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Introducing New Surflight Theatre
FOR IMMEDIATE RELEASE: Surflight Theatre Press Director Charlie Siedenburg, 551-655-0968 BROADWAY PRODUCER ROY MILLER NAMED SURFLIGHT THEATRE PRODUCER Broadway producer (and Surflight alum) joins notable New Jersey summer destination – Surflight Theatre during exciting transitional period. BEACH HAVEN, NJ, Tuesday, September 21, 2010 — Surflight Theatre Board President Gene Hammond announced today that Broadway producer (and Surflight alum) Roy Miller has been appointed to the leadership position of Producer at Surflight Theatre. A New Jersey native, Miller’s Broadway producing credits include the current revival of West Side Story (Tony nomination for Best Musical Revival and Grammy Award Winner for Best Musical Show Album), The Drowsy Chaperone (winner of five 2006 Tony Awards; Drama Desk and NY Drama Critics’ Circle Awards for Best Musical), and The Pee-wee Herman Show (opening October 26). Before crossing the river to New York, Miller was Associate Producer of the acclaimed Paper Mill Playhouse in Millburn, NJ, from 1991 to 2004 where he produced over eighty musicals and plays including Animal Crackers starring Kristin Chenoweth, Follies starring Ann Miller, Gypsy starring Betty Buckley and Deborah Gibson, and Stephen Schwartz’s new musical Children of Eden . Miller may be new to the leadership of Surflight, but he is no stranger to the Beach Haven theatre's 450- seat venue. While performing in a high school production of Funny Girl in his hometown of Irvington, NJ, Miller was offered an apprenticeship at Surflight by the show’s director and Surflight founder Joseph P. Hayes. That first introduction to summer theatre at the Jersey Shore in 1975 was followed by two subsequent seasons as an apprentice and, eventually, as a member of the acting company in 1978. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Leslie Caron
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Phone: + 44 (0) 20 73360351 Email: [email protected] Leslie Caron Photo: John Mann Location: London, United Kingdom Eye Colour: Blue Height: 5'1" (154cm) Hair Colour: Dark Brown Playing Age: Over 60 years Hair Length: Long Appearance: White Film Film, Suzanne de Persand, Le Divorce, Merchant Ivory Productions, James Ivory Film, Madame Audel, Chocolat, Miramax Films, Lasse Hallström Film, Regine De Chantelle, The Reef, CBS, Robert Allan Ackerman Film, Marguerite, Let It Be Me, Savoy Pictures, Eleanor Begstein Film, Katie Parker, Funny Bones, Hollywood Pictures, Peter Chelsom Film, Elizabeth Prideaux, Damage, Studio Canal, Louis Malle Film, Waitress, Guns, Malibu Bay Films, Andy Sidaris Film, Jane Hillary, Courage Mountain, Triumph Films, Christopher Leitch Film, Henia Liebskind, Dangerous Moves, Gaumont, Richard Dembo Film, Mother, Imperative, TeleCulture, Krzysztof Zanussi Film, uncredited, Chanel Solitaire, United Film Distribution Company, George Kaczender Film, Lucille Berger, All Stars Film, Dr. Sammy Lee, Goldengirl, AVCO Embassy Pictures, Joseph Sargent Film, Nicole, Nicole, Troma Entertainment, István Ventilla Film, Alla Nazimova, Valentino, United Artists, Ken Russell Film, Véra, The Man Who Loved Women, United Artists, François Truffaut Film, Céleste, Surreal Estate, Caribou Films, Eduardo de Gregorio Film, Katherine Creighton, Chandler, MGM, Paul Magwood Film, Sister Mary, Madron, Four Star-Excelsior, Jerry Hopper -
Download Chapter (PDF)
PLATES 1. Cole Porter, Yale yearbook photograph (1913). 2. Westleigh Farms, Cole Porter’s childhood home in Indiana (2011). 3. Cole Porter’s World War I draft registration card (5 June 1917). War Department, Office of the Provost Marshal General. 4. Linda Porter, passport photograph (1919). 5. Cole Porter, Linda Porter, Bernard Berenson and Howard Sturges in Venice (c.1923). 6. Gerald Murphy, Ginny Carpenter, Cole Porter and Sara Murphy in Venice (1923). 7. Serge Diaghilev, Boris Kochno, Bronislava Nijinska, Ernest Ansermet and Igor Stravinsky in Monte Carlo (1923). Library of Congress, Music Division, Reproduction number: 200181841. 8. Letter from Cole Porter to Boris Kochno (September 1925). Courtesy of The Cole Porter Musical and Literary Property Trusts. 