Chris Verene
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Download Curriculum Vitae
C O R R I N A S E P H O R A 1200 Foster St NW Studio B11W, Box 39 Atlanta, GA 30318 678-523-9969 [email protected] corrinasephora.com Education 2005 MFA Sculpture, Georgia State University, Atlanta, GA 1995 BFA Metals & Sculpture, Massachusetts College of Art and Design, Boston, MA Solo/ Duo Exhibitions 2021 Solo Exhibition, Spalding Nix Fine Art, Atlanta, GA *forthcoming 2020 Blood of the Earth II, Sewell Mill Library & Cultural Center, Marietta, GA *forthcoming 2019 Alchemical Divide, Madison-Morgan Cultural Center, Madison, GA Blood of the Earth, Sinclair Gallery, ArtsXChange, East Point, GA Between the Deep Blue Sea and the Universe, Mason Fine Arts, Atlanta, GA 2017 On Waters of Time, Callanwolde Fine Arts Gallery, Atlanta, GA 2017 Voyages Unforeseen, Kibbee Gallery, Atlanta, GA (Duo) 2015 Emergence from the Waters, Gallery 72, Mayor’s Office of Cultural Affairs, Atlanta, GA 2014 Nautical Observations, Art Partners, High Museum of Art, Atlanta, GA 2013 Soaring on the Surface of the Waters, Norcross Cultural Arts Center, Norcross, GA 2012 Flowing as Water, Rodriguez Room, Goat Farm Arts Center, Atlanta, GA 2008 Rescue Vehicles and Souls of the South, House of Colors, Atlanta, GA Exhibitions 2020 Group Exhibition, Spalding Nix Fine Art, Gallery Residences, Atlanta, GA *forthcoming 2019 Flicker, South River Art Studios, Atlanta, GA Ensemble, Spalding Nix Fine Art, Atlanta, GA Losing Control: Guns, Government, and Group-Think, ATHICA: Athens Institute for Contemporary Art, Athens, -
Metro Atlanta Cultural Assessment FINAL REPORT
metro atlanta cultural assessment FINAL REPORT table of contents acknowledgements. .3 executive summary. .4 cultural inventory cultural inventory summary. .8 creative industries revenue & compensation. 10 creative industries businesses & employment. 12 nonprofit cultural organizations. 27 cultural facilities. .40 where audiences originate. 53 cultural plans, programs, policies & ordinances cultural plans, programs & policies overview. 58 cultural affairs departments, plans, ordinances & policies. .59 regional planning agencies with cultural components. 63 regional cultural agencies. .65 examples of cultural plans. .67 cultural planning funding sources. .70 cultural forums cultural forums overview. 72 key findings, issues & opportunities. 73 all findings. 87 minutes Cherokee. 84 Clayton. 87 Cobb. 93 DeKalb. .98 Douglas. 105 North Fulton. 112 South Fulton. 120 Gwinnett. .127 Henry. .135 Rockdale. .142 City of Atlanta. 148 external appendices appendix A: cultural industries revenue and compensation technical codes appendix B: cultural industries employment and businesses technical codes appendix C: nonprofit cultural organizations technical codes appendix D: list of nonprofit cultural organizations by county appendix E: list of cultural facilities by county 2 | METRO ATLANTA CULTURAL ASSESSMENT FINAL REPORT acknowledgements This report would not have been possible without the strong support of the Boards of Directors of both the Atlanta Regional Commission and the Metro Atlanta Arts and Culture Coalition. Atlanta Regional Commission Board Members Tad Leithead (ARC Chair), Buzz Ahrens, W. Kerry Armstrong, Julie K. Arnold, Eldrin Bell, Kip Berry, C. J. Bland, Mike Bodker, Dennis W. Burnette, John Eaves, Burrell Ellis, Todd E. Ernst, Bill Floyd, Herbert Frady, Rob Garcia, Gene Hatfield, Bucky Johnson, Doris Ann Jones, Tim Lee, Liane Levetan, Lorene Lindsey, Mark Mathews, Elizabeth “BJ” Mathis, Randy Mills, Eddie L. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
Indigo Girls the Indigo Girls Amy Ray (Left) and Emily Saliers Performing at by Carla Williams Park West, Chicago, in 2005
Indigo Girls The Indigo Girls Amy Ray (left) and Emily Saliers performing at by Carla Williams Park West, Chicago, in 2005. Encyclopedia Copyright © 2015, glbtq, Inc. Image appears under the Creative Commons Entry Copyright © 2002, glbtq, Inc. Attribution ShareAlike Reprinted from http://www.glbtq.com License. Photograph by Lesbians Amy Ray and Emily Saliers are Indigo Girls, one of the most successful folk/ Wikimedia Commons pop duos in recording history. Ray and Saliers have carved out an enduring career that contributor Andreac. is due largely to the fierce loyalty of their fans, many of them lesbians. Ray, a native Atlantan, and Saliers, a transplant from Connecticut, met in grade school in Atlanta and became friends. They shared a talent for writing and music and began playing together in Ray's parents' basement. During college at Emory University, they played club dates in and around Atlanta as the "B Band" and later "Saliers and Ray," developing their following and reputation as a particularly strong band in live performance. Beginning in 1981 they released several independent records on tape and in 1985 released a vinyl single, "Crazy Game." That same year Ray selected the name Indigo Girls on "sort of a whim," she explained in an interview years later. "I found it in the dictionary . it's a deep blue, a root--real earthy." The duo signed with Epic Records in 1988. Their first record for Epic, the multi-platinum Indigo Girls, included their best-known song, "Closer to Fine." That year they were nominated for two Grammy awards-- Best New Artist (they narrowly lost to Milli Vanilli) and Best Contemporary Folk Album, which they won. -
