Journal of Religion in Japan 9 (2020) 10–36 brill.com/jrj Displaying Mythological Characters Changes in the Meanings of Decorations in the Sawara Grand Festival in Chiba, Japan Tsukahara Shinji 塚原伸治 Ibaraki University, Mito, Japan
[email protected] Abstract The large figures displayed atop the floats in the Sawara Grand Festival portray char- acters drawn from mythology and history that have been strongly associated with Japanese nationalism and imperialism. In order to investigate the meanings that these float figures hold for the participants and audience of the festival, this article acknowl- edges the close relations between folklore and politics and interprets the works them- selves as agents that enact emotions and responses, rather than focusing on the creative intentions of the producers. The figure subjects were freely chosen by the people of Sawara, mostly during the prewar period, and were based on characters that were pop- ular at the time—namely, the emperors and their mythological ancestors and historical champions. In the present, however, the figures are rarely seen in light of their nation- alistic origins. Instead, they are appreciated more for their aesthetic beauty and as mascots of the various wards of Sawara. Keywords agency – festival – floats – folklore – materiality – nationalism 1 A Curious Display1 “It’s as if the festival is carrying the nation-state on its shoulders.” This was the impression of my friend and fellow folklorist upon seeing the Sawara Grand 1 This article was translated by Jude Pultz. Original title: “Shinwa no kyarakutā o tenji suru: © koninklijke brill nv, leiden, 2020 | doi:10.1163/22118349-00901003Downloaded from Brill.com09/26/2021 03:46:02PM via free access displaying mythological characters 11 Festival (Sawara no taisai 佐原の大祭) for the first time.