Comics Comics “Can Anybody Hear Me?” Tiitu Takalo: Memento Mori Comics
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UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title The Algerian War of Independence in Algerian bande dessin�e Permalink https://escholarship.org/uc/item/2tk6g7bg Author Dean, Veronica Publication Date 2020 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Algerian War of Independence in Algerian bande dessinée A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in French and Francophone Studies by Veronica Katherine Dean 2020 Copyright by Veronica Katherine Dean 2020 ABSTRACT OF THE DISSERTATION The Algerian War of Independence in Algerian bande dessinée by Veronica Katherine Dean Doctor of Philosophy in French and Francophone Studies University of California, Los Angeles, 2020 Professor Lia N. Brozgal, Chair “The Algerian War of Independence in Algerian bande dessinée” is animated by the question of how bande dessinée from Algeria represent the nation’s struggle for independence from France. Although the war is represented extensively in bande dessinée from France and Algeria, French texts are more well-known than their Algerian counterparts among scholars and bédéphiles alike. Catalysts behind this project are the disproportionate awareness and study of French bande dessinée on the war and the fact that critical studies of Algerian bande dessinée are rare and often superficial. This project nevertheless builds upon existing scholarship by problematizing its assumptions and conclusions, including the generalization that Algerian bande dessinée that depict the war are in essence propagandistic in nature. Employing tools of comics analysis and inflecting my research with journalistic work coming out of Algeria, this project attempts to rectify the treatment of Algerian bande dessinée in critical scholarship by illustrating ii the rich tradition of historical representation in the medium. -
JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text
JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Click on Properties and set your Page Orientation to Landscape (11 x 8.5). 3. Under Print Range>Pages input the pages you would like to print. (See Table of Contents) 4. Under Page Handling>Page Scaling select Multiple pages per sheet. 5. Under Page Handling>Pages per sheet select Custom and enter 2 by 2. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border. 7. Click OK. ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) TABLE OF CONTENTS Aquaman, 8 Wonder Woman, 6 Batman, 5 Zatanna, 17 Cyborg, 9 Deadman, 16 Deathstroke, 23 Enchantress, 19 Firestorm (Jason Rusch), 13 Firestorm (Ronnie Raymond), 12 The Flash, 20 Fury, 24 Green Arrow, 10 Green Lantern, 7 Hawkman, 14 John Constantine, 22 Madame Xanadu, 21 Mera, 11 Mindwarp, 18 Shade the Changing Man, 15 Superman, 4 ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) 001 DC COMICS SUPERMAN Justice League, Kryptonian, Metropolis, Reporter FROM THE PLANET KRYPTON (Impervious) EMPOWERED BY EARTH’S YELLOW SUN FASTER THAN A SPEEDING BULLET (Charge) (Invulnerability) TO FIGHT FOR TRUTH, JUSTICE AND THE ABLE TO LEAP TALL BUILDINGS (Hypersonic Speed) AMERICAN WAY (Close Combat Expert) MORE POWERFUL THAN A LOCOMOTIVE (Super Strength) Gale-Force Breath Superman can use Force Blast. When he does, he may target an adjacent character and up to two characters that are adjacent to that character. -
|||GET||| Superheroes and American Self Image 1St Edition
SUPERHEROES AND AMERICAN SELF IMAGE 1ST EDITION DOWNLOAD FREE Michael Goodrum | 9781317048404 | | | | | Art Spiegelman: golden age superheroes were shaped by the rise of fascism International fascism again looms large how quickly we humans forget — study these golden age Superheroes and American Self Image 1st edition hard, boys and girls! Retrieved June 20, Justice Society of America vol. Wonder Comics 1. One of the ways they showed their disdain was through mass comic burnings, which Hajdu discusses Alysia Yeoha supporting character created by writer Gail Simone for the Batgirl ongoing series published by DC Comics, received substantial media attention in for being the first major transgender character written in a contemporary context in a mainstream American comic book. These sound effects, on page and screen alike, are unmistakable: splash art of brightly-colored, enormous block letters that practically shout to the audience for attention. World's Fair Comics 1. For example, Black Panther, first introduced inspent years as a recurring hero in Fantastic Four Goodrum ; Howe Achilles Warkiller. The dark Skull Man manga would later get a television adaptation and underwent drastic changes. The Senate committee had comic writers panicking. Howe, Marvel Comics Kurt BusiekMark Bagley. During this era DC introduced the Superheroes and American Self Image 1st edition of Batwoman inSupergirlMiss Arrowetteand Bat-Girl ; all female derivatives of established male superheroes. By format Comic books Comic strips Manga magazines Webcomics. The Greatest American Hero. Seme and uke. Len StrazewskiMike Parobeck. This era saw the debut of one of the earliest female superheroes, writer-artist Fletcher Hanks 's character Fantomahan ageless ancient Egyptian woman in the modern day who could transform into a skull-faced creature with superpowers to fight evil; she debuted in Fiction House 's Jungle Comic 2 Feb. -
