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Poetry and Public Speech: Three Traces
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online Poetry and Public Speech: Three Traces DAVID McCOOEY Deakin University Contemporary poetry is routinely seen as ‘marginal’ to public culture. As Simon Caterson wrote in the Sunday Age in 2005, ‘Poets have never been more numerous, and never less visible’ (31). The simultaneous ubiquity and marginality of poets is usually noted in terms of poetry having lost its status as a form of public speech. The American critic Dana Gioia, in his oft-cited essay ‘Can Poetry Matter?’ (1991), asserts that ‘Without a role in the broader culture…talented poets lack the confidence to create public speech’ (10). Such a condition is often noted in nostalgic terms, in which a golden era—bardic or journalistic—is evoked to illustrate contemporary poetry’s lack. In the bardic model, the poet gains status by speaking for the people in a form that is public but not official. Gioia evokes such a tradition himself when he describes poets as ‘Like priests in a town of agnostics’ who ‘still command a certain residual prestige’ (1). In the Australian context, Les Murray has most often been associated with such a bardic role (McDonald, 1976; Bourke, 1988). In the journalistic model, one evoked by Jamie Grant (2001), the poet is presented as a spokesperson, authoritatively commenting on public and topical events. This model is supported by Murray in his anthology The New Oxford Book of Australian Verse (1986). In the introduction to this work, the only historical observation Murray makes is that ‘most Australian poetry in the nineteenth and early twentieth centuries first saw the light of day in newspapers’ (xxii), before poetry became marginalised in small literary magazines. -
Musiques Du Diable Et Autres Bruits Bénéfiques , Avec
MUSIQUES DU DIABLE ET AUTRES BRUITS BÉNÉFIQUES ALEXANDRE VINCENT FONTAINE ROUSSEAU GIARD sélection et textes dessins MUSIQUES DU DIABLE ET AUTRES BRUITS BÉNÉFIQUES sélection musicale 2010 — 2015 LES ÉDITIONS DE TA MÈRE attention : Ce livre contient au moins 23 tounu·e·s, Pour mon voisin préféré 23 têtes de mort (dont 3 avec du feu) et un nombre incalculable de coches pétées. Pour mon voisin préféré Direction littéraire : Révision : Maxime Raymond Maude Nepveu-Villeneuve Direction artistique : Maquette et composition : Benoit Tardif Vincent Giard © Éditions de Ta Mère, 2017 © Alexandre Fontaine Rousseau, 2017 © Vincent Giard, 2015 — 2017 Bibliothèque et Archives nationales du Québec, 2017 Bibliothèque et Archives du Canada, 2017 isbn : 978-2-924670-13-2 www.tamere.org Nous remercions de son soutien financier le Conseil des Arts du Canada. L’an dernier, le Conseil a investi 153 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays. Nous remercions de leur soutien moral Cathon et Sophie Bédard, qui ont chacune commis un dessin dans ce livre. Saurez-vous les trouver ? plus sérieusement : Ce livre est un hommage aux treize numéros du défunt zine Tout va bien, publiés entre 2009 et 2013. Son existence est aussi intimement liée à celle des États altérés, diffusés depuis janvier 2009 sur les ondes de cism. Les auteurs tiennent à remercier celles et ceux qui ont contribué, de près ou de loin, à ce que ces deux entités existent. Ils désirent aussi profiter de cette occasion pour rassurer le lecteur quant à leur santé physique et mentale, leur hygiène personnelle ainsi que leur alimentation (liquide ou non). -
US Military Takes Action Stuttgart High School Shut Down As Germany Reels Under Record Number of New Coronavirus Cases
