Microscope Optics 1750–1850 and J.J

Total Page:16

File Type:pdf, Size:1020Kb

Microscope Optics 1750–1850 and J.J MICROSCOPEOPTICS and J.J. Lister’s Inuence on the Development of the Achromatic Objective 1750–1850 j.c. deiman February 1992 / March 2020 – version 5.1 J.C. Deiman: Microscope Optics 1750–1850 and J.J. Lister’s Influence on the Development of the Achromatic Objective A thesis submitted for the degree of Doctor of Philosophy of the University of London and for the Diploma of Membership of the Imperial College. © 2020, J.C. Deiman. All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the writer, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the author, at the address below: J.C. Deiman Br. Gentong, Ds. Tegallalang 80561, Gianyar, Bali, Indonesia. e-mail: [email protected] Dedicated to my beloved parents C. Deiman (1921–2007) en T. Deiman-Visser (1921–2015) Dr. J. van Zuylen (1906–1995) Prof. Dr. G. L’E Turner (1926–2012) Helen Turner (1930–2004) Amsterdam 1992 – Gentong, Bali, March 2020 FOREWORD This is the fth revision of the thesis I originally submitted in February 1992. A second version of 30 copies was published in September 1992, on the occasion of a festive meeting in the Senate Hall of the university of Utrecht. Later another 60 copies of this second version were printed and sold. A fourth version on CD-ROM was published by Savona Books in 2008. All these revisions difer slightly from the original one and of each other, every time I found some small errors that were corrected in these subsequent editions. This fth edition difers from the other ones in one important aspect, it was composed in LaTex, which generates an output PDF le. Apart from this there were again small textual changes, more illustrations could be added, and indexes and cross-references could be added fairly easy in LaTex. iv ABSTRACT A number of microscopes were selected for study from the Utrecht University Museum, the Science Museum and the Wellcome Collection in London, and the Museum of the History of Science in Oxford. On these instruments, optical parameters were measured, namely the focal length of eyepieces and objectives, and the magnication, numerical aperture, and resolving power of objectives. Eighteenth-century English compound microscopes were selected on the cri- terion that two or more examples by a particular maker were available. Nine- teenth-century achromatic objectives were chosen on the basis that they would stand comparison with those improved during the period 1825–1850 by J.J. Lister. For this reason, only objectives by Ross, Smith & Beck, Powell, and Powell & Lealand were studied. As far as possible, the internal construction of these object- ives was also examined. The data on eighteenth-century objectives and eyepieces was used to show that spherical and chromatic aberration were not the main limiting factors in their quality. The work of J.J. Lister was elucidated by a thorough examination and analysis of the Lister Archive that belongs with the collection of the Royal Microscopical Society. This archive consists of plans, drawings, and letters to makers, together with Lister’s lenses, fabricated partly by himself. As a result of this study, it proved possible to answer the question why the achromatic microscope developed so much later, and more slowly, than the achromatic telescope. The sheer complexity, both technological and theoretical, of the compound achromatic objective was found to be the main cause of this slow development. The objectives of Ross, Smith, and Powell were examined to trace Lister’s inuence on their development. His direct inuence did not last long, but his methods of design–a combination of