Cross Fire: an Original Companion Novel (Batman Vs. Superman: Dawn of Justice) Free
FREE CROSS FIRE: AN ORIGINAL COMPANION NOVEL (BATMAN VS. SUPERMAN: DAWN OF JUSTICE) PDF Michael Kogge | 144 pages | 16 Feb 2016 | Scholastic Inc. | 9780545916301 | English | United States Cross Fire: An Original Companion Novel of Batman v Superman: Dawn of Justice – DC Comics Movie It was released on February 16, After saving Metropolis from an alien invasion, Superman is now famous around the world. Meanwhile Gotham City 's own guardian, Batman, would rather fight crime from the shadows. But when the devious Doctor Aesop escapes from Arkham Asylumthe two very different heroes begin investigating the same case and a young boy is caught in the cross fire. The book also includes a full-color insert with images from the feature film. Two weeks after the Battle of Metropolisschoolboy Rory Greeley has been searching for his mother, who has been missing since the Black Zero Event. Instead of informing the authorities of this, he has for the past two weeks been working on a remote controlled drone to search the rubble for her. Superman has been assisting rescue workers by clearing rubble and rescuing trapped civilians since General Zod was defeated. Also a telethon run by the Metropolis News Network is happening that night, to raise money for Cross Fire: An Original Companion Novel (Batman vs. Superman: Dawn of Justice) victims of the attack and help with rebuilding the city. Since the attack, criminals had moved from Metropolis to Gotham out of fear for their lives. Bruce was going to the telethon that night, hoping to raise money for the victims of the event. -
Bibliotherapy and Graphic Medicine
This is a preprint of a chapter accepted for publication by Facet Publishing. This extract has been taken from the author’s original manuscript and has not been edited. The definitive version of this piece may be found in Bibliotherapy, Facet, London, ISBN 9781783302410, which can be purchased from http://www.facetpublishing.co.uk/title.php?id=303410&category_code=37#.W0xzl4eoulI. The author agrees not to update the preprint or replace it with the published version of the chapter. Our titles have wide appeal across the UK and internationally and we are keen to see our authors content translated into foreign languages and welcome requests from publishers. World rights for translation are available for many of our titles. To date our books have been translated into over 25 languages. Bibliotherapy and graphic medicine Sarah McNicol, Manchester Metropolitan University 1. Introduction While most bibliotherapy activities focus on the use of written text, whether in the form of novels, poetry or self-help books, in recent years there has been a growing interest in the use of graphic novels and comics as a mode of bibliotherapy. The term ‘graphic narratives’ is used in this chapter to include both graphic novels and shorter comics in both print and digital formats. The chapter explores the ways in which graphic narratives of various types might be used as an effective form of bibliotherapy. It considers how the medium can be particularly effective in supporting important features of bibliotherapy such as providing reassurance; connection with others; alternative perspectives; and models of identity. It then draws on examples of bibliotherapy collections from different library settings to demonstrate some of the ways in which graphic narratives are currently used in bibliotherapy practice, or might have potential to be used in the future. -
Fire and Ice: the Traditional Heroine in <I>The Silmarillion</I>
Volume 18 Number 1 Article 7 Fall 10-15-1991 Fire and Ice: The Traditional Heroine in The Silmarillion Sarah Beach Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Beach, Sarah (1991) "Fire and Ice: The Traditional Heroine in The Silmarillion," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 18 : No. 1 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol18/iss1/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Defines the Light and Dark heroine, each of which may have a positive or negative aspect. Sees Finduilas and Nienor Níniel as negative, non-active, acted upon; Lúthien and Idril participate “in the course of their heroes’ actions.” Additional Keywords Fair and dark ladies; Heroines; Tolkien, J.R.R.—Characters—Finduilas; Tolkien, J.R.R.—Characters—Idril; Tolkien, J.R.R.—Characters—Lúthien Tinúviel; Tolkien, J.R.R.—Characters—Niënor/Níniel; Tolkien, J.R.R. -
Narrative Structure of a Song of Ice and Fire Creates a Fictional World