AUTHENTIC ATLANTA ITINERARY Atlanta’S Peachtree Corridor Is Packed with Can’T-Miss Classics
AUTHENTIC ATLANTA ITINERARY Atlanta’s Peachtree Corridor is packed with can’t-miss classics. Whether you’ve got a few hours or a few days, use these tips and treks to create an authentic Atlanta experience! Centennial Olympic Park DAY 1 — DOWNTOWN grab a complimentary glass bottle of clas- sic formula Coca-Cola. Inside CNN Studio Tour Just across the street, Imagine It! The Children’s Museum of Atlanta MorninG features hands-on exhibits and activities where kids ages 8 and younger can learn Start your morning off with a splash! and explore. Whether it’s building a Georgia Aquarium – the world’s largest sandcastle, painting on the walls or aquarium – is an underwater wonderland, exploring the latest special exhibit, home to more than 100,000 creatures children will discover why it’s a smart from 500 species. Swimming, diving and place to play. Courtesy of Target Free lurking among the 10 million gallons of Second Tuesdays, all visitors can enjoy water, you’ll find dolphins, penguins, free admission from 1 p.m. until closing Hard Rock Cafe Atlanta beluga whales, sea otters, piranhas and on the second Tuesday of each month. so much more. Other wow-worthy the world’s largest Fountain of Rings. Enjoy year-round, family-friendly activities include AT&T Dolphin Tales, The Park also offers seasonal activities entertainment in Centennial Olympic Deepo’s Undersea 3D Wondershow, and such as Fourth Saturday Family Fun Days, Park. Right in the heart of downtown, the behind-the-scenes tours and lectures. free concerts April-September during home of the 1996 Olympic Games offers Next door, learn all about the world’s Wednesday WindDown and Music at concerts, festivals, seasonal activities and most beloved beverage at World of Noon every Tuesday and Thursday. -
2011 Atlanta Beltline, Inc. Annual Report
ATLANTA BELTLINEINC. ANNUAL REPORT Grand Openings, Green Foundations 2011 Sweeping stone tunnels in the south and southwest of Atlanta dot the 100+ year-old rail corridor. ≥ THE ORGANIZATION » Atlanta BeltLine, Inc. Organizational Chart 2 » Atlanta BeltLine, Inc. Board of Directors 3 » Atlanta BeltLine, Inc. Team 3 » Letter from the Mayor 4 » Letter from the Chair of the Board of Directors 5 » Letter from the President and Chief Executive Officer 6 ≥ THE PROJECT » Introduction 7 » Project Overview 8 » Parks and Greenspace 10 » D.H. Stanton Park 12 » Historic Fourth Ward Park 14 » Historic Fourth Ward Skatepark 16 » Boulevard Crossing Park 18 » Trails 20 » Transit and Transportation 22 » Affordable Housing 26 Table OF » Master Planning and Design 28 » Art 30 » Community Engagement 34 contentS ≥ THE NUMBERS » Auditor’s Report 37 N TI R MA . T » Financial Statements 38 R E H TOP S I HR C Y B OTO PH ATLANTA BELTLINE, INC. BOARD BOARD OF DIRECTORS OF ORGANIZATIONAL DIRECTORS CHART PATRISE PERKINS-HOOKER General Counsel & Vice President BRIAN LeaRY Nicole President & Chief weSLEY-SmitH Executive Officer Executive Assistant EliZabetH B. CHANdleR THE HONORable ClaRA AXam LACHANDRA ButleR BURKS Chair of the Board, KaSim Reed Vice Chair of the Board, Treasurer, Atlanta BeltLine, Inc. BETH MCMILLAN Atlanta BeltLine, Inc. Mayor, City of Atlanta Atlanta BeltLine, Inc. Atlanta Board of Education, Director of District 5 Community Engagement BetH PATRISE McmillaN ETHAN DavidSON RuKIYA EaddY LISA GORdoN RicHARD LutcH Chief Operating PERKINS-HooKER Director of Director of External Affairs Director of Finance Officer & Assistant General Counsel Community Communications Manager & Administration Secretary & Vice-President Engagement JOSepH A. -
Fulton County Cultural Summary
