Download Doc ~ Charles Walters: the Director Who Made Hollywood Dance

Total Page:16

File Type:pdf, Size:1020Kb

Download Doc ~ Charles Walters: the Director Who Made Hollywood Dance XVFIUQWNCL17 » Book < Charles Walters: The Director Who Made Hollywood Dance Charles Walters: The Director Who Made Hollywood Dance Filesize: 2.07 MB Reviews It is an awesome book that we have possibly go through. It is actually writter in straightforward words and phrases and not confusing. It is extremely difficult to leave it before concluding, once you begin to read the book. (Tierra Kunde) DISCLAIMER | DMCA 9ZGIGQJ078ST Doc // Charles Walters: The Director Who Made Hollywood Dance CHARLES WALTERS: THE DIRECTOR WHO MADE HOLLYWOOD DANCE The University Press of Kentucky. Hardback. Book Condition: new. BRAND NEW, Charles Walters: The Director Who Made Hollywood Dance, Brent Phillips, From the trolley scene in Meet Me in St. Louis (1944) to Fred Astaire and Ginger Rogers's last dance on the silver screen (The Barkleys of Broadway, 1949) to Judy Garland's timeless, tuxedo-clad performance of "Get Happy" (Summer Stock, 1950), Charles Walters staged the iconic musical sequences of Hollywood's golden age. During his career, this Academy Award--nominated director and choreographer showcased the talents of stars such as Gene Kelly, Doris Day, Debbie Reynolds, and Frank Sinatra. However, despite his many critical and commercial triumphs, Walters's name oen goes unrecognized today.In the first full-length biography of Walters, Brent Phillips chronicles the artist's career, from his days as a featured Broadway performer and protege of theater legend Robert Alton to his successes at Metro-Goldwyn- Mayer. He takes readers behind the scenes of many of the studio's most beloved musicals, including Easter Parade (1948), Lili (1953), High Society (1956), and The Unsinkable Molly Brown (1964). In addition, Phillips recounts Walters's associations with Lucille Ball, Joan Crawford, and Gloria Swanson, examines the director's uncredited work on several films, including the blockbuster Gigi (1958), and discusses his contributions to musical theater and American popular culture.This revealing book also considers Walters's personal life and explores how he navigated the industry as an openly gay man. Drawing on unpublished oral histories, correspondence, and new interviews, this biography oers an entertaining and important new look at an exciting era in Hollywood history. Read Charles Walters: The Director Who Made Hollywood Dance Online Download PDF Charles Walters: The Director Who Made Hollywood Dance EBLHIGZWE7FP ~ Doc // Charles Walters: The Director Who Made Hollywood Dance Other Kindle Books It's Just a Date: How to Get 'em, How to Read 'em, and How to Rock 'em HarperCollins Publishers. Paperback. Book Condition: new. BRAND NEW, It's Just a Date: How to Get 'em, How to Read 'em, and How to Rock 'em, Greg Behrendt, Amiira Ruotola-Behrendt, A fabulous new guide to dating... Read ePub » Li Xiuying preschool fun games book: Lingling tiger awesome (connection) (3- 6 years old)(Chinese Edition) paperback. Book Condition: New. Paperback. Pub Date: 2010. Pages: 30 Language: Chinese in Publisher: Time Publishing and Media Co. Ltd. Anhui Children's Publishing House Hi. you do! I called Lingling Tiger. my vision is to... Read ePub » The Lalaurie Horror Saint James Infirmary Books. Paperback. Book Condition: New. Paperback. 150 pages. Dimensions: 8.0in. x 5.0in. x 0.3in.Cited as a resource by world-renowned, French criminologist, Stphane Bourgoin, a foremost authority on serial killers. Twice Nominated for... Read ePub » Nancy Clancy, Super Sleuth Fancy Nancy HarperCollins. Paperback. Book Condition: New. Robin Preiss Glasser (illustrator). Paperback. 144 pages. Dimensions: 7.4in. x 5.1in. x 0.5in.Kids who grew up with Jane OConnors Fancy Nancy picture books can spend some quality time with their... Read ePub » Houdini's Gift Independent Publishers Group (IPG) - Chicago Review Press, 2009. Hardcover. Book Condition: New. Revisiting well-loved characters from a past adventure, this picture book presents animal-loving Ben with the challenge of having another pet after losing... Read ePub » .