Narrative structure of A Song of Ice and Fire creates a fictional world with realistic measures of social complexity Thomas Gessey-Jonesa , Colm Connaughtonb,c , Robin Dunbard , Ralph Kennae,f,1 ,Padraig´ MacCarrong,h, Cathal O’Conchobhaire , and Joseph Yosee,f aFitzwilliam College, University of Cambridge, Cambridge CB3 0DG, United Kingdom; bMathematics Institute, University of Warwick, Coventry CV4 7AL, United Kingdom; cLondon Mathematical Laboratory, London W6 8RH, United Kingdom; dDepartment of Experimental Psychology, University of Oxford, e f 4 Oxford OX2 6GG, United Kingdom; Centre for Fluid and Complex Systems, Coventry University, Coventry CV1 5FB, United Kingdom; L Collaboration, Institute for Condensed Matter Physics of the National Academy of Sciences of Ukraine, 79011 Lviv, Ukraine; gMathematics Applications Consortium for Science and Industry, Department of Mathematics & Statistics, University of Limerick, Limerick V94 T9PX, Ireland; and hCentre for Social Issues Research, University of Limerick, Limerick V94 T9PX, Ireland Edited by Kenneth W. Wachter, University of California, Berkeley, CA, and approved September 15, 2020 (received for review April 6, 2020) Network science and data analytics are used to quantify static and Schklovsky and Propp (11) and developed by Metz, Chatman, dynamic structures in George R. R. Martin’s epic novels, A Song of Genette, and others (12–14). Ice and Fire, works noted for their scale and complexity. By track- Graph theory has been used to compare character networks ing the network of character interactions as the story unfolds, it to real social networks (15) in mythological (16), Shakespearean is found that structural properties remain approximately stable (17), and fictional literature (18). To investigate the success of Ice and comparable to real-world social networks. -
Earle Phd 2015.Pdf
This work is protected by copyright and other intellectual property rights and duplication or sale of all or part is not permitted, except that material may be duplicated by you for research, private study, criticism/review or educational purposes. Electronic or print copies are for your own personal, non- commercial use and shall not be passed to any other individual. No quotation may be published without proper acknowledgement. For any other use, or to quote extensively from the work, permission must be obtained from the copyright holder/s. Declaration Part 1. To be bound in the thesis SUBMISSION OF THESIS FOR A RESEARCH DEGREE Part I. DECLARATION by the candidate for a research degree. To be bound in the thesis Degree for which thesis being submitted PhD in American Studies Title of thesis ‘America through the looking-glass, lost’: conflict and traumatic representation in American comics since 1975 This thesis contains confidential information and is subject to the protocol set down for the submission and examination of such a thesis. YES/NO [please delete as appropriate; if YES the box in Part II should be completed] Date of submission 20/08/14 Original registration date 23/01/12 (Date of submission must comply with Regulation 2D) Name of candidate Harriet Elizabeth Helen Earle Research Institute Humanities Name of Lead Supervisor Dr James Peacock I certify that: (a) The thesis being submitted for examination is my own account of my own research (b) My research has been conducted ethically. Where relevant a letter from the approving -
Superman: Darkseid Rising
Superman: Darkseid Rising Based on "Superman" created by Jerry Siegel and Joe Schuster and characters appearing in DC Comics Screenplay by Derek Anderson Derek Anderson (949)933-6999 [email protected] SUPERMAN: DARKSEID RISING Story by Larry Gomez and Derek Anderson Screenplay by Derek Anderson EXT. KENT FARM - NIGHT We pan over the Kent Farm, closing in on a barn. A soft BLUE GLOW emanates from within. INT. KENT BARN - NIGHT Inside the barn, underneath the FLOORBOARDS, the glow FLASHES BRIGHTLY. A ROBOTIC VOICE is heard speaking in an unknown language. FLASHBACK INT. KRYPTON - JOR-EL'S LAB - NIGHT KAL-EL'S POV BABY KAL-EL sits in a makeshift ROCKET, somewhat crude, but sturdy. JOR-EL is talking to Kal-El, but we cannot understand him. He is speaking in Kryptonian. The building shakes, CRYSTALLINE STRUCTURES collapse around. Jor-El walks away from us, holding his wife's hand as they move to a CONTROL PANEL. Behind Jor-El, a ROBOT with blue eyes, standing as tall as a man, enters the launching bay of Jor-El's lab. A robotic voice speaks. Baby Kal-El reaches out for the robot as it walks close to Jor-El's rocket. It transforms into a SMALL SIZED ROCKET with a BLUE EGG-SHAPED NOSE CONE. EXT. OUTER SPACE The rocket ship fires away from Krypton as it EXPLODES into shards of DUST and CRYSTAL. INT. ROCKET SHIP Kal-El sleeps as the rocket increases to hyper speed. Within the craft, a soft BLUE LIGHT grows brighter, illuminating Kal-el. -
Subjective Narration in Comics