qualitative reasoning and trial and error– were used until they were superseded by Abbe’s rigorous calculations in the last quarter of the nineteenth century. v ACKNOWLEDGEMENTS I am greatly indebted to Dr. J. van Zuylen (†1995) of the former Nederlandsche Optische Fabriek N.V. C.E. Bleeker, Zeist, Nederland for all the optical know- ledge and experience he so willingly shared with me. Our cooperation over the last six years I will always value greatly. To my supervisor, Professor Dr. G. L’Estrange Turner (†2012) and his wife Helen Turner (†2004), who taught me the art of being English. They both stimu- lated me during the discussions we had in Islip, be it before, during or after meals which I will never forget. Apart from this they both made this project possible, helped me when I was in diculty and encouraged me to continue when I despaired. To my parents, modestly in the background as always. They stimulated my curiosity by never refusing to answer all my questions. To my friends, who had to endure my temper and my bad moods: Peter van der Salm and Heleen Grioen, Jan Teeuwisseand Alice Weve, Hans Rooseboom, Wim Thomas, Leon Dennett, and Chris Frewin Howse–this thesis would not have been possible without their support. Jan Teeuwisse’s laserprinter was a welcome guest for some weeks. Hans Rooseboom found many spelling mistakes and inconsistencies, which he seemed to enjoy greatly. Peter van der Salm brought the design of this book to perfection. Wim Thomas gave me hospitality during my stays in London. Leon Dennett helped me in deciphering Lister’shandwriting and improved the general quality of my English. To my Director drs. S.W.G. de Clercq, my fellow curator drs. J. Schuller tot Peursum-Meijer and my other colleagues from the Utrecht University Museum for allowing me to spend so much time in England during the last three years. To the Director of the Science Museum in London and my colleagues there, especially Dr. D. Robinson, Dr. B. Bracegirdle (†2015), Dr. D. Vaughan,Dr. J. Dar- ius (†1993) and many of their assistants, for allowing me to use their collections. To the Curator of the Museum of the History of Science in Oxford and my colleagues Dr. W. Hackmann and A.V. Simcock for their hospitality and help. To the Royal Microscopical Society in Oxford which allowed me to use its historical collection and the Lister Archive. To Dr. L.H.J.F. Beckmann, Delft, for providing me with the optical design program OPDESIGN, without which the greater part of chapters 3, 4, 5, and 6 could not have been written. To Mrs. S. Waldman for her kindness and the opportunity she gave me to enjoy a avour of musical culture. To the late Dr. J.G. van Cittert-Eymers (†1988) whose work formed the basis for my research and who set an example of good scholarship and curatorship. To the Renaissance Trust whose generosity made this project possible. To all the colleagues and friends I did not mention. Dr. ir. J.C. Deiman DIC, Amsterdam–Bali, 1989–2020. vi CONTENTS dedication iii foreword iv abstract v acknowledgements vi contents vii List of illustrations xii List of tables xiv 1 introduction 1 1.1 The study of scientic instruments1 1.2 Scientic instruments3 1.3 Purpose5 2 methodology 7 2.1 Introduction7 2.2 The lens and its aberrations8 2.2.1 Refraction8 2.2.2 The Lens8 2.2.3 Spherical aberration 10 2.2.4 Chromatic aberration 10 2.3 Optical calculations 12 2.3.1 Opdesign 12 2.3.2 Angular magncation and distortion of eyepieces 13 2.3.3 Conventions and abbreviations 13 2.3.4 Data of optical systems 14 2.3.5 Spot diagram 15 2.4 Optical tolerances 16 2.4.1 Rayleigh tolerance 16 2.4.2 Spherical aberration 17 2.4.3 Chromatic aberration 18 2.4.4 Ofence against the sine condition, OSC0 