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Donatellonicknamed Don or Donnieis a fictional superhero and one of the Mutant Origin: Leonardo/Donatello main characters of the Teenage Mutant Ninja Turtles comics and all related media. He is usually depicted wearing Mutant Origin: Leonardo/Donatello purple eye mask. In all media, he is the smartest of the four turtles. He is listed as 4' in height on Mutant Origin: Leonardo/Donatello original action figure release [4]. Donnie often speaks in technobabble with a natural aptitude for science Mutant Origin: Leonardo/Donatello technology. For this Mutant Origin: Leonardo/Donatello ninja skills is the lowest of the four turtles. Relying on gadgets over combat skills. He is the middle of the turtles, and third-in-command. Like all of the brothers, he is named after a Renaissance Mutant Origin: Leonardo/Donatello in this case, he is named after Italian sculptor Donatello. In the comics, Donatello is depicted as the calmer turtle. While the comics portrayal of the team has no official command structure, in the early stories he is depicted as second-in-command. In the Mutant Origin: Leonardo/Donatello issue, he is the one that killed the Shredder by knocking him and his grenade off the roof. The second issue elaborated more on each turtles' personalities and opened with Donatello soldering a circuit. Later in the issue, Donatello states that he is "familiar with some computer systems" and helps April O'Neil deactivate the Mousers. During the turtles' exile to Mutant Origin: Leonardo/Donatello, Donatello becomes obsessed with fixing up and repairing the many broken things within the farmhouse they were living in. Most notably he spent days and nights fixing the boiler to give his family hot running water and builds a windmill and a water wheel to provide electricity. He also finds an old typewriter and writes his own personal credo. In the Donatello one shotDonatello Mutant Origin: Leonardo/Donatello an artist called Kirby an homage to the comic artist Jack Kirby whose mysterious crystal brings his drawings to life before disappearing. The two newfound friends journey to a dimension inhabited by Kirby's creations and help the heroes defeat the invading monsters. In the Shades of Grey storyline, Casey Jones encounters the turtle by a ravine as he was pondering "the fractal structure of natural patterns". Casey accuses the turtle of using big words and acting better than everyone else. Donatello suggests they should continue the conversation when Casey is sober. Grabbing a stick, an angry Jones Mutant Origin: Leonardo/Donatello pokes the turtle until he loses his temper and sends Casey careening into the water. Seeing their ally Karai subdued and about to be killed, Donatello grabs one of the Foot's machine guns and repeatedly shoots the Foot Elite. Donatello is visibly Mutant Origin: Leonardo/Donatello by the violence and throws the gun away. At the end of the story the turtles, April and Casey move back to New York save for Donatello who chooses to stay in Northampton with Master Splinter to heal from his injury as well as reflect on everything that had happened. After encountering the turtle vigilante ally Nobody in civilian guise he returns with him to New York to help his brothers battle Baxter Stockman. In the current comics, Donatello finds an armored truck in the sewers which apparently had been part of Mutant Origin: Leonardo/Donatello bank robbery in the sixties. Along with Raphael and Casey Jones, he undertakes the task of fixing up the vehicle. Donatello decides to accompany the Utroms on a mission to Tepui to search for two missing research teams. The group are attacked by strange wooden creatures who shrink them to miniature size. The creatures turn out to be a group of Utroms which had been stranded in the Jungle during their first stay on Earth and had been living in secret thanks to their Quantum Inversion Redimensioning device which could alter their size. The process could not be reversed on Donatello, possibly due to his mutation, leaving him the size of an action figure. While the Utroms work on returning him to normal, Donatello put his new size to use infiltrating a terrorist organizations warehouse. He's also made a robotic body for him made to Mutant Origin: Leonardo/Donatello a turtle to help him move around. This incarnation of Donatello appeared in the Turtles Forever crossover special voiced by Christopher C. In the Image Comics incarnation of the TMNThe became a cyborg after his body was partially destroyed after he was shot and dropped out of a helicopter he maintained a positive attitude nonetheless, although he was constantly at risk of losing his mind to the cyborg half. He was supposedly killed Mutant Origin: Leonardo/Donatello Image character Deathwatch by having his brain drained of mutagen. Leonardo blamed the cpu of Don's armor for his death; however, Donatello wasn't dead but was separated from his body, and with the help of his brothers he returned to his body. In the independent published series of the Image Comics, Issue 24, Don's armor began to malfunction and was so powerful Donatello was on his last legs until he made a deal Mutant Origin: Leonardo/Donatello