Recommended publications
  • Leslie Caron
    Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Phone: + 44 (0) 20 73360351 Email: [email protected] Leslie Caron Photo: John Mann Location: London, United Kingdom Eye Colour: Blue Height: 5'1" (154cm) Hair Colour: Dark Brown Playing Age: Over 60 years Hair Length: Long Appearance: White Film Film, Suzanne de Persand, Le Divorce, Merchant Ivory Productions, James Ivory Film, Madame Audel, Chocolat, Miramax Films, Lasse Hallström Film, Regine De Chantelle, The Reef, CBS, Robert Allan Ackerman Film, Marguerite, Let It Be Me, Savoy Pictures, Eleanor Begstein Film, Katie Parker, Funny Bones, Hollywood Pictures, Peter Chelsom Film, Elizabeth Prideaux, Damage, Studio Canal, Louis Malle Film, Waitress, Guns, Malibu Bay Films, Andy Sidaris Film, Jane Hillary, Courage Mountain, Triumph Films, Christopher Leitch Film, Henia Liebskind, Dangerous Moves, Gaumont, Richard Dembo Film, Mother, Imperative, TeleCulture, Krzysztof Zanussi Film, uncredited, Chanel Solitaire, United Film Distribution Company, George Kaczender Film, Lucille Berger, All Stars Film, Dr. Sammy Lee, Goldengirl, AVCO Embassy Pictures, Joseph Sargent Film, Nicole, Nicole, Troma Entertainment, István Ventilla Film, Alla Nazimova, Valentino, United Artists, Ken Russell Film, Véra, The Man Who Loved Women, United Artists, François Truffaut Film, Céleste, Surreal Estate, Caribou Films, Eduardo de Gregorio Film, Katherine Creighton, Chandler, MGM, Paul Magwood Film, Sister Mary, Madron, Four Star-Excelsior, Jerry Hopper
    [Show full text]
  • Boxoffice Barometer (March 6, 1961)
    MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph.
    [Show full text]
  • Charles Walters: the Director Who Made Hollywood Dance Melinda F
    The Southeastern Librarian Volume 63 | Issue 1 Article 9 4-9-2015 Charles Walters: The Director Who Made Hollywood Dance Melinda F. Matthews University of Louisiana at Monroe Follow this and additional works at: https://digitalcommons.kennesaw.edu/seln Part of the Library and Information Science Commons Recommended Citation Matthews, Melinda F. (2015) "Charles Walters: The Director Who Made Hollywood Dance," The Southeastern Librarian: Vol. 63 : Iss. 1 , Article 9. Available at: https://digitalcommons.kennesaw.edu/seln/vol63/iss1/9 This Book Review is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in The Southeastern Librarian by an authorized editor of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. political ascendancy of Southern liberalism within the Graham’s 1950 primary loss, Pleasants believes, dealt a Democratic Party. Scott’s push to improve roads, medical significant blow to Scott’s progressive agenda. care, and education for all North Carolina citizens won him a strong following; yet, he also was seen by many With the Supreme Court’s landmark 1954 decision in politicians and business leaders as controversial and Brown vs. Board of Education, the backlash against polarizing. During his time in office, Scott would be Southern liberals solidified around the issue of buffeted by the regional and national headwinds of desegregation. Pleasants argues that Scott immediately segregationist politics and strident anti-Communism. This recognized that he would need to speak out against school biography reveals how a deepening conservative backlash integration if he wanted to remain a viable candidate for against southern liberals adversely impacted Scott’s public office.
    [Show full text]
  • ®'N$\ in "Alias a at 8 06 Beery Gentleman," KEWTOM T a Unm a 4Th a Puttarnut Sts
    amusements and Wild Bill Doolan been so In- nately, the the kids are all perfec- ventlon and reunion in Baltimore **■ All of West’s Bad Men sulted as by this implication that 3d headquar- tionists. August 13-14, Army HA SIM SPLITTING Scott could take them on as a MacMurray, in reading a speech ter! has announced. LAPP FESTIVAL Routed by Old Randy group. ,w of 10 lines, omitted one word. Little HOW—ENDS SAT. The script writers are a bit eva- HE 'Easter Parade’ Is Festival In Keith Feature immediately turned to Director l ho Gay sive on this point to be sure. From Gigi _AMUSEMENTS_ ho ‘RETURN Of THE BAD MEN." »n RKO time to time, the story suggests Claude Biryon. MMIRUnH by Nat Holt, directed HA Picture produced that outlaws were a temperamental she “that isn’t Astaire and Berlin by Ray Enright. original screenplay by “Mr. Binyon," said, I HA HiaQKuUw Jack Natteford and Lud Ward. At Keith *. lot and walked out on one another HE Honoring the it is in the script!” > THE CAST: Scott's work easier. way _,4_^><l _•_ Randolph Scott just to make HE By Jay Carmody Vance is now taking the | Sundance Kid_ Robert Ryan the MacMurray i ho ■i.i.HianifliiHG be life wretched for Anne Jeffreys As picture ends, however, The Democrats and Republicans may making Chevenne_ home with him every DEMOCRAT k ha ■ftSUMHHiWMMi Pettit _Oeorge "Gabby" Hayes Guthrie is as clean as a whistle, script night. each but wants to make I— 1 ha other, Metro-Goldwyn-Maver only everybody Jacqueline White LJ CONVENTION / Madge a town where gamblers and bar- And there’s a dangerous look in his he happy with Easter Parade.” It should have no trouble at all achieving Cole Younger_ Steve Brodie («i.