19 2.5 Optical measurements 19 2.5.1 Curvatures 19 2.5.2 Focal length 22 2.5.3 Magnication and angle of view of eyepieces 22 2.5.4 Magnication of objectives 23 2.5.5 Numerical aperture 23 2.5.6 Star test 24 vii contents viii 2.5.7 Resolving power 24 2.5.8 Diatom test 26 3 the chromatic microscope in the eighteenth cen- tury 28 3.1 Introduction 28 3.2 Objectives 29 3.3 Eyepieces 32 3.4 Two-lens eyepiece, computer model 34 3.5 Two-lens eyepieces 37 3.5.1 Screw-barrel microscope, Culpeper type (UM1846) 38 3.5.2 Cuf-type microscope (UM578) 38 3.5.3 Cuf-type microscope (A62993) 39 3.5.4 Cuf-type microscope (UM16) 40 3.5.5 Cuf-type microscope (UM18) 40 3.5.6 Culpeper-type tripod microscope (UM13 41 3.5.7 Prince of Wales microscope (1925-136) 42 3.5.8 Culpeper-type microscope (A159980) 42 3.5.9 Jones’s‘Most Improved Compound Microscope’ (A212741) 43 3.5.10 Chest Microscope (1928-850) 44 3.5.11 Pillar microscope (A54219) 45 3.5.12 Miniature drum microscope (1921-189) 45 3.5.13 Huygenian eyepiece ‘×5’ (Utrecht) 47 3.6 Three-lens eyepieces 48 3.6.1 Culpeper-type microscope on box-foot with drawer (A159502) 49 3.6.2 Cuf-type microscope on at folding tripod (A600168) 50 3.6.3 Adams’s‘Compound Compendious Pocket Microscope’ (1918-84) 51 3.6.4 Adams’s‘Compound Compendious Pocket Microscope’ (A645025) 51 3.6.5 Pillar microscope (A159192) 53 3.6.6 Improved Double and Single Microscope (A56301) 54 3.6.7 Chest microscope (A56305) 54 3.6.8 Tripod microscope (A56801) 55 3.6.9 Chest microscope (A50965) 56 3.6.10 Chest microscope (A56304) 56 3.6.11 Dollond’sform of the ‘Most Improved’ microscope (A18469) 57 3.7 Four-lens eyepieces 58 3.7.1 Martin’s‘Universal Microscope’ with between lens (UM0293) 59 3.7.2 Tripod and pillar microscope (A101926) 59 3.7.3 ‘Universal Compound Microscope’, (A159473) 60 3.7.4 ‘Universal Compound Microscope’ (A56523) 61 3.7.5 ‘Improved Compound Microscope’ (A56300) 64 3.7.6 ‘Most Improved Compound Microscope’ (A600166) 66 3.8 Dellebarre-type
Recommended publications
  • Rapport Van De Stuurgroep Asscher-Vonk Ii
    PROEVEN VAN 150 PARTNER- SCHAP RAPPORT VAN DE STUURGROEP ASSCHER-VONK II VOORBEELDEN van museale samenwerking en initiatieven gericht op kwaliteit, publieksbereik, kostenbesparing en efficiency 4 oktober 2013 PROEVEN VAN 150 PARTNER- SCHAP RAPPORT VAN DE STUURGROEP ASSCHER-VONK II VOORBEELDEN van museale samenwerking en initiatieven gericht op kwaliteit, publieksbereik, kostenbesparing en efficiency INHOUD DEEL I MUSEA OP WEG NAAR MORGEN: WAARNEMINGEN VAN DE STUURGROEP ASSCHER-VONK II 5 h 1 INLEIDING 9 h 2 DOEL VAN HET RAPPORT 11 h 3 VOORBEELDEN UIT DE MUSEALE PRAKTIJK: 13 3.1 VORMEN VAN SAMENWERKING 14 3.2 MINDER KOSTEN, MEER INKOMSTEN, MEER EFFICIENCY 17 3.3 KENNIS DELEN, KRACHTEN BUNDELEN 27 3.4 MEER EN NIEUW PUBLIEK 32 3.5 GROTERE ZICHTBAARHEID VAN COLLECTIES 39 h 4 MUSEA OVER SAMENWERKING 43 h 5 HOE VERDER 46 BIJLAGEN: b1 DE OPDRACHT VAN DE STUURGROEP ASSCHER-VONK II 48 b2 EEN OVERZICHT VAN DE GESPREKSPARTNERS 49 DEEL II 50 150 VOORBEELDEN van museale samenwerking en initiatieven gericht op kwaliteit, publieksbereik, kostenbesparing en efficiency COLOFON 92 DEEL I PROEVEN VAN PARTNERSCHAP RAPPORT VAN DE STUURGROEP ASSCHER-VONK II MUSEA OP WEG NAAR MORGEN: WAARNEMINGEN VAN DE STUURGROEP ASSCHER-VONK II In Musea voor Morgen stond het al: “Er is meer oog voor samen- werking en synergie nodig, in het belang van het publiek en de samenleving.”1 Met het vervolg op dat rapport, Proeven van Partnerschap, brengt de stuurgroep Asscher-Vonk II bestaande voorbeelden van samenwerking en initiatieven in de museumsector in kaart die zijn ontplooid om in veran- derende tijden kunst en cultuur van topkwaliteit te kunnen blijven bieden.