MLB: Dodgers get back into MOVIES NLCS with big win Back page ‘The Forty-Year-Old Version’ introduces Radha Blank MUSIC: Remembering as an auteur to watch Eddie Van Halen Page 32 Pages 20-21 LIFESTYLE: Keep smiling behind your mask Page 30 stripes.com Volume 79, No. 130 ©SS 2020 FRIDAY, OCTOBER 16, 2020 $1.00 VIRUS OUTBREAK US military takes action Stuttgart High School shut down as Germany reels under record number of new coronavirus cases BY KARIN ZEITVOGEL, JOHN VANDIVER AND JENNIFER SVAN Stars and Stripes U.S. military communities in Germany took quick action as the country’s national public health agency said there had been more new infections in one day than at any time since the start of the pandemic. Stuttgart shuttered its high school and tested hundreds of service members and their families. Soldiers were banned from barhopping in US layoffs Baumholder, and officials at Grafenwoehr tightened remain elevated restrictions on soldiers, ci- Page 8 vilians and family members after the nearby town of Weiden went on red alert against the coronavirus. The Robert Koch Institute, Germany’s public health agency, said 6,638 new cases of the virus had been report- ed from Wednesday to Thursday, the biggest daily increase since March 28, when case numbers rose by 6,294. SEE MILITARY ON PAGE 6 A woman wearing a face mask walks past a sign saying “Mask duty –- Cover your mouth and nose!” in the city center of Munich, Germany, on Thursday. PETER KNEFFEL, DPA/AP Army to encourage urgency in searching for missing soldiers BY ALEX HORTON ing from the ranks, a duty status amine how that process works. -
Michael Leunig the Night We Lost Our Marbles Sans.Fm
M ICHAEL LEUNIG T HE NIGHT WE LOST OUR MARBLES D ESERT JOY 2016 Acrylic on canvas 106 × 122 cm T HE NIGHT WE LOST OUR MARBLES II 2016 Acrylic on linen 76 × 92 cm T HE TIDE COMES IN 2016 Acrylic on canvas 91 × 76 cm P ILGRIM 2016 Acrylic on linen 92 × 71 cm F RIENDLY FACES 2016 Acrylic on linen 91 × 66 cm U NDERSTORY 2016 Acrylic on linen 71 × 81 cm C LIMBING UP THE FENCE 2016 Acrylic on linen 66 × 76 cm P SYCHE 2016 Acrylic on linen 76 × 66 cm P IXIE TEA 2016 Acrylic on canvas 70 × 60 cm E ARTHSCAPE 2016 Stabilised earth on linen 70 × 60 cm M AN WITH DOG 2016 Acrylic on linen 66 × 51 cm M E AND YOU 2016 Acrylic on canvas 51 × 61 cm N OCTURNAL DANCE 2016 Acrylic on canvas 50 × 60 cm T HE NIGHT WE LOST OUR MARBLES 2016 Acrylic on canvas 51 × 60 cm H OLY FOOL IN TREE 2016 Acrylic on wood 50 × 45 cm E BB AND FLOW 2016 Acrylic on linen 51 × 41 cm H OLY FOOL WITH BIRDS 2016 Acrylic on canvas 50 × 40 cm H OLY FOOL 2016 Acrylic on canvas 40 × 50 cm L IFEBOAT 2016 Acrylic on linen 51 × 40 cm A FFINITY 2016 Acrylic on linen 42 × 45 cm T HE ESCAPEE 2016 Acrylic on linen 36 × 46 cm E ACH OTHER 2016 Acrylic on wood 40 × 35 cm F AMILY TREE 2015 Acrylic on canvas 35 × 28 cm B EE BIRD 2016 Acrylic on linen 26 × 31 cm M ICHAEL LEUNIG— T HE NIGHT WE LOST OUR MARBLES Michael Leunig is an Australian cartoonist, writer, painter, philosopher and poet. -
The Curation of Worldviews
Bard College Bard Digital Commons Senior Projects Fall 2016 Bard Undergraduate Senior Projects Fall 2016 The Curation of Worldviews Jason Toney Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_f2016 Part of the Comparative Philosophy Commons, Ethics and Political Philosophy Commons, Other Philosophy Commons, and the Philosophy of Language Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Toney, Jason, "The Curation of Worldviews" (2016). Senior Projects Fall 2016. 38. https://digitalcommons.bard.edu/senproj_f2016/38 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. The Curation of Worldviews Senior Project submitted to The Division of Social Studies of Bard College by Jason Toney Annandale-on-Hudson, New York December 2016 Acknowledgements All thanks go to my folks back home, the many professors who helped turn nonsense nearer to meaning, but most notably Garry Hagberg, Roger Berkowitz, Kritika Yegnashankaran, and Norton Batkin, and most of all my editor, partner, co-conspirator, and source of any grace I have come to possess, Ali Overing. -
Leaf of My Puzzled Desire
