the mainstream works, users will find a number of plays Important works prior to 1920 are included, with the concentration of particular social significance, such as the “people’s theatre” of works beginning with playwrights such as Eugene O’Neill, exemplified in performances by The Living Theatre and The Open Elmer Rice, Sophie Treadwell, and Susan Glaspell in the 1920s Theatre.
    [Show full text]
  • Putting It Together
    46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager .............................................................
    [Show full text]
  • Six Characters in Search of an Author by Luigi Pirandello
    McCoy Theatre Rhodes College presents Music by: Book adapted from Voltaire by: Lyrics by: Leornard Bernstein Hugh Wheeler Richard Wilbur Six Characters In Search Of An Author by Luigi Pirandello Season 10 McCoy Theatre Rhodes College presents Six Characters In Search Of An Author by Luigi Pirandello Directed by Elfin Frederick Vogel McCoy Visiting Artist Guest Director Assistant Director Misty Wakeland Technical Director Steve Jones Set Designer Steve Jones Lighting Designer Kristina Kloss Costume Designer David Jilg Assistant Costumer Charlotte Higginbotham Stage Manager Tracy Castleberry Assistant Stage Manager Louise Casini produced by special arrangement with Samuel French, Inc. 7 Six Characters in Search of an Author Cast Father ..............................................................Albert Hoagbarth Mother ..................................................................... Dina Facklis Stepdaughter ................................................... Catherine Eckman Son ...................................................................... Eric Underdahl Madame Pace ...................................................... Kimberly Groat Little Girl .................................................................Alison Kamhi Little Boy .....................................................................Tim Olcott Director .......................................................................Chris Hall Lead Actor........ .......................................................John Nichols Lead Actress .........................................................
    [Show full text]