    [Show full text]
  • The Cary-Gould-Porter Optical Businesses William Cary, 1759 - 1825 John Cary, 1754 - 1835 George Cary, Ca
    The Cary-Gould-Porter optical businesses William Cary, 1759 - 1825 John Cary, 1754 - 1835 George Cary, ca. 1788 - 1859 John Cary, Jr., 1791 - 1852 Charles Gould, ca. 1786 - 1849 Henry Gould, ca. 1796 - 1856 Charlotte Hyde Gould, ca. 1797 - 1865 Henry Porter, ca. 1832 - 1902 by Brian Stevenson. Kentucky, USA This and other illustrated essays on the history of microscopy can be found at http://microscopist.net and on Facebook at https://www.facebook.com/microscopist.net The names of Cary, Gould and Porter are intertwined in microscopy, a succession of apprentices and/or relatives who maintained a London microscope-making business for well over 100 years. For the historian, the two centuries that have elapsed between the beginnings of the Cary company have brought many inaccuracies into the record, both in print and on the internet. For example, many sources report that William Cary died in 1835, rather than 1825. Those may have been attempts to reconcile William’s lifespan with the famous microscopes that bore his name, which became popular in the mid-1820s. The Billings Microscope Collection catalogue erroneously states that William Cary was succeeded by Charles Gould under the name of Gould and Porter. Another inaccuracy was an intentional misrepresentation for advertising, in which Henry Porter claimed that he learned his trade with William Cary. Porter was actually born 7 years after Cary’s death. By far, the most common inaccuracy is the assertion that Charles Gould was William Cary’s apprentice when he invented the famous “Cary” (or “Cary-Gould”) box-mounted portable microscope. While Gould was quite likely Cary’s apprentice at some point, Gould was a master craftsman and well into his 30s when that microscope was first produced.
    [Show full text]
  • University Museums and Collections Journal 7, 2014
    VOLUME 7 2014 UNIVERSITY MUSEUMS AND COLLECTIONS JOURNAL 2 — VOLUME 7 2014 UNIVERSITY MUSEUMS AND COLLECTIONS JOURNAL VOLUME 7 20162014 UNIVERSITY MUSEUMS AND COLLECTIONS JOURNAL 3 — VOLUME 7 2014 UNIVERSITY MUSEUMS AND COLLECTIONS JOURNAL The University Museums and Collections Journal (UMACJ) is a peer-reviewed, on-line journal for the proceedings of the International Committee for University Museums and Collections (UMAC), a Committee of the International Council of Museums (ICOM). Editors Nathalie Nyst Réseau des Musées de l’ULB Université Libre de Bruxelles – CP 103 Avenue F.D. Roosevelt, 50 1050 Brussels Belgium Barbara Rothermel Daura Gallery - Lynchburg College 1501 Lakeside Dr., Lynchburg, VA 24501 - USA Peter Stanbury Australian Society of Anaesthetis Suite 603, Eastpoint Tower 180 Ocean Street Edgecliff, NSW 2027 Australia Copyright © International ICOM Committee for University Museums and Collections http://umac.icom.museum ISSN 2071-7229 Each paper reflects the author’s view. 4 — VOLUME 7 2014 UNIVERSITY MUSEUMS AND COLLECTIONS JOURNAL Basket porcelain with truss imitating natural fibers, belonged to a family in São Paulo, c. 1960 - Photograph José Rosael – Collection of the Museu Paulista da Universidade de São Paulo/Brazil Napkin holder in the shape of typical women from Bahia, painted wood, 1950 – Photograph José Rosael Collection of the Museu Paulista da Universidade de São Paulo/Brazil Since 1990, the Paulista Museum of the University of São Paulo has strived to form collections from the research lines derived from the history of material culture of the Brazilian society. This focus seeks to understand the material dimension of social life to define the particularities of objects in the viability of social and symbolic practices.