Leaf of My Puzzled Desire A Collection of Poems by Richard P. Gabriel 1 Slow, Slow Journey Time Leaves. 6 All the Pretty Bridges Were Built to Fall Down . 7 Unnormalized Models . 8 Night Lacks . 9 Sudden Snap . 10 Bird’s-head Cane . 11 Laid Low in the Cimitèro delle Porte Sante . 12 The Bridge of Solitude. 13 Death on Peaks Abstracted to Death . 14 A Painter of Bridges . 15 She Places the Chicken Carefully. 16 The River Gone. 17 Ink Evaporates Alone in Bed. 18 The Desert Fills With Roads . 19 The Dance or the Dancer . 20 Trying Language . 21 Death of Sheriff William Brady . 22 Shadows Creep Faster . 23 Caravan Dogs . 24 The Never-Stops Wind Clutter Reverb. 26 Last To See Them . 27 The Day of Many Coincidences. 28 Trust in the Teller . 29 Curtains of Wake . 30 The Never-Stops Wind. 31 This is it! This has to be it! . 32 Nancy Clutter is the Truth About Me . 33 Nostalgia for Life . 35 Soft-Spoken. 36 The Wind and A Kiss . 37 Clear as Day. 38 Teller and Told . 39 Leaf of My Puzzled Desire Leaf of My Puzzled Desire . 41 Even Leonardo Doesn’t Know . 42 The Teacher of Crows . 43 The Source of It All . 44 Colors Too Bright. 45 Our Language Suits Us Like Pants . 46 2 Crossed Elements . 47 Sleepwalking on Ice . 48 Faith Seed. 49 Jimmy, Jimmy, Oh Jimmy Mack. 50 In Kansas I Ask Nancy (Dead) to Love Me . 51 Good Evening, Bitter . 52 Red Lining . 53 Wrapped in a Single Conclusion . -
Michael Leunig
Michael Leunig Bio Leunig, was born in East Melbourne, Victoria, grew up in the Melbourne suburb of Footscray and went to Maribyrnong High School before entering an arts degree at Monash University. His first cartoons appeared in the Monash University student newspaper, Lot's Wife, in the late 1960s. He was conscripted in the Vietnam War call-up, but he registered as a conscientious objector; in the event he was rejected on health grounds when it was revealed that he was deaf in one ear. After university Leunig enrolled at the Swinburne Film and Television School and then began his cartoon career. He has noted that he was at first interested in making documentaries. In the early 1970s his work appeared in the satirical magazine Nation Review, Woman's Day, London's Oz magazine and also various newspapers of that era. The main outlet for Leunig's work has been the daily Fairfax press, The Sydney Morning Herald and The Age (Melbourne) newspapers published in Australia. In recent years he has focused mainly on political commentary, sometimes substituting his simple drawings with reproduced photographic images with speech balloons attached. The Australian Broadcasting Corporation has also provided airtime to Leunig to discuss his views on a range of political and philosophical issues. Leunig's drawings are done with a sparse, quavering line, usually in black and white with ink wash, the human characters always drawn with exaggerated features. This style served him well in his early years when he gained a loyal following for his quirky take on social issues. He also made increasingly frequent forays into a personal fantasy world of whimsy, featuring small figures with teapots balanced on their heads, grotesquely curled hair and many ducks. -
How€To Loose the Gummi Bärchen Blues
Mai€€€€€€€€€2013 Das Freie Radio für Halle (Saale) und Umgebung. www.radiocorax.de How€to loose the Gummi bärchen Blues Unser Kulturprodukt: CORAX-CLUB am 4. Mai 2013 ab 21 Uhr in der Gosenschänke Editorial€€€€€€€€€€€€€€€€€€ comic€€€€€€€€€€€€€€€€€€€€€€€€€€€€€€€€€€ Heraus zum Mai! Das heißt für RADIO CORAX auch, auf’s Mit dabei Urgesteine von RADIO CORAX Land zu fahren, in Schulen und – Anke und Trine – am 4. und 5. Mai Jugendzentren, um hier endlich einmal im Atelier »KunstRichtungTrotha« mit der Halleschen Suppe zu entkommen einem Live-Hörspiel. Mehr dazu gibt es und Jugendliche aus dem Umland ans im Veranstaltungskalender. Mikro zu bringen und vor allem: Darüber hinaus brodelt natürlich auch