Wonder Stories V06n04 (1934
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FANTASY NEWS TEN CENTS the Science Fiction Weekly Newspaper Volume 4, Number 21 Sunday, May 12
NEWS PRICE: WHILE THREE IT’S ISSUES HOT! FANTASY NEWS TEN CENTS the science fiction weekly newspaper Volume 4, Number 21 Sunday, May 12. 1940 Whole Number 99 FAMOUS FANTASTIC FACTS SOCIAL TO BE GIVEN BY QUEENS SFL THE TIME STREAM The next-to-last QSFL meeting which provided that the QSFL in Fantastic Novels, long awaited The Writer’s Yearbook for 1940 of the 39-40 season saw an attend vestigate the possibilities of such an companion magazine to Famous contains several items of consider ance of close to thirty authors and idea. The motion was passed by a Fantastic Mysteries, arrived on the able interest to the science fiction fans. Among those present were majority with Oshinsky. Hoguet. newsstands early this week. This fan. There is a good size picture of Malcolm Jameson, well know stf- and Unger on investigating com new magazine presents the answer Fred Pohl, editor of Super Science author; Julius Schwartz and Sam mittee. It was pointed out that if to hundreds of stfans who wanted and Astonishing, included in a long Moskowitz, literary agents special twenty fans could be induced to pay to read the famous classics of yester pictorial review of all Popular Pub izing in science fiction; James V. ten dollars apiece it would provide year and who did not like to wait lications; there is also, the informa Taurasi. William S. Sykora. Mario two hundred dollars which might months for them to appear in serial tion that Harl Vincent has had ma Racic, Jr., Robert G. Thompson, be adequate to rent a “science fiction terial in Detective Fiction Weekly form. -
For Fans by Fans: Early Science Fiction Fandom and the Fanzines
FOR FANS BY FANS: EARLY SCIENCE FICTION FANDOM AND THE FANZINES by Rachel Anne Johnson B.A., The University of West Florida, 2012 B.A., Auburn University, 2009 A thesis submitted to the Department of English and World Languages College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2015 © 2015 Rachel Anne Johnson The thesis of Rachel Anne Johnson is approved: ____________________________________________ _________________ David M. Baulch, Ph.D., Committee Member Date ____________________________________________ _________________ David M. Earle, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ Gregory Tomso, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First, I would like to thank Dr. David Earle for all of his help and guidance during this process. Without his feedback on countless revisions, this thesis would never have been possible. I would also like to thank Dr. David Baulch for his revisions and suggestions. His support helped keep the overwhelming process in perspective. Without the support of my family, I would never have been able to return to school. I thank you all for your unwavering assistance. Thank you for putting up with the stressful weeks when working near deadlines and thank you for understanding when delays -
Pseudoscience and Science Fiction Science and Fiction
Andrew May Pseudoscience and Science Fiction Science and Fiction Editorial Board Mark Alpert Philip Ball Gregory Benford Michael Brotherton Victor Callaghan Amnon H Eden Nick Kanas Geoffrey Landis Rudi Rucker Dirk Schulze-Makuch Ru€diger Vaas Ulrich Walter Stephen Webb Science and Fiction – A Springer Series This collection of entertaining and thought-provoking books will appeal equally to science buffs, scientists and science-fiction fans. It was born out of the recognition that scientific discovery and the creation of plausible fictional scenarios are often two sides of the same coin. Each relies on an understanding of the way the world works, coupled with the imaginative ability to invent new or alternative explanations—and even other worlds. Authored by practicing scientists as well as writers of hard science fiction, these books explore and exploit the borderlands between accepted science and its fictional counterpart. Uncovering mutual influences, promoting fruitful interaction, narrating and analyzing fictional scenarios, together they serve as a reaction vessel for inspired new ideas in science, technology, and beyond. Whether fiction, fact, or forever undecidable: the Springer Series “Science and Fiction” intends to go where no one has gone before! Its largely non-technical books take several different approaches. Journey with their authors as they • Indulge in science speculation—describing intriguing, plausible yet unproven ideas; • Exploit science fiction for educational purposes and as a means of promoting critical thinking; • Explore the interplay of science and science fiction—throughout the history of the genre and looking ahead; • Delve into related topics including, but not limited to: science as a creative process, the limits of science, interplay of literature and knowledge; • Tell fictional short stories built around well-defined scientific ideas, with a supplement summarizing the science underlying the plot. -