    [Show full text]
  • Anne Kox JAPES 1..216
    Physics as a Calling, Science for Society Studies in Honour of A.J. Kox Edited by Ad Maas and Henriëtte Schatz LEIDEN Publications The publication of this book has been made possible by grants from the Institute for Theoretical Physics of the University of Amsterdam, Stichting Pieter Zeeman- fonds, Stichting Physica and the Einstein Papers Project at the California Institute of Technology. Leiden University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. Cover illustration: Albert Einstein and Hendrik Antoon Lorentz, photographed by Paul Ehrenfest in front of his home in Leiden in 1921. Source: Museum Boerhaave, Leiden. Cover design: Sander Pinkse Boekproducties Layout: JAPES, Amsterdam ISBN 978 90 8728 198 4 e-ISBN 978 94 0060 156 7 (pdf) e-ISBN 978 94 0060 157 4 (e-pub) NUR 680 © A. Maas, H. Schatz / Leiden University Press, 2013 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Contents Preface 7 Kareljan Schoutens Introduction 9 1 Astronomers and the making of modern physics 15 Frans van Lunteren 2 The drag coefficient from Fresnel to Laue 47 Michel Janssen 3 The origins of the Korteweg-De Vries equation: Collaboration between Korteweg and De Vries 61 Bastiaan Willink 4 A note on Einstein’s Scratch Notebook of 1910-1913 81 Diana K.
    [Show full text]
  • England's Regions in 2030 Office of the Deputy Prime Minister; Department for Transport Executive Summary
    Regional Futures: England’s Regions in 2030 Final Report January 2005 English Regions Network RDA Planning Leads Group Office of the Deputy Prime Minister Department for Transport % population change 1992-2002 -8.8 2 5 6.7 20.8 Project Team Nick Banks – Project Director Tom Bridges – Project Manager Dr Graham Gudgin – Regional Forecasts Alan Wilson – Oxford Economic Forecasting Lynne Miles – Arup Neil Gibson – Regional Forecasts Advisors Corinne Swain OBE Sir Peter Hall, Bartlett School of Planning, UCL Prof. Daniel Dorling, University of Sheffield John Hollis, GLA Dr. Andrew Jones, Birkbeck College Steering Group The project Steering Group comprised representatives from England’s Regional Assemblies, Regional Development Agencies, the Office of the Deputy Prime Minister and the Department for Transport. The project was coordinated and the Steering Group led by Andrew Pritchard, Director of Planning and Transport, East Midlands Regional Assembly. English Regions Network RDA Planning Leads Group Office of the Deputy Prime Minister Department for Transport Regional Futures: England’s Regions in 2030 Final Report January 2005 Job number 116176-00 Ove Arup & Partners Ltd 13 Fitzroy Street, London W1T 4BQ Tel +44 (0)20 7755 2779 Fax +44 (0)20 775 2451 [email protected] Regional Forecasts Ltd 23 Donegall Road, Belfast, BT12 5JJ Tel +44 (0)28 9043 4824 Fax +44 (0)28 9031 4134 [email protected] Oxford Economic Forecasting Ltd Abbey House, 121 St Aldates, Oxford OX1 1HB Tel +44 (0)1865 268900 Fax +44 (0)1865 268906 [email protected] CONTENTS
    [Show full text]
  • Hendrik Antoon Lorentz: His Role in Physics and Society
    IOP PUBLISHING JOURNAL OF PHYSICS: CONDENSED MATTER J. Phys.: Condens. Matter 21 (2009) 164223 (8pp) doi:10.1088/0953-8984/21/16/164223 Hendrik Antoon Lorentz: his role in physics and society Frits Berends Emeritus Theoretical Physics, Leiden University, The Netherlands Received 22 January 2009 Published 31 March 2009 Online at stacks.iop.org/JPhysCM/21/164223 Abstract Hendrik Antoon Lorentz (1853–1928) was appointed in 1878 to a chair of theoretical physics at the University of Leiden, one of the first of such chairs in the world. A few years later Heike Kamerlingh Onnes became his experimental colleague, after vehement discussions in the faculty. Lorentz strongly supported Kamerlingh Onnes then, and proved subsequently to be an ideal colleague. With Lorentz’s electron theory the classical theory of electromagnetism obtained its final form, at the time often called the Maxwell–Lorentz