9. Scene from the original stage production of Fifty Million Frenchmen (1929). PHOTOFEST. 10. Irene Bordoni, star of Porter’s show Paris (1928). 11. Sheet music, ‘Love for Sale’ from The New Yorkers (1930). 12. Production designer Jo Mielziner showing a set for Jubilee (1935). PHOTOFEST. 13. Cole Porter composing as he reclines on a couch in the Ritz Hotel during out-of-town tryouts for Du Barry Was a Lady (1939). George Karger / Getty Images. 14. Cole and Linda Porter (c.1938). PHOTOFEST. 15. Ethel Merman in the New York production of Cole Porter’s Panama Hattie (1940). George Karger / Getty Images. vi PLATES 16. Sheet music, ‘Let’s Be Buddies’ from Panama Hattie (1940). 17. Draft of ‘I Am Ashamed that Women Are So Simple’ from Kiss Me, Kate (1948), Library of Congress. Courtesy of The Cole Porter Musical and Literary Property Trusts. -
TAP INTO HISTORY Study Guide for Educators
TAP INTO HISTORY Study Guide for Educators Highlights of Tap History: 1600’s: English people migrate to the United States, bringing social dance, waltzes, jigs, reels and clogs. At the same time, Africans come to America (as slaves) and bring percussive, grounded and syncopated rhythms. 1880’s: Vaudeville (a variety entertainment performance circuit) establishes tap as an American art form. 1915: Metal taps are added to shoes. 1930’s-50’s: The era of dance movies starring Fred Astaire, Ginger Rogers, Eleanor Powell, Bill Robinson, Buddy Ebsen, James Cagney, Gene Kelly, Donald O’Connor, Ann Miller, and others. 1970’s: Dance studios and colleges start teaching tap. Hip hop and other social dance forms eclipse tap’s popularity. 1980’s: The first tap companies are formed, primarily by women, and the first international tap festival takes place in New York City. 1989: Congress establishes National Tap Dance Day to honor Bill “Bojangles” Robinson’s birthday, May 25th. 1990’s: Tap/percussive dance shows such as Riverdance, Lord of the Dance, Stomp and Tap Dogs become popular worldwide. Savion Glover becomes the poster child for the genre for his appearances in shows like Bring in ‘da Noise, Bring in ‘da Funk and on Sesame Street. Present: Many veteran tap dancers pass away, giving rise to a new generation of tap dancers like Michelle Dorrance, Chloe Arnold, and Jason Samuels Smith. Contemporary tap dance pushes the boundaries of the art form beyond just tapping, exploring elements such as storytelling, technology, and fusion with other dance forms. Questions? [email protected] © 2020 Ryan P. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
Charles Walters: the Director Who Made Hollywood Dance Melinda F
The Southeastern Librarian Volume 63 | Issue 1 Article 9 4-9-2015 Charles Walters: The Director Who Made Hollywood Dance Melinda F. Matthews University of Louisiana at Monroe Follow this and additional works at: https://digitalcommons.kennesaw.edu/seln Part of the Library and Information Science Commons Recommended Citation Matthews, Melinda F. (2015) "Charles Walters: The Director Who Made Hollywood Dance," The Southeastern Librarian: Vol. 63 : Iss. 1 , Article 9. Available at: https://digitalcommons.kennesaw.edu/seln/vol63/iss1/9 This Book Review is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in The Southeastern Librarian by an authorized editor of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. political ascendancy of Southern liberalism within the Graham’s 1950 primary loss, Pleasants believes, dealt a Democratic Party. Scott’s push to improve roads, medical significant blow to Scott’s progressive agenda. care, and education for all North Carolina citizens won him a strong following; yet, he also was seen by many With the Supreme Court’s landmark 1954 decision in politicians and business leaders as controversial and Brown vs. Board of Education, the backlash against polarizing. During his time in office, Scott would be Southern liberals solidified around the issue of buffeted by the regional and national headwinds of desegregation. Pleasants argues that Scott immediately segregationist politics and strident anti-Communism. This recognized that he would need to speak out against school biography reveals how a deepening conservative backlash integration if he wanted to remain a viable candidate for against southern liberals adversely impacted Scott’s public office. -