Checklist of Fantasy Magazines 1945
A CHECKLIST OF FANTASY MAGAZINES 1945 Edition Bulletin Number One 20 c to Subscribers PREFACE As the first of a long line of Foundation publications we are happy to present a relatively complete checklist of all fantasy periodicals. Insofar as the major Eng lish-language titles are concerned, we believe this list to be both complete and error-free, but it was not poss ible to furnish an adequate listing of.several of the more obscure items. It is also very likely that there exist several foreign language publications whose names are not even known to us. Anyone able to furnish addi tional information is requested to send it to Forrest J. Ackerman, 236^ N. New Hampshire, Los Angeles 4, Cal., for inclusion in the next edition of this checklist. No author is shown on the title page of this pamphlet because in its present form it is the work of at least five individuals: Norman V. Lamb, William H. Evans, Merlin W. Brown, Forrest J. Ackerman, and Francis T, Laney. The Fantasy Foundation wishes to extend its thanks to these gentlemen, as well as to the several members of the Los Angeles Science Fantasy Society who assisted in its production. THE FANTASY FOUNDATION June 1, 1946 Copyrighted. 1946 The Fantasy Foundation AIR WONDER STORIES (see WONDER) AMAZING STORIES (cont) 1929 (cont) AMAZING detective tales Vol. 4, No. 1 — April —0O0— Arthur H. Lynch, Ed. Hugo Gernsback, Ed. Vol. 4, No. 2 — May 1930 3 — June Vol. 1 No. 6 -- June 4 — July 7 — July 5 -- August 8 — August 6 — September 9 — September 7 — October 10 — October T. -
Eng 4936 Syllabus
ENG 4936 (Honors Seminar): Reading Science Fiction: The Pulps Professor Terry Harpold Spring 2019, Section 7449 Time: MWF, per. 5 (11:45 AM–12:35 PM) Location: Little Hall (LIT) 0117 office hours: M, 4–6 PM & by appt. (TUR 4105) email: [email protected] home page for Terry Harpold: http://users.clas.ufl.edu/tharpold/ e-Learning (Canvas) site for ENG 4936 (registered students only): http://elearning.ufl.edu Course description The “pulps” were illustrated fiction magazines published between the late 1890s and the late 1950s. Named for the inexpensive wood pulp paper on which they were printed, they varied widely as to genre, including aviation fiction, fantasy, horror and weird fiction, detective and crime fiction, railroad fiction, romance, science fiction, sports stories, war fiction, and western fiction. In the pulps’ heyday a bookshop or newsstand might offer dozens of different magazines on these subjects, often from the same publishers and featuring work by the same writers, with lurid, striking cover and interior art by the same artists. The magazines are, moreover, chock-full of period advertising targeted at an emerging readership, mostly – but not exclusively – male and subject to predictable The first issue of Amazing Stories, April 1926. Editor Hugo Gernsback worries and aspirations during the Depression and Pre- promises “a new sort of magazine,” WWII eras. (“Be a Radio Expert! Many Make $30 $50 $75 featuring the new genre of a Week!” “Get into Aviation by Training at Home!” “scientifiction.” “Listerine Ends Husband’s Dandruff in 3 Weeks!” “I’ll Prove that YOU, too, can be a NEW MAN! – Charles Atlas.”) The business end of the pulps was notoriously inconstant and sometimes shady; magazines came into and went out of publication with little fanfare; they often changed genres or titles without advance notice. -
By Lee A. Breakiron ONE-SHOT WONDERS
REHeapa Autumnal Equinox 2015 By Lee A. Breakiron ONE-SHOT WONDERS By definition, fanzines are nonprofessional publications produced by fans of a particular cultural phenomenon, such as a literary or musical genre, for the pleasure of others who share their interests. Readers themselves often contribute to fanzines by submitting their own articles, reviews, letters of comment, and fan fiction. Though the term fanzine only dates from 1940 when it was popularized within science fiction and comic book fandom, the first fanzines actually date back to at least the nineteenth century when, as a uniquely American development, literary groups formed amateur press associations or APAs in order to publish collections of poetry, fiction, and commentary. Few, if any, writers have had as many fanzines, chapbooks, and other ephemera dedicated to them as has Robert E. Howard. Howard himself self-published his own typed “zine,” The Golden Caliph of four loose pages in about August, 1923 [1], as well as three issues of one entitled The Right Hook in 1925 (discussed later). Howard collaborated with his friends Tevis Clyde “Clyde” Smith, Jr., and Truett Vinson in their own zines, The All-Around Magazine and The Toreador respectively, in 1923 and 1925. (A copy of The All-Around Magazine sold for $911 in 2005.) Howard also participated in an amateur essay, commentary, and poetry journal called The Junto that ran from 1928 to 1930, contributing 10 stories and 13 poems to 10 of the issues that survive. Only one copy of this monthly “travelogue” was circulated among all the members of the group. -