theory. In this theory the Zeeman effect could be explained: the first glimpse of the electron. The Nobel Prize followed in 1902. The Lorentz transformation, established in 1904, preceded the special theory of relativity. Later on, Lorentz played a much admired role in the debate on the new developments in physics, in particular as chairman of a series of Solvay conferences. Gradually his stature outside of physics grew, both nationally as chairman of the Zuiderzee committee and internationally as president of the International Commission on Intellectual Cooperation of the League of Nations. At his funeral the overwhelming tribute was the recognition of his unique greatness. Einstein said about him ‘He meant more to me personally than anyone else I have met on my life’s journey’.
    [Show full text]
  • Trust in Freedom, the Story Newington Green
    TRUST IN FREEDOM THE STORY OF NEWINGTON GREEN UNITARIAN CHURCH by MICHAEL THORNCROFT, B.SC. LONDON Printed for the Trustees of the Unitarian Churoh by Banoes Printers ' !', "I - ---- " TIIE FERTILE SOIL " A Church has stood on Newi'ngtbn Green for 250 years; through- out ten generations men and women have looked to this building as the sanctuary of their hopes and ideals. ,Such an anniversary encourages us to pause and consider thd path by *hich we have come and to look to the way in which bur fwt may tread. Over the entrance to Newington Green Chprch is written' the word " Unitarian ". This 'may "not .alwa'ys mean ,a great deal to the bader-by.but in it is the key to the past, present and future life of the congregation. In this small cornef of London, the tides and influences whieh have brought about the gradual liberalising of religion for mhny, wife felt,' and enriched the lives of a few. Thb brief study 'oft the cohgregation reveals in cameo the root, stem and flow& of the Unitarian Movement. As with all hardy plants, the roots go deep, but the real origins lie in the an awakening which stirred England in the 16th and 17th centuries. >WhenKing Hebry VIII broke with the Church of Rome in 1534 and established Prbtestantism throughout his realm, he was moved by private interests. Nevertheless a 'great number of his people at this time had grown tired of the authd,~ty of the Roman Chur~hwith its lax and corrupt practices and wete beginning to feel aftifer greater freedom and a purer spiritual WO.
    [Show full text]
  • Save Pdf (0.04
    Book Reviews as a place where anatomy but also plays were Michael Sappol, Dream anatomy: a unique performed. The relations between anatomy and blend of art and medical science from the literature mentioned by Zinguer in her intro- National Library of Medicine, Washington, duction now seem a bit one-sided: writers bor- United States Department of Health and Human rowing from anatomy and not vice versa. And Sciences, 2006, pp. xii, 180, illus., $30.00 then: what did writers and poets borrow from the (paperback 978-0-16-072473-2). science of anatomy? Michel de Montaigne’s somewhat idiosyncratic use of the term More than the treasures of Tutankhamen’s ‘‘skeletos’’ (not so much a skeleton in the ana- tomb, more even than the latest impressionist tomical sense, as a skinned but living body blockbuster, the most visited show on earth is dreamt up by the writer to allow insight into the the display of plastinated cadavers prepared by workings of the human being) as described by the German anatomist Gunther von Hagens. Marie-Luce Demonet seems to suggest that What attracts fee-paying visitors in their mil- writers were mainly interested in anatomy as a lions to stare at these spectacularly revealed source for metaphors and emblems. human innards is the subject of Michael In some essays the subject ‘‘anatomy’’ seems Sappol’s marvellously compelling book, namely to be stretched beyond its limits. The descrip- a renewed recognition of the fact that we all tions of physical ailments as a strategy to stress think of ourselves as ‘‘anatomical beings’’.