Subjective Narration in Comics Joris Driest Utrecht University 0011630 Index Subjective Narration in Comics.................................................................................................1 Index......................................................................................................................................2 Introduction........................................................................................................................ 3 Narration............................................................................................................................ 3 Subjective Narration ......................................................................................................... 6 Comics............................................................................................................................... 8 Methodology.................................................................................................................... 12 Justification...................................................................................................................... 14 Framework....................................................................................................................... 15 Chapter 1: Word and image................................................................................................ 18 Introduction...................................................................................................................... 18 Thought clouds............................................................................................................... -
PDF Download Aquaman: Kingdom Lost 1St Edition Ebook
AQUAMAN: KINGDOM LOST 1ST EDITION PDF, EPUB, EBOOK John Arcudi | 9781401271299 | | | | | Aquaman: Kingdom Lost 1st edition PDF Book His plan now despoiled by his exile from their world, Namor returns to Earth to resume his war with the land dwellers after jokingly citing how the Non-Team up of the Defenders had saved it from annihilation. In Sword of Atlantis 57, the series' final issue, Aquaman is visited by the Lady of the Lake, who explains his origins. Vintage Dictionary. See All - Best Selling. In the Marvel limited series Fantastick Four , Namor is reinvented as Numenor , Emperor of Bensaylum, a city beyond the edge of the world. Archived from the original on April 22, Bill Everett. These included: the ability to instantly dehydrate to death anyone he touched, shoot jets of scalding or freezing water from it, healing abilities, the ability to create portals into mystical dimensions that could act as spontaneous transport, control and negate magic, manipulate almost any body of water he sets his focuses on [2] and the capability to communicate with the Lady of the Lake through his magic water hand. When his former friend Captain America presented himself to the Atlanteans to broker an agreement with Namor, he attacked Captain America in a rage while ranting about how Atlantis has taken the heat of the surface world's battles time and time again. Character Facts Powers: super strength, durability, control over sea life, exceptional swimming ability, ability to breathe underwater. Aquaman was given an eighth volume of his eponymous series, which started with a one-shot comic book entitled Aquaman: Rebirth 1 August Aquaman 1. -
FDNY Medal Day 2019
FDNY Medal Day 2019 Honoring Members of the Fire Department — June 5, 2019— MEDAL DAY 2019 Publication of this 2019 edition of the FDNY Medal Day Book Daniel A. Nigro was made possible by several grants. The FDNY gratefully Fire Commissioner acknowledges the generosity of the following contributors: John Sudnik Chief of Department The FDNY Honorary Fire Officers Association Laura R. Kavanagh Jack Lerch, President First Deputy Commissioner Francis X. Gribbon Deputy Commissioner Dorothy Marks Office of Public Information Honorary Fire Commissioner The FDNY Foundation Stephen L. Ruzow, Chairman Jean O’Shea, Executive Director MEDAL DAY STAFF PUBLICATIONS DIRECTOR Joseph D. Malvasio EDITOR Janet Kimmerly GRAPHICS/PRODUCTION Thomas Ittycheria WRITERS Lieutenant John Amsterdam Lieutenant John C. Berna Deputy Assistant Chief Christopher Boyle Captain Patrick Burns Lieutenant Anthony Caterino EMT Nathan Chang Lieutenant Michael Ciampo Captain Michael Doda Assistant Chief Fire Marshal Michael B. Durkin Proudly Serving Since 1865 Firefighter Jacob Dutton Captain Christopher Flatley Lieutenant James Gerber Lieutenant Nick Graziano Firefighter Stephen Interdonati Chief Fire Marshal Thomas G. Kane Lieutenant Ralph L. Longo Battalion Chief Stephen Marsar EMS Division Chief Paul Miano Firefighter Thomas Morrison Battalion Chief Sean Newman Battalion Chief Anthony Pascocello Lieutenant Stephen Rhine EMT Patricia Scaduto Photo Credits Lieutenant Sean Schneider EMS Lieutenant Linda A. Scott Cover Firefighter William Staudt Bronx Box 77-3072, 1547 Commonwealth Avenue/East Tremont Avenue, January 2, 2018. Lieutenant Jon Templeton Photo by FF Michael Gomez, Squad 288. Firefighter Francis Valerio EMT Michael Walsh Firefighter Daniel W. Gordon, Ladder 47, operated at this incident and is receiving the Company EMS Lieutenant Brandy Washington Officers Association Medal.