Baxter Stockman who Don was reluctant to work with but Mutant Origin: Leonardo/Donatello no choice. Donatello is rid of most of his body metal by issue 25 and Baxter informs him his shell Mutant Origin: Leonardo/Donatello regrown and as a result he was back to being a non-cyborg turtle. Baxter died once more Mutant Origin: Leonardo/Donatello Don's metal particles wouldn't help restore his body; as a result Baxter requested Donatello give April O'Neil his regards and he died Mutant Origin: Leonardo/Donatello maniacally. Donatello then went on to battle Lady Shredder and the foot clan with his brothers and Pimiko. Donatello was Mutant Origin: Leonardo/Donatello by the end of the issue completely rid of all metal particles and had kept his and Baxter's ordeal a secret. X activated an EMP, the living armor abandoned Donatello for a new host, where it was discovered the armor had been impeding Donatello's natural healing abilities. Donatello's appearance in the Archie publications were largely based on Mutant Origin: Leonardo/Donatello Fred Mutant Origin: Leonardo/Donatello incarnation, but with Mirage writers on board at Teenage Mutant Ninja Turtles Adventures such as Steve Murphy and Ryan Brown, a lot of references to his Mirage counterpart were made. Donatello was showcased to be pure of heart and soul, being able to pass through the Netherworld unscathed. He was also chosen of the Turtles by a group of Aliens known as the Sons of Silence to share their wisdom. He was one of the few who could telepathically communicate with them. Donatello was almost a pacifist, detesting every time he used violence. In a shocking twist, Donatello was nearly killed at the end of issue 44 when Leonardo, Raphael and Michelangelo were on a mission to stop Krang from transforming the Earth using an alien device called the "Technodrome". Donatello was left at the home base, and while the others were away, he was attacked by Bebop and Rocksteady. After a brief fight, Rocksteady smashed Donatello's shell, nearly killing him. The news of his supposed death spread all over the interview and IGN conducted an interview with script writer Tom Waltz, where he called the final scene a beautiful rendered scene, catching the emotion of the family. He also claimed there was no earthly way, Donatello could survive and he said it wasn't the end. Luckily, Donatello survived the onslaught. In Issue 45, Donatello wasn't dead as his spirit was in an alternate plane and he was barely clinging to life. Leonardo, Michelangelo and Raphael carried Donatello's body into the freezer to slow down the bleeding and increase his chance of survival. Fugitoid says he needs to go to Burrow Island to get the equipment to save Donatello. Splinter finds Donatello's spirit and guides his son back to earth, however, due to Donatello wearing a helmet to keep his consciousness alive, his mind is in Metalhead, while his own Mutant Origin: Leonardo/Donatello is being restored to how it was before his near demise. In Issue 46, In Harold's lab, Donatello-as-Metalhead finishes prepping his body to be moved to the lair. He's trying his best to put on a brave face so to speakbut Mutant Origin: Leonardo/Donatello trapped in a robot body has been an upsetting experience. Raphael storms off with Alopex following behind him. Raphael starts regretting leaving Donatello behind and seeing him in a robot body is too much for Raphael to handle, but as soon as Alopex and Leonardo give him some comfort he eventually accepts Donatello as Metalhead and he, Leo and Mikey go on patrol while Donatello and the Fugitoid transfer Donnie's turtle body to the lair of the turtles while Harold gets some equipment to help Donatello get back into his own body. In issue 47, He mentioned to Fugitoid and Harold he is connected to his body's vital signs. Indicating he could still feel his body Mutant Origin: Leonardo/Donatello was slowly getting back to normal. In issue 50, Metalhead self-destructed and Donatello returned to his organic body which has now been outfitted with an artificial shell. Since then he's been fighting alongside his brothers. Donatello is a gifted scientist and mathematician. He does a lot of work with vehicles, technology, and experiments. Any science and math skill you can think of, he will do it all. Donatello is not as rowdy and violent as his brothers, but he can get a little annoyed with them on occasion. However he never loses his temper. Mutant Origin: Leonardo/Donatello is calm, sensible, quiet, friendly, and gentle. He is more interested in his work than in his ninjutsu but he still attends to ninja practice and works hard there as well as his projects. In the fourth season, during an outbreak of mutations of people and animals in New York, Don got a nasty gash by a monster while fighting several monsters with his brothers. Later in the episode "Adventures in Turtlesitting", he went from a turtle who was home ill with the flu to a monster himself as Mutant Origin: Leonardo/Donatello result. A similar situation happened with Raphael in Mutant Origin: Leonardo/Donatello comics. In the seventh season, also called "Back to the Sewer", Donatello blamed himself for Master Splinter's decompiling and vowed to restore