    [Show full text]
  • Charles Henry Vance Smith – More Than Meets the Eye
    CHARLES HENRY VANCE SMITH – MORE THAN MEETS THE EYE Peter B. Paisley Sydney, Australia Charles Henry Vance Smith (“CVS”), was born in 1845 in Macclesfield, Cheshire, the eldest son of the Unitarian clergyman George Vance Smith, and died young, aged 39, in Wales in 1885. His work was admired, and successful, judging by the number of surviving slides, some with optical retail labels. He joined the Postal Micro- Cabinet Club, and probably sold slides through his reputation among members. In 1884, the outgoing president, Alfred Hammond, chose for special mention only a few members from some two hundred who had sent slides, and CVS was one. Less than a year later, CVS was dead. From the Postal Microscopical Journal. Vol.3 (1884) Smith read the botanical work of Julius von Sachs. Another influence was Leopold Dippel, director of famous botanical gardens in Darmstadt-Hesse (Germany) and Professor of Histology at the technical university - Smith translated his work on chlorophyll for the first issue of the Postal Microscopical Journal (1882). The name Dippel (coincidentally or not) has association with German Unitarianism. He also produced a series of slides illustrating Otto Thomé’s 1878 Textbook of Structural and Physiological Botany . CVS had already sought material for mounting outside the postal club, via Science Gossip , and evidently had confidence as a preparer. CVS’ advertisement in the Science Gossip exchange column, May 1881. He was elected to the Quekett Club in July 1879, and several of his slides were exhibited at various club meetings. These mounts were of desmids, fungi, and vegetable cells – to which is added an enigmatic “etc.” - for his exhibits at the special exhibition meeting of April 1881.
    [Show full text]
  • A Preliminary Digital Analysis of Christiaan Huygens' Last
    JLIS.it 9, 2 (May 2018) ISSN: 2038-1026 online Open access article licensed under CC-BY DOI: 10.4403/jlis.it-12449 Language as Scientific Instrument: a Preliminary Digital Analysis of Christiaan Huygens’ Last Writings and Correspondence Ludovica Marinucci(a) a) University of Cagliari, Italy __________ Contact: Ludovica Marinucci, [email protected] Received: 29 October 2017; Accepted: 12 February 2018; First Published: 15 May 2018 __________ ABSTRACT This essay focuses on a digital text analysis with AntConc computational linguistics tool in order to find, list and compare the most important key word occurrences and their collocations in some of Christiaan Huygens last writings, from 1686 to 1695 and posthumous. The greatest attention is payed to three key words – Animus, Potentia and Lex – related to the themes of God’s power, divine and human intelligence, probabilistic epistemology, natural theology and plurality of worlds. In addition, these key words are used to select the letters written by Huygens to the most important of his contemporaries on the same topics. This challenge firstly involves demonstrating that his last writings on philosophical and theological reflections on mechanistic philosophy are not an anomaly within Huygens’ wider work, and secondly showing that these are indications of Huygens’ involvement in a number of theoretical debates in the second half of the seventeenth century. ACKNOWLEDGMENTS I would like to express my very great appreciation to Dr Charles van den Heuvel, Eric Jorink and Peter Boot (Huygens ING) for including me in their research activities. In addition, Dr Walter Ravenek, developer of the ePistolarium tool, provided me with very valuable assistance in the database’s collection of Huygens’ correspondence.