Fantast Handbook 1952 Contents
OPERATION FANTAST HANDBOOK 1952 CONTENTS AN INTRODUCTION...................................................................... .. Page 4. THE CONTACT BUREAU ....................................................................... Page 6. DOLLARS AND POUNDS ....................................................................... Page 7. OPERATION FANTAST POSTAL LIBRARY..........................................Page 9. CURRENT MAGAZINE LISTING............................................................. Page 10. "DEAD" MAGAZINES................................................................................ Page 14. MAGAZINES: some general notes •• •* ...................... Page 15. THE FANTASY ART SOCIETY............................................................. Page 16. THE DISTRIBUTION SERVICE............................................................. Page 18. THE INTERNATIONAL FANTASY AWARD..........................................Page 18. A WORD ABOUT FANZINES ............................................................. Page 19. LITERARY AGENTS.................................................................................Page 21. CLUBS AND SOCIETIES.......................................................................Page 22. THE BRITISH FANTASY LIBRARY................................................... Page 25. BOOK DEALERS.......................................................................................... Page 26. MAGAZINE DEALERS................................................................................ Page 26. -
Science Fiction Book Club Interview with Eric Leif Davin (Aug
Science Fiction Book Club Interview with Eric Leif Davin (Aug. 2021) Dr. Eric Leif Davin teaches labor and political history at the University of Pittsburgh. He wrote "Pioneers of Wonder: Conversations with the Founders of Science Fiction." as well as "Partners in Wonder: Women and the Birth of Science Fiction, 1928-1965." John Grayshaw: What is the Gernsback era? Although Hugo Gernsback briefly published an SF magazine in the 1950s, “SF Plus,” the Gernsback Era is actually referring to the period 1926-1934. In 1926 Gernsback launched “Amazing Stories,” the first SF magazine. It was the only SF magazine until 1929, when he launched “Wonder Stories.” In 1934 he sold the latter magazine to the Thrilling group, with it becoming “Thrilling Wonder Stories.” With that, he exited the SF magazine world until the 1950s. Bill Rogers: Professor Davin, have you done much research on early Russian science fiction, particularly that written after the October Revolution? If so, what do you think it contributed to the genre, or was it too isolated due to the external reaction to the revolution to have much effect beyond Russia? I’ve not done much research on early Russian SF. My feeling is that the handful of Russian SF films were more influential than the print versions. This might be seen in the impact they had on Fritz Lang’s “Metropolis,” a German film, which is currently playing in Berlin in the year 2021. Eva Sable: Has the function of the editor changed much from Gernsback's day to today? Is an editor more or less directive of the content, for example? No, the job of the editor has not basically changed. -
Science Fiction, Technology Fact
BR-205 SCIENCESCIENCE FICTION,FICTION, TECHNOLOGYTECHNOLOGY FACTFACT INTRODUCTIONINTRODUCTION ArtworkArtwork hashas playedplayed anan influentialinfluential andand centralcentral rolerole inin sciencescience fictionfiction literature.literature. ItIt hashas partlypartly defineddefined thethe scopescope ofof thethe genregenre andand hashas broughtbrought thethe startlingstartling andand imaginativeimaginative visionsvisions ofof outerouter space,space, explorationexploration ofof otherother worlds,worlds, interplanetaryinterplanetary spaceflightspaceflight andand extraterrestrialextraterrestrial beingsbeings intointo thethe mindsminds andand consciousnessconsciousness ofof thethe generalgeneral public.public. InIn magazinesmagazines andand books,books, filmfilm andand television,television, advertisingadvertising andand video,video, thethe artist’sartist’s visionvision hashas transformedtransformed wordswords intointo dazzlingdazzling andand compellingcompelling imagesimages thatthat stillstill liftlift thethe spiritsspirits andand brightenbrighten thethe soul.soul. A range of books gives wonderful examples of book and magazine covers, as well as paintings, illustrations and film posters, depicting science fiction themes and scenes. They trace the history and development of science fiction art, giving many examples of the images behind the stories, noting the technologies and ideas inherent in the pictures, and describing the lives and works of the artists and illustrators. Pulp magazines, with their lurid covers and thrilling, violent, -