    [Show full text]
  • January-February
    COLLECTIONS CORNER PETITE FEET VOICES BEYOND Recently Acquired A Concert in Celebration BONDAGE of Artist Allan Rohan Crite An Anthology of Verse BOSTON ATHENÆUM by African Americans JANUARY-FEBRUARY 2016 NOW ON VIEW Concert with jazz ensemble Petite Feet The Athenæum recently acquired Interior with Figure, Antwerp by of the 19th Century Otto Grundmann. Grundmann, who had his earliest artistic training in Tuesday, February 23, 6-7 pm his native Dresden, came to America in 1876 to accept the directorship Registration begins February 9 at 9 am Book talk with literary scholars Erika DeSimone and Fidel Louis of the new School of the Museum of Fine Arts in Boston. He served P R Members $15 Non-members $30 in that role, and as a highly respected teacher, until his death in 1890. Thursday, February 25, 6-7 pm He specialized in genre painting (scenes of everyday life) in the Prolific Boston artist Allan Rohan Crite Registration begins February 11 at 9 am tradition of seventeenth-century Dutch masters such as Vermeer. created an extensive body of work featuring R Members Free Non-Members $15 This recent acquisition, the first painting by this important Boston the daily life of ordinary African Americans. P artist to enter the Athenæum’s collection, is in every way In celebration of his work, and in collabora- Voices Beyond Bondage: An Anthology of characteristic of his work. The painting can be viewed in the tion with the New England Conservatory’s Verse by African Americans of the 19th sitting room off the hallway leading to the Children’s Library.
    [Show full text]
  • ARSC Journal These Films
    Sound Recording Reviews 213 Judy Garland: The Golden Years at M-G-M - The Harvey Girls, The Pirate, Summer Stock. MGMIUA Home Video. ML104869. 5 laser discs, 2 sides in CAV. 7 hours ofprerecordings on analog track; stereo in part; NTSC. Released in 1995. Thoroughbreds Don't Cry and Listen, Darling. MGMIUA Home Video. ML104569. 2 laser discs. 21 minutes ofprerecordings for Listen, Darling on analog track; NTSC. Released in 1994. The Ultimate Oz. MGM/UA Home Video and Turner. ML103990. Includes The Wizard of Oz, ML104755, 2 laser discs, 4 sides in CAV, THX and No-Noise; and The Wonderful Wizard of Oz: The Making of a Movie Classic, ML104756, 1 laser disc, THX. 4 hours 48 minutes of prerecordings on analog and digital tracks; NTSC. Released in 1993. The Wizard of Oz: Original Motion Picture Soundtrack. Rhino Movie Musicfl'urner Classic Movies R2 71964. 2 compact discs. Released in 1995. Meet Me In St. Louis: 50th Anniversary Edition. MGMIUA Home Video and Turner. ML104754. 3 laser discs and 1 compact disc of soundtrack (CD: MGM Records 305123). 4 sides in CAV; remixed from original multi-channel recording mas­ ters into stereo; 52 minutes of prerecordings on analog track; Includes The Making of an American Classic; NTSC. Released in 1994. CD also available separately on Rhino Movie Musicfl'urner Classic Movies R2 71958. Stereo. Released in 1995. Easter Parade: Original Motion Picture Soundtrack. Rhino Movie Musicfl'urner Classic Movies R2 71960. 1 compact disc. Released in 1995. That's Entertainment/ HI: Deluxe Collector's Edition. MGMIUA Home Video. ML103059.