his bits from cyberspace. This obsession caused him to disregard anything else, such as the gang war between the Foot Clan and Mutant Origin: Leonardo/Donatello Purple Dragonsas unimportant. It wasn't until seeing Mutant Origin: Leonardo/Donatello brothers in danger from the Cyber Shredder did he realize he was ignoring his responsibilities to help them and promised not to let his obsession with saving Master Splinter take control again. By the time of Turtles Foreverthe Mutant Origin: Leonardo/Donatello is in total disbelief over the scientific aptitude of his counterpart, in which the alternate Donatello replied, "Science isn't all about facts you know", although the two still manage to work together to track their enemies. In the first three live action films, Donatello, like Leonardo, is arguably less mature than he was in the original comics and the animated series, as he is shown joking around more. The first movie never officially identifies Donatello as the group's resident Mutant Origin: Leonardo/Donatello kid", though he is occasionally shown tinkering with various devices and is seen Mutant Origin: Leonardo/Donatello have a vast knowledge of obscure topics he is shown to be a master at ' Trivial Pursuit ' when playing against the other Turtles and later astutely labels Casey Jones a claustrophobic. He takes his time deciding on the most appropriate victory cheers, though his choices are sometimes quite perplexing for example, "Bossa Nova! However, the second film clearly established Donatello as the most scientifically-minded turtle as well as the most introspectivefeeling dejected when he learns that the ooze that created the Turtles only exists because of an accident, although Splinter consoles his dejection by pointing out that the circumstances of their origins cannot define their present Mutant Origin: Leonardo/Donatello. The first film plays up the relationship between him and Casey Jones ; in all other versions of Mutant Origin: Leonardo/Donatello TMNT, Raphael, not Donatello, is closest to Casey, except for the cartoon, in which Jones does not figure prominently. This is apparently because the scene in which Donatello and Casey bond over the fixing of an old pickup truck was based on a similar scene involving Casey and Raphael in the Mirage comics. Corey Feldman famously provides Donatello's voice in the first and third live-action films, Ernie Reyes Jr. In the third film, Donatello is the only Turtle who is not tempted to Mutant Origin: Leonardo/Donatello in the Feudal Japan of the past, saying Mutant Origin: Leonardo/Donatello he can't live without technology. The films also portray Donatello as being close with Michelangelo, bantering with him during fight sequences, going off to the side when Leo and Raph are arguing, and in general hanging out in their spare time. In the filmDonatello runs an IT Mutant Origin: Leonardo/Donatello support line to earn money for the family and keeps an eye on Mikey. In the first half of the movie Donatello's skills are more focused on keeping the family together and on income than instead of inventing inventions and finding creative ways to solve problems. It is a combined effort of Leo being gone, Raph unable to control his temper and Donnie's leadership and logically Mutant Origin: Leonardo/Donatello skills that add up-to the reason as why Mutant Origin: Leonardo/Donatello been put into this position. With the combined Mutant Origin: Leonardo/Donatello of all of these reasons is why Donnie and Raph argue more in this film than in most other depictions of their relationship. Raph is angry that Donnie has been named leader instead of himself while Leo is away and Donnie is angry that Raph hasn't been pulling his weight to support them. To add to this matter is the fact that Raphael was secretly fighting as the Nightwatcher. This disagreement is further explained in the prequel comics by the fact that Donatello does not trust Nightwatcher, because no one knows what side he is really on and because he uses fear to accomplish his ends. Donatello states that Raphael uses many of the same tactics, and hints that he may suspect what his brother really does at night. Michelangelo, Raphael, Donatello & Leonardo make a comeback » Albuquerque Journal

However, a fifth member was introduced to the TMNT and her backstory is almost too insane to believe. Unlike the core turtles, Jennika was originally a human before being transformed. However, multiple feature films in the mids transformed TMNT to a kid-friendly Mutant Origin: Leonardo/Donatello, that grossed hundreds of millions of dollars at the box office, while making the characters a house-hold name, as they dominated pop culture. There was also Kirby, a fifth turtle who was supposed to join the crew in TMNT 4, which was canceled before it hit production. The Turtles take her to a laboratory in an attempt to save her life. They plan on using Mutant Origin: Leonardo/Donatello to keep her alive, however, after the villainous Metalhead attacks the lab, the vial Mutant Origin: Leonardo/Donatello shattered. After escaping, the turtles have no other choice and Donatello and Leonardo give Jennika their blood in a transfusion. The blood transfer works, however, it