On Air. Hörbar ist das samstags 12 Uhr. der CORAX-CLUB in der Halleschen Politisch interveniert CORAX auf dem Gosenschänke weiter. Immer am ersten Medientreff in Leipzig mit einem Panel Samstag laden wir dort zu Tanz und zu Osteuropas Community-Medien mit absonderlichen Kulturprodukten. Also Schwerpunkt Ungarn. Die Ergebnisse kommt am Kulturprodukt-Samstag hört Ihr bei Interaudio am Sonntag, dem (4. Mai) einfach auch in der Gose vorbei 19. Mai, um 13 Uhr und am kommenden und lasst Euch niederträchtige und Dienstag, 21. Mai, kurz nach 15 Uhr. hochfl iegende Literaten-Worte an den Das »Kulturprodukt« behauptet seine Kopf werfen, um diese Energie gleich Schein-Existenz wenigstens drei Tage wieder auf der Kneipentanzfl äche loszu- lang Anfang Mai unter prekären werden … Bedingungen und allein dieser Steinwurf ins Wasser der trüben Kultur-Aussich- How to loose the Gummibärchen-Blues? ten der Stadt sollte Wellen schlagen und Am 4. Mai ab 21 Uhr in der Gose in zahlreiche Interferenzen auslösen … Halles Norden. -
Men's and Fathers' Family Friendly Policy Forum
Men’s and Fathers' Family Friendly Policy Forum 20th June 2007 Parliament House, Canberra Fatherhood and Families Forum Welcome from the Fatherhood Foundation We welcome you as a delegate, or parliamentarian, to rail around the top of the cliff to prevent people the Men's /Fathers' Family Friendly Policy Forum. falling over, than it is to run an ambulance service for Your presence here today is open testimony to the those who fall to the bottom of the cliff. Placing a rail need to turn the tide of fat herlessness in Australia. around the top of the cliff is a win-win scenario for mothers, fathers and especially the children. Our challenge today will be for us to be very open and honest with each other, to hear not only each We appreciate the sacrifices made in coming to this other's words but also each other's hearts. The 12pt forum; we all lead very busy lives. We look forward Plan and National Strategic Conference on to your contribution to the restoration of fatherhood Fatherhood (August 2003) were bor n out of the in Australia. For those of you who are reading this ability to listen and walk in one another's shoes, to policy document for the first time we hope you find show honour and respect for one another. it inspiring. We encourage you to do what can to change your world. These are the keys to the positive outcomes we wish to achieve for the mothers, fathers and children of The Fatherhood Foundation is not a lobby group. -
Southern Star Booklet
Southern Star 476 6349 WILLCOCK k SOUTHERN STAR BRITTEN k A CEREMONY OF CAROLS CHRISTOPHER WILLCOCK b. 1947 BENJAMIN BRITTEN 1913-1976 Southern Star [25’14] A Ceremony of Carols [21’34] 1 I. Love is Born 2’08 % I. Procession 1’32 2 II. Christmas 2’01 ^ II. Wolcum Yole! 1’21 3 III. Gratitude and Grief 3’21 & III. There is no Rose 2’27 4 IV. The Holy Child 1’54 * IVa. That Yongë Child 1’34 5 V. Gul Gul Dja Mardji 3’28 ( IVb. Balulalow 1’24 6 VI. Hold the Baby Jesus 2’34 ) V. As Dew in Aprille 1’00 7 VII. Southern Star 4’00 ¡ VI. This Little Babe 1’22 8 VIII. What Did You Get? 1’46 ™ VII. Interlude 3’29 9 IX. Real and Right and True 4’01 # VIII. In Freezing Winter Night 3’30 Suzanne Shakespeare soprano 2, 4, 7 ¢ IX. Spring Carol 1’15 ∞ X. Adam Lay i-Bounden 1’07 JOHN RUTTER b. 1945 § XI. Recession 1’33 0 Mary’s Lullaby 4’06 Kristy Biber soprano I (, #, ¢, Clare Kenyon soprano II *, #, ¢ Jonathan Bradley organ Total Playing Time 63’11 MICHAEL LEIGHTON JONES b. 1947 ! Jesus Christ the Apple Tree 2’46 Marshall McGuire harp @ That Lord that Lay in Assë Stall 2’31 Choir of Trinity College, University of Melbourne WILLIAM KIRKPATRICK 1838-1921 arr. DONALD HUNT b. 1930 Michael Leighton Jones director £ Away in a Manger 3’18 ANDREW CARTER b. 1939 $ Mary’s Magnificat 3’42 Siobhan Stagg soprano, Jonathan Bradley organ 2 3 As one of the highest holy-days of the church – as is Benjamin Britten’s A Ceremony of Carols, was ordained a Jesuit priest in 1977 and Leunig’s art and poetry explore how his private and thus now one of secular society’s most thus making the two works obvious and pursued doctoral studies in sacramental and notions of innocence and of the sacred can exist observed holidays – Christmas has always been intended companion pieces. -
