1 Lucien Leon December 2013 on the Use of the Digital Moving Image In
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83Rd National Headliner Awards Winners
83rd National Headliner Awards winners The 83rd National Headliner Award winners were announced today honoring the best journalism in newspapers, photography, radio, television and online. The awards were founded in 1934 by the Press Club of Atlantic City. The annual contest is one of the oldest and largest in the country that recognizes journalistic merit in the communications industry. Here is a list of this year's winners beginning with the Best of Show in each category: Best of show: Newspapers “Painkiller Profiteers” Eric Eyre Charleston Gazette-Mail, Charleston, W. Va. Best of show: Photography “An Assassination” Burhan Ozbilici Associated Press, New York, N.Y. Best of show: Online The Panama Papers, the International Consortium of Investigative Journalists, a project of the Center for Public Integrity Best of show: Radio “Texas Standard: Out of the Blue: 50 Years After the UT Tower Shooting” Texas Standard staff Texas Standard, Austin, Texas Best of show: TV First place “Cosecha de Miseria (Harvest of Misery) & The Source” Staff of weather.com and Telemundo Network weather.com and Telemundo Network, New York, N.Y. DAILY NEWSPAPERS AND NEWS SYNDICATES Spot News in daily newspapers, all sizes First Place “Dallas Police Shootings” The Dallas Morning News Staff Dallas, Texas Second Place “Oakland's Ghost Ship warehouse fire” East Bay Times staff East Bay Times, San Jose, California Third Place “The Shooting Death of Philando Castile” Star Tribune staff Star Tribune, Minneapolis, Minnesota Local news beat coverage or continuing story by an individual or team First Place “The Pulse Shooting” Orlando Sentinel staff Orlando Sentinel, Orlando, Fla. -
Festival Films BUSINESS SCHOOL
Uniview Vol. 28 No. 1, Summer 2009 Festival Films BUSINESS SCHOOL Join our Corporate Circle Program and keep in the loop. James Mactier Tracey Horton Jimmy Wilson Sunny Takashi Susan Oldmeadow-Hall Chris Ryder B Agr Ec (Hons), B Ec (Hons) UWA BSc Natal Uni, South Africa B Int Law, Waseda Uni, Japan B Com (UWA) LLB (Hons), Victoria Uni, NZ University of Sydney MBA Stanford University President: BHP Billiton General Manager: Partner: Ernst & Young MBA, Trinity College, Dublin Executive Director: Dean: UWA Business School Stainless Steel Materials Mitsui & Co. (Australia) Ltd Assurance and Advisory Partner-In-Charge, Perth Offi ce: Macquarie Bank Limited Chair: D’Orsogna Board Member: Perth Offi ce, Business Services, Corrs Chambers Westgarth Trustee: UWA Business School Chairman: Japanese Association Associate Member: Institute Admitted: Barrister & Solicitor Western Australian Museum of Western Australia. of Chartered Accounts, in New Zealand and Governor: Western Australian Fellow: Australian Institute of Western Australia Museum Foundation Company Directors (AICD), Financial Member: Construction BC&YUNBS107 Member: Services Institute of Australasia, Committee of Law Council Edge Employment Board Member: AICD’s National of Australia Financial Reporting Committee, Ernst & Young’s Global IFRS Extractive Industries Group, and Women’s Leadership Group. Looking to develop an ongoing and supportive relationship with The University of Western Australia’s Business School, the broader business community, and like-minded Business Professionals? The Business School Corporate Circle Program is a membership-style program providing companies with information, networking, training, hospitality and acknowledgement benefi ts. Membership categories include Silver ($10,000) and Gold ($20,000). For further information, please contact Kylie Aitkenhead on (08) 6488 8538. -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
Poetry and Public Speech: Three Traces
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online Poetry and Public Speech: Three Traces DAVID McCOOEY Deakin University Contemporary poetry is routinely seen as ‘marginal’ to public culture. As Simon Caterson wrote in the Sunday Age in 2005, ‘Poets have never been more numerous, and never less visible’ (31). The simultaneous ubiquity and marginality of poets is usually noted in terms of poetry having lost its status as a form of public speech. The American critic Dana Gioia, in his oft-cited essay ‘Can Poetry Matter?’ (1991), asserts that ‘Without a role in the broader culture…talented poets lack the confidence to create public speech’ (10). Such a condition is often noted in nostalgic terms, in which a golden era—bardic or journalistic—is evoked to illustrate contemporary poetry’s lack. In the bardic model, the poet gains status by speaking for the people in a form that is public but not official. Gioia evokes such a tradition himself when he describes poets as ‘Like priests in a town of agnostics’ who ‘still command a certain residual prestige’ (1). In the Australian context, Les Murray has most often been associated with such a bardic role (McDonald, 1976; Bourke, 1988). In the journalistic model, one evoked by Jamie Grant (2001), the poet is presented as a spokesperson, authoritatively commenting on public and topical events. This model is supported by Murray in his anthology The New Oxford Book of Australian Verse (1986). In the introduction to this work, the only historical observation Murray makes is that ‘most Australian poetry in the nineteenth and early twentieth centuries first saw the light of day in newspapers’ (xxii), before poetry became marginalised in small literary magazines. -
The Mccubbin Times15 August 2009
THE McCUBBIN TIMES, 15 AUGUST 2009 THE McCUBBIN TIMES, 15 AUGUST 2009 ART NOTES ART NOTES MELBOURNE CELEBRATES FEDERATION Stature Still Increasing McCUBBIN SHOW 15 AUGUST 2009 in Centenary Year INSPIRING National HEN posterity has cast its vote the artistic RETROSPECTIVE exhibition of paintings by Wstature of the late Frederick McCubbin is the late Frederick McCubbin at the Latrobe Gallery of likely to increase, and in inverse ratio the later Gallery,A National Gallery, fulfills expectations. work of Sir Arthur Streeton may lose some of It is the major artistic event of the year. its present day popularity. Australia uring his youth to 1910. Within this period OMPRISED of 56 ART SHOW Streeton was the artist painted some of works drawn from showcases D C EARLY AUSTRALIAN undoubtedly the greater his finest work. private collections, and The McCubbin Times artist. Consciously or By State and provincial gall- IMPRESSIONIST Frederick unconsciously, he fell a Special eries, it has been brought victim to the charms of Correspondent together to mark the Twenty-four canvasses by Frederick McCubbin, one of McCubbin success and the poet made in London centenary of the artist’s the originators of the school of An exhibition of 76 works way for the businessman. birth and to do honour to a landscape painting, which with McCubbin’s art, on the His former broad state- of art created by Frederick great landscape painter. modifications, still dominates McCubbin during the last other hand evolved steadily ment of tone had been re- Australian art, are showing at Subject of comment in eleven years of his life, and towards the end of placed by the broken colour this column (25/10/55), the Sedon Gallery, Elizabeth Street. -
Annual Report
Centre for Microscopy, Characterisation and Analysis Annual Report CMCA | 2014–2015 01 14 From the Director User Profile 02 16 Affliations Centre Highlights 04 23 Techniques Conferences and Visits 06 26 Feature Story Grant Success 07 29 Research Highlights Journal Papers 13 50 Impacting on Industry Journal Covers Inside Cover Image: Growing protein crystals, acquired by Paul Rigby on an Olympus BH-2 microscope, captured using polarised light Cover Image: Tight junction degradation of asthmatic airway epithelium in response to Human Rhinovirus exposure, acquired on the Nikon A1 confocal by Alysia Buckley, CMCA@Perkins From the Director The CMCA User Pathway is the concept- Multi-modal imaging is just one to-publication sequence of activities example of advanced data challenges that drives all aspects of what we that CMCA is seeking to meet head on do – ideate – register – plan – train with new academic lead, Dr Andrew – collect – analyse – publish. From Mehnert, who is designing strategies brainstorming and sanity checking at to support users at all levels, and the start, to providing blueprints for engaging with Australia’s eResearch methods sections and editing papers and informatics community, both Image: CMCA Director – at the finish, CMCA’s goal is to provide within the National Imaging Facility Professor David Sampson complete research solutions – and (NIF), the Australian Microscopy As we go to press in 2016, the NCRIS increasingly these solutions involve and Microanalysis Research Facility roadmapping process is well underway. multiple instrument platforms, and (AMMRF), and without. Undoubtedly, As a node of three capabilities, doing more with the data. more resources are needed in this area, AMMRF, MA and NIF, and partner in and we are looking for ways to achieve two more, the Australian National Correlative multi-modal microscopy this. -
Michael Leunig the Night We Lost Our Marbles Sans.Fm