    [Show full text]
  • Ready for His Close-Up
    ALL THE LATEST DANCE REVIEWS RELEASES AND SHOWS READY FOR by doing good work,” he observed. Rather HIS CLOSE-UP than sensationalising such challenges, Marianka Swain salutes a forgotten Phillips offers a maestro of Hollywood’s golden age moving glimpse into a long battle. egendary Yet this is not a movie worthy read, but a L musicals pithy, affectionate director? You’re Above, rehearsing for the backstage tour. There thinking Vincente opening sequence of are detailed accounts Torch Song (1953), in Minnelli, Stanley which Walters returned to of Walters creating Donen, Gene Kelly – the screen at Joan timeless numbers like not Charles Walters. Crawford’s request Garland’s “Get Happy” But, as Brent Phillips this contradictory and tactfully handling argues cogently in figure: the star who temperamental stars; his illuminating new ceded the spotlight Astaire apparently book, that exclusion caught the attention to others, the self- complained endlessly is simply unjust. of choreographer deprecating man in a when trying Charles “Chuck” Robert Alton. Alton cut-throat world, the something new “as a Walters’ work has offered invaluable visionary renowned defence mechanism”, certainly left an mentorship, and the for generous but it was still an indelible impression. performer eventually collaboration. He exciting process: There are beloved, moved to the other addresses the “Well, hell, you were hugely influential side of the camera charge that Walters working with the films on his CV, in MGM’s “dream was a mere company best.” Phillips makes from Meet Me in factory”. There, he man, not a true a compelling case St Louis to High worked with greats auteur, suggesting for that superlative Society, plus Phillips like Astaire and that his lack of also applying to highlights uncredited Rogers, Judy Garland, signature style is a Walters.
    [Show full text]
  • The Self-Reflexive Musical and the Myth of Entertainment
    Feuer, Jane The self-reflexive musical and the myth of entertainment Feuer, Jane, (1995) "The self-reflexive musical and the myth of entertainment", Grant, Barry Keith (ed), Film genre reader II, 441-455, University of Texas Press © Staff and students of the University of Nottingham are reminded that copyright subsists in this extract and the work from which it was taken. This Digital Copy has been made under the terms of a CLA licence which allows you to: * access and download a copy; * print out a copy; Please note that this material is for use ONLY by students registered on the course of study as stated in the section below. All other staff and students are only entitled to browse the material and should not download and/or print out a copy. This Digital Copy and any digital or printed copy supplied to or made by you under the terms of this Licence are for use in connection with this Course of Study. You may retain such copies after the end of the course, but strictly for your own personal use. All copies (including electronic copies) shall include this Copyright Notice and shall be destroyed and/or deleted if and when required by the University of Nottingham. Except as provided for by copyright law, no further copying, storage or distribution (including by e-mail) is permitted without the consent of the copyright holder. The author (which term includes artists and other visual creators) has moral rights in the work and neither staff nor students may cause, or permit, the distortion, mutilation or other modification of the work, or any other derogatory treatment of it, which would be prejudicial to the honour or reputation of the author.
    [Show full text]
  • Lili (Fiche Documentaire)
    Document generated on 09/24/2021 1:57 p.m. Séquences La revue de cinéma Lili (Fiche documentaire) Number 9, April 1957 URI: https://id.erudit.org/iderudit/52306ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review (1957). Review of [Lili (Fiche documentaire)]. Séquences, (9), 37–40. Tous droits réservés © La revue Séquences Inc., 1957 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ SEQUENCES - No 9 - Avril 1957. LILI (Fiche documentaire) I - RENSEIGNEMENTS GENERAUX: 1. Générique : Film américain: 1952 - 80' Réalisateur: Charles WALTERS Scénario: Helen DEUTSCH, d'après une nouvelle de Paul GALLICO Photographie: Robert PLANCK Musique: Bronislau KAPER Chorégraphie: Charles V/ALTERS Marionnettes créées par Paul F» WALTCî! et Michael O'ROURKE Interprétation: LUI ..... Leslie Caron PAUL Mei Ferrer MARC Jn-Pierre Aumont ROSALIE . Zsa Zsa Gabor JACQUOT . Kurt Kasznar 2. Le réalisateur: Charles Walters naît à Pasadena, Califorhie. 'Tient, dans sa jeunesse, de petits rôles dansants dans des tournées de province, Tente sa chance à New-York. - Danse et joue dans plusieurs films mineurs. - Entre 1942-46, dirige les séquences de danse des films suivants: Du Barry was a Lady, Presenting Lily Mars, Meet me in St-Louis, Ziegfeld Follies.