June 1-3,2(>(>7
Leonard A. Anderson M. Seth Reines Executive Director Artistic Director June 1-3,2(>(>7 nte Media -I1 I - I , ,, This program is partially supportec grant from the Illinois Arts Council. Named a Partner In Excellence by the Illinois Arts Council. IF IT'S GOT OUR NAME ON IT YOlU'VE GOT OUR WORD ON If. attachments that are tough enough for folks Ib you. And then we put wr gllarantee on m,m, In fact,we ofb the WustryS only 3-year warm&, Visit mgrHd.com. Book By James Goldman Music Lyrics by Stephen Sondheim Produced Originally on Broadway by Harold Prince By special arrangement with Cameron Mackintosh Directed & Staged by Tony Parise Assistant To The Directorr AEA Stage Manager Marie Jagger-Taylor* Tom Reynolds* Lighting Designer Musical Director Sound Designer Joe Spratt P. Jason Yarcho David J. Scobbie The Cast (In Order of Appearance) Dimitri Weismann .............................................................................................Guy S. Little Jr.* Roscoe....................................................................................................................... Tom Bunfill Phyllis Rogers Stone................................................................................... Colleen Zenk Pinter* Benjamin Stone....................................................................................................... Mark Pinter* Sally Durant Plumrner........................................................................................ a McNeely* Buddy Plummer........................................................................................................ -
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* them later for five times that sum, a Author Protection [Sergt. Kelly Writes Movie and gaining tremendous profits Steps Being Taken from the fact that the popular sale With Grenades and His Gun HOLLYWOOD. of the novel made the Him a much Some recourse for an author who By JAY CARMODY. more valuable property. Authors' sells picture rights to a while Journalism department: Just which movie studio keeps its eye story agents are now stipulating a cut on most unrovingly glued to the front page is for more research minded It is still In galley proofs, and later film profits, to know, but this commentator thinks it mast ~ people certainly must be sees his price become a pitiful part 20th AMUSEMENTS. Century-Fox. of what he could have collected If That entertainment over huge factory, presided by inactive Col. he had waited for publication and Darryl Zanuck. has Just turned away from its favorite newspaper with successful Is -.—__— sales, being planned at the story of Sergt. Edward (Com- __ last, mando* the lad a. Kelly, Pittsburgh leave, not because the job has not Typical of inequities to an author wmm a lark u who had such Ger- killing gw \\ !¥J been an entirely happy one, and the was the case of Margaret Mitchell mans in As a pn rvTTi Italy. result, Sergt. associations pleasant, but because and "Gone With the Wind.” The has $25,000. the goes, 4 • Kelly report he never liked the idea of to screen rights $50,000 with wet it with Canute TTatet. A having brought m Simply to add now to the other laurels he tell his son few later that he spent the the film owner refusing a sale of applications will completely fe- a Canute Water won by virtue of being sort of war » color it similar to its former natural presiding over a cocktail lounge. -
Connecting Content with Consumers Volume 7 Issue 1