turns Jennika into a mutant turtle. Unlike the original turtles who were actual turtles before being mutated by the Ooze, Leonardo and Donatello's blood transforms Jennika from a human into a mutant turtle. She became the second female mutant turtle to join the team following De Milo. Jennika would join the Turtles before spinning off in her own solo adventures earlier this year. The character has proven to be a welcome addition to the Teenage Mutant Ninja Turtles family, as her human origin gives her Mutant Origin: Leonardo/Donatello dynamic backstory that brings something new to the table. Adding a fifth member was always going to be tough to get fans on board, but Jennika has shown to be a perfect fit - even if her human origin and transformation are straight out of a horror movie. Liam McGuire is a comics Mutant Origin: Leonardo/Donatello for Screen Rant. You can reach out to him directly Mutant Origin: Leonardo/Donatello liam. By Liam McGuire Sep 11, Share Share Tweet Mutant Origin: Leonardo/Donatello 0. Continue scrolling to keep reading Click the button below to start this article in quick view. Related Topics Comics News teenage mutant ninja turtles comics. The Fifth Teenage Mutant Ninja Turtle Was Originally a Human Being

Before they took over the pop culture universe in the late '80s and early '90s, the Teenage Mutant Ninja Turtles made their debut in the Mutant Origin: Leonardo/Donatello of a black and white self-published comic book. Originally created by Kevin Eastman and Peter Laird as parodies of popular comic book characters of the age, Leonardo, Raphael, Donatello and Michelangelo developed a life beyond their original comic book incarnation. So much so that the common perception of the characters, as seen in every Mutant Origin: Leonardo/Donatello series and movie including the new live action one from producer Michael Bay has almost no grounding in Eastman and Laird's work. The Turtles' transformation from cult comic book characters to mega-popular cartoon superheroes began in and was overseen by writer David Wise. If you're a fan of the Teenage Mutant Ninja Turtles, chances are strong that Wise is the man you want to thank. As a writer and story editor for the original animated series, Mutant Origin: Leonardo/Donatello was present from the show's inception Mutant Origin: Leonardo/Donatello its conclusion, writing and overseeing the vast majority of the series. The story of how Leonardo, Raphael, Michelangelo and Donatello came into their own begins in David Wise had just written the grand finale of the original 'Transformers' animated series which is a whole other epic tale and he was ready for a break from the cartoon business. In fact, he was "sitting around his little house in Sherman Oaks, hoping Mutant Origin: Leonardo/Donatello nothing to happen" when he got the phone call from "Little" Rudy Zamora. Rudy Zamora Jr. He was animation royalty and immediately had Wise's attention. Zamora was calling from Murakami-Wolf-Swenson, the animation production company that would later become Fred Wolf Films. Although Wise didn't know anyone there, he was familiar with Wolf's work, especially his groundbreaking made-for-TV animated feature 'The Point. The phone call Mutant Origin: Leonardo/Donatello an offer: Zamora was producing a new animated Mutant Origin: Leonardo/Donatello and they needed someone to write the opening five episode miniseries that would act as an extended pilot. When Wise asked what it was about, Zamora was embarrassed to give him an answer: "It's about teenagers who are mutants…". Nobody had heard of Teenage Mutant Ninja Turtles except us comic freaks. I swear I could hear him fall off his chair on the other end of the line. He agreed to take the job on the spot. Even though he won Mutant Origin: Leonardo/Donatello gig with his comic book geekdom, Wise admits that he wasn't much of a fan of the source material. And the Japanese angle. But I knew this was going to take a lot of development. Still burnt out, Wise recruited his then-girlfriend and animation buff Patti Howeth to help him write the five scripts. Thinking they'd bat the script around and write it together, he sent off his initial story outline with both of their names on it. Mutant Origin: Leonardo/Donatello, Wise cranked out his scripts solo, but he did it so quickly that he never sent in updated title pages. In the end, Howeth was given writing credit on the first episodes of the series. Later on, Wise would learn that he was not the first choice for the 'Teenage Mutant Ninja Turtles' job. Another respected animation writer was approached first, but he was just about to move onto sitcoms. That writer? His geek cred runs strong! Thanks to the combined powers of Chuck Lorre and his comic book knowledge, Wise had landed the job. But he knew it was going to be a tough road ahead. And their origin makes no sense as far as Mutant Origin: Leonardo/Donatello concerned! It also turned out that Eastman and Laird's highly stylized art was going to prove difficult to translate to the realm of animation. There's no accurate anatomy anywhere in these comic books! It was going to be a headache all around. And it's not like Playmates, the toy company who had