    [Show full text]
  • For Immediate Release
    FOR IMMEDIATE RELEASE FRANK SINATRA SERIES HIGHLIGHTS PERFORMER’S ACCOMPLISHED FILM CAREER August 12–September 4, 2011 Frank Sinatra was one of the most popular and influential entertainers of the 20th century. His phenomenal success and influence was not limited to his career as a recording artist; he was also an accomplished movie star with surprising range as an actor. From August 12 through September 4, 2011, Museum of the Moving Image will present the four-weekend series The Films of Frank Sinatra celebrating Sinatra’s legacy as a performer on the big screen. The Museum will show a dozen of his finest films, ranging from musicals (On the Town, Pal Joey, Guys and Dolls) to dark melodramas (Suddenly!, The Manchurian Candidate, The Man with the Golden Arm) to war and action movies (From Here to Eternity, Von Ryan’s Express). Among the series highlights is a rare theatrical screening of Suddenly!, a 1954 thriller that eerily foreshadowed the JFK assassination, with Sinatra as a cold-blooded assassin who plots to kill the President (August 13); Vincente Minnelli’s powerful widescreen melodrama Some Came Running (August 27 and 28), starring Sinatra, Dean Martin, and Shirley MacLaine; and the Rat Pack movies Ocean’s Eleven (September 3 and 4) and Robin and the 7 Hoods (September 2 and 3). Frank Sinatra turned to working in film in the 1940s, just a few years after achieving success as a singer. His early musical comedies, costarring Gene Kelly—including the classic On the Town (1949), filmed largely on location in New York City—were box office smashes.
    [Show full text]
  • Volume 63, Number 1, Spring 2015
    Volume 63, Number 1, Spring 2015 Articles I Feel the Need to Weed!: Maintaining an E-book Collection Jennifer Culley…….…………….…………………………………………………………………………………………..…..……2 Written in Light: Creating Access to Photographic Collections Suellyn Lathrop and Nancy Richey ………………………………………………………………………………………………….6 SELA/General News.......................................................................................................................... ...........................9 Library News…………………………………………………………………………………………………..……...10 Personnel News………………………………………………………………………………………………………. 14 Book Reviews Refugitta of Richmond The Wartime Recollections, Grave and Gay, of Constance Cary Harrison Review by Dr. Carol Walker Jordan………………………………………………………………………………………………… 16 The Political career of W. Kerr Scott: The Squire from Haw River Review by Keith Gorman…………………………………………………………………………………………………………….16 Charles Walters: The Director Who Made Hollywood Dance Review by Melinda Matthews………………………………………………………………………………………………………..17 Race and Ethnicity in Arkansas: New Perspectives Review by Dr. Carol Walker Jordan………………………………………………………………………………………………….18 Beyond Rosie, A Documentary History of Women and World War II Review by Dr. Carol Walker Jordan………………………………………………………………………………………………….19 The Antipedo Baptists of Georgetown South Carolina, 1710-2010 Review by Dr. Carol Walker Jordan………………………………………………………………………………………………….20 The Diary of Nannie Gaskins Williams: A Southern Woman’s Story of Rebellion and Reconstruction, 1863-1890 Review by Dr. Carol Walker Jordan………………………………………………………………………………………………….20
    [Show full text]
  • Ape Chronicles #035
    For a Man! PLANET OF THE APES 1957 The Three Faces of Eve ARMY ARCHERD WHO IS WHO ? 1957 Peyton Place FILMOGRAPHY 1957 No Down Payment 1958 Teacher's Pet (uncredited) FILMOGRAPHY (AtoZ) 1957 Kiss Them for Me 1963 Under the Yum Yum Tree Compiled by Luiz Saulo Adami 1957 A Hatful of Rain 1964 What a Way to Go! (uncredited) http://www.mcanet.com.br/lostinspace/apes/ 1957 Forty Guns 1966 The Oscar (uncredited) apes.html 1957 The Enemy Below 1968 The Young Runaways (uncredited) [email protected] 1957 An Affair to Remember 1968 Planet of the Apes (uncredited) AUTHOR NOTES 1958 The Roots of Heaven 1968 Wild in the Streets Thanks to Alexandre Negrão Paladini, from 1958 Rally' Round the Flag, Boys! 1970 Beneath the Planet of the Apes Brazil; Terry Hoknes, from Canadá; Jeff 1958 The Young Lions (uncredited) Krueger, from United States of America; 1958 The Long, Hot Summer 1971 Escape from the Planet of the Apes and Philip Madden, from England. 1958 Ten North Frederick 1972 Conquest of the Planet of the Apes 1958 The Fly (uncredited) 1959 Woman Obsessed 1973 Battle for the Planet of the Apes To remind a film, an actor or an actress, a 1959 The Man Who Understood Women (uncredited) musical score, an impact image, it is not so 1959 Journey to the Center of the Earth/Trip 1974 The Outfit difficult for us, spectators of movies or TV. to the Center of the Earth 1976 Won Ton Ton, the Dog Who Saved Really difficult is to remind from where else 1959 The Diary of Anne Frank Hollywood we knew this or that professional.
    [Show full text]