    [Show full text]
  • The Future of Art & Science Collaborations
    The Future of Art & Science collaborations waag.org/en/project/future-art-science-collaborations Project Luca di Tommaso 2012 The Future of Art & Science Collaborations is a series of lectures by eminent international researchers and practitioners in the field where art and science interact. The first lectures series was held in October 2013, when the presentations took place at institutions that position themselves in the midst of the development of art & science interactions in Leiden, The Hague and Amsterdam. This series was an initiative of The Netherlands Study Centre for Technology Trends, in collaboration with Waag Society, the Royal Academy of Arts, Leiden Institute of Advanced Computer Science, The Arts & Genomics Centre and Rijksakademie van beeldende kunsten, Museum Boerhaave and Hortus botanicus Leiden. Watch the videos of the lectures here This first series of Future of Art & Science Collaborations was realized with the financial support from Creative Industries Fund, Mondriaan Fund and Stichting Doen. Living tissues and living issues Living tissues and living issues was a second series in February 2014 of three evenings presented by the Open Wetlab, that looked at how technology shapes new relations between organisms and in turn how technology is shaped by those organisms. From an artistic, academic and sociopolitical perspective we looked at issues of hybridity, performativity and food as these seemingly unrelated topics have a very strong influence on how we perceive the Other and each other in modern society. These were
    [Show full text]
  • Inside the Camera Obscura – Optics and Art Under the Spell of the Projected Image
    MAX-PLANCK-INSTITUT FÜR WISSENSCHAFTSGESCHICHTE Max Planck Institute for the History of Science 2007 PREPRINT 333 Wolfgang Lefèvre (ed.) Inside the Camera Obscura – Optics and Art under the Spell of the Projected Image TABLE OF CONTENTS PART I – INTRODUCING AN INSTRUMENT The Optical Camera Obscura I A Short Exposition Wolfgang Lefèvre 5 The Optical Camera Obscura II Images and Texts Collected and presented by Norma Wenczel 13 Projecting Nature in Early-Modern Europe Michael John Gorman 31 PART II – OPTICS Alhazen’s Optics in Europe: Some Notes on What It Said and What It Did Not Say Abdelhamid I. Sabra 53 Playing with Images in a Dark Room Kepler’s Ludi inside the Camera Obscura Sven Dupré 59 Images: Real and Virtual, Projected and Perceived, from Kepler to Dechales Alan E. Shapiro 75 “Res Aspectabilis Cujus Forma Luminis Beneficio per Foramen Transparet” – Simulachrum, Species, Forma, Imago: What was Transported by Light through the Pinhole? Isabelle Pantin 95 Clair & Distinct. Seventeenth-Century Conceptualizations of the Quality of Images Fokko Jan Dijksterhuis 105 PART III – LENSES AND MIRRORS The Optical Quality of Seventeenth-Century Lenses Giuseppe Molesini 117 The Camera Obscura and the Availibility of Seventeenth Century Optics – Some Notes and an Account of a Test Tiemen Cocquyt 129 Comments on 17th-Century Lenses and Projection Klaus Staubermann 141 PART IV – PAINTING The Camera Obscura as a Model of a New Concept of Mimesis in Seventeenth-Century Painting Carsten Wirth 149 Painting Technique in the Seventeenth Century in Holland and the Possible Use of the Camera Obscura by Vermeer Karin Groen 195 Neutron-Autoradiography of two Paintings by Jan Vermeer in the Gemäldegalerie Berlin Claudia Laurenze-Landsberg 211 Gerrit Dou and the Concave Mirror Philip Steadman 227 Imitation, Optics and Photography Some Gross Hypotheses Martin Kemp 243 List of Contributors 265 PART I INTRODUCING AN INSTRUMENT Figure 1: ‘Woman with a pearl necklace’ by Vermeer van Delft (c.1664).
    [Show full text]