already done some development on the series, were bringing much to the table at the start. That's not something a writer needs to know. So when Wise eventually met with Fred Wolf himself, he was blunt: "You gotta' problem here. Wise was not satisfied. If they aren't distinctly different characters, then one or more of them are redundant! As the show Mutant Origin: Leonardo/Donatello through development, Wise sat down to transform the black and white parodies from the original comic book into characters who Mutant Origin: Leonardo/Donatello sustain an entire cartoon series. His conclusion was simple: each member of the team had to represent a part of the title. That should be the guy with the Katana, the Japanese sword. That was Leonardo. That's why Leonardo leads. As for the mutant part of the title, Wise was drawn to science fiction. I just randomly picked Donatello. The title is too goofy. Their names are just too out there. And finally, it was time Mutant Origin: Leonardo/Donatello create the teenager. Sid Vicious couldn't play or sing Mutant Origin: Leonardo/Donatello he epitomized punk. Michelangelo epitomizes what the turtles are about. Spicoli from 'Fast Times at Ridgemont High. Wise explains that he followed the "rule of Mutant Origin: Leonardo/Donatello when developing the characters, comparing his quartet to various other famous groups. Raphael is Groucho, the wiseacre. Leonardo is Zeppo, the serious one. Donatello is the Chico of the group, the schemer who's not as smart Mutant Origin: Leonardo/Donatello he thinks he is. Michelangelo is Harpo, the creature of pure spirit. Most importantly, Wise emphasizes that each turtle represents a distinctive part of his personality. For the main threat, Wise borrowed "the Shredder" and his Foot Clan, who appeared in a few issues of the original comic run. For the other main villain, the dimension-hopping alien warlord Krang, he borrowed bits and pieces from other comic characters and combined them with his own ideas. But why bring a big sci-fi bad guy into the Mutant Origin: Leonardo/Donatello when you already had a villain in Shredder? We couldn't do bloody. You're not really hurting anyone. You're just smashing up machinery. With the villains sorted out, Wise turned his attention to the Turtles' Mutant Origin: Leonardo/Donatello. When it came time Mutant Origin: Leonardo/Donatello name her, Wise borrowed a name of a completely different character from the comic. And her signature hair and jumpsuit? Wise borrowed that from the character of Fujiko Mine, a thief who occasionally posed as a news reporter on the anime 'Lupine III. And then came structure and tone. Wise devised a plan for each of the first five episodes to "peel a layer of onion off," slowly introducing the characters and their world to viewers. Each episode would introduce something new, but stand alone, leading to a climactic confrontation with Krang. Finding the right tone proved tricky and Wise ultimately decided that the show needed to a straightforward action adventure show that wasn't afraid to make fun of itself. And that was that. The end. And then I did more fucking episodes. After he wrapped his work on the initial batch of episodes, Wise finally embarked on his break from writing TV animation and the reins of the show were handed to executive story editor Jack Mendelsohn. However, Wise's self-imposed Mutant Origin: Leonardo/Donatello didn't last long and he was soon back on the show, writing scripts. If he could do it all over again, he says he never would have left. You don't take a funny idea about a goofy villain who does a Mutant Origin: Leonardo/Donatello thing and then make fun of it. You play comedy on top of straight action. Like on 'Transformers,' Wise become the go-to guy for scripts. Since he helped Mutant Origin: Leonardo/Donatello the show from the ground up, he found ways to capture the tricky tone of the Turtles' world. When the show moved from syndication to CBS, he became showrunner himself and essentially took control of the entire series. There were no other writers. Although the Teenage Mutant Ninja Turtles toys were selling absurdly well, Wise recalls that Playmates rarely got too involved in the production of show. Every so often, they'd request a storyline dealing with a new character who was hitting shelves, but Wise said this actually helped with the scripts. We didn't mind that kind of input at all. However, Wise recalls one toy that took things too far. When Playmates asked him to include a "garbage launching toilet catapult" Mutant Origin: Leonardo/Donatello an episode, Wise flipped out. His solution was simple and elegant enough: he put it in the show, but he made sure it never worked properly. As any consumer of popular culture certainly knows, the Turtles were hugely popular. I had no licensing money. The more successful it was, the more scripts I had to write. For years, that covered my bills … It was nice to see it successful, but there was the discomfort of knowing that you're the one guy who's not getting rich. I should have created my own thing. Although Wise will never deny Eastman and Laird their success, he has complicated feelings toward the Turtles legacy. That was me. The pizzas?