Earl Kemp: E*I* Vol. 1 No. 5
Vol. 1 No. 5 December 2002 2002 Annual --e*I*5- (Vol. 1 No. 5) December 2002, is published and © 2002 by Earl Kemp. All rights reserved. It is produced and distributed at least quarterly through http://efanzines.com by Bill Burns in an e-edition only. When Thanks Isn't Enough....* By Earl Kemp One year ago I was trying to do something special for my MemoryHole mates for Christmas. I settled on reissuing an old Hannes Bok portfolio through http://efanzines.com with the help of Bill Burns. Then, to make matters worse, Bill went on to persuade me to produce a quarterly ezine named eI. "All you have to do," he told me, "is gather up the contents. I'll do the rest." And has he ever been doing it! Neither of us really expected the other to do all kinds of tedious and time-consuming work...on a regular schedule...for a whole year...just to force the other to do all kinds of tedious and time-consuming work. Both of us won. Bill Burns makes me shine! Then along came October of this year and I started looking around for something special to do for my MemoryHole mates for Christmas. It really isn't possible that a whole year has passed and that four quarterly issues of eI have appeared as threatened...yet here we are once more approaching the holiday season. Howard DeVore came to my rescue when he saw me struggling for ideas. "Why don't you post an archive of all of William Hamling's Imagination covers?" Howard asked, and his suggestion immediately grabbed me as being the right thing to do. -
Fantasy Review Would Long Since Have Given up the Struggle
FA NI TASY REV It VV Vol. III. No. 15 ONE SHILLING SUMMER'49 EXTENSION In discussing the disproportionate production costs which hamper any publishing venture catering for a limited circle of readers, Mr. August Derleth, editor and publisher of The Arkham Sampler, announces the imminent suspension oI that valuable periodical. Which prompts us to point out that, had it been launched as a proflt-making proposition, Fantasy Review would long since have given up the struggle. Only the continued support of its advertisers-which made it possible in the flrst place-has enabled ii to survive and' encouraged by the tangible entirusiasm of its comparatively small number of subscribers, develop into somet'hing more substantial than it was in its first two years of life. The letters we have published since its enlargement give evidence of the desire of its readers for more frequent publication; and we wish we were in a position to respond to this demand. Instead of which, due to production difficulties which we are powerless to resolve at present. $e have to announce that it becomes necessary for us to issue Fa.ntasy Review a,t quarterly intervals, as a temporary measure. OnIy thus can we contrive to maintain both the standard of contents and regularlty of appearance which have made its reputation, and at the same time embark on the further development which is essential to its progress in other respects. At first sight, this might seem a retrogressive step. But although subscribers must now wait longer for each lssue' they wi]I soon be aware of the improvements which the less frequent publishing schedule will permit us to introduce as from the next (Autumn, '49) issue, which will see a modiflcation in the title of this journal the better to convey the greater seope of its a$icles and features. -
Mr. Monster 3
ometimes I think Earth has got to be the insane asylum of the universe. and I’m here by computer error. At sixty-eight, I hope I’ve gained some wisdom in the past fourteen lustrums and it’s obligatory to speak plain and true about the conclusions I’ve come to; now that I have been educated to believe by such mentors as Wells, Stapledon, Heinlein, van Vogt, Clarke, Pohl, (S. Fowler) SWright,S Orwell, Taine, Temple, Gernsback, Campbell and other seminal influences in scientifiction, I regret the lack of any female writers but only Radclyffe Hall opened my eyes outside sci-fi. I was a secular humanist before I knew the term. I have not believed in god since childhood’s end. I believe a belief in any deity is adolescent, shameful and dangerous. How would you feel, surrounded by billions of human beings taking Santa Claus, the Easter bunny, the tooth fairy and the stork seriously and capable of shaming, maiming or murdering in their name? I am embarrassed to live in a world retaining any faith in church, prayer or celestial creator. I do not believe in Heaven, Hell or a Hereafter; in angels, demons, ghosts, goblins, the Devil, vampires, ghouls, zombies, witches, warlocks, UFOs or other delusions and in very few mundane individuals - politicians, lawyers, judges, priests, militarists, censors and just plain people. I respect the individual’s right to abortion, suicide and euthanasia. I support birth control. I wish to Good that society were rid of smoking, drinking and drugs. My hope for humanity - and I think sensible science fiction has a