Fulton County cultural summary Regional Arts and Culture Forums Research Initiative The development of ARC’s Fifty Forward Plan and Plan 2040 places emphasis on the value of arts & culture to the region. It includes a call for “systematic annual data collection and analysis regarding the development of the creative economy in Georgia” and the development of a The Creative Industries in 2011 regional cultural master plan. Fulton County, GA Fulton County Summary This Creative Industries report offers a research-based approach to understanding the scope and economic importance of the arts in Fulton County, GA. The creative industries are composed of arts Few precedents exist of comprehensivebusinesses regional that range cooperationfrom non-profit museums, to symphonies,foster arts and theaters and to culture. for-profit film, Toarchitecture, that and advertising companies. Arts businesses and the creative people they employ stimulate innovation in end, the Atlanta Regional Commissiontodays contracted global marketplace. with the Metro Atlanta Arts & Culture Coalition from July to December of 2011 to conductNationally, the there areresearch 756,007 businesses contained in the U.S. in involved this in thedocument. creation or distribution The of following the arts. They employ 2.99 million people, representing 4.14 percent of all businesses and 2.17 percent of all information is a summary of the data employees,collected respectively. on Fulton The source County. for these data is Dun & Bradstreet, the most comprehensive and trusted source for business information in the U.S. For additional information on Fulton AsCounty of January and 2011, Fultonthe restCounty, of GA the is home 10 to Metro 4,965 arts-related Atlanta businesses counties that employ see the 29,817 people. -
Avery at Underground Apartments Atlanta, Fulton County, Georgia
Market Feasibility Analysis Avery at Underground Apartments Atlanta, Fulton County, Georgia Prepared for: Prestwick Companies Effective Date: January 29, 2018 Site Inspection: January 27, 2018 Avery at Underground | Table of Contents TABLE OF CONTENTS 1. EXECUTIVE SUMMARY.................................................................................................... 1 2. INTRODUCTION .............................................................................................................. 8 A. Overview of Subject..............................................................................................................................................8 B. Purpose of Report.................................................................................................................................................8 C. Format of Report ..................................................................................................................................................8 D. Client, Intended User, and Intended Use .............................................................................................................8 E. Applicable Requirements......................................................................................................................................8 F. Scope of Work ......................................................................................................................................................8 G. Report Limitations ................................................................................................................................................9 -
Poets, Artists & Madmen
POETS, ARTISTS & MADMEN tlanta’s art scene is on the verge of something significant — teetering between mak- ing it and breaking it. Long Aregarded as a creative hodgepodge, the city’s poets, artists and madmen have worked tirelessly in the last year to help redefine the city’s artistic identity. They attracted international attention with the colossal grassroots street art conference Living Walls, improved our public art profile with gloATL and Art on the Belt- line, and cultivated the kind of TV- and filmmaking-friendly environment that’s allowed for the conversion of Lakewood Fairgrounds into a Hollywood-worthy soundstage, and the local filming of AMC’s “The Walking Dead.” So what does the future hold for the arts in Atlanta? Can we build on the mo- mentum we’ve recently gained? Judging tara from the last year’s creative outpouring, -LY the scales are tipped in the right direction. NNE — Debbie MichauD PI XL E Y GLOATL: Critics Pick for Best Dance Company POETS, ARTISTS & MADMEN MIKE GERMON BEST TREND IN THE ARTS BEST NEIGHBORHOOD BEST EMERGING VISUAL ARTIST Atlanta’s art scene has experienced a changing of the FOR ARTISTS LUCHA RODRIGUEZ’s examination of the body as a guard over the past couple of years: The collective has be- There’s a fairly reliable life cycle applicable to art- web of thoughts and organs manifests itself in the ethereal come king. And while the twenty- and thirtysomethings ists’ neighborhoods: In the beginning, no one gives a delicacy of her voluminous hand-cut paper installations behind the city’s nascent art co-ops, galleries and organi- shit about them, not even the artists. -
Peragine CV 2020