M ICHAEL LEUNIG T HE NIGHT WE LOST OUR MARBLES D ESERT JOY 2016 Acrylic on canvas 106 × 122 cm T HE NIGHT WE LOST OUR MARBLES II 2016 Acrylic on linen 76 × 92 cm T HE TIDE COMES IN 2016 Acrylic on canvas 91 × 76 cm P ILGRIM 2016 Acrylic on linen 92 × 71 cm F RIENDLY FACES 2016 Acrylic on linen 91 × 66 cm U NDERSTORY 2016 Acrylic on linen 71 × 81 cm C LIMBING UP THE FENCE 2016 Acrylic on linen 66 × 76 cm P SYCHE 2016 Acrylic on linen 76 × 66 cm P IXIE TEA 2016 Acrylic on canvas 70 × 60 cm E ARTHSCAPE 2016 Stabilised earth on linen 70 × 60 cm M AN WITH DOG 2016 Acrylic on linen 66 × 51 cm M E AND YOU 2016 Acrylic on canvas 51 × 61 cm N OCTURNAL DANCE 2016 Acrylic on canvas 50 × 60 cm T HE NIGHT WE LOST OUR MARBLES 2016 Acrylic on canvas 51 × 60 cm H OLY FOOL IN TREE 2016 Acrylic on wood 50 × 45 cm E BB AND FLOW 2016 Acrylic on linen 51 × 41 cm H OLY FOOL WITH BIRDS 2016 Acrylic on canvas 50 × 40 cm H OLY FOOL 2016 Acrylic on canvas 40 × 50 cm L IFEBOAT 2016 Acrylic on linen 51 × 40 cm A FFINITY 2016 Acrylic on linen 42 × 45 cm T HE ESCAPEE 2016 Acrylic on linen 36 × 46 cm E ACH OTHER 2016 Acrylic on wood 40 × 35 cm F AMILY TREE 2015 Acrylic on canvas 35 × 28 cm B EE BIRD 2016 Acrylic on linen 26 × 31 cm M ICHAEL LEUNIG— T HE NIGHT WE LOST OUR MARBLES Michael Leunig is an Australian cartoonist, writer, painter, philosopher and poet. -
April 2010 Quarterly Program Topic Report
April 2010 Quarterly Program Topic Report Category: Aging NOLA: SMIT 000000 Series Title: Smitten Length: 30 minutes Airdate: 4/19/2010 1:30:00 AM Service: PBS Format: Other Segment Length: 00:26:46 Meet Rene: at age 85, this unusual art collector continues to search for the work of northern California artists, hoping to make his next great discovery. SMITTEN follows Rene as he opens his private collection to the public, displaying the work without wall labels, so that people are empowered to interact with the art in a direct, personal, and more democratic way. Category: Agriculture NOLA: NOVA 003603 Series Title: NOVA Episode Title: Rat Attack Length: 60 minutes Airdate: 4/4/2010 12:00:00 PM Service: PBS Format: Documentary Segment Length: 00:56:46 Every 48 years, the inhabitants of the remote Indian state of Mizoram suffer a horrendous ordeal known locally as mautam. An indigenous species of bamboo, blanketing 30 percent of Mizoram's 8,100 square miles, blooms once every half-century, spurring an explosion in the rat population which feeds off the bamboo's fruit. The rats run amok, destroying crops and precipitating a crippling famine throughout Mizoram. NOVA follows this gripping tale of nature's capacity to engender human suffering, and investigates the botanical mystery of why the bamboo flowers and why the rats attack with clockwork precision every half-century. Category: Agriculture NOLA: AMDO 002301 Series Title: POV Episode Title: Food, Inc. Length: 120 minutes Airdate: 4/21/2010 8:00:00 PM Service: PBS Format: Documentary Segment Length: 01:56:46 In Food, Inc., filmmaker Robert Kenner lifts the veil on our nation's food industry, exposing the highly mechanized underbelly that's been hidden from the American consumer with the consent of our government's regulatory agencies, USDA and FDA. -
05/Pages 53To62
TOPIC 5 begun to be eclipsed by the concerns of a new generation. In Iran, the election of President Mohammad Khatami in 1997 was a dramatic acknowledgment that the The Middle East forces pressing for reform would not be denied. A Reuters dispatch of July 1999 at the millennium comments, “Were it not for the durabil- ity of Iraqi president Saddam Hussein the Middle East might soon become a Tensions are easing in the Middle East, as old conflicts seem rogue-free zone in European eyes.” on their way to settlement. What role should the U.S. play Even Libya’s mercurial leader, Colonel there in the future? Muammar Qaddafi, in power for 30 years, has mellowed. In 1999 he handed over for trial two suspects implicated in by Lawrence G. Potter the bombing of a Pan American airliner over Lockerbie, Scotland, in 1988. In return, Britain has restored diplomatic relations with Libya, and United Na- tions sanctions, which cut off air travel to the country, have now been dropped. A key event fueling optimism in the AGENCE FRANCE-PRESSE Middle East, and driving a renewed U.S. commitment to the peace process, was the election of Ehud Barak as prime minister of Israel in May 1999. Moving at a speed that surprised observers, Barak agreed with Palestinian leader Yasir Arafat to conclude a basic frame- work for a settlement by February 2000, with a final agreement to be signed by September 2000. This would include sensitive “final status” issues, such as the question of Palestinian statehood, sovereignty over Jerusalem, the dispo- sition of Israeli settlements and the re- turn of Palestinian refugees who fled after the creation of the state of Israel in 1948. -
An Exploratory Case Study of a Regional Screen Production