The Fast est Growing DVD, CD and Blu- ray Ret ail Cat alog Connecting Content with Consumers Volume 7 Issue 1 Congratulations retailers and studios on a successful 2016 and thank you for allowing us to be a partner in your distribution strategies. We're thrilled to be recognized as the fastest growing catalog of content, DVD, CD & Blu-ray, across near all the major studios and networks, independents and classic film aggregators. Our mission is to make content retailing simple for all, large or small provider, with 100%, ready to ship, quality products and to provide content owners with a method of insuring their titles are represented in the physical media space as they continue to focus on the digital landscape. This week's selections of new January releases from our Studios- Warner Archive, FOX, FilmRise, Sony and others is testimony to the exclusive access our technology and distribution capabilities bring to you in 2017. We look forward to continued success for you all and the best of the New Year. Successful retailing Richard Skillman Vice President Allied Vaughn [email protected] http://www.alliedvaughn.com AV MOD Studio Brochure AV MOD Gallery Title Library AV MOD Newsletter Archives FOX Releases New Seasons of FOX TV Hits 024543337652 It's Always Sunny In Philadelphia: The Complete Season 11 2017 Get ready for more misguided dreams leading to blundered schemes from everyone's favorite bar owners! The gang returns to Paddy's Pub, including Mac (Rob McElhenney), Dennis (Glen Howerton), Charlie (Charlie Day), and Dee (Kaitlin Olson), and Frank (Danny Devito). -
January-February
COLLECTIONS CORNER PETITE FEET VOICES BEYOND Recently Acquired A Concert in Celebration BONDAGE of Artist Allan Rohan Crite An Anthology of Verse BOSTON ATHENÆUM by African Americans JANUARY-FEBRUARY 2016 NOW ON VIEW Concert with jazz ensemble Petite Feet The Athenæum recently acquired Interior with Figure, Antwerp by of the 19th Century Otto Grundmann. Grundmann, who had his earliest artistic training in Tuesday, February 23, 6-7 pm his native Dresden, came to America in 1876 to accept the directorship Registration begins February 9 at 9 am Book talk with literary scholars Erika DeSimone and Fidel Louis of the new School of the Museum of Fine Arts in Boston. He served P R Members $15 Non-members $30 in that role, and as a highly respected teacher, until his death in 1890. Thursday, February 25, 6-7 pm He specialized in genre painting (scenes of everyday life) in the Prolific Boston artist Allan Rohan Crite Registration begins February 11 at 9 am tradition of seventeenth-century Dutch masters such as Vermeer. created an extensive body of work featuring R Members Free Non-Members $15 This recent acquisition, the first painting by this important Boston the daily life of ordinary African Americans. P artist to enter the Athenæum’s collection, is in every way In celebration of his work, and in collabora- Voices Beyond Bondage: An Anthology of characteristic of his work. The painting can be viewed in the tion with the New England Conservatory’s Verse by African Americans of the 19th sitting room off the hallway leading to the Children’s Library. -
ARSC Journal These Films
Sound Recording Reviews 213 Judy Garland: The Golden Years at M-G-M - The Harvey Girls, The Pirate, Summer Stock. MGMIUA Home Video. ML104869. 5 laser discs, 2 sides in CAV. 7 hours ofprerecordings on analog track; stereo in part; NTSC. Released in 1995. Thoroughbreds Don't Cry and Listen, Darling. MGMIUA Home Video. ML104569. 2 laser discs. 21 minutes ofprerecordings for Listen, Darling on analog track; NTSC. Released in 1994. The Ultimate Oz. MGM/UA Home Video and Turner. ML103990. Includes The Wizard of Oz, ML104755, 2 laser discs, 4 sides in CAV, THX and No-Noise; and The Wonderful Wizard of Oz: The Making of a Movie Classic, ML104756, 1 laser disc, THX. 4 hours 48 minutes of prerecordings on analog and digital tracks; NTSC. Released in 1993. The Wizard of Oz: Original Motion Picture Soundtrack. Rhino Movie Musicfl'urner Classic Movies R2 71964. 2 compact discs. Released in 1995. Meet Me In St. Louis: 50th Anniversary Edition. MGMIUA Home Video and Turner. ML104754. 3 laser discs and 1 compact disc of soundtrack (CD: MGM Records 305123). 4 sides in CAV; remixed from original multi-channel recording mas ters into stereo; 52 minutes of prerecordings on analog track; Includes The Making of an American Classic; NTSC. Released in 1994. CD also available separately on Rhino Movie Musicfl'urner Classic Movies R2 71958. Stereo. Released in 1995. Easter Parade: Original Motion Picture Soundtrack. Rhino Movie Musicfl'urner Classic Movies R2 71960. 1 compact disc. Released in 1995. That's Entertainment/ HI: Deluxe Collector's Edition. MGMIUA Home Video. ML103059.