263 WALKER STREET ATLANTA, GEORGIA 30313 404.827.0030 MARCIAWOODGALLERY.COM Joseph Peragine b. 1961 New Jersey Education 1995 MFA, Georgia State University, Atlanta, GA 1983 BFA, University of Georgia, Athens, GA 1982 University of Georgia Studies Abroad Program, Cortona, Italy Selected Solo Exhibitions 2018 After The Hunt, Marcia Wood Gallery, Atlanta, GA 2015 Love Me Till My Heart Stops, Marcia Wood Gallery, Atlanta, GA Kingdom Under Glass, Moon Gallery, Berry College, Rome GA 2014 Kingdom Under Glass, Betty Foy Sanders School of Art, Georgia Southern University, Statesboro, GA 2013 Grappling Mandalas, Marcia Wood Gallery, Atlanta, GA Ant Linkage, Welch Gallery, Georgia State University, Atlanta, GA 2010 Nature Porn, Etc… Solomon Projects, Atlanta, GA 2009 Site Spe cific 09’, Islip Museum of Art, Carriage House Gallery, West Islip, NY 2007 Correspondence: In Relation To Goya, The UA Museum of Art, Kress Gallery, Tucson, AZ Forever, Solomon Projects, Atlanta, GA 2006 Pass the Ammunition, Get This Gallery, Atlanta, GA 2005 Hell On Wheels: Paintings, Drawings and Animation by Joseph Peragine, Cheekwood Museum of Art, Nashville, TN Hell On Wheels, Solomon Projects, Atlanta, GA 2004 Three Small Deaths, New Media Lounge, Palm Beach ICA, FL 2002 Small Deaths, Solomon Projects, Atlanta, GA 1999 Bedtime Stories, Solomon Projects, Atlanta, GA 1998 Brute Neighbors, Gallery at Green Street, Boston, MA 1996 My Big Back Yard, Nancy Solomon Gallery, Atlanta, GA Flea Bitten, Georgia State University Gallery, Atlanta, GA Selected Public Art Projects and -
'C, .. Eer Fairleaves Some Disappointed
I-~ ~ '' iij;) Exhibitionists ~ D~ac$ beat Wolfpack ""'tJ ~~ Index· - §11 -~~ ·~ :>)~ ,'f~ A&E B1-3 Deacon Notes 87 soccer shuts out New show opens in ~-·.J ~ [' Briefly A2 Ed~orials A6-7 u ~ Scales, Benson's ~~ State ".lJ:;! ; ii.'",, Calendar B3 Police Beat A4 >£'! rti collection grows ·~. Classified AS Scoreboard 87 d I t.-'i -~ Comics B3 Sports 86-8 A&E/81 ~J!\l ~~ •' ~r I:;; tl Visit our web site at http://ogb. wfu.edu ···, Byfhere~a-Felder Deta Phi·-- was new, and its goal was to their activities for the remainder ofth!! year. stored, and they will sell their lounge fur rarity through the whole process. "We defi. Assistant News Editor stay small. "We will still have formals, the Brian Pic niture, she said. "The memorabilia will go nitely had Greek support. It made me havf Wood said that instead·of continuing to colo fund raiser, meetings, retreats and elec to the archives because it is always pos Greek pride, not just pride in my sorority,' A sorority without many sisters does not try to find new members, the sisters de tions," Wood said; Formal rush is the only sible that the chapter could be reopened on she said. " do well on this campus. As members of cided this fall to focus on enjoying their sorority activity in which the chapter will campus." The money that the chapter has She said that both the Panhellenic Coun· • DeltaGamma·have learned, few members time together . not participate, she said. will also be put in a secure place so that if cil and the Interfraternity Council workec can translate iiito no members in a remark "We decided (to close the chapter) in All the current members of the sorority another group were to start, it would have with them. -
How the Performances, Song Lyrics, and Activism of the Indigo Girls Demonstrate the Mutable Composition of Southern Identity
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 8-11-2015 How the Performances, Song Lyrics, and Activism of the Indigo Girls Demonstrate the Mutable Composition of Southern Identity Alison Law Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Recommended Citation Law, Alison, "How the Performances, Song Lyrics, and Activism of the Indigo Girls Demonstrate the Mutable Composition of Southern Identity." Thesis, Georgia State University, 2015. https://scholarworks.gsu.edu/english_theses/191 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. HOW THE PERFORMANCES, SONG LYRICS, AND ACTIVISM OF THE INDIGO GIRLS DEMONSTRATE THE MUTABLE COMPOSITION OF SOUTHERN IDENTITY by ALISON LAW Under the Direction of Gina Caison, Ph.D. ABSTRACT A common misconception about the southern region of the United States is that any one part of the region can stand alone as an accurate representation of the territory as a whole. To refute any notion of a homogeneous South and demonstrate the dynamic nature of an individual or community identity, I examine the history, song lyrics, performances, and activism of the folk-rock duo the Indigo Girls and their hometown of Atlanta, Georgia. This project applies the theories of locational feminism found in Susan Stanford Friedman’s Mappings and New Southern Studies in Tara McPherson’s text Reconstructing Dixie . Analyzing the biographies, song lyrics, performances, and activism of the Indigo Girls as an archive of southern literature allows us to understand the fluid, multiplex nature of regional identity and view Atlanta as one “borderland” in a heterogeneous U.S.