An exploratory case study of a regional screen production business developing fiscal sustainability, commercial responsibility, and competitive advantage in the market Thesis submitted by Gerard Anthony Reed BA (University of NSW); MA (University of the Arts, London); Master of Entrepreneurship (The University of Adelaide); Member, Screen Producers Australia (SPA), Action Learning, Action Research Association (ALARA), Small Enterprise Association of Australia & New Zealand (SEAANZ) The University of Adelaide Faculty of the Professions Entrepreneurship, Commercialisation and Innovation Centre (ECIC) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy October 2016 Table of Contents Table of Contents ii List of tables iv List of figures v Statement of originality viii List of recent activity ix Acknowledgements x List of abbreviations xi Abstract xiii Introduction 2 1.1 Context and rationale for the study 2 1.1.1 On location in Adelaide, SA 1.1.2 The nature of the problem 1.2 Conceptual framework and method 18 1.2.1 Experiencing the parabolic scramble: The filmmaker as entrepreneur 1.2.2 Method: Using Remo Media/Reed Films to conduct action research 1.3 Limitations of the study 32 1.4 The significance of the study 33 1.5 Organisation of the thesis 33 Chapter 1: Introduction Chapter 2: Methodology and methods Chapter 3: Literature as data Chapter 4: Research activity and results Chapter 5: Conclusion Methodology and methods 37 2.1 Subjectivism in research about entrepreneurship 38 2.2 Background for -
Percy Leason (1889-1959)
PERCY LEASON (1889-1959) Percy Alexander Leason was an Australian artist who was a major figure in the Australian tonalist movement. Percy was born on 23 February 1889 in rural Victoria, from a large family of famers, he was expected to carry on the family tradition of wheat farming or saddlery making, however, in his early adolescent years he demonstrated an interest in drawing. After attending art school at Nhill, Percy was apprenticed to Sands & McDougall in Melbourne as a lithographic artist in 1906. He soon transferred to the art department where he did illustrations for jam tin labels and department store advertisements. His first major illustration was a poster for Carlton Brewery in Melbourne of Sam Griffin, an itinerant miner, standing at a bar with a full pint, the caption of the poster “I allus has wan at Eleven”, became a famous trademark for Foster beer. During these years he studied at the National Gallery of Victoria Art School under the tutelage of Bernard Hall and Frederick McCubbin, upon completing his apprenticeship he began a somewhat bohemian lifestyle. Leason commenced his illustration career in 1914, later serving on the staff of the Sydney Bulletin as political cartoonist, at this time his career as a commercial painter was expanding as well, with artworks of Gallipoli and the Sturt expedition being bought by the War Memorial Museum in Canberra, and the National Library of Australia in Canberra respectively. He joined the Sydney Society of Artists and the Painters and Etchers Society, in 1918 his paintings and etchings were purchased by The Art Gallery of New South Wales, Sydney, and at that time he was the highest paid commercial artist in Australia. -
Women Deliver – Cartoon Book
C A R T O O N S F O R A N D A B O U T E V E R Y W O M A N s Liza Donnelly makes clear in her introduction to this volume, cartoons are often designed to make us smile, but they don’t always make us laugh. The cartoons in this volume deal with Aserious subject matters: gender equality, human rights, the education of women and girls, and the role of women around the globe. WOMEN DELIVER Women may be key to cultural stability and economic prosperity, but cultural traditions sometimes lag behind this realization. The cartoons here, which make up the exhibition organized by Women Deliver for their May 2013 global conference in Kuala Lumpur, help us to see cultural taboos and injustices from artists who are living and experiencing these traditions. The cartoonists come from Australia, Colombia, Ecuador, the Czech Republic, Denmark, Egypt, France, Germany, Holland, Iran, Japan, Palestine, Poland, Portugal, Sweden, Switzerland, Turkey, the United Kingdom, and the United States. Women Deliver, The World Receives offers cartoon art that “crosses language borders and shows us our shared humanity.” Liza Donnelly, who collected the cartoons published here is a contract cartoonist with the New Yorker and a weekly columnist/cartoonist for Forbes.com and Women’s Enews. She has traveled around the world as a cultural envoy for the US State Department, speaking about freedom of speech, cartoons and women’s rights. Women Deliver is a global advocacy organization launched in 2007 that brings together voices from around the world to call for improved health and wellbeing for girls and women.