Melbourne-Metropolitan-Tramways-Board-Building- 616-Little-Collins-Street-Melbourne
Melbourne Metropolitan Tramway Study Gary Vines 2011 List of surviving heritage places Contents Horse Tramways ...................................................................................................... 2 Cable Tram engine houses..................................................................................... 2 Cable Tram car sheds ............................................................................................. 6 Electric Tram Depots .............................................................................................. 8 Waiting Shelters ...................................................................................................... 12 Substations .............................................................................................................. 20 Overhead and electricity supply ............................................................................ 24 Sidings and trackwork ............................................................................................ 26 Bridges ..................................................................................................................... 29 Workshops ............................................................................................................... 32 Offices ...................................................................................................................... 32 Recreation buildings ............................................................................................... 33 Accommodation -
The Lyrics of Zhou Bangyan (1056-1121): in Between Popular and Elite Cultures
THE LYRICS OF ZHOU BANGYAN (1056-1121): IN BETWEEN POPULAR AND ELITE CULTURES by Zhou Huarao A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of East Asian Studies University of Toronto © Copyright by Zhou Huarao, 2014 The Lyrics of Zhou Bangyan (1056-1121): In between Popular and Elite Cultures Huarao Zhou Doctor of Philosophy Department of East Asian Studies University of Toronto 2014 Abstract Successfully synthesizing all previous styles of the lyric, or ci, Zhou Bangyan’s (1056-1121) poems oscillate between contrasting qualities in regard to aesthetics (ya and su), generic development (zheng and bian), circulation (musicality and textuality), and literary value (assumed female voice and male voice, lyrical mode and narrative mode, and the explicit and the implicit). These qualities emerged during the evolution of the lyric genre from common songs to a specialized and elegant form of art. This evolution, promoted by the interaction of popular culture and elite tradition, paralleled the canonization of the lyric genre. Therefore, to investigate Zhou Bangyan’s lyrics, I situate them within these contrasting qualities; in doing so, I attempt to demonstrate the uniqueness and significance of Zhou Bangyan’s poems in the development and canonization of the lyric genre. This dissertation contains six chapters. Chapter One outlines the six pairs of contrasting qualities associated with popular culture and literati tradition that existed in the course of the development of the lyric genre. These contrasting qualities serve as the overall framework for discussing Zhou Bangyan’s lyrics in the following chapters. Chapter Two studies Zhou Bangyan’s life, with a focus on how biographical factors